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“Kalteis breathes life into these fearless, larger-than-life fugitives.” — Publishers Weekly, starred review
Meet Depression-era newlyweds Bennie and Stella. He’s reckless, she’s naive. Longing for freedom from tough times, they rob a bank, setting off a series of events that quickly spin out of their control
Under an Outlaw Moon is based on the true story of Depression-era bank robbers Bennie and Stella Mae Dickson. She’s a teenage outsider longing to fit in. He’s a few years older and he’s trouble. They meet at a local skating rink and the sparks fly.
They marry and Stella dreams of a nice house with a swing out back, while Bennie figures out how to get enough money to make it happen. Setting his sights on the good life, he decides to rob a bank. Talking Stella into it, he lays out his plan and teaches her to shoot. The newlyweds celebrate her 16th birthday by robbing a local bank.
They pull it off, but the score is small, and Bennie realizes the money won’t last long, so he plans a bigger robbery. What lays ahead is more than either of them bargained for. After J. Edgar Hoover finds out they crossed state lines, he declares them public enemies number one and two — wanted dead or alive. So much for the good life. The manhunt is on, and there’s little room for them to run.
Ailsa Kay lays out the literary equivalent of a jigsaw puzzle in Under Budapest, bringing into stark relief the triumphs, calamities, and desperation of two North American Hungarian families and those whose lives they’ve touched.
There’s Agnes and Tibor, mother and son, travelling to Hungary for reasons they keep to themselves, he to recover from a disastrous love affair, she to search for a sister gone missing during the 1956 Hungarian Revolution. There’s Janos, a self-styled player and petty thug, who schemes to make it rich in post-communist Hungary. And there’s Gyula and Zsofi, caught up in a revolution that will change the face of Hungary forever. Their lives are all connected by a conflagration of events: The legacy of wartime violence, past allegiances, long-buried rivalries, and secrets from the past.
Through riveting narratives that spring back and forth through time, Under Budapest captures the drama and ravages of the Hungarian Revolution and the eras that followed. A dark ode to memory, Kay’s intimate spectacle demonstrates that actions have consequences, that the past cannot be shaken, that all events can carry the possibility of repercussion.
Tucked away in her tattoo studio in the port city of Halifax, Shaz draws meaning and symbolism onto the bodies of her clients. After the ransacking of her home, the brutal attack on her friend and the sudden appearance of her white father, Shaz is compelled to explore the racial divides in her life and in the city around her. A chance encounter with Rashid, a parkour-performing refugee from Sri Lanka, provides a stabilizing counterpoint to the tumultuous relationships in her life.
Ultimately, Shaz discovers the complexities of truth, the meaning of loss and how we are all coloured by our experiences. In a narrative that explores racism, family dysfunction and the experiences of refugees, Under Her Skin paints the canvas of our landscape, making us aware of who we are.
Under My Skin asks a lot of questions, questions that demand answers: Why are young black gay men invisible in Canada’s queer and black communities? Do their lives really matter? How do young black men deal with the daily challenges of dealing with multiple oppressions in relation to our race and gender? Is Canada truly a multicultural nation? Why are the brothers dying due to gun violence on the streets of Toronto?
Under the Bright Sky: A Memoir of Travels through Asia brings together ten personal travelogues set in ten Asian countries over a period of several decades. Each story is a snapshot of a distinct time and place, covering a vast and complex landscape, both physical and emotional. Intimate recollections stretch from a father’s desire to revisit Sri Lanka, where he had been posted fifty years earlier during WWII, to a spouse’s search for long-lost relatives in the small villages of southern China. A widowed husband mourns; the stages of a new romance are celebrated in India and Indonesia. Cultural conflict is encountered in Turkey; cultural cooperation in Vietnam. Together, these intimate recollections are a meditation on the relationships between cultures. Interlaced with each new experience is a sense of familiarity and appreciation as Scott places his own travels into the context of those before him, exploring our interconnectedness–a Thai Buddhist abbot in search of the perfect piece of BC jade, and the first Japanese visitors to the Pacific Northwest, a group of seamen who arrive the hard way, drifting in their disabled vessel for more than a year. In Under the Bright Sky, award-winning author Andrew Scott ventures through time and space in search of connection and meaning. His devotion and insight will inspire travellers and historians alike.
From birth, the child was locked away in a minuscule cell, at #804 of level 5969 of the Edifice. Around him … only concrete, without a view of the outside world. And two people: the tyrannical father, slowly killing himself; and the mother, fearing eviction. Unmoving in his roost, the child’s life will be disrupted by a transformation that will reveal an unexpected horizon.
Praise for Under the Stone:
“Although thematically this novel is not a relaxing read, it is beautifully written in short, sparse sections that cumulatively build toward a horrendous, yet engaging, alternate reality. Homel’s translation progresses fluidly so that the language never distracts from the narrative, but rather lodges the reader deeper and deeper Under the Stone.” (Montreal Review of Books)
Under the Stone exists on the fault line between novel and poem, exploring a monochromatic world haunted by the ghost of self-conscience.
Dark but deeply engaging.
“Echoes of George Orwell’s 1984 are heard throughout this excellent novel with its style as cold and dark as whatever lies under the stone… ” (Lisanne Rhéault-Leblanc, 7 jours)
At ten, Melody Sparks, better known as Baby Girl, is excited to move to the tropical island of Trinidad with her single-parent dad, but she silently longs for her mother, a woman she can’t recall ever meeting and doesn’t have a photo of. She fits in to her new life in Paradise Lane quite well: she loves her school and makes new friends. However, her longing for blood family remains strong. But Baby Girl is suddenly and unexpectedly uprooted from her comfortable life in Paradise Lane by and forced to reside in Flat Hill Village, a depressed, crime-ridden community. She struggles to adjust to life in this village with the help of new friends, Arlie, a village activist and Colm, a young man who mentors her to write poetry. When Baby Girl witnesses a serious crime, her father insists she move in with relatives she doesn’t know very well, where she ultimately uncovers the truth about her mother. Under the Zaboca Tree is a contemporary coming of age novel that explores multiple issues including the challenges of being a motherless adolescent, searching for one’s identity, the unbreakable bonds of family, and the ability to adapt to difficult situations.
Undercurrents: New Voices in Canadian Poetry is an introduction to the work of eleven poets who have not yet published full collections of their own, but whose poems have been making their way into print in Canada and abroad.
The poems have been hand-picked by editor Robyn Sarah both for their qualities as individual poems and for the ensemble they create. Each selection has been compiled with a view to showing the poet’s range, yet each is also sequenced so that the poems work effectively as a suite.
The contributors’ ages span five decades, bringing to bear the perspectives and concerns of different life stages. This is not the latest crop of MFAs in Creative Writing, but a foraged gathering of eleven strongly individual poets coming from different regions, different backgrounds, and different walks of life. What they have in common is their uncommon ability to explore our shared human condition in words that resonate.
Featuring:
E. Blagrave
Sarah Feldman
Hamish Guthrie
Amanda Jernigan
Daniel Karasik
Michael Lithgow
George Pakozdi
E. Alex Pierce
Jason Ranon Uri Rotstein
Key Weber
Margo Wheaton
Across space and time, crossing continents and decades, in this volume the poet uses memory and the minutiae of daily life to unravel the mysteries of love and death. He examines belief and superstition, on occasion prays, and delights in the sight of the familiar and the strange, the young and the old. In his journey the poet is lost but holds up the map to everywhere and everyone.
The second trade collection by Ottawa poet N.W. Lea, Understander continues his investigations of language, discourse, and irony through the short lyric.
Understories explores the meeting of the natural, suburban and inner-city experiences of Prince George. These poems look beneath the daily observations of a place jostled between stripmalls and pubs, the university and the mill, and a landscape that presses in at every corner, revealing a sometimes gritty underside. Al Rempel’s poetry kicks the snow off alleyways, tramps around a fallen-in trapper’s cabin, or sneaks onto the neighbour’s front lawn – all with a wink and a nod.
Bartlett takes his readers on a meditative journey in which he encapsulates the complexity of human experience. Delighting in humour and the play of words, he induces his readers to take a new look at historical events, the natural world, and a full range of emotions.
The Odyssey, woven through the streets of Winnipeg. Loosely based on Homer’s classic story, The Odyssey, this graphic novel follows Hector as he tries to regain his sanity whilst navigating his way through the criminal underworld on the streets of Winnipeg. As he puts the pieces of his life back together, Hector rediscovers his wife and children, forgotten through his madness. Hector battles to save himself so he can make amends with his family, the chance of redemption tantalizing amongst the inner war in his mind and the physical danger he finds himself part of too.