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Anglophone Imogene Jackson grew up in an English suburb on the uneasy edge of a francophone world. At the age of nineteen she quit college to marry a shoemaker from the close-knit French village of Saint-Ange-du-Lac. For ten years she has lived with her husband, Thomas, above his family’s historic shoe shop, immersed in village life. When Thomas dies in a car accident, she is shattered and her hard-won mastery of the French language deserts her. Isolated and grief-stricken, she retreats to her childhood home. There she discovers that a petty drug dealer she knows from the village has rented a ramshackle farmhouse, nicknamed the “Apple House,” at the corner of her parents’ street and befriended her easily influenced brother Petey. Her childhood obsession with the old house resurfaces and she finds herself confronting events from both her recent and more distant past as her two worlds collide.
Set in 1970s Quebec and written with a gentle humour, The Apple House is an intimate portrait of life during a time of great change.
In experimental lit veteran Brian Dedora’s third novel, prose fragments and narrative threads come in and out of focus as, on a winter’s night, a reveller in an upscale Toronto restaurant begins the most dangerous of things: a journey into memory. Is he a narcissist or is he among the wounded? What is it to be gay in a small desert town and in the heart of a sprawling city? The Apple in the Orchard navigates the truths and half-truths of a traveller, a loner plunging through city streets and into the woods, a Canadian wrapped in the myths of the North and tangled in the snare-traps of the urban. As this layered, undulating novel explores class tensions, a family in disintegration, and how the effects of sexual abuse wind through generations, and while cameos by voyageurs, cowboys, Black Robe, and Grey Owl flicker to life and vanish again, the tragic story of the unnamed Her emerges in verbal snapshots.
In the vein of Kate Atkinson’s Jackson Brodie novels comes a smart thriller with literary chops. Art appraiser Helena Marsh explores shady deals and complicated history as she navigates post-WWII corruption in the art world.
“This peppy thriller from Porter bursts with banter and tantalizes the reader with half-revelations and game-changing twists.” — Kirkus Reviews
“[A]n intelligent and exhilarating thriller.” — Publishers Weekly
“A gripping thriller set against the rich post-war history of middle-Europe.” — Staunch Book Prize Committee
When wealthy octogenarian Geza Marton hires art expert Helena Marsh to buy back his family’s Titian painting, Helena flies to Budapest to close what she expects will be a reasonably simple sale. But nothing is ever simple in this beautiful, flawed city where corruption abounds. Helena discovers that there are multiple bidders for the painting, including some dangerous Slavs. Soon there are also dead bodies, and a complicated history that leads her to men Marton knew in Vorkuta, one of Stalin’s notorious gulags.
As she works to unravel the truth of the painting’s ownership and dodges her tail, the dogged ex-detective Attila Feher, Helena is forced to call on all her considerable skills to stay alive and out of jail. Smart, fast-paced, and wildly entertaining, The Appraisal is a terrific thriller set against Budapest’s corruption and lost promise.
The Archaeologists follows six people from the fictional edge city Wississauga whose lives intersect when bones are discovered in a backyard overlooking the site of a proposed thoroughfare. As personal beliefs are challenged and lives are turned upside down, they each must grapple with the big questions–the environment, consumerism, ennui, repatriation.
The Archeology of a Good Ragù offers a unique take on the recovery narrative. A damaged but savvy author finds new wholeness by way of a fascinating old city: Naples, Italy. John Domini’s exploration of the place— little known to North Americans, yet rich in culture and challenge— draws on decades of research, living with local friends and family. His work has appeared previously in the New York Times and elsewhere, and he’s published award-winning Neapolitan novels. This memoir will take readers into the back alleys and hidden beaches. It will examine intricacies of both romance and crime, and provide insight into the latest Naples immigrants, African refugees. Overall, Archeology of a Good Ragù turns the city into a prism that throws its colors across both urban and spiritual experience, everywhere.
This volume includes work selected from six of Frank Davey’s books of poetry—Weeds, Four Myths for Sam Perry, Griffon, Arcana, King of Swords and The Clallam—as well as the manuscript edition of his War Poems.
Guido Nincheri’s work has been appreciated by connoisseurs of stained-glass windows and frescoes in church interiors scattered across Canada and New England. Although considered to have been the most prolific religious artist in North America, his work is not well known. The Art and Passion of Guido Nincheri provides intimate glimpses into the life story of this man of great artistic integrity, and introduces the reader–with 36 colour plates–to a sampling of the churches and one of the non-religious buildings Nincheri decorated, which exemplify his ideals of beauty, decoration, and the public aspect of art. In addition to churches in Vancouver, Toronto, Ottawa, Montreal and Edmundston, and many other cities, Nincheri decorated Montreal’s Château Dufresne Museum and the Roger Williams Museum of Natural History in Providence, Rhode Island.
A native of Prato, Nincheri trained at the Academy of Fine Arts in Florence and was influenced by the Pre-Raphaelites and the Italian Stile Liberty. The young artist and his new wife arrived in Montreal in 1913 by way of Boston on the eve of the outbreak of World War I. The author was privileged to have access to both family stories and the rich archival resources documenting the studio, business and private life of the artist.
The Art of Building a Bunker is a dark, viciously funny story recounting a week in the life of your average Elvis as he endures mandatory workplace sensitivity training. Elvis struggles to meet the demands of Camerson, the sensitivity traning leader, and to work with the group that surrounds him without revealing anything about what he really feels or believes. His struggles culminate in a radical oration delivered on the last day of the course to the sensitivity group, workplace colleagues, as well as international luminaries of sensitivity like Nelson Mandela, Geddy Lee, and Malala.
Created for Toronto’s SummerWorks 2013, Verdecchia explained to Colin Thomas of the Georgia Straight the impulse to create Bunker: “We were just looking around the city and at the culture generally,” Verdecchia said – remember that Rob Ford was Toronto’s mayor at that time – “and there was a kind of incivility in the air, which I think is still there. It seems like it’s permissible to say things that you couldn’t say before, like ‘Fuck her right in the cunt,’ or whatever guys are saying on television.” (Verdecchia is referring to the phenomenon that reporter Shauna Hunt very publicly challenged recently.) “There was also this incredible anger on the web, YouTube videos with people ranting about their situations or about Obama—a lot of Americans. They seemed like really disenfranchised folk who were stewing in their anger and fear. And that struck us as really interesting. Adam and I genuinely want to ask about what is permissible.”
Bunker is to be played by one virtuosic actor.
Melanie Marttila captures the solace and healing she has found in the terrestrial landscapes, flora, and fauna of northeastern and southwestern Ontario while balancing the ebbs and flows of her mental health. There is similar reprieve in looking skyward as she shares in beautifully crafted poems the reflections of celestial patterns on moods, perceptions and relationships. Through the often insignificant and mildly miniscule moments in life, Marttila demonstrates the truth and hope that lie within each, whether connecting with land or sky. The Art of Floating is dedicated to the poet’s father, who taught her how to surrender to and survive the rough waters of mental illness.
ONE OF LIT HUB‘S MOST ANTICIPATED BOOKS OF 2023 • ESQUIRE‘s August 2023 Book Club Pick
The essays in The Art of Libromancy explore the politics, philosophies, technologies, emotional experience, and craft of selling books in the twenty-first century.
With Amazon’s growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader’s hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face. From the relationship between bookselling and white supremacy, to censorship and the spread of misinformation, to the consolidation of the publishing industry, veteran bookseller and writer Josh Cook turns a generous yet critical eye to an industry at the heart of American culture, sharing tips and techniques for becoming a better reader and, of course, recommending great books along the way.
P. K. Page?the celebrated poet?was also a gifted visual artist working under her married name, P. K. Irwin. The Art of P. K. Irwin charts the evolution in her art, detailing an expansive range of artistic influences, from the geographical and temporal, to the poetic, artistic and spiritual.
Video games, once dismissed as idle entertainment, are experiencing a cultural renaissance. Galvanized by easier manufacturing methods and better distribution channels, a new generation of independent designers and developers have created games that are startlingly original, accessible and artistic. In 2011, one of the most
visionary of those indie developers, Superbrothers, released Sword and Sworcery EP. An immersive, paradigm-shifting adventure game — Wired magazine said it had ‘the best creative direction of any mobile role-playing-
game we’ve seen’ — it became a global phenomenon.
Now, writer Adam Hammond journeys to Superbrothers’ secret headquarters in rural Quebec to chronicle the creation of their eagerly anticipated follow-up title. As one of the first players of the new game, Hammond provides a unique, ringside account of the gaming world. Along the way, he shows how indie video
games have evolved into a socially progressive art form, tracing their creative DNA in everything from modernist fiction to punk rock.
Contributors explore the urban systems and structures that frame our everyday lives. The Art of Trespassing imagines networks, neighbourhoods, and relationships, exposing them as both confining and liberating.
Nick wears a soldier’s uniform but wields only a paintbrush. As an embedded Canadian artist during the Second World War, he is tasked with an impossible mission: to capture the chaos and carnage of battle on canvas. With soldiers, refugees, and showgirls as muses, Nick embarks on a surreal odyssey of self-discovery to understand the purpose and power of his art. What he witnesses—and what he paints—will change him forever and help shape the vision of a young nation.
In The Art of War Yvette Nolan offers a poignant meditation on the role of artists in times of war and peace. Finding humour and insight in the challenges of expressing the inexpressible, it is an exaltation of those who steadfastly seek truth amidst great turmoil.
Granddaughters, asters, Medea cakes, para pom tandle, Mrs. Roker raking, Caraquet, angelic recurrence, Neruda, zupzupzup, the high bush cranberries, the Somme, a waterfall in Iceland that cries by the thousandsful, the Strawberry Shaman and the Japonica Bushelful Bountiful Lady: you would never mistake a Colleen Thibaudeau wordscape for any other. Her poems might have been written just after the imagination was invented. So lithe and playful, so naturally leaping even in elegy, they would seem like fabulous accidents if Colleen hadn’t been making them, with no loss of freshness, for over forty years. There is a lifetime of poems in this book.