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From field producer for HBO’s André the Giant Pat Laprade and renowned wrestling historian Bertrand Hébert comes a definitive and exhaustive biography of André the Giant.
“The gold standard for wrestling biographies.” — Wrestling Observer
Is there a way to find truth in the stuff of legend? You may think you know André the Giant — but who was André Roussimoff? Through exhaustive research and exclusive interviews with family and friends, The Eighth Wonder of the World offers a comprehensive exploration of André’s amazing wrestling career and the indelible mark he left on pop culture, including his role in the cult classic film The Princess Bride.
Born in France, André worked on his family’s farm until he was 18, when he moved to Paris to pursue professional wrestling. A truly extraordinary figure, André went on to become an international icon and world traveler, all while battling acromegaly. While his disorder is what made him a giant and a household name, it’s also what caused his untimely death at 46.
This biography addresses the burning questions, outrageous stories and common misconceptions about his height, his weight, his drawing power as a superstar, and his seemingly unparalleled capacity for food and alcohol. Transporting readers beyond the smoke and mirrors of professional wrestling into the life of a real man, Laprade and Hébert have crafted the most complete portrait of a modern-day mythical being.
From field producer for HBO’s André the Giant Pat Laprade and renowned wrestling historian Bertrand Hébert comes a definitive and exhaustive biography of André the Giant … now in paperback!
“The gold standard for wrestling biographies.” — Wrestling Observer
Is there a way to find truth in the stuff of legend? You may think you know André the Giant — but who was André Roussimoff? Through exhaustive research and exclusive interviews with family and friends, The Eighth Wonder of the World offers a comprehensive exploration of André’s amazing wrestling career and the indelible mark he left on pop culture, including his role in the cult classic film The Princess Bride.
Born in France, André worked on his family’s farm until he was 18, when he moved to Paris to pursue professional wrestling. A truly extraordinary figure, André went on to become an international icon and world traveler, all while battling acromegaly. While his disorder is what made him a giant and a household name, it’s also what caused his untimely death at 46.
This biography addresses the burning questions, outrageous stories and common misconceptions about his height, his weight, his drawing power as a superstar, and his seemingly unparalleled capacity for food and alcohol. Transporting readers beyond the smoke and mirrors of professional wrestling into the life of a real man, Laprade and Hébert have crafted the most complete portrait of a modern-day mythical being.
In the 18th century, David Hume suggested that the “science of man” (psychology) was the foundation for all other sciences (philosophy). Now a latter-day Hume offers a model of mentality that sets psychology and philosophy on common footings, eliminating the breach between the sciences and the humanities. From this backdrop, the author offers solutions to some of the great questions: the nature of reality, value, certainty, validity, free will, morality, and justice.
Set in Prague and narrated by the 600-year-old Charles Bridge, this novel begins with an lephant named Sál escaping the Prague Zoo. As the elephant moves through the beautiful Czech city, the lives of the men and women she meets are altered by the encounter. Each character is at a crossroads, and desperately seeking the wisdom they need to wrestle with profound questions—how to live, how to love, who to love, how to heal. And the elephant herself is haunted, as memories of her long-ago capture in Africa resurface.
Sál carries the narrative from one point of view to another: Vasha, a writer and night watchman at the zoo, and his wife Marta, a psychotherapist, confront the question of whether to have a child; Šárka, Marta’s patient
and a dancer at the end of her career, is visited by a charming and often abrasive manifestation of the long-dead ballerina Anna Pavlova; Joseph, a clown and bouffon, performs on the Karlův Bridge itself, and he is about to be struck down (literally and figuratively) by a new love…
Through it all, Sál steals the show, wandering the streets in search of water and food, bearing her own share of sadness and painful memories as she struggles to find her way out of her bewildering predicament. Though she, like the humans she encounters, is free now to make her own choices, she is also displaced and lost.
Thomas Trofimuk’s novel masterfully convinces us to accept all the wonders contained in it: that a bridge can tell a story, that art is integral to our survival, that an elephant can scatter sudden flashes of insight in her wake, that there is no separation between the grief of elephants and
the grief of humans.
An eminent psychiatrist has vanished from his office. The last person to have seen him is Michael, a troubled patient.
Dr. Greenberg, the hospital director, is determined to question Michael, ignoring the head nurse’s cryptic warnings. Michael speaks of elephants and opera—with the occasional hint of murder and foul play. Fraught with mind games and verbal tugs-of-war, The Elephant Song is a cat-and-mouse game that will keep you guessing until its haunting conclusion.
The Elephant Talks to God is an endearing collection of whimsical tales in which a young elephant forages for answers to that age-old existential puzzle: What is the meaning of life? In this new edition of Dale Estey’s best-selling book, this pachyderm philosopher asks questions and God answers — sometimes cryptically, sometimes humorously but always with love and patience.
The answers unfold in a series of conversations between this humble, though occasionally impertinent, beast and the Almighty. The free-ranging exchanges between the two include contributions from popes, missionaries and various monkeys, birds and insects. This sweet, sometimes satirical, and occasionally moving story will appeal to readers of all ages. The book includes most of the original stories from the popular 1989 collection as well as many new ones.
Original, fresh and unsentimental, The Elephant Talks to God belongs on the bookshelves of anyone who, just like the inquisitive elephant, has ever wondered about life, love and the true nature of happiness.
A small-town embalmer’s daughter lifts the shroud on the fascinating minutiae of dealing with the dead.
Imagine rubbing shoulders with the dead for most of your life. As she picks the brain of her father for the most gruesome and thought-provoking secrets of his embalming career – from the drowned boy whose organs were eaten by eels to how to inject just the right amount of colour into a corpse’s skin for that blushing look – the narrator must look her parents’ deaths, and her relationship with them, straight in the eye.
Quietly poetic, The Embalmer glimpses at something most would rather look away from.
The Emily Valentine Poems is an innovative book that challenges the impossible notions of femininity that permeate our culture. The texts within include self-portraits, prose poems, fake fan letters, and confessional lyric snapshots. These are pharmaceutically enhanced tributes to the hangovers of twenty-something love and to the pop icons from an unconventional 1980s childhood. With The Emily Valentine Poems, Zoe Whittall provides us with the perfect soundtrack for the culturally literate rebel in all of us.
“Zoe Whittall might just be the cockiest, brashest, funniest, toughest, most life-affirming, elegant, scruffy, no-holds-barred writer to emerge from Montreal since Mordecai Richler.”—The Globe and Mail
“This reminds me that I would like to know everything about this person.”—Eileen Myles
Shortlisted for the International Booker Prize and the Ursula K. Le Guin Prize for Fiction, The Employees reshuffles a sci-fi voyage into a riotously original existential nightmare.
Funny and doom-drenched, The Employees chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members alike complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew become strangely and deeply attached to them, and start aching for the same things—warmth and intimacy, loved ones who have passed, shopping and child-rearing, and faraway Earth, which now only persists in memory—even as tensions boil toward mutiny, especially among the humanoids.
Olga Ravn’s prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity.
The Empress Has No Closure contains, as a centre-piece, the “Alefbet Transfers,” a meditative, spacial explication of the 22 figures of the Hebrew alphabet.
Shortlisted, Nelson Ball Prize
Longlisted, Raymond Souster Award
Long-Shortlisted, ReLit Award (Poetry)
Daring in form and unflinching in its gaze, Daniel Scott Tysdal’s latest poetry collection examines madness as lived experience and artistic method. Taking inspiration from Al Jaffee’s illustrated fold-ins in MAD magazine, Tysdal explores living with mental illness through a new kind of poetry: the fold-in poem.
In this innovative collection, each poem does not end at the bottom of the page; instead, the reader is invited to complete the poem by folding the page to reveal the final line. From the effects of being “smiled into an elephantine line” at Pearson International Airport to the rites of official memory and forgetting at a baseball game in the aftermath of tragedy, Tysdal probes both his own psyche and the myriad environments that work to enfold those who are deemed mad.