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A lovely linguistic tension runs through this first collection of poems by Kathleen Wall, a desire to close the grieving space between words and feeling: the taut ache of separation, the mute solace of animals and gardens, a daughter’s silent discoveries. These are gentle, serious poems which draw on all the senses to discover how the world is made, how love and sorrow form the final record of experience.
without cease the earth faintly trembles
Centred on the everyday, and crafted without preamble or pretension, the poems in Without Ceremony are a literary pastiche— a thematic mosaic not unlike tracks on an album. Amidst a timeless cast of characters from Lucretius and Eva Hesse to Joan Mitchell and St. Augustine, Carr illuminates what it means to truly know something and questions how certain knowledge becomes valued over others. Without Ceremony spotlights the gendered division of ideas and the inherent strength of language to harm and oppress, as well as elevate. Within these pages, passing encounters become rare spectacles, and the ordinary, without ambitions of grandeur or ceremony, is celebrated, making Carr’s new collection a clarifying elixir for our time.
“Football’s massive popularity is undeniable, as are the many reasons players and fans are drawn to the game. But what is also undeniable is the game’s brutality and the troubling aspects of football culture at all levels. To whatever extent the reader shares Irv Muchnick’s perspective and conclusions, the evidence and arguments he presents deserve thoughtful attention.” — Bob Costas, Emmy Award–winning sportscaster “Muchnick’s jeremiad digs deeper than ever into the greed and hypocrisy of high school and college football, and the trail of broken bodies left in their wake. His information on the perils of conditioning is essential reading and might save your kid’s life.” — Robert Lipsyte, author of The Contender and SportsWorldFootball’s concussion crisis is well known, with our Hall of Fame heroes behaving erratically and dying young. But did you know that kid players across the continent die every year before a single ball is snapped — just from extreme conditioning drills directed by all-powerful coaches? And then, when the unimaginable happens, the football world simply buries the evidence, pays off victims’ families, and moves on …Without Helmets or Shoulder Pads presents the shocking stories of young men struck down by exertional heatstroke and other, often unacknowledged, causes. Taking the conversation about football and public health to a new level with investigations of the sport’s underreported worst tragedies and cover-ups it makes the case that no matter how much we enjoy America’s most popular sport at elite levels it belongs out of our public schools and off our public fields.
What is Indigenous erotica? It’s about the loving, sexual, ‘dirty,’ outrageous, and ribald intimacies of humanity and sexuality that we all crave. It shows us as we are: people who love each other, who fall in love and out of love, who have lovers, who make love, have sex, break hearts, get our own hearts broken, who have beautiful bodies. It’s about all of the crazy, poignant, obscene, absurd things we do just to taste, touch, enjoy, and enter another. An international collection of stories and poetry by: Kateri Akiwenzie-Damm, Maria Campbell, Chrystos, Patricia Grace, Basil Johnston, Randy Lundy, Daniel David Moses, Gregory Scofield, Richard Van Camp… and many more! Without Reservation. Go ahead, sneak a peek…
In Witness Back at Me, Weyman Chan continues to explore themes of dislocation and belonging by drawing on biography, myth, science, and the everyday. Chan’s poetry is suffused with a collage-like immersion of stream-of-conscious voices, approximating the kaleidoscopic effect of interior thought.
Witness Back at Me draws on the childhood loss of Chan’s mother to breast cancer, as a survival mechanism towards an aesthetics of accepted disembodiment, always haunted by a search for nurturing and surrender to some greater being. The poems in this book intertwine polyvocally, building into a liminal biographical metanarrative: the whole point of existence, the author believes, is to luxuriate in the greater being of not-knowing. To accept the historical underpinnings, the brokenness of the world, inside and outside the self, but be in constant communication of both worlds, towards understanding and healing, is the one true meaningful quest.
The Sterling Award-winning author of At the Zenith of the Empire and A Teatro Trilogy returns with a new collection of charming, heart-warming comedies. Originally written for the Edmonton Fringe Festival, these three plays combine Lemoine’s trademark sparkling banter and fanciful settings with often unexpectedly emotional explorations of marriage, love, and family. In Happy Toes, a husband’s faith is tested when he begins to suspect his wife is having an affair with a close friend; in The Oculist’s Holiday, a World War I widow falls in love with an American eye doctor on vacation in the small Swiss city of Lausanne; and in Witness to a Conga, a young man’s impending marriage stirs up memories of his troubled relationship with his father, his parents’ divorce, and the woman who never knew she was the great love of his life.
Things are not well with the Wittenbergs. Alice has given birth to her second child with a genetic disorder. Millicent has withdrawn into a depression. Joseph has to choose between being principal of George Sutton Collegiate and the new English teacher. And Mia finds herself at the mercy of an unsympathetic teacher while the attractive athletic neighbour ignores her. Only the oldest Wittenberg, the matriarch who holds the key to the family’s Mennonite past, can lead the Wittenbergs along the Dnieper River and toward a better tomorrow.
New and revised edition of an early work by the Governor General’s Award-winning poet.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the last of our six new editions of classic books from our back catalogue. This edition of Wittgenstein Elegies features an expansive Introduction by Sue Sinclair, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
First published in 1986, Wittgenstein Elegies is a polyphonic poem in five parts. It establishes the parameters of a long conversation between logic and the lyre that has continued over multiple books and in multiple genres. Long out of print, this revised edition is both a must-have for Zwicky’s readers and a perfect introduction to her work.
“Here was the one guy in recent history who appeared to have got it right and he was being taught all wrong. I wroteWittgenstein Elegies in an attempt to respond to this state of affairs. I wanted to draw attention to the unity of Wittgenstein’s life and work. I hoped to show how profoundly he experienced the moral dimensions of language’s relation to the world.” –Jan Zwicky, from the Afterword
“Zwicky shows us that there is a way of speaking that leaves room for what cannot be spoken.” –Sue Sinclair, from the Introduction
WJD is an irreverent phenomenology of West-Asia, where Islamicate consciousness is driven in and out of a plethora of conflicting ideologies and has left an impression deep enough to be read across the centuries. It also includes The OceanDweller, a translation of Saeed Tavanaee Marvi’s experimental tale of the power of poetry dipped in marine biology and shades of astronomy. The two volumes are printed together, one beginning from each side, with its own cover, making a unique and beautiful book.
Wolf King, The
Did you ever wonder where life would lead you if you truly followed your passion?
Joe LaFlamme not only wondered about it, he lived his passion to the limit. When, in 1920, he settled in Gogama, in remote Northern Ontario, he discovered a passion for the wild animals of the boreal forest. Taming wolves soon turned him into a legend, his fame spreading throughout Canada and the United States. Yet he himself remained untamed and unstoppable.Imagine a strapping Canadian trapper raising timber wolves to draw the sleigh; mushing his wolf team in the heart of big cities such as Montreal, Toronto, Boston, and even on Broadway in New York; travelling by plane with unleashed wolves; bringing his moose to ABC radio for an interview, to posh banquet rooms for a salad, and even to the local pub for a beer.Not only did Wolf Man Joe LaFlamme’s passion lead him to tempt fate by rubbing shoulders with wild beasts, he also defied the law by bootlegging moonshine to make ends meet and spice up his life.LaFlamme’s biographer, Suzanne F. Charron, has done extensive research to bring his story back to life and establish the Wolf Man in the canon of Canadian legends.
Wolfboy explores the relationship between two youths who are patients in a psychiatric ward—one of whom claims to possess the supernatural powers of the wolf.
In Prom Night, an evil sorceress feeds on the power of monsters. In the face of this evil, a group of high school girls becomes humanity’s only hope for salvation—and a successful prom.
In his commanding poetry debut, Wolf Sonnets, R. P. LaRose undoes the sonnet’s classical constraints, retooling the form for current political circumstances. Packed with family lore, these poems reflect on how deeply we can trust the terms we use to construct our identity. A proud citizen of the Métis Nation, LaRose even questions his right to identify as such: “I was made in someone else’s home,” he writes. Wolf Sonnets is verse obsessed with names, infinity, numbers, categories, and interconnectedness. Depicting his ancestors as wolves—symbols of survival and protection—LaRose brings fresh insight to his wider poetic project: castigating the inequality, greed, and racism inherent to colonialism.