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Paulette and Danni grew up miles apart — Paulette in Hamilton and Danni in North Toronto — but they might as well have been worlds apart. Paulette’s family emigrated from Jamaica. Danni grew up Jewish in an affluent neighbourhood of Toronto. Now both women find themselves on the streets of Toronto, working in the sex trade.
Paulette is a seasoned prostitute, working to support herself and her addiction. She acts as an unlikely and reluctant mentor and friend to Danni, who is new to the street and whose addiction has set her on a similar path to Paulette. Their paths intersect again and again over the course of a difficult and troubled friendship that sees Paulette begin to pull herself together while Danni manages to survive everything that comes her way. Will her luck run out? Has Paulette learned to make her own luck?
There is a dreamlike quality to many of the stories in this new collection from Wayne Curtis. In Wild Apples, he returns to familiar themes of love and longing, and the push-pull emotions which inevitably accompany any attempt to break free of the ties that bind. Simple pleasures abound in these evocative stories, be it fishing on the river, gathering beans for an evening supper (are they beans or has-beens?), or listening to the jukebox at the local diner.
Curtis mines the shaft of everyday experiences, turning each one into a meditation on human nature. In the title story, an afternoon drive yields fertile ground as a father and son stop to shake down a gnarled crab apple tree for the sweet-sour orbs of autumn. With a seemingly effortless style, he casts his line into the river of the past, reeling in tales of youthful folly, the Christmastime birth of a little sister, and life on the Miramichi River, which could be any river, anywhere. Curtis also shares his insight into well-known friends, including novelist David Adams Richards and Yvon Durelle, the Fighting Fisherman. His contemplation of the life and work of Robert Frost casts a fresh light on the Pulitzer Prize-winning poet.
Pacific Cinematheque Monograph Series #2 features Nettie Wild, one of the leading documentarians working in Western Canadian cinema today. Her work and her interests span the globe and also encompass issues of regional interest to the broader Western Canadian/British Columbian community. She is best known for her feature length documentary films, ‘A Place Called Chiapas’ (1998), ‘A Rustling of Leaves: Inside the Philippine Revolution’ (1989/90), and ‘Blockade’ (1993). ‘A Place Called Chiapas’ won the 1999 Genie Award for Best Canadian Feature Documentary and has played theatrically in over 100 cities in cinemas across North America.
Wild Daisies in the Sand is a series of diary entries beginning in 1941, when the author was imprisoned in concentration camps, first in Petawawa and then Angler, Ontario—a young Japanese Canadian, like many others, deemed dangerous by the Canadian government because of his race.
Wild Dogs and Fat Babies, a graphic memoir, offers a glimpse into the world of an artist and details her experiences with schizoaffective disorder. In this first volume a three volume series the author/artist explores how art can help find a path forward toward self-forgiveness, making mistakes, and finding healing through the process of illustration, specifically drawing from the imagination. Wild Dogs and Fat Babies should be considered an essential graphic novel and a key text to better understanding severe and very complex mental illness.
For most of us, the name Mongolia conjures up exotic images of wild horsemen, endless grasslands, and nomads — a timeless and mysterious land that is also, in many ways, one that time forgot. Under Genghis Khan, the Mongols’ empire stretched across Asia and into the heart of Europe. But over the centuries Mongolia disappeared from the world’s consciousness, overshadowed and dominated by its huge neighbours — first China, which ruled Mongolia for centuries, then Russia, which transformed the feudal nation into the world’s second communist state.
Jill Lawless arrived in Mongolia in the late 1990s to find a country waking from centuries of isolation, at once rediscovering its heritage as a nomadic and Buddhist society and simultaneously discovering the western world.
The result is a land of fascinating, bewildering contrasts: a vast country where nomadic herders graze their sheep and yaks on the steppe, it also has one of the world’s highest literacy levels and a burgeoning high-tech scene. While trendy teenagers rollerblade amid the Soviet apartment blocks of Ulaanbaatar and dance to the latest pop music in nightclubs, and the rich drive Mercedes and surf the Internet, more than half the population still lives in felt tents, scratching out a living in one of the world’s harshest landscapes.
Mongolia, it can be argued, is the archetypal 21st-century nation, a country waking from a tumultuous 20th century in which it was wrenched from feudalism to communism to capitalism, searching for its place in the new millennium.
This is a funny and revealing portrait of a beautiful, troubled country whose fate holds lessons for all of us.
Poems that stride bravely into the day-to-day, recovering the misdirected intensity at its core.
Brenda Leifso’s Wild Madder is about way-finding–through those moments in which you no longer recognize where you are. It’s about not knowing–who you are anymore, how to be in the world, how to love. It’s about what’s unspoken and about what speaks–conversation with the wild and animate world. It’s about marriage, family, motherhood–the drudgery in them and the quiet beauty.
This is lyric poetry wracked with pain, rage, and longing. In the beginning, the collection may read as though it’s been steeped in bitterness. Family can ask everything of a partner and parent and then turn around and take even more; Wild Madder feels like a note in a bottle washed up on the shores of a rough sea. But Leifso is not one to stand still or cling to darkness; in fact, we end up so far into the darkness that when she breaks through into light, it’s a conflagration of all the things that make us human.
These frank, bracingly recognizable poems will be irresistible–and cathartic–for anyone who has ever felt their life chewing them into little pieces.
“Brenda Leifso writes fearless poetry. Wild Madder turns the domestic inside out, revealing the ‘promise of thunder’ in the familiar. Hers is a generous voice, yet at the same time it is a charged one, calling us into the ‘long-toothed sun’. This is a book of fierce delights.” –Anne Simpson
A passionate encounter between a grieving mother and a troubled soldier just back from France illuminates Wild Mouth, a new play by Maureen Hunter. Anna is a British-born immigrant who returns to her brother’s prairie farm in 1917 to help with the harvest and to try to heal. There she meets Bohdan, a young man of Ukrainian descent who changed his name to Smith in order to get to the front. Anna’s desperation to understand her son’s death propels both of them to the edge of an abyss. This seven-character play explores the enduring connections between love and war, beauty and horror, creation and destruction.
An old house painter learns that he probably has an incurable disease. While the doctors try to save his life, the old man, who has never ventured beyond his small town, dreams of going to spend his final days living intensely in a sunny Florida that is transfigured by his feverish desire not to die. And it is this overwhelming desire that brings back the memory of the redheaded young woman who was the great love of his life. “Wild Red Love” is a novel full of colour, passion, and tenderness, about mad love, fiery love, set in Nicolet in the 1920s and taking the reader through landscapes in the American South – a hymn to the beauty of the world.
Wild Talent: a Novel of the Supernatural is the strange tale of Jeannie Guthrie, a sixteen-year-old Scottish farm worker, who possesses a frightening talent. Believing that she has unintentionally killed her ne’er-do-well cousin, her fear of being sentenced as a witch propels her to flee her home to London. There, Guthrie is befriended by the free-spirited and adventurous Alexandra David, and introduced to Madame Helena Blavatsky’s famous salon where she begins to understand the source of her strange powers.
With detailed action sequences Kernaghan engages her readers as Jeannie and Alexandra venture from the late Victorian world of spiritualists and theosophists; to the fin de siecle Paris of burgeoning artists, anarchists and esoteric cults; and finally to the perilous country of the Beyond.It is against these eerie late 19th century backdrops that Kernaghan weaves an accessible tale of myth and magic, while at the same time addressing the serious and relevant issues of trust, conviction, and power.
When Eddie receives an early morning call for help, he catches the next plane to Britain. His friend, Dr. Peter Maurice, a renowned psychologist on a UK book tour with his wife Sylvia, has been accused of multiple, brutal murders and is about to be arrested.
Eddie learns that the deadly intrigue goes further back than the present time — to a two-hundred-year-old manuscript, written by Franz Anton Mesmer, and recently purchased by Dr. Maurice. The manuscript, written in Old Italian, appears to be a catalyst that sparks killing sprees, as history shows that Mesmer’s great-great-granddaughter, who smuggled the manuscript out of East Germany, became the first of many women to die horribly at the hands of a demented serial killer. But what’s the connection?
Eddie arranges to have the manuscript translated, but when he goes to collect it, he discovers the translator dead, her head brutally crushed by a killer who specializes in breaking bones very slowly. Eddie’s investigation unearths gruesome information about England’s notorious Newgate Prison, once frequented by Mesmer but long since burned to the ground.
The paparazzi are all over Eddie and Dr. Maurice’s wife as Eddie works to disprove Scotland Yard’s claim that Dr. Maurice is a monster. Eddie is determined to help the good Doctor and prove the police wrong. But are they?
“A bunch of wild women once wandered this land and thought that their dinners had gotten too bland. They set out in search of fine foods they could get and ate up the sounds of the whole alphabet.”
Wild Woman’s Alphabet is a quirky ABC children’s title with Indigenous themes and images in the text and collaged illustrations.
Wild Women is a celebration of the wilderness as seen through the eyes of these three women artists: Joyce Burkholder, Kathy Haycock and Linda Sorensen. The book presents reproductions of each artist’s paintings, and photos of the artists at work in the landscape and in their studios. It includes short biographies of each artist, followed by a section of conversations that illuminate and compare their individual approaches and techniques. The foreword and afterword bring the message of the importance of conservation directly to the reader. Wild Women: Painters of the Wilderness is a beautiful art book that is also a strong statement by women about recording, sharing and preserving the Canadian wilderness. It introduces to a wider public a group of contemporary professional women painters who work together and support each other in their mutual goals. Part of what makes this book unique is that it presents the lives and work of three established female Ottawa Valley artists who gather together to paint the wilderness. Each has a back-to-the-land experience that drew her to this remote, rural area and connected her to the wilderness.
Legend. Bum. Genius. Con Man. Devoted husband and father. Myth. Storyteller. Inspiration. Drunk. Visionary. Tom Waits is all of these things.
Waits is the lifeline between the great Beat poets and today’s rock & roll heroes. He’s old enough to be your dad and cool enough to be your hero. One of the few truly original musicians recording today, he’s also the rare singer who can actually act, and he has put together a respectable body of work in movies.
Wild Years: The Music and Myth of Tom Waits retraces the long road that Waits has traveled and explores the music that made him a legend. Jay S. Jacobs looks at the towering myth that Waits has created for himself.
Jay S. Jacobs follows the fate of one of America’s pre-eminent artists, a very private man whose career embodies a quirky array of fulfillment and loss, beauty and strangeness.
This revised and updated edition includes a new chapter, with insight on Waits’ career in the 21st century thus far, as well as the most complete discography available in print. Tom’s Wild Years — a poignant, revealing celebration of the man and all his myths.
Revised and updated 30th anniversary edition of the wilderness classic of raising a young family in the remote wilds of northern Canada.
In 1978 Deanna met her hermit husband in Northern BC while she was working as a forestry lookout attendant. For the next thirteen years she led the life of a pioneering mother in the wilderness. Over a hundred miles from the nearest paved road and cut off from most contact with the outside world, Deanna and her husband Jay built a life and raised their children in the stunning beauty and staggering isolation of the Ningunsaw Valley.
She describes the family’s remarkable self-sufficiency in constructing their home, growing and harvesting their own food and eventually building a small dam to generate electricity. But the unrelenting work of a pioneer life is balanced with her deep love and connection to the natural world that surrounds them. Deanna has been a naturalist her whole life and nature breathes as a character in each of her books.
This new edition includes chapters that expand on her relationship with Jay, his mental health challenges and the break-up of their marriage. Thirty years ago, these subjects were less discussed but in this new edition Deanna candidly addresses the personal challenges they faced in their marriage.