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Showing 7233–7248 of 9481 results
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The City That Is Leaving Forever
The City That Is Leaving Forever is a unique twenty-first-century time capsule: an instant-message exchange between Kashmir and British Columbia spanning more than five years in the lives of two Muslim Kashmiri women poets. In 2016, as India’s military carries out extrajudicial killings and imposes a lengthy curfew in Srinagar, Kurd is forced to cancel her family trip to Kashmir. Syed and Kurd confide in each other as the weeks and months pass, working through drafts of new poems, reading each other’s work, discussing multilingual poetics, the challenges of translation, and the contrasts of daily life in their two cities. The result is a rigorously feminist record of thinking through trauma as it unfolds and a document of life under military lockdown, “a book like a cluster of thorns with some few fragrant petals caught in them.”
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The City’s Gates
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The Clarion
$22.95Longlisted for the 2023 Scotiabank Giller Prize
Globe and Mail 100 Best Book of 2023
CBC Books, Best Canadian Fiction 2023
Apple Books, Best Canadian Debut 2023 and Best Book of the Month for September 2023
“We all lined up for our whipping by the shouting beauty and tender traumas of life. All of us so sensitive, and now this beautiful girl, with soft brown hair that was shot with gold in the sun. Another one of us starting to stumble.”
Peter plays the trumpet and works in a kitchen, partying; Stasi tries to climb the corporate ladder and lands in therapy. These sensitive siblings struggle to find their place in the world, seeking intimacy and belonging – or trying to escape it.
A promising audition, a lost promotion, intriguing strangers, a silent lover, and a grieving neighbour—in rich, sensual scenes and moody brilliance, The Clarion explores rituals of connection and belonging, themes of intimacy and performance, and how far we wander to find, or lose, our sense of self.
Alternating between five days in Peter’s life and several months of Stasi’s, Dunic’s debut novel captures the vague if hopeful melancholy of any generation that believes it was never “called” to something great.
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The Clay Girl
$18.95“It is the voice of the characters, the kindness of strangers, and the ingenuity and determination of our protagonist against terrible forces that make this story sing.” — San Francisco Chronicle
“[An] unbelievably accomplished first novel.” — NOW Magazine
American Booksellers Association Indie Next List pick
Shortlisted for the 2017 Kobo Emerging Writer Prize
Shortlisted for the 2017 Atlantic Book Awards
Publishers Weekly, starred review
A deeply compassionate novel about a gentle child who radiates goodness and the way that light refracts — even in the harshest of circumstances.
For the Appleton sisters, life has unravelled many times before. But with a sudden gunshot, it finally explodes.
In the aftermath of chaos and tragedy, eight-year-old Hariet Appleton, known to all as Ari, is shipped off to Cape Breton and her Aunt Mary, who is purported to eat little girls. But Mary and her partner, Nia, offer an unexpected refuge to Ari and her steadfast companion, Jasper, an imaginary seahorse. Yet the respite does not last, and Ari is forced to return to her addiction-addled mother and broken sisters.
Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions, testing limits with substances that numb and men who show her kindness. Through it all, her epic imagination colors her grim reality. Ari spins through a chaotic decade of loss and love with wit, tenacity, and the astonishing balance unique to seahorses.
The Clay Girl is a beautiful tour de force with the voice of an unforgetting child, sculpted by kindness, cruelty, and the extraordinary power of imagination.
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The Clichéist
$15.95Amanda Lamarche’s debut collection of poetry is a work of imaginative grace and power. These poems topple the normal hierarchy of everyday concerns, promoting fears unlikely in the “normal” state of being–the fear of buttons, of dying to the wrong song, of houses built on corners–to the same stage and emotional impact as the more common (perhaps more clichéd) fears of car crashes and collapsing bridges.The clever combination of explorations emotional and playful carries on. Technical advice for cutting down trees is juxtaposed with the development of ominous personal overtones. The title sequence takes issue with the easy laying down of language by recasting well-worn sayings: giving them back-stories, situating them in real time and real places, and reinvigorating them by providing each its own individual universe from which to draw meaning.Amanda Lamarche’s refreshing poems refuse at all the right moments to take themselves too seriously. They have the amazing ability to make readers shift from out-loud laughter to profound insight in a gasp of breath.
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The Cloud Versus Grand Unification Theory
$18.95Consciousness and nostalgia in the Swipe Right age
This collection attempts to find poetry, or what Gwendolyn MacEwen once called “a single symmetry,” amid the chaos of 21st-century life. A powerful catalogue of loss and human connection, it considers not only how our identities are formed by places and experiences rooted in childhood, but also by digital newsfeeds, YouTube, and the “gospel of Spotify.” These poems intimately confront topics as diverse as quantum physics, video arcades, mental illness, climate change, road rage, alcoholism, endangered species, and even a gigantic Noah’s Ark replica.
Chris Banks is a poet known for packing his lines with thought and feeling. Building on the generous work of John Koethe, Larry Levis, and Ada Limón, Banks’s wildly expansive, often lyric, deeply accessible poems are brilliant meditations on what it means to be human in a brave new world of cloud computing and smart phones.
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The Club
$14.95“A strong, accessible, and relevant story about modern families.” — Kirkus Reviews
Jax has big plans for grade eight: seeing if his maybe-girlfriend, Samantha, will become his actual girlfriend, and being first trumpet in the school band.
Enter Liv, the new girl Jax meets at band auditions. Liv’s a star on the trumpet too. In fact, she might be better than Jax.
When Jax and Liv start rehearsing together, they go from duet partners to fast friends. Soon, they learn that they share something more than a love of music — something that will change their whole world and make them rethink what it means to be “family.”
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The Co-op Revolution
$24.95“We were undercapitalized, inexperienced, practiced democratic decision-making and some of us smoked dope occasionally. All elements that would make us grow as human beings and as business people. We ran a helluva show.”
In the spring of 1975, a free-spirited Jan DeGrass backpacked across Canada in search of adventure and greater meaning in life. When she arrived in Vancouver, she met a group of people committed to social change; together they reimagined the food industry in BC.
In The Co-op Revolution: Vancouver’s Search for Food Alternatives, author and journalist DeGrass writes about her journey as a founding member of the Collective Resource and Services Workers’ Co-op. Bounding to life during the heady, activist, grant-funded years of 1974-1980, the CRS Co-op became one of the most successful co-ops in BC and was committed to co-operation and worker ownership. While the decade of the seventies is remembered for its new wave of co-ops–usually organized by a ”free-flowing” collection of women and men in their twenties–CRS was unique in its success. Among its many accolades, it created the Tunnel Canary cannery, the Queenright Co-operative Beekeepers, Vancouver’s popular Uprising Breads Bakery and a food wholesaler, which later became Horizon Distributors. The economic, political and social skyline of Vancouver was changing. For some, the co-op movement was about crushing capitalism; for others it was simply about buying cheap, wholesome food from people they trusted, and living in communal camaraderie. No matter the pursuit, co-operation was the answer.
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The Cobra and the Key
$22.00“A relentlessly witty work of satire, the mastery of which is veiled behind Shelstad’s deceptively clean and cool prose.” —Fawn Parker, Giller Prize–longlisted author of What We Both Know
“The Canadian literary landscape is all the richer for Sam Shelstad and his brilliant twisted books.” —Anna Fitzpatrick, author of Good Girl
Sam Shelstad’s brilliantly funny, slightly unhinged creative writing guide is How Fiction Works by James Wood meets Pale Fire by Vladimir Nabokov.
To the untrained eye, Sam Shelstad may look a lot like a Value Village cashier who shares an apartment with his Uncle Herman and has just emerged from a failed relationship with a woman forty years his senior whom he met at his mother’s book club. But Sam is a successful novelist—or will be soon, he’s certain. The manuscript of his debut novel, The Emerald, is currently on the desk of a celebrated indie publisher. While he waits to hear back, he’s hard at work on two ambitious writing projects. The first is the Molly novel, a fictional rendering of Sam’s newly defunct relationship. The second is a guide for aspiring fiction writers like yourself. The two have much to teach one another, and much to teach you.
Drawing on examples from the work of greats like George Orwell, Henry James, F. Scott Fitzgerald, Alice Munro, Kazuo Ishiguro, Clarise Lispector, and Sam Shelstad, The Cobra and the Key takes the novice through aspects of character, detail, plot, style, point of view, dialogue, and meaning. Before long, you’ll be ready to print off your first draft and embark on revisions. Then it’s time to learn some of the tricks of the publishing biz. Having just been threatened with legal action by his soon-to-be publisher for stalking said publisher’s son via Instagram, Sam knows a thing or two about that too. Are you ready to get serious about your writing?
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The Coen Brothers
$19.95Everything you wanted to know about the direction of Fargo, The Big Lebowski, and Barton Fink. A terrified woman plunges a knife through the hand of her pursuer. A leftwing playwright turns to the woman in his bed, only to find a river of blood. A baby, abandoned in the middle of the highway, smiles happily. A professional killer stuffs his partner into a woodchipper while a pregnant cop pulls her gun. Welcome to the world of the Coen Brothers. With the smash success of Fargo (winner of two major Academy Awards), the filmmaking team of Joel and Ethan Coen finally received their deserved recognition. But well before that the two brothers were writing and directing terrific films — from the film-noir thriller Blood Simple, to the comedy Raising Arizona, to the gangster epic Miller’s Crossing, to the bizarre Barton Fink. With each film they have surprised fans and critics alike, always refusing to repeat themselves or compromise their independence. While still in their early twenties, Joel and Ethan Coen raised the money for their first film — by knocking on the doors of the wealthy in their native Minnesota. Starring an unknown actress named Frances McDormand (who would later become Joel’s wife), it was an art-house hit and allowed the brothers to make Raising Arizona with Nicolas Cage and another Coen brothers’ discovery, Holly Hunter. But despite their high reputation, the brothers would not make another financially successful picture for years. Were their films just too offbeat and intellectual? And then came Fargo. Here is the story of how two middle-class Minnesota boys have come to write, shoot, and direct some of the most gruesome, exhilarating, and funny films of our time.
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The Coffin of Honey
$24.95Close Encounters of the Third Kind meets Annihilation in this poetic space-age fable of proletarian internationalism.
At the end of the twenty-first century, on the shores of the Indian Ocean, a minor Marxist politician’s speech is interrupted by the arrival of an iridescent, pill-shaped object. It brings him, briefly, to another world, and to a state of ecstasy he will struggle to interpret upon his return. Soon, many others will be offered the same incantatory opportunity. Rival states attempt to capitalize on these developments, and a cynical spy sets an elaborate psychological operation in motion. Thousands of miles away, on an agricultural commune near the Caspian Sea, a young poet spends her nights troubled by prophetic dreams. The politician, the spy, and the poet will be ineluctably drawn into one another’s orbits, as will the mysterious Bell Letterist, author of a text about ‘the interdimensional will to the aesthetic’ – a powerful motive force that requires human solidarity in order to thrive.
The Coffin of Honey is inspired equally by apocryphal stories of Alexander the Great, Bolaño-esque tales of literary vanishings, thousand-year-old Persian poems by exiled princesses, and the fever-dream conclusions of every parapolitical conspiracy theory that might just be true.
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The Cold Panes of Surfaces
$16.95The Cold Panes of Surfaces is the moving second collection of poems from award-winning author Chris Banks.Rooted in the pastoral tradition of Wordsworth, Frost and Wallace Stevens, The Cold Panes of Surfaces describes the Southern Ontario landscape of trains, lakes, moose and pine with unflinchingly sharp image and metaphor. In so doing, he brings to it a distinctly modern edge, meditating on “the rent we are paying to the planet for our waning lives.” Here, beetles become “child kamikazes… a wallpaper of yellow-winged flames” and the planet is a “Museum of Natural Beauty.”Banks takes imaginative leaps into the worlds of a magician’s assistant, a fifteenth-century Japanese poet, and the Muse. Most of all, these poems eloquently describe childhood, loss in all its forms, the vagaries of relationships, and being “a sullen young man / caught in the world’s fist.”The Cold Panes of Surfaces is a remarkable collection, and a fitting follow-up to Banks’ award-winning first book Bonfires.
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The Collected Books of Artie Gold
$29.95Artie Gold wrote. And although he published only eight books, they were just the tip of the tip of the iceberg. Artie was always writing on his manual Underwood, on the back of cigarette packs, on napkins, on the wall, on postcards to himself and to the rest of the world. He also sketched, sketches of the moment, the moment of a moment, like his poems, whose phrases and unsentimental melancholia left a permanent impression on your mind and in your heart. He and his poems made you realize that poetry, contrary to popular opinion, did matter.
Artie Gold was a poet who was sure of what he was. He paid rent in Fort Poetry. He had such breadth in his poems that he could leave you breathless and wondering how did he do that?” There was a Bach-like complexity mixed with a Rube Goldberg playfulness in his poems. His poems were city flowers growing between the cracks of this concrete island at the strangest and most arresting angles.
Endre Farkas
Born in 1947 in Brockville, Ontario, Artie Gold appeared like a supernova within the Ingram CoreSource of Montreal Anglophone poets in the late 1960s. Intensely devoted to poetry, having already discovered the work of Frank O’Hara, John Wieners and Jack Spicer in his teens, six books of his poems were published in each of the years 197479. Daunted by asthma, complicated by rapidly proliferating allergies and emphysema, he increasingly retreated from the world. At the urging of his friends, a Selected Poems was published in 1992, but only one further book appeared in print in 2003. Artie left the world on St. Valentine’s Day, 2007. His eight published books of poetry collected here shine like a beacon of Northern Lights across the literary landscape of the late twentieth century.
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The Collected Poems of William Hawkins
$25.00Born in 1940 in Ottawa, Ontario, legendary poet and musician William Hawkins was one of the most important artists to emerge from Canada’s capital. He published six books from 1964-1974, attended the 1963 UBC Summer Poetry Seminar, organized poetry readings at Ottawa’s infamous Le Hibou Coffeehouse, wrote songs and performed in bands (with the likes of Bruce Cockburn, David Wiffen, Darius Brubeck, and others), and published widely in Canada’s most important little magazines of the 1960s before retreating into silence in the 1970s and working as a cab driver until his retirement in 2012. Hawkins died in 2016. The Collected Poems of William Hawkins gathers Hawkins’s complete output. His books are printed alongside previously unpublished and uncollected poems including early magazine publications, the long-lost book Sweet and Sour Nothings, poems from the time of his extended silence, as well as all work produced since his gradual re-appearance in the 1990s. Edited by Cameron Anstee, this volume presents the generous, defiant, idiosyncratic, and compelling work of William Hawkins in its entirety.
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The Colony of Unrequited Dreams
$17.95Spanning two decades, Smallwood’s story is anchored and propelled by one of Johnston’s most memorable creations: the fictitious Sheilagh Fielding, a caustic newspaper columnist whose own battles with the past and alcohol addiction find full vent and expression in her tireless dogging of Smallwood’s climb to power. At its heart, The Colony of Unrequited Dreams is the story of a man whose career is buoyed and sometimes sunk by his unresolved feelings for a woman he never allowed himself to love. It is also the story of Newfoundland’s final years as a country, the end of one cultural and political trajectory, and the beginning of another.
Based on the classic novel by Wayne Johnston, The Colony of Unrequited Dreams is a fictionalized portrait of Joseph R. Smallwood, the controversial political figure who ambitiously led Newfoundland into Confederation with Canada, and became its first premier.
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The Colour of Clouds
$18.95The Colour of Clouds features poems that focus on the Greater Toronto area which includes a variety of towns, hamlets, cities and landscapes with a rich history and culture. In a poetic and introspective style, this book explores the loss of our links to the past and how the pace of development threatens the beauty of our heritage, both built and natural. Featured in the poems are writers from Stephen Leacock to Lucy Maude Montgomery to Mazo de la Roche, and artists such as Milne, Gladstone, Varley and Macdonald who were inspired by the landscapes of these regions. The central themes in this collection are: losses and gains over time in the places where we reside; the interplay between our natural world and the built environment; and the often tenuous connection between the present and the past in the spaces that we inhabit; and ecofeminist theories relating to the exploitation of the natural world and the significant connection of women to nature.