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“If heaven is full of angels like me, hell must be empty.” So begins Autant, a tale woven over the course of four days and fifty-four years, based on the relationship between bees and one Franco-Albertan family, the Garances, of Autant, Alberta. Tension emerges in the balance of power between siblings, between seen and unseen forces of good and evil, between perception and reality, between loyalty and traitors, and between what we are taught and what we actually learn.
Poised between an ever-practical God and a quixotically old Coyote, it is a tale told to explain the disappearance of bees in northern Alberta and becomes a sometimes not-so-subtle exploration of how old and young, male and female, humans and non-humans perceive love.
Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of “being yourself in a performance situation.”
Written, among other things, to celebrate PME-ART’s twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining Co-Artistic Director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.
When Jacob finished a first draft of the book he sent it to many of those who had co-created or worked on PME-ART projects asking for their comments. Therefore, the book also features contributions from: Caroline Dubois, Richard Ducharme, Claudia Fancello, Marie Claire Forté, Adam Kinner, Sylvie Lachance, Nadia Ross, Yves Sheriff, Kathrin Tiedemann and Ashlea Watkin.
Winner, Canadian Museums Association’s Outstanding Achievement in Audience Outreach
Honourable Mention, Canadian Museums Association’s Outstanding Achievement in Research
Art has the potential to bring us together and create lasting connections. As humans, we have a universal need to express ourselves, find meaning, and experience a sense of belonging in our communities.
In 2006, the Art Gallery of Nova Scotia and Autism Nova Scotia partnered to develop a recreational art program that provided a safe and supportive environment for participants to express themselves creatively. In these classes, artists work in collaboration with autism support specialists and volunteers to provide meaningful and positive art experiences for children and young adults on the autism spectrum.
Autism Arts showcases the collaborative nature and profound impact of the program. Featuring interviews with participants and their families, facilitators, and therapists and autism support specialists, this unique resource gathers reflections, stories, and feedback; documents workshops, representative artworks, and visual stories of social interactions; and reflects on the role museums and galleries can play in inclusion.
Richly illustrated and accompanied with real-life stories, curriculum choices, and lesson plans, Autism Arts invites the reader both to celebrate and to share in the optimism and promise inclusive programming holds for all of us.
As much poet as paparazzo, Maurice Mierau fixes his sights on the complexities of popular culture. Autobiographical Fictions is both questioning and confident, a book that explores delusion as a form of thinking and the failure of poetic language to register the anxieties of our daily lives. Speaking through figures such as John Berryman, Michael Jackson, Ovid, Sitting Bull, Marilyn Monroe, and Alan Turing, these poems give voice to disaffected generations who remain part of the zeitgeist. Prodigious, visceral, and humane, Autobiographical Fictions offers readers a glimpse through the lens of one of Canada?s finest poets.
A finalist for the 36th annual Amazon.ca First Novel Award!
The Combals are not unacquainted with death: they have never quite recovered from the loss of one of them in childhood. And now, on Valentine’s Day, they are losing another.
Guddy races to see her sister, Jerry and Bjarne avoid the phone and its news, Jean finds himself on a beach, and Annie fends off her mother’s persistent questions about what’s happening. And Therese tries to forgive them all before it’s too late.
As each is forced to face the news of Therese’s impending death, their actions weave a nuanced portrait of a family, of the devastating reach of childhood grief.
What if thinking is all we have at the end of the day? What if how we react really is all we can control? This transcendent first novel from award-winning poet Sina Queyras tells the story of childhood by illustrating six adult minds grappling with it: noticing, reaching, loving and flailing.
I am a gender criminal. I am Unmale, yet I write as though I am a person.
Driven by a Machiavellian mind and ego, Tiresius has risen through the ranks of the Autokracy to become Imperial Treasurer, has won over the trust of the Autokrator himself, and yet, has broken the society’s most scared rules: She has posed as a male for many years. In the eyes of the Autokracy, this gender crime is one of the most heinous a person can commit, and punishable by death.
In this deeply etched speculative world, women — Unmales — have been relegated to non-person status with their reproduction strictly controlled. Their only role is to serve men, and to do so from the shadows.
Tiresius’s rebellion against the Autokracy coincides with that of a Domestic — a female labourer — named Cera. Cera’s son, who was taken from her at birth as demanded by tradition, is the successor to the Autokracy. She is desperate to be part of his life and takes dangerous steps toward revealing herself to him, becoming a gender criminal herself.
The fates of both women become intertwined as they are driven to discover what cost gender and power exact.
Autumn Greene returns to her hometown after a six-year absence, uninvited to her sister Christine’s wedding, the daughter she conceived in a one-time encounter with her sister’s ex-fiancé in tow. Once burned, twice angry, Christine does all she can to make Autumn unwelcome, assuming another wedding disaster. A harbinger of truth, Autumn reveals all of Christine’s secrets and brings about a near-nuclear explosion of emotion and confusion among the family and wedding party. In the fallout of this strangest of romances, forgiveness emerges as the biggest challenge.Autumn, One Spring is a humour-infused drama that takes truthfulness in relationships seriously. Autumn constantly berates herself for making people unhappy when she opens her big mouth, but can’t stop herself from stating frankly all she sees, hears, and thinks.Grayson’s Autumn is a young woman who has transformed from a love poem-writing teenager with a crush on her high-school English teacher, Mr. Ashton, to a world-weary working single mom. Returning to her hometown brings her face to face with both Gabriel Ashton and the father of her child, forcing her to open doors to new life possibilities.Autumn’s well-developed character touches a chord in anyone who has ever experienced love’s cruel injustice, and the ever-spiralling plot keeps her readers glued to the page to see what the final outcome will be.
Families who would want to honour a parent’s request to not die in hospital, encounter obstacles that can defeat even accomplished health professionals. Autumns’ Grace is a story that spans a ten-month period as the Campbell family comes to terms with the father’s diagnosis of cancer. The diagnosis seems a particularly unfair blow to a veterinarian who has lived a very healthy lifestyle. In addition he has treated his animal patients and their owners with more respect and compassion than many of the human health professionals are willing or able to provide. The adult children (two nurses, veterinarian, and teacher) confront a health care system they thought they knew, and familial relationships that they had avoided for decades. Generational pulls and career conflicts challenge the siblings as they support their parents, conduct their own family and professional lives, and are forced to face critical situations and the decisions that they must make. They muddle through with varying doses of tenacity, courage, humour and hope.
Available Light is a critically acclaimed collection of haunting and unforgettable meditations from one of Acadie’s best-loved poets. Moving from playful erudition to melancholy, Chiasson explores essential questions about art and creativity, while at the same time delving into the roots of the Acadian experience. Touching on the lives and work of numerous artists, including Rimbaud, Kerouac, Picasso, Giotto, Cendrars, and Duchamp, Chiasson offers a modernist perspective on the masterpieces of the past. With essays extending from art to literature, from memory to a child’s crayons, he explores his subjects with the rich palette of a poet, bringing together a collection of “récits des apprentissages,” which comment on the panoply of human experience.
The definitive survey of an essential feminist poet.
In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has been writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian.
Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers.
Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking.
Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.
Andrea MacPherson takes us on a grand tour of Europe, where the vast legacy of human history combines with her own ancestral origins to make a mark on her. In reaction, MacPherson assembles suites of deft, personal lyrics for each country. These poems consider the state of estrangement from the familiar and the shock of history’s impress. Whether she is crossing the uneasy if commonplace border between north and south Ireland, visiting the ruins of a jute mill where her Scottish great-grandmother once worked, stopping for a kir on a ruelle in Montparnasse, or voyaging out by ferry into blue clarities of the Aegean, MacPherson is a traveller always aware of how her perceptions and her selfare being shaped. In this book of quiet beauty and careful observation, MacPherson seeks to re-invent the travel poem on her own terms.
Longlisted, Scotiabank Giller Prize
Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution.
As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.
In this beautifully crafted novel, David Bergen takes us to a place where chaos reigns, where answers come from everywhere and nowhere, and where both the beauty and horror of humanity are on full display.
Winner of the 2021 graphic novel of the year at the Alberta Book Wards,Awkward Pause is an anthology collection curated from Ryan Harby’s popular online comic series Honey Dill. A love letter to odd humour, Awkward Pause is a mix of joy and sorrow, both soft and sharp. The book includes over 50 comics, which range in topic from mental health to time travel, murder, and butts. Absurd and strange in ways that will warm even the coldest of hearts.
It was love at first scene: the West Coast’s innovative Theatre SKAM and Sean Dixon were a match made in heaven. AWOL offers up for the first time three of the fruits of their three-year-and-counting union.
In Aerwacol, a couple flees personal tragedy on a manual railroad car headed across the prairies, meeting odd characters along the way. Billy Nothin’ is an existentialist cowboy play inwhich horse trainer Billy None loses the ‘cowboy way’ so entirely that his best friends don’t even recognize him any more. And dystopian romance District of Centuries tells the story of a suburban type seeking his long-lost brother in a downtown housing project designed to crumble so fast that inhabitants come to believe they’re hundreds of years old.
Winner of the 2025 Betty Mitchell Award for Outstanding New Play
Chrissy Two Guns, a strong Blackfoot trans woman, runs a strict household, juggling work, school, and raising her adopted son, Richie, with her best friend, Uncle Toni. While Chrissy is intent on protecting sixteen-year-old Richie, Toni thinks it’s high time they stopped hiding things in the closet, like Toni’s fierce drag persona, Lady Nahaa. But when Chrissy’s estranged father unexpectedly arrives on their doorstep and mistakes Toni for his long-lost son “Christian,” a chaotic farce ensues, threatening to tear their chosen family apart.
A hilarious and healing tale of truth and reconciliation within an Indigenous family, this sparkling debut by Sable Sweetgrass honours the reverence that trans people have long held in traditional Blackfoot society and many Indigenous communities. Adorned with dance, drag, wisdom, and ceremony, from now on you’ll remember the name Awoowaakii.