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All Books in this Collection
Showing 9041–9056 of 9492 results
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Wayside Sang
$16.95Wayside Sang concerns entwined migrations of Black-other diaspora coming to terms with fossil-fuel psyches in times of trauma and movement. This is a poetic account of economy travel on North American roadways, across Peace and Ambassador bridges and through the Fleetway tunnel, above and beneath Great Lake rivers between nation states. Nicholson reimagines the trajectories of her birth father and his labour as it criss-crossed these borders in a study that engages the automobile object, its industry, roadways and hospitality, through and beyond the Great Lakes region.
Engaging a range of discursive fields to form the metrics of this project, she is interested in the intersection of various artistic practices and how being in relation to them can lend dimension to page and text-based efforts. Consider Charles Campbell’s Transporter project, begun initially as a visual investigation of the phenomenon of forced migration, or Camille Turner’s various “sonic walks” which present narratives that explore the complexities of Black life in Canada amid a “landscape of forgetting” Black history, and Khari McClelland’s embrace of music as a “transportation device” uncovering the experiences of fugitive Blacks crossing into Canada and a breadth of practice concerning borders and movement.
This book was once in the fields and frequented bars. It rolls out of factories onto roads travelling north across the border and returning again to some understanding of home. There are passengers and possessions – travelling musicians – memories of the Caribbean – brothers determined by border crossings – daughters reassembled.
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We All Will Be Received
$21.95**CANADA BOOK AWARD WINNER**
**NEXT GENERATION INDIE BOOK AWARDS WINNER, SUSPENSE**
**NEWFOUNDLAND AND LABRADOR BOOK AWARDS FICTION LONGLIST**
***2020 RELIT AWARDS: LONG SHORTLIST***
In 1977, a young woman swipes a duffel bag of drug money and flees her bad-news boyfriend, hitching a ride with a long-haul trucker who points out satellites and enthuses about the future of space cargo. Building a life disconnected from her past, she assumes a new identity as Dawn Taylor, but thirty years later, running a roadside motel on a remote highway, Dawn will host a group of disparate individuals—all desperate to rewrite their own stories.
Brody seeks escape from those intent on repeating the narrative of his childhood trauma. Cheryl, whose career as a filmmaker is being dismantled on social media, rushes to rescue her daughter from a vicious cycle. And Spencer, an ex-con with easy access to his criminal past, chases an elusive redemption after seeing a picture of Dawn on a tourism website.
In We All Will Be Received, Leslie Vryenhoek offers a range of unforgettable characters—all hoping to reconstruct a truth that’s been shattered by perspective—and asks whether anyone can find peace or atonement in a contemporary world where technology makes the past ever present.
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We Are All of Us Left Behind
$24.95A queer coming-of-age story about a young man’s journey from Canada to Serbia in search of his roots, about the power of truth and lies, and about the persistence of hope when there’s nothing else left.
Orphaned and stuck in a one-traffic-light prairie oil town, a young man yearns for a family to belong to and sets out to find his last known living relative, his grandfather, the Serbian author Milos Milic. Armed with nothing but his wit and resourcefulness, he starts his trek, from his hometown on the Canadian plains, across continents and countries, in search of acceptance and family, which he finds, but in the most unexpected people.
We Are All of Us Left Behind is a queer coming-of-age story about the powers of truth and lies, of what a family really is, and the persistence of hope when there’s nothing else left. Told in compelling, spare prose, We Are All of Us Left Behind is written in the spirit of The Beach meets The Goldfinch.
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we are no longer the smart kids in class
$18.00From the drunk tank to the graduate seminar, we are no longer the smart kids in class asks what it means to think and be, play and learn, ride bikes and make love in a world of depleting resources, technological proliferation, and corroding ecosystems. A fantasia of academic disillusionment and deflating youth, this collection contemplates moustaches, mountains, and oceans from Halifax to Victoria, always wondering how poetry matters to the heaving, melting, masturbating world it dramatizes.
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We Are Not in Pakistan
$22.95A Quill & Quire Book of the Year
Ten years after her stunning debut, Shauna Singh Baldwin returns to Goose Lane with an outstanding new collection of ten stories. Migrating from Central America to the American South, from Metro Toronto to the Ukraine, this book features an unforgettable cast of characters. In the title story, 16-year-old Megan hates her Pakistani grandmother — until Grandma disappears. In the enchanting magical realism of “Naina,” an Indo-Canadian woman is pregnant with a baby girl who refuses to be born. “The View from the Mountain” introduces Wilson Gonzales, who makes friends with his new American boss, the aptly named Ted Grand. But following 9/11, Ted’s suspicions cloud his judgment and threaten his friendship with Wilson.
Each containing an entire world, these stories are marked by indelible images and unforgettable turns of phrase — hallmarks of Baldwin’s fictional world.
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We are One
$14.95An anthology of Canadian poets marking the 2020 Pandemic.
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We Are Still Here
$17.95Part mystery, part dystopian prophesy, We Are Still Here probes the implosion of the vagrant goals and economic aimlessness in one man and his resulting quest for purpose. Through a blending of mythical forces and mythological archetypes that idealize the Innu tales of cultural heroes, and shape-shifters, We Are Still Here acts as traditional account of the life events of a self-proclaimed Innu oracle, and how his gathered tribe emerge as the future of civilization by returning to a world in which humans and animals are not yet differentiated.
Highly entertaining and deceptively simple, Beuhler’s tale works for a wide reading audience.“An exciting new voice on the scene, Chris Beuhler’s enormous imaginative scope, his vigorous prose, and the high tension he creates will have everyone reading this book.” – Sharon Butala
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We Don’t Listen to Them
$18.95In an inviting and challenging series of fictions, Sean Johnston’s We Don’t Listen to Them will leave readers puzzling while they smile at the acrobatics of his words and techniques. Some of Johnston’s stories border on “flash fiction” where incidents rather than an actual narrative drive the story. In the open piece “How Blue” the boy Ronnie is caught in the vortex of his father who drinks and a mother who condones, and a church representative who reforms. There is no plot, just Ronnie eating his purple ice cream and thinking his way through the maze. Several stories, particularly “Whose Origins Escaped Him” and “We Don’t Celebrate That” feature meta-fiction that explores writing about writing. In the former elaborate footnotes delineate the characters and their actions, explaining why the story is unfolding the way it is and why the writer has chosen to do this. In the later story “We Don’t Celebrate That”, the narrator, a writer, explains how rules can be absurdly imposed on writers in a futile attempt to govern the writing process. The story, which might have been about someone looking intently into their dying mother’s eyes and finding confusion there isn’t about that because section 18 of the rules says ‘All stories must say what they are not’. Such paradox is at work in many of the fictions in this collection, but so too are the small epiphanies of the characters who evolve within the work.
At various junctures in the collection Johnston employs devices that adjust his writing to be focused with the lens of meta-fiction. Shifts in narrative, jumps in time, intrusions into the narrative tension are all common here.But so too is pathos as seen in the family dilemma of a recovering alcoholic in the story “We All Considered This”. And we do find compassion in the son-in-law who holds sympathy and kindness for his father-in-law afflicted with Alzheimer’s in “You Didn’t Have to Tell Him”, and share the weighted sadness of the husband dressing his dead wife for the funeral in “He Hasn’t Been to the Bank in Weeks”. While the world will turn upside down in Johnston’s stories, and the logic and reality will be violated, and a bank teller will hand a patron his bank robber note, it is fiction that also ebbs and flows with human struggle, that is recognizable and relatable and, despite the challenges and uncertainties placed in the reader’s path, there is always a way to see more clearly than think we do.
Buy an eBook version of this book at Kobo, Amazon Kindle Store, or your favourite eBook store
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We Follow the River
$20.00We Follow the River tells the story of one family’s escape from military violence in Myanmar, their exiled existence in Thailand, and their immigration to Canada with only a pile of beat up suitcases on a luggage cart. It is about growing up as a foreigner in a foreign land, sifting through family history and grief, and alighting across cultures and continents to find a home.
Onjana Yawnghwe’s third poetry book reveals an expertise in language—at times joyful, disobedient, wild, and other times condensed and restrained. A work of over twenty years, these poems are written and rewritten through the retroactive prism of experience, polished and honed, eroded and erased. Sweeping in scope, intimate and honest, these poems tell of the quiet moments, the unruly moments of rage and sorrow, the rough distillation of self, both hated and loved. These poems reside behind the secret, dark door of the self.
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We Gladly Feast
$20.00We Gladly Feast on Those Who Would Subdue Us marks a significant formal shift for award-winning poet Roxanna Bennet, away from the recombinant sonnets that she employed so deftly over three volumes. She reformulates disability poetics in this new collection by infusing concepts of collage, enacting the improvised experience of disabled persons who use whatever comes to hand in order to negotiate the inaccessibly-constructed world. Though her formal strategies have changed, Bennet’s voice remains as unique and as powerful as ever.
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We Had Years
$24.95“Like Cheever or Munro, Russell Wangersky delves stealthily into disquieting corners of the domestic sphere.”—Globe and Mail
A man mourning his only friend contends with his guilt over an unspoken transgression. A member of a concrete crew compares his own friendships with his ex-girlfriend’s. An elderly woman in a care home struggles to recover speech after a stroke—and to explain her unsettled feelings about another resident. A young renter contemplates the lives of her homeowner neighbours. In stories reminiscent of John Cheever or Alice Munro, Russell Wangersky considers the ostensibly everyday to expose the sudden depths of feeling that undergird the most ordinary lives.
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We Meant Well
$24.95Longlisted for the 2023 Scotiabank Giller Prize September 2023 selection for Great Group Reads by the Women’s National Book Association“Unsparing and compassionate … A novel of harrowing eloquence, We Meant Well explores compelling cultural contrasts and the ambiguity of charitable outreach.” — Foreword ReviewsA propulsive debut that grapples with timely questions about what it means to be charitable, who deserves what, and who gets the power to decideIt’s the middle of the night in Los Angeles when Maya, a married mother of one, receives the phone call. Her colleague Marc has been accused of assaulting a local girl in Likanni, where they operate a charitable orphanage. Can she get on the next flight?When Maya arrives, protesters surround the compound. The accuser is Lele, her former protégé and the chief’s daughter. There are no witnesses, no proof of any crime.What happened that night? And what will happen to the orphanage if this becomes a scandal? Caught between Marc and Lele, the charity and the villagers, her marriage and new temptations, and between worlds, Maya lives the secret contradictions of the aid worker: there to serve the most deprived, but ultimately there to govern.As Maya feels the pleasures, freedoms, and humanity of life in Likanni, she recognizes that her American life is inextricably woven into this violent reality — and that dishonesty in one place affects the realities in another.
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We Oughta Know
$24.95A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever
Fully revised and updated, with a foreword by Vivek Shraya
“A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara
In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.
With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.
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We Shed Our Skin Like Dynamite
$20.00Winner of the 2021 Ottawa Book Award for English Fiction
In her debut collection of poetry, Conyer Clayton hovers in the ether, grasping wildly for a fleeting sense of certitude. Through experiences with addiction and co-dependence, sex and art, nature and death, she grapples for transcendence while exploring what it means to disengage. What is revealed when you allow yourself to truly feel? What do you ask for to carry you into life, and where do you land when this fails? And when you are finally, beautifully, emptied out, who are you? The poems in We Shed Our Skin Like Dynamite wonder aloud amidst tangled revelations, and yearn to be lifted away.
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We Were Like Everyone Else
$18.95Traversing the world from the Garden of Eden to a grandmother asking what’s a tweet, We Were Like Everyone Else explores the daily humanity of family, the folly of our politics, and a natural world that seems to offer the promise of consolation but never quite does. In poems both lyrical and narrative, the possibility of violence is never far off, but the same can be said of love, our capacity to endure, our hunger for healing and redemption. And yet these poems offer no prescription, no bulwark to keep menace from our children or despair from encroaching on our few vestiges of hope. Ken Victor’s first collection of poems takes us back to children ducking under desks in the nuclear fear of the 50’s, to the collapse of innocence in the face of the Vietnam War, to the fall of the Berlin Wall and the depravity of the siege of Sarejevo. Always the question of whether or not we can survive our own missteps lingers in the background of our 21st century lives as we go about raising our children, dining in restaurants, walking in woods, working from a home office. As one poem puts it, you’ve got to live your life like you’re in control of it, pray like you aren’t.
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We, the Others
$22.95Ungrateful, opportunistic, moochers, dangerous, incompatible with our values and our way of life?
Every immigrant demographic has heard these descriptors at some point in their migration history. We, the Others takes a contemporary look at the xenophobia, ethno-nationalism, and fear of the other that leads to discrimination and the belief that immigration is a polluting force.
Rooted in the author’s personal family history as the second-generation daughter of Greek immigrants, and from her research as a journalist and columnist covering identity politics and social issues in Quebec and Canada for the past 20 years, Drimonis courageously tackles this country’s history and practices, divisive legislation like Bill 21, and various nationalist movements that have influenced policy. We, the Others is a poignant look at inter-generational struggles, conflicting loyalties and heartfelt questions of belonging.