A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 7089–7104 of 9248 results
In her forties, Livvy Alvarsson hopes to be a bone marrow donor for her much-loved younger brother, Stephen. Instead, she discovers she has no idea who she is. This is the second great loss she has suffered, for eleven years earlier her four-year-old son, Daniel, disappeared. Armed with a few clues from wartime England, she embarks on a search for her birth family.
The narrative takes the reader from small-town British Columbia to London, the English countryside, and back. It is a story about loss and grief, and secrets and guilt, but it is also about restoration and balance. As Livvy confides her story to her dying brother, she reveals not only an identity enriched by experience, but also the transcendent importance of family and love.
The Cuckoo’s Child is a compelling and remarkable evocation of a woman’s search for her family history.
Now in its fifth year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing. It showcases short fiction from Newfoundland and Labrador writers, both new and well-established. The best entries from the 2011 competition appear in this anthology, and they run the gamut of writing styles; they’re gritty, poignant, cheeky — sometimes downright disturbing — but all are compelling and meticulously crafted. Open the cover and turn the pages — you won’t want to stop reading till the end.
Now in its seventh year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing in St. John’s. It showcases some of the best short fiction from Newfoundland and Labrador writers, both new and established. Entries in 2013 delved into a wide variety of themes — friendships, relationships, the tight bonds between people and animals, dark villainy in its many forms and the myriad mysteries of the human condition. The stories were reviewed by Cuffer Prize judges Jessica Grant, Joan Sullivan and Russell Wangersky, and selected by editor Pam Frampton. The Cuffer Anthology Volume VI includes exquisitely crafted stories from the top three prize winners in 2013: Eva Crocker for Skin and Mud, Chad Pelley for Where to Look and Kerri Cull for The Musher. They were chosen from the more than 160 entries for the Cuffer Prize. A portion of the proceeds from each anthology is donated to Literacy Newfoundland and Labrador.
Now in its eighth year, the Cuffer Prize is sponsored by The Telegram and Creative Book Publishing in St. John’s. It showcases some of the best short fiction from Newfoundland and Labrador writers, both new and established. Entries in 2014 explored many different themes — coming of age, the tensions that thrum through relationships, sex and seduction, the connection between people and the sea, illness and intrigue, and life’s daily rituals. The stories were reviewed by Cuffer Prize judges Jessica Grant, Joan Sullivan and Russell Wangersky, and selected by editor Pam Frampton. The Cuffer Anthology Volume VII includes three highly polished gems from the top prize winners in 2014: Beth Ryan for “Campfire Stories” and Tracey Waddleton for both “White Cat” and “Riding with Maurice.” They were chosen from the more than 160 entries for the Cuffer Prize. A portion of the proceeds from each anthology is donated to Literacy Newfoundland and Labrador.
A group of longtime friends gathers for an intimate 25th anniversary dinner celebration as a forest fire rages out of control in the nearby mountains of southeastern BC. When an unexpected gift transforms a discussion about the local wolf cull into a heated argument over economic inequality, conflicting values within the tight-knit group are revealed. The Cull contrasts the dynamics of human self-interest with the instinctive communal behaviour of wolves… turning this particular dinner party into a night of “eat or be eaten.”
Elsa is a typical fifteen-year-old growing up in the early 1960s. Her world revolves around independence, boys, and being popular at school, despite growing concerns surrounding the Cuban missile crisis. In fact, this is Elsa’s opportunity to let loose before the world blows up. Knee-deep in teenage angst, her mission is clear: get drunk for the first time and lose her virginity. Though Elsa is old enough to feel the tense political climate, she is young enough to believe there might be a cure for everything. A comedic and compassionate sequel to Ardal’s award-winning You Fancy Yourself, The Cure for Everything is a coming-of-age story about a teenager who discovers that the world is more complex than she could have imagined.
A CBC Books Summer Reading Pick!
“We know Lavoie for her novels for adults. Here she offers us a cute text that will capture and maintain the interest of readers. A refreshing read that features a tiny, endearing and courageous kitty.” – La Presse
The Curious Misadventures of Kitty the Cat is a hilarious story of a cat who never grows up. After wandering away from his mom and sibling, he’s found in the forest by a little girl and moves with her into the city, where he finds adventure and makes new friends: Premache, the big cat of the alley; the spiders of the special arachno-intervention unit; Billy, the nice neighbour; and the parents of the little girl.
The cat will eventually learn that his mother still lives in St. Hilarion, and that he had better learn to speak gull if he wants to find her.
Charles Demers is a thirtysomething comedian and the author of three books; George Bowering is eighty, Canada’s first poet laureate, and the author of more than eighty books. Charlie and George are also the best of friends. And the fathers of daughters.
In this unique book of correspondence, these two men from different generations write to each other about the burdens, anxieties, and singular joys of parenthood. The letters begin as Charlie and his wife discover they will become parents; he expresses his hopes and fears of impending fatherhood, compounded by his OCD and his own father’s illness, while George recalls his experiences raising a daughter in the 1970s and his anxieties about bringing a child into a troubled world.
Together, their thoughtful, funny, candid missives reveal what fathers know (or don’t know) about raising daughters, as well as themselves and each other. Their combined observations make for a passionate, funny, and moving portrait of fatherhood in all its imperfect, beautiful glory.
Skulls and crossbones: poetic piracy. Burning barns, drunken Christmases, scars, hospitals, serial killers, and, eventually, the possibilities of self-preservation and hope. The Dagger Between Her Teeth is Jennifer LoveGrove’s bloodthirsty debut. Powerfully topical, it’s a rare collection of poetry — one that confronts notions of violence, both physical and emotional, by focusing on a woman’s strength of will and capacity for ferocity. In The Dagger Between Her Teeth, LoveGrove resurrects and reinvents the dramatic young lives of two eighteenth-century corsairs, Anne Bonny and Mary Read. Alive with the golden age of piracy but infused with the pulse of now, these poems shed more blood than a Tarantino flick. LoveGrove’s work provokes with theatrical plundering, creative cross-dressing, and vicious vengeance: “Disdain reddens my blood — I / know well I killed / my own husband and took / his clothes to be out here.” Still other poems examine the conflicting mythologies of Lilith, Adam’s first wife, who was evicted from Eden for her sexual aggression. Disputed and co-opted, Lilith has been blamed for a vast array of “deviance,” as well as for miscarriages, wet dreams, nightmares in children, and lustful women — these poems explore the more ominous elements of her mythology. But there is also a part of The Dagger Between Her Teeth that is informed by more personal experience, from disrupted family dynamics to the failure of romance: “You’re not as fragile as you think you are; / I know you didn’t snap / any of those feathered necks / yourself. It’s all just tapeloops / and backward masking, take-out / wings and old Talking Heads albums.“
As the dance floor of life tilts beneath our feet, do we keep dancing? In this inspired collection of Susan Alexander’s poems, we sway to the rhythms of passion, death, grief, and how we are connected in our lives. The individual moments making up the tune of this poet’s life offer the possibility of finding the beauty within the everyday resonance of our own existence.
Twenty members of a cult are found massacred on an isolated island on Canada’s West Coast. Their leader, Shiva Ram Acharya, is brought to trial, and the great Arthur Beauchamp defends him, assisted by his junior counsel Max Macarthur. Shiva claims to have amnesia and refuses to participate in his own defence. But Macarthur gradually becomes convinced of his innocence, embarking on the greatest challenge of his career — a dangerous quest for the true murderer — and falling under the sway of the brilliant, enigmatic Shiva. Is Shiva a madman or a messiah?
While isolated and friendless in World War II Cornwall, Nora, a precocious American adolescent, loses her younger half-brother in a car crash. Overwhelmed by grief, Nora’s mother becomes involved with Olaf Winter, the self-professed necromancer Nora believes is responsible for the accident. Desperate to win back her mother’s love from the nefarious Mr. Winter, Nora embarks on an epic journey and is plunged into a world of faeries, giants, and homunculi. Eventually she reaches the land of the dead where she confronts the dark king who rules that realm, attempts to retrieve her half-brother, and heal her mother’s broken heart.
Libraries are magical places. But what if they’re even more magical than we know?
In Cyrille Martinez’s library, the books are alive: not just their ideas or their stories, but the books themselves. Meet the Angry Young Book, who has strong opinions about who reads what and why. He’s tired of people reading bestsellers, so he places himself on the desks of those who might appreciate him. Meet the Old Historian who mysteriously vanished from the stacks. Meet the Blue Librarian, the Mauve Librarian, the Yellow Librarian, and spend a day with the Red Librarian trying to banish coffee cups and laptops.
Then one day there are no empty desks anywhere in the Great Library. A great horde of student workers has descended, and they will scan every single book in the library: the much-borrowed, the neglected, the popular, the obscure. What will happen to the library then? Will it still be necessary?
The Dark Library is a theoretical fiction, a meditation on what libraries mean in our digital world. Has the act of reading changed? What is a reader? A book? Martinez, a librarian himself, has written a love letter to the urban forest of the dark, wild library, where ideas and stories roam free.
An affair. A marriage. Accidental encounters. A secret spying mission masquerading as research for a short story on desire. This is the rich ground from which The Darren Effect springs, carrying us through the complexities, tragedies, and unanticipated triumphs of love and loss.
The Darren Effect is a miraculous novel, in which the characters coalesce and crisscross in awkward, surprising, and hilarious ways. Damaged by grief and circumstance, Heather, Isabella, Darren, and Benny offer each other heartbreak, love, and redemption at a time when all previous points of reference have vanished.
Estranged from her abusive parents as a teenager, Taraneh Pourani overcame poverty, isolation and self-hatred to build a happy home with her loving husband and children. Triggered by her young sons’ annual visit with their grandparents, Taraneh becomes psychologically distressed. She begins to doubt her memories and question her decision to remain distanced from her aging parents.
A journey into Taraneh’s family history reveals three generations of unaddressed mental illness and unresolved childhood trauma. Due to poverty in early twentieth-century Iran, Taraneh’s grandmother, Batoul, is married at the age of nine and sent to live with her husband’s family. Ashamed and traumatized, Batoul raises her children to expect hardships and to endure them in secret. The seeds of dysfunction are planted in Mojegan, Taraneh’s mother. Mojegan is a nurse in Tehran in the 1960s when she marries the charming, but alcoholic and impulsive, Reza. She stands by Reza throughout their marriage, even after he abruptly kicks out their teenage daughter, Taraneh.
A powerful and beautiful debut novel by Kimia Eslah, The Daughter Who Walked Away explores the lives of three Iranian women, across three generations, as they struggle to love and be loved unconditionally.