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Lilly and Morgan Beaumont are comfortable in their routine until Parker, a homeless man, lands on the balcony of their new condo. After scaring the older couple half to death, he pours himself into the holes of their relationship, agitating them with talk of sex—talk that drives Lilly out into the night and sends Morgan on the road to another heart attack.
Nancy Shaw was an award-winning poet, scholar, and critic who was formative in shifting the ground of Canadian literature and poetics. She was co-director of the influential Kootenay School of Writing (KSW) and Writing magazine, was an artist-in-residence at the Western Front in the 1980s, and served as a chair of the Vancouver New Music Society.
In a 1994 CBC interview with KSW poets Jeff Derksen, Lisa Robertson, Catriona Strang, and Shaw herself, Shelagh Rogers asked American poet Peter Gizzi to describe their work, and he said: “Their work is unbridled, valiant, and vivid. [Their] vocabulary [is] reinventing the present.”
Shaw’s work was rooted in the contemporary and deeply concerned with collaboration, the institutionalization of art, the potential of the epistolary form, and the breaking of poetic conventions by offering interdisciplinary perspectives.
In Vancouver Anthology: The Institutional Politics of Art, Shaw wrote that collaborations allowed her to “question notions of authorship and originality.” She collaborated with artists and musicians such as Eric Metcalfe, and drew from popular music to write anthems and torch songs such as “Torch Song #6” in which she asserts: “[…] burst through my song / my watery one / my singular scrap.”
Edited by Catriona Strang, who co-authored Busted and Cold Trip with Shaw, The Gorge collects a range of Shaw’s prolific writing with a focus on her collaborations and poetry.
The Gorge: Selected Writing of Nancy Shaw resumes Talonbooks’ affordable and carefully curated Selected Writing series that began in
the 1980s.
The fifth novel in the Desrosiers Diaspora series from Québécois national treasure Michel Tremblay.
It’s May 1922, and preparations are in full swing for the marriage of Nana and Gabriel, which will take place the following month. There’s just one problem: Nana’s wedding dress has yet to be bought. Nana’s mercurial mother, Maria, torn between her desire to measure up as a mother and the inescapable constraints of poverty, wonders how to pay for the wedding. And she’s not the only one battling demons – the thought of the upcoming reunion unsettles every member of the large and dispersed Desrosiers family. While the wedding invitations announce a celebration, they also stir up old memories, past desires, and big regrets.
The Grand Melee extends Michel Tremblay’s beloved familial and historical saga, and bridges the Desrosiers Diaspora series and the now-classic Chronicles of the Plateau Mont-Royal. This book includes a newly translated introduction by Michel Tremblay specialist and Éditions Leméac publisher Pierre Filion.
Author Julie Fowler began a quest to find out more about an artist from the Cariboo named Sonia Cornwall (1919-2006). Through interviews, letters, original artworks, articles, exhibition catalogues, imaginings of conversations and occurrences, along with her own reflections on the experience, she pieced together a story of pioneering, love and the pursuit of art.
But in searching for Sonia, Fowler found an unanticipated new friend in Sonia’s mother, Vivien Cowan (1893-1990). Vivien became a larger part of the story than Fowler could possibly have imagined.
Fowler had discovered a hidden gem. In 1945, Vivien Cowan spearheaded the Cariboo Art Society with noted Canadian Group of Seven painter A.Y. Jackson. She had met A.Y. Jackson earlier that year at the Banff School, as well as another Canadian artist of note, Joseph Plaskett. Both painters, along with many others, would visit Vivien and her daughters, Sonia and Dru, at their property near 150 Mile House, the Onward Ranch. Vivien became the Grande Dame of the Cariboo, hosting some of Canada’s greatest talent and at the same time promoting the work of local artists and creators.
In this genre-bending work, Fowler expertly and creatively weaves her search for an understanding of her own passion for art and her love of the Cariboo with a mesmerising story of creative life in one of BC’s earliest pioneer communities.
Iris Trimble is trying to hold it all together. She may very well fly off the face of the earth if she doesn’t hang on to the kitchen counter. At least that’s how she feels after her mother, Bernice, a lively, recently widowed fifty-five-year-old breaks the news that she has early onset Alzheimer’s. In an effort to cope with the stress, Iris makes her mother’s famous Everything-That-Is-Bad-For-You casserole, a childhood favourite. Her siblings, on the other hand, are on opposite sides of the spectrum: Sara, the eldest, irately calls for a second opinion, while Peter, the youngest, seems completely unfazed. As for Bernice, she’s still as vivacious as ever, always up for a good laugh, and, most of all, ready to finally put herself first.
The Gravitational Pull of Bernice Trimble is about the tricky nature of family dynamics, and the effects of mental illness seen through the eyes of a young woman who’s searching for her own feelings amidst the whirlwind emotions of her family.
Alfred Thomas Wood was nothing and everything. A century before Ferdinand Demara, “The Great Impostor” of the 1961 Hollywood film of that name, Wood was the Great Absquatulator, a man who roved through the mid-19th century from Halifax, N.S., to New England, Liberia, Great Britain, Ireland, Germany, Montreal, the U.S. Mid-West and the South.
He self-identified as an Oxford-educated preacher in Maine and Boston, then as a Cambridge-educated doctor of divinity in Liberia, despite the fact that neither of those universities admitted black students at that time. He was almost dispatched to Australia in 1853 but missed that boat by the skin of his teeth and instead spent 18 months in an English lockup. In Hamburg in 1854, he published a history of Liberia in German.
Later, in Montreal, he styled himself the Superintendent of Public Works of Sierra Leone. He served the African Methodist Episcopal Church in Ohio, Indiana and Illinois as an Oxford-educated DD, then toiled in post-Civil War Tennessee as a Cambridge-trained MD. People who knew him couldn?t wait to forget him.
In this meticulously-pieced-together biography of the Great Absquatulator A.T. Wood, Frank Mackey wittily casts new light on the momentous mid-19th-century events that shaped the world we live in today.
In May 2016, Jon S. Dellandrea came into possession of a box of the last effects of an obscure artist, William Firth MacGregor. The contents of the box chronicled a major, and long forgotten, trial involving forgeries of the art of Tom Thomson and the Group of Seven.
The Great Canadian Art Fraud Case takes readers back to 1962, a time when forgeries were turning up on gallery walls, in auction houses, and (unwittingly) being hung in the homes of luminaries across Canada. Inspector James Erskine, enlisting the help of A.J. Casson, the youngest living member of the Group of Seven, set out to discover where the forgeries were coming from. Fifty years later, Dellandrea follows Erskine’s hunt to the end, uncovering the masterminds behind the forgeries.
Lavishly illustrated with reproductions and archival images, The Great Canadian Art Fraud Case unravels the mystery of the greatest art fraud trial in Canadian history. Along the way, it also tells the story of a talented artist whose career might have been so very different.
When Sean McFall encounters golden-haired David Goldberg and his larger-than-life father, Saul, he is dazzled by the family’s riches, power, and ease in social situations. The bright lives of the Goldbergs are profoundly different from those of Sean’s working-class parents.
But as Sean grows up and is pulled closer to the centre of the Goldberg family by the gravitational force of their wealth and position, he discovers a tyrannical and abusive patriarch, an estranged relative bent on revenge, and dark family secrets.
As he struggles to reconcile his first impressions with the realities he later confronts, Sean must determine who he is, what he will stand for, and whether he can resist the attraction that has dominated his life.
Rich in understanding of the relationships between parents and children, the loyalty we show our friends, and how a family’s past haunts its present, The Great Goldbergs is about the compromises we make in pursuit of wealth and acceptance, and for love.
After his voyage across the galaxy, Nate Silva arrives home to find Hamilton in the grip of a monstrous triumvirate. The Resurrection Church of the Ancient Gods has returned, with the human form of the shape-changing nightmare from the Medusa Deep as its leader. And closely guarded in a downtown tower a mind-devouring entity called Oracle lurks. The city is infested with invasive species that have slithered into our world during the Church’s occult ceremonies – many-legged dritches, bat-like thrals and the eerie, flying night-gaunts. Caught in the middle of this are Nate’s friends Megan and Mehri, who are leading the resistance with the Furies, along with a mysterious double agent, the enigmatic Dr. Eldritch and his Cosmic Wonder Circus. For the safety of everyone he loves, Nate and his friend H.P. Lovecraft hijack the antique airship Sorcerer for one last voyage, to free Earth from the Great Old Ones once and for all.
An Atlantic Bestseller
New Brunswick is home to more than five billion trees, many native to the Acadian forest and some exotics introduced by settlers. For this new edition of The Great Trees of New Brunswick (the first edition was published in 1987), forester David Palmer and conservationist Tracy Glynn have prepared a book that doubles as an informative guide to the province’s native and introduced species and a compendium of “champion” trees, drawn from nominations from all corners of the province.
Divided into sections on hardwoods, softwoods, and exotics and lavishly illustrated with full-colour photographs, The Great Trees of New Brunswick features chapters on all thirty-two native species and nine introduced species. Each chapter includes information on the tree’s defining features, habitat and uses, as well as photographs and a detailed description of champion trees. Rounding out the book is an introductory essay on the Acadian forest — its history, survival, and future.
Whether you’re an avid hiker, outdoors person, or simply someone who wants to know more about the trees of the Acadian forest, you’ll find The Great Trees of New Brunswick to be an essential reference to New Brunswick’s forests and its panoply of trees.
Co-published with the Conservation Council of New Brunswick
The Great Wave of Civilization is Herschel Hardin’s play about the destruction of the people of the Blackfoot Confederacy by the liquor trade in Montana and Alberta in the 19th century. Little Dog of the Northern Blackfoot tribe vs. Snookum Jim, free trader, I.G. Baker, merchant-prince of Fort Benton and the rest of the “great wave of civilization.”
Cast of five women and 13 men.
Wanda Jaynes is about to lose her job amidst a mountain of bills, and she suspects her musician boyfriend might be romantically interested in his friend, Trish. But Wanda’s life changes radically on a routine trip to the grocery store when a gunman enters the supermarket and opens fire.
The Greatest Hits of Wanda Jaynes is the highly anticipated debut novel by Bridget Canning, one of the most promising new writers from Newfoundland, and is an energetic page-turner about the power of selflessness in a contemporary culture of fear and suspicion.
In this comical novel about sexuality, relationships, and aging, self-proclaimed World’s Greatest Lover, eighty-year-old Alberto Camelo frankly recounts his exhaustion at being tasked with a lover whose spontaneous ecstasy becomes too much for him to handle, his short-lived stint in the army, and how he ran a franchise of “specialty” restaurants – into the ground, that is. An aura of absurdity pervades this humorous satire of a life characterized by awkward amorous encounters, lascivious liaisons, and erotic irreverence.
Guinea-Bissau, 2012. Mixing fiction and fact, Sylvain Prudhomme revisits the famous ’70s music group Super Mama Djombo, as seen through the eyes of Couto, the laconic guitarist. After learning of the death of the singer, Dulce–once the love of his life&mdashCouto wanders through the capital city, from bar to bar, friend to friend. Thirty years file past in his memories: of the woman he loved, of guerillas fighting against Portuguese colonizers, and of the golden days of a legendary band that played all over the world with a sound that was new, fresh, and driven by the pride of an entire country.
Tension mounts page after page as the group prepares a final concert in Dulce’s honour, even as a coup d’�tat is prepared by her husband, Guinea-Bissau’s Army Chief of Staff.
A poetic, heartbreaking story of intergenerational queer history in Lebanon, The Green Line weaves together civil war Beirut with a contemporary nightclub, following one family’s journey to discover their past.
In the present day, Rami, a twentysomething queer Lebanese Canadian, has returned to the Lebanese mountains to bury his father. To cope with the weight of his grief, Rami, carrying a necklace in the shape of a phoenix left to him by his father, finds himself in a queer Beirut nightclub, where he catches the attention of a powerful drag queen named Fifi, who just so happens to be dressed as a phoenix.
In 1978, in the midst of the Lebanese Civil War, Naseeb is attempting to get himself and his sister Mona out of Beirut and into the safety of the mountains. Mona, however, is secretly in love with her classmate, a woman named Yara, and refuses to leave the city. When Naseeb becomes swept up with the descending political culture of the war around him, he creates a rift between himself and Mona greater than the line that divides the country itself.