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***2018 RELIT AWARD: LONG SHORTLIST***
In The End of Music, Jamie Fitzpatrick’s two mesmerizing, interwoven narratives circle the lives of Joyce, a modern young woman navigating the fraught social mores of a small town in its post-war heyday, and her son, Carter, more than fifty years later, whose days as an aspiring rock star are over. As Joyce’s memories of the past begin to escape her, her son’s past returns to haunt him. Brilliantly and unflinchingly revealing the inner lives of his characters, Fitzpatrick offers an extraordinary novel, with two startling twists, about women, men, and reckoning with the past.
When biologist Brian Harvey saw a thousand fish blundering into a Brazilian dam, he asked the obvious: What’s going to happen to them? The End of the River is the story of his long search for an answer.
The End of the River is about people and rivers and the misuse of science. Harvey takes readers from a fisheries patrol boat on the Fraser River to the great Tsukiji fish market in Japan, with stops in the Philippines, Thailand and assorted South American countries. Finally, in the arid outback of northeast Brazil, against a backdrop of a multi-billion dollar river project nobody seems to want, he finds a small-scale answer to his simple question.
The End of the River is a journey with many companions. Some are literary, some are imaginary. But mostly they’re real characters, human and otherwise: a six-foot endangered catfish, a Canadian professor with a weakness for Thai bar girls, a chain-smoking Brazilian Brunnhilde with a passion for her river, a drug-addled stick-up artist. The End of the River is about fishermen and fish farmers and even fish cops; there are scientists and shysters as well as a few Colombian narcotraficos and some very drunk, very hairy Brazilian men in thongs.
Funny and sad, The End of the River is a new kind of writing about the environment, as far off the beaten track as you can get in a Land Rover driven by a female Colombian biologist whose favourite expression is “Oops — no road!”
“A wonderful and engaging read with a samba beat, on the plight of the planet’s living waters. The End of the River is the book Nemo would write if he could. A great way to open peoples’ eyes.” — Thomas E. Lovejoy, President, Heinz Center for Science, Economics and the Environment
Autumnal equinox. The End of the World sails on the Aegean Sea. Aboard is Marjolaine, a cook who recently lost her job at a greasy spoon. She rubs shoulders with chess players, a bookseller, a retired professor, a romance novelist, a blue-haired singer … Meanwhile, elsewhere on the planet, people play cards, while others celebrate, read, dream or cry, and still others die. All these lives intersect, meet up again, disappear, and above all tell us that there is not only one truth. In The End of the World is Elsewhere, volume four of her Fragments of the World tetralogy, Hélène Rioux creates an intricate and complex novel filled with topical issues and references to history and literature.
With crisp, elegant language, sharp wit and resonant images, Julie Bruck’s new book gentles the largesse of life out of its many smallnesses. The way a straw buoys up in a can of pop, or a friend’s dress holds her shape, even on its hanger: Bruck textures her poetry with a life “you could close your hand around.” Bruck’s is the urban world so many of us walk through, eyes closed. But Bruck’s eyes are wide open, keen and collecting. With teeth and heart, she cracks open the ordinary to reveal life’s love and loss, joy and fragility, its extraordinary fullness.
“Like one of the characters in this book, you’ll be ‘new to such abundance’ if you haven’t read Julie Bruck’s work before. I’ve been a fan since her first publication.” – Lorna Crozier
Shortlisted, 2018 Democracy 250 Atlantic Book Award for Historical Writing
Suggested Reading by the Hong Kong Veterans Commemorative Association
Near the end of October 1941, a few hundred soldiers from New Brunswick were among the 1,975 Canadian troops who set sail from Vancouver to reinforce the British Colony of Hong Kong. Within two short months, after a hard-fought but disastrous battle against the Imperial Japanese Army, the island fell to the invaders on Christmas Day, and its defenders were ordered to surrender by the governor of Hong Kong. The survivors were taken captive.
Based on the first-hand accounts of the author’s father, Andrew “Ando” Flanagan, a rifleman from Jacquet River, NB, The Endless Battle explores the Battle of Hong Kong and its long aftermath, through the eyes of the soldiers. During their captivity, the POWs endured starvation, forced labour, and brutal beatings. They lived in deplorable conditions and many died from illness. But the soldiers stuck together, bound by their cameraderie, loyalty to King and Country, and collective desire to sabotage the Japanese war effort.
Writing intimately and sensitively about the lingering effects of the trauma of the soldiers held in captivity, Andy Flanagan shows both the heroism of individual soldiers and the terrible costs of war.
The Endless Battle is volume 24 in the New Brunswick Military Heritage Series.
Frank, having dedicated his life to the unremarkable, and Walker, paranoid since being struck by lighting at age three, attempt to flee from each other and end up following each other instead. They find themselves in a run-down hotel operated by deaf and misdirected Willy and blind Alice, who has a murderous dislike for visitors. Morris Panych’s brilliant tale reminds us all that fear can become a self-fulfilling prophecy.
The Ends of the Earth moves through technological disasters, environmental nightmares, and broken relationships to find love cast away at the end of days.
Its urban settings are counterbalanced with the idea of escape, deserted islands, and ocean solitudes. In this collection of playful, challenging, and beautiful poems, Jacqueline Turner uses the interrobang — a question mark combined with an exclamation point, the excited question — as a symbol of our times to move the work through a host of genres. Like notes washed ashore in bottles, this book seeks an exchange. Its scope is as vast as the question of how to survive modernity. In The Ends of the Earth, you can smell the salt air or revel in an alternate vision of the future.
This comedy-drama skewers the film world when a veteran playwright must decide between accepting government funds to turn his new play into a Canadian-made feature film with a multi-million dollar contract. Or accept an American producer’s offer of total artistic control but far less money. Will Moretti stand firm in his artistic and personal integrity? Or take the cash?
Honorable Award Mention, The Rachel Carson Environment Book Award
“Timely and relevant, this offers plenty to think about.” — Publishers Weekly
From the winner of the 2014 Edna Staebler Award comes a lively, intelligent and nuanced discussion of climate change — a hopeful take on how to live knowing disaster is imminent
A compelling inquiry into our relationship with humanity’s latest and greatest calamity
In The Environmentalist’s Dilemma, award-winning journalist Arno Kopecky zeroes in on the core predicament of our times: the planet may be dying, but humanity’s doing better than ever. To acknowledge both sides of this paradox is to enter a realm of difficult decisions: Should we take down the government, or try to change it from the inside? Is it okay to compare climate change to Hitler? Is hope naive or indispensable? How do you tackle collective delusion? Should we still have kids? And can we take them to Disneyland?
Inquisitive and relatable, Kopecky strikes a rare note of optimistic realism as he guides us through the moral minefields of our polarized world. From start to finish, The Environmentalist’s Dilemma returns to the central question: How should we engage with the story of our times?
Finalist for the 2020 International Book Award for Multicultural Fiction.
In 1858, the British took over the city of Lucknow, paving the way for Queen Victoria’s reign over India. But what happened to Begam Hazrat Mahal, the woman of African-Indian descent who had valiantly organized a final key resistance to British rule, and to her ex-husband, Wajid ‘Ali Shah, the last King in India, who remained imprisoned by the British? The Envy of Paradise tells their stories.
Jocelyn Cullity’s English family lived in India for five generations. A sequel to the award-winning Amah & the Silk-Winged Pigeons, her second novel about the takeover of India by Britain is an exquisitely told tale of 19th-century India — a deep rendering of the moment that India as a country was colonized; a brilliant illustration of Hazrat Mahal’s fearless character and the depths of betrayal the last King in India faced.
Kate Braid has never been one to follow the beaten path. In 1977, she broke barriers by stepping—or rather, stumbling—into the male-dominated world of construction. With two beloved memoirs, Journeywoman: Swinging a Hammer in a Man’s World and Hammer & Nail: Notes of a Journeywoman, she’s shared her journey as a trailblazer in the trades. Now, Kate is back with her signature blend of guts, wit, and warmth, tackling the fresh territory of women, bodies, and aging in her latest memoir, The Erotics of Cutting Grass.
Forget everything you think you know about growing older. Kate Braid’s perspective is anything but conventional. In these love stories to life and living, Kate dismantles the tired clichés about aging and the female body. From weightlifting in her senior years to questioning why older people in love are seen as “cute,” but not “hot,” and even delving into the mysteries of “remembering” past lives, Kate’s stories are a refreshing take on what it means to age with audacity.
Travel with Kate as she adventures through France, still gets “checked out” on the street, picks up a new instrument, and has a secret love-affair with a ride-on Husqvarna grass cutter. She also navigates the role of step-mother and contemplates how second- and third-generation immigrants in a new world can truly make this land feel like home. Each chapter is filled with insight, candour, and a rebellious spirit that’s sure to resonate with non-traditional women who refuse to be defined by society’s expectations.
The Erotics of Cutting Grass is a celebration of life’s later chapters, written with the same unique mix of humour, frankness, and vulnerability Kate’s readers have come to know and love. Join her on this smart, thought-provoking journey that redefines what it means to embrace ageing on your own terms.
Thelma’s marriage is unravelling as her oblivious husband Wally rediscovers his youthful obsession with Che Guevara. When Rosa, a young Cuban poet, joins his writing group, he unexpectedly books a trip to Cuba. Thelma decides to join him and discovers that he has inexplicably disappeared. As she searches for Wally she converses with the ghost of her father, confronts her abandoned dreams, and relies on the help of odd strangers.
In The Essential D. G. Jones, volume editor Jim Johnstone presents a selection of the most important writings of Douglas Gordon Jones, one of the few of Canada’s great lyric poets to expertly straddle the line between the modern and postmodern era.
Thematic consistency and technical inventiveness shine in this selection of Derk Wynand’s emotionally intelligent poetry.
Brimming with powerful imagery and quiet but strong emotion, The Essential Dorothy Roberts gathers together a selection of the best poems from Fredericton-born poet Dorothy Roberts’s six-decades-long career.