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Throughout the years, Anne Campbell’s work has remained consistently engaging, her tone steady and trustworthy and her control of imagery precise. There are subtle changes in her presentation of the natural world and slight shifts in the metaphysical approach to space, time, and possibility. But in this retrospective there is no doubt that her strength lies in her ability to capture the transcendence that occurs when nature informs the mind and the commonplace rises to philosophical insight. Though universal in scope, the poems only give up all their richness upon slow and careful readings.
The Fabric of Day is an offering to readers who want to know about emotional and spiritual survival and how a creative person confronts regrets and failures through a medium like poetry. The subject matter is as old as time and as contemporary as any authentic Facebook page or blog, except that the language employed is both beautiful as it is impacting.
Campbell’s poetic style is specific, local, and universal at the same time. Her images are powerful and her language honed to land and sky, horizon to earth. Her ability to illuminate common and intimate natural forces and how they play out against people’s emotions and alter their lives demonstrates great lyric power full of finesse, grace, and passion. Her voice declares its territory with a careful control of rhythm and space on the page and a gentle insistence to expectation on the ear.
A modern-day fable and mythic bildungsroman, The Faerie Devouring tells the story of a young girl raised by her grandmother (a stalwart matriarch and wicked fairy godmother) following her mother’s death during childbirth. The absent mother haunts the story of this girl whose greatest misfortune is to have been born female.
In this critically-acclaimed coming-of-age story by Quebecois author Catherine Lalonde, and translated by Oana Avasilichioaei, questions of what it means to be born female and grow into a woman are explored. The story is rife with song, myth, phantasmagoria, spells, desire, ferocious poetic telling, wild imagination, and unruly language. Lalonde uses the form of a disenchanted and metaphorical fable to recount what it means to find a life force in one’s lineage, even when one is born into “nothing.”
According to the 19th-century historian Michelet, “Les fées” were women who would rather sing than pray. For this crime, they were punished by being imprisoned in containers that would be opened only at the end of time. In Les fées ont soif (The Fairies Are Thirsty) Denise Bocher takes this image and focuses on it. The Fairies Are Thirsty is a daring, passionate and poetic exploration of the role of women through all time. In the play, three women—a housewife, a whore and the Virgin Mary—fight to break out of the stereotyped roles in which they have been imprisoned for centuries. At the end of the play they stand alone, “before themselves,” “renewed,” and ask the audience to imagine a world in which such stereotypes do not exist.
“Everything is new. Everything is strange. Everything is possible.” – Yumi Sakugawa
The Fairy Tale Museum is an alchemical curiosity-cabinet-as-novel that showcases the original, spectacular, grotesque, endearing, and otherworldly. You’ll meet bird-headed lovers, a cyborg cyclops, a fortune teller, revolutionary ventriloquists’ dummies, a narcoleptic vampire, Eros and Thanatos, and a host of woodland creatures. A celebration of hybrids, creativity, and transformation, this book is a manifesto against putting ourselves into boxes that limit who we can be and what is possible.
A Hutterite is murdered and two worlds collide
When a young Hutterite man is found murdered in a luxurious home in the city, Detective Michael Shelter is pulled into a case like none other. To find the killer, Shelter must win the trust of a rural Hutterite colony where the faithful live apart from the outside world, following a devout way of life passed down for 500 years.
How could a leader of a strictly pacifist farming community end up murdered in an expensive rental? Does the answer lie in the city? Is it linked to a bitter land dispute that’s entangled the Hutterites? Or is the killer hiding among the members of the colony itself?
Struggling to solve this baffling case, Shelter must also contend with a crumbling relationship and the haunting aftermath of a deadly shooting. As he uncovers secrets and closes in on the killer, danger grows under the vast prairie sky.
Exploring protest, climate change, and fractured family relationships, Liz Johnston’s eagerly anticipated debut novel, The Fall-Down Effect, asks what we really owe people in our lives when we are fighting for a greater cause.
As a child in the late 1980s, Fern is the wild heart of her tree-hugging family—quick-tempered and yearning to spend every minute in the woods of the small Pacific Northwest logging town where they live. She is also most like her environmental activist mother, Lynn, who chafes against the demands of motherhood and yearns for the protests of her youth. As tensions escalate, Lynn leaves her partner, Tom, and their three children, telling herself she will devote her life more fully to fighting for the earth.
At nineteen, Fern commits her own radical act of protest, which authorities label ecoterrorism. When Fern goes underground, her parents and siblings—responsible grad student Sylvia and budding artist River—struggle to make sense of her actions while also trying to cover up her absence. Fern’s secret proves impossible to keep, and when she becomes a wanted woman, the rest of the family trades blame. Years later, when Lynn takes shelter from a forest fire in the home she left so many years before, the family is forced to confront their regrets during a fraught, baggage-filled reunion.
Roy Innes is back with his beloved Inspector Coswell series, in this page-turning fifth mystery. After a young constable is killed during what should have been a routine drug bust, Sergeant Janet Bostock is propelled into leadership of the narcotics squad. Thrown back into line of duty alongside RCMP homicide division head, Inspector Mark Coswell, they must work together to solve three seemingly random murder. With a new partner in tow and all his wits about him, Inspector Coswell must use all his investigative skills to solve this brand new mystery.
Every family has rituals and routines holding them together. But sometimes they are the very things that tear them apart. The Family Code is a gritty family drama featuring the troubled life of Hannah Belenko, a young single mother dogged by the brutality of past traumas and a code of silence that she must crack in order to be free—or else lose everything.
Hannah was raised by this code and rules her own family by it. When she loses her daughter to the state and her boyfriend threatens her, she flees from Ottawa to Halifax with her remaining son, six-year-old Axel. While she bulldozes her way through everything and schemes to protect him, Axel flounders in the chaos. He begins to doubt his mother and her dream of a way out. With her life crashing down, Hannah is driven by desperation to survive yet hangs on to elusive hope.
With unvarnished and high-voltage prose, The Family Code unabashedly reveals the power and perils of parenting, but also the longing and vulnerability of children.
In this much anticipated follow-up to The Sojourn, Alan Cumyn continues the story of Ramsay Crome, an artist who never quite came home from the First World War. The horrors of his years in a German prisoner of war camp continue to haunt him, as does the idealized memory of his long-lost sweetheart, his beautiful Margaret. It is those memories that literally save his life and keep him from a cold grave in a foreign land. Upon his return home to Montreal, Crome seeks the nourishment of body and soul, sometimes impulsively, after years of torture and deprivation. He meets Lillian, a farm girl from the Eastern Townships and is drawn to her youthful vigour, her innocence, and yes, her beauty. These prove to be a potent elixir and they marry quickly. By the time she is pregnant with their son, she wants nothing more than to escape the dreary poverty of their Depression-era existence and flee back to the farm with her husband and child. She wants him to love only her, to open up about his war experiences, explain the paintings she found of a nude Margaret. To her they are obscenities and provoke the bitter taste of jealousy.
The Famished Lover is Alan Cumyn’s most mature and accomplished novel to date. It explores one man’s hunger for love and meaning in a harsh, unforgiving world and the beautiful, yet corrosive, nature of longing.
Young and homeless on the streets of Toronto, Benjamin Doheney is sustained by an unusual source of strength: his devotion to Sanskrit, the ancient literary language of India. Together with Aditi, a student of Sanskrit at the University of Toronto, he dreams of a future with her in India, a land in which she has her own troubled history. Before they can move on, they must extricate her from the clutches of her twisted and malevolent PhD supervisor. When a murder on campus threatens to draw the police’s attention to Ben and his friends, events spiral out of control, drawing them all towards a possibly bloody culmination in which the couple’s hopes for a distant future peace may not survive.
The genius and artistry behind Superbrothers and the making of an indie video game, from inception to its highly anticipated launch.
Superbrothers: Sword & Sworcery was released in 2011 at the forefront of an exciting era of “indie games” – with the aesthetic of punk rock and the edge of modernist fiction, indie games pushed gaming into the realm of the avant-garde. Superbrothers (Craig D. Adams) was hailed as a visionary in the video game world.
Now, his long-awaited follow-up, JETT: The Far Shore, has been released for Sony PlayStation and Epic Games Store. In the decade from inception to launch, Adams brought author Adam Hammond along for the ride, allowing unprecedented insight into the complicated genesis of Jett.
The Far Shore offers a portrait of the enigmatic Adams and his team, the genius and artistry, the successes and setbacks, that went into building the world of JETT, in which you’re tasked with scouting a new home for a humanoid people after they’ve decimated their planet. To provide context, Hammond recounts the history of indie games and how their trajectory has followed that of independent art and literature. A riveting insider’s look at one of our most popular art forms.
The enigmatic American artist Georgia O’Keeffe flourished in the desert solitude where her creativity and vision thrived and was challenged by its dangerous energies, its desolate and hard beauty. In John Murrell’s The Faraway Nearby, Georgia O’Keeffe resigns herself to an old age spent in the auburn and tawny light of her beloved Faraway mountains without the company of others until a stranger enters her life. Juan Hamilton, a young artist and handyman, befriends the elderly O’Keeffe, becoming the eyes for the almost-blind artist, and the cushion between her and the outside world. Hamilton remained O’Keeffe’s companion for over a decade, and it is in the complexities of this friendship that John Murrell explores the uncompromising nature of the artist in this elegant and moving portrayal.
‘This is a record of our version of grassroots theatre. The idea was to take a group of actors out to a farming community and build a play of what we could see and learn. There is no story or “plot” as such … Nevertheless, we hope that you can see many stories woven into the themes of this play and that out of it will emerge a picture of a complex and living community.’ –Â? Paul Thompson
Poetry kills the beautiful people. The Fat Kid, Paul Vermeersch’s second full-length collection of poetry, chronicles a childhood troubled by obesity, poor body image, and low self-esteem. The media’s perfect faces, societal expectations, family concerns, and primitive socialization rituals collide with the already horrendous physical and emotional tribulations of adolescence to drive Calvin Little over the edge. He’ll stop at nothing to become beautiful and weightless, but he must conceal his battle with what the world has come to know as a girl’s disease. Is there redemption in social acceptance, in romantic love, in escaping gravity? Is it enough to learn to love yourself? Calvin’s journey is told in a sequence of poems steeped in both the physical and psychological worlds, in voices that range from the bawdy to the elegiac. In The Fat Kid Calvin Little becomes the ideal antihero — for a shallow culture obsessed with thin.