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Poet-critic Jim Johnstone has described Kevin Heslop’s the correct fury of your why is a mountain as among “the most promising poetic projects to come out of Canada in recent years.” This debut collection communicates Heslop’s sense of balance as a visual artist, curator, and poet who weights the page with visual harmony. By turns experiment, lyric, and incantation, the book nods to its author’s training as an actor, combining a command of language, form, character, and polyphony to make something performatively unique.
This is the story of Alfred Hilroy, a recently widowed, 68-year-old man who believes that estate and money matters should be kept private. It is also the story of Alfred’s three grown children, Bev, Michael, and Judy, who love their father dearly but worry that he is going to squander away his retirement savings — and their inheritance. Alfred believes his affairs are in order. He has part-time work at the pharmacy he co-owns and runs, reasonably good health, and a modest but steady amount of retirement income. However, he misses his late wife terribly and does not look forward to navigating through old age alone. Then “The Bolt” hits. Mary Beth Cain, twenty-five years Alfred’s junior, is an athletic, confident, outgoing woman who knows what she wants. Within weeks there is talk of a future life together. Bev, Michael, and Judy are soon swept up into a sea of conflicting emotions as their new step-mother moves into — and redecorates — the beloved Hilroy home, appears at Alfred’s birthday party wearing their late mother’s spider brooch, and vacations with the family at the cottage. Will Alfred leave everything to this newcomer to the family? Will cherished family belongings suddenly disappear? The Hilroys’ struggles are becoming more and more common as baby boomers confront their parents’, and their own, mortality. As Bev, Michael, and Judy screw up their courage and begin discussions with their father about his estate, we learn about, Powers of Attorney, capital gains tax, probating a will, US estate and gift tax, trusts, joint ownership, cottage inheritances, communicating with aging people, and more — all in an intriguing, suspenseful, and ultimately liberating story.
A Crime Reads Best International Crime Fiction of 2023 • One of Crime Reads most anticipated LatinX Horror and Crime Fiction of 2023
This sumptuously written thriller asks probing questions about how we live with each other and with our planet.
Raised on his wits on the streets of Central America, the Cobra, a young debt collector and gang enforcer, has never had the chance to discern between right and wrong, until he’s assigned the murder of Polo, a prominent human rights activist—and his friend. When his conscience gives him pause and his patrón catches on, a remote Mayan community offers the Cobra a potential refuge, but the people there are up against predatory mining companies. With danger encroaching, the Cobra is forced to confront his violent past and make a decision about what he’s willing to risk in the future, and who it will be for.
Following the Cobra, Polo, a faction of drug-dealing oligarchs, and Jacobo, a child caught in the crosshairs, Rey Rosa maps an extensive web of corruption upheld by decades of political oppression. A scathing indictment of exploitation in all its forms, The Country of Toó is a gripping account of what it means to consider societal change under the constant threat of violence.
ONE OF BOOK RIOT‘S “20 MUST-READ HORROR BOOKS YOU’VE NEVER HEARD OF”
Simon and Marie can’t seem to have a baby. And so they flee the city for an idyllic village, where things will certainly be better. But the town is gloomy, even hostile — things haven’t been the same since the factory closed down and a broadcast antenna was erected. Now there are no birds singing, and people have started disappearing.
Back to Berlin
“Thiessen’s script is rhythmically sophisticated… There are so many riches here that even analyzing the faults is a pleasure.” —The Georgia Straight
“Back to Berlin reminds us that our stories are not only about wars won and lost but also of love and forgiveness.” —Vancouver Courier
The Courier
“Terrific Theatre” —Winnipeg Free Press
“Intelligent, well-crafted, and highly entertaining.” —The Globe and Mail
The Resurrection of John Frum
“This is the rarest of creature: a play about religion without an obvious agenda.” —The Edmonton Sun
“Thiessen has written with compassion and considerable insight about faith and the human need to believe.” —Winnipeg Free Press
Valentine
“After a hard working but rich life with his wife, Victor finds himself unprepared for the domestic duty of raising his teenage son alone… (Thiessen) has crafted intricate, believable characters whom we love and hate all at once…” —Dr. Ruth Dyck Fehderau, University of Alberta
In The Cowboy and the Cross, Bill Watts takes us from his stormy upbringing and his tumultuous years at the University of Oklahoma, to his days in the wrestling business, sparing nothing in his details about football coaching legend Bud Wilkinson, ugly encounters with some of the top names in wrestling in the 1960s, and frightening stories about skirting tragedy and the law in violent altercations.
Watts talks about all the top stars of his legendary Mid-South Wrestling promotion. He explores the oil crunch that killed his company and the problems that killed his marriage. His personal tribulations coincided with his reawakened spirituality, and Watts gives readers a lot to think about as he narrates the story of the profound change God made in his life. Wrestling Observer newsletter editor Dave Meltzer calls this book a “must-read” for anyone in the wrestling business.
Teresa is sexy, seductive, and mentally challenged. Worshipped by her boyfriend, she turns tricks at $5, is addicted to Tim Hortons’ doughnuts, lies without thinking, and overflows with endless kindness, but she continues to hold on to her limitless innocence. The Crackwalker captures the music, the dialect, and the unpretty realities of the inner city. First produced thirty years ago, Thompson’s striking portrayal of the discarded class in Canada continues to move audiences today.
The Crane follows the difficult choices confronting someone who cannot go on being lied to and explores how they carry on in the face of hardship.
It’s 1968 and James Anderson’s twin brother Dave has just been killed in the Vietnam war. Knowing his turn is next, James turns his back on his family’s military legacy, evading the draft and travelling to Newfoundland to fulfill a promise his brother made to a fellow soldier. Unwittingly swept into an intergenerational family secret while on assignment for a St. John’s newspaper, James finds something in Newfoundland that could just save his life.
From the co-creator of the seminal craftivism book Yarn Bombing: a guide for creatives to making impactful, socially engaged art projects.
Flash mobs come and go, but purposeful creativity can change communities. Are you a creative (aspiring or otherwise) who is curious about how you can apply your skills to activist, socially engaged art projects? Whether you paint, sew, sing, build, weld, or rhyme, The Creative Instigator’s Handbook explores how to take that big project you’ve been dreaming about and actually make it happen.
In response to the challenging times that we live in, The Creative Instigator’s Handbook will inspire readers to use their creativity to spur change in the world around them. Guiding readers through the various aspects of a project from ideation to final documentation, the book examines the relationship between creative leadership, community art projects, and social justice, and includes the perspectives of 23 creative instigators who have stretched the boundaries of what “art” should or shouldn’t do.
The Creative Instigator’s Handbook will appeal to creatives willing to expand their comfort zones by jumping into the fray and doing some outrageous, inspired rabble-rousing of their very own.
Full-colour throughout.
Enrique Tomás lives a quiet life with a large, loving family in an unnamed South American country. But Enrique has secrets. When his second eldest son, Hector, and Hector’s beloved friend Nadia uncover one of Enrique’s secrets, the course of Hector’s life is irrevocably altered. Exiled by his parents to the isolated countryside, Hector is accused of terrorism—a crime of which he is innocent, yet ruthlessly punished. As he struggles to extricate himself from the clutches of a brutal and paranoid military regime, he learns that freedom comes at a terrible price.
The Crimes of Hector Tomás is an epic novel about disappearance and deception, family and nation. Enrique, Hector, and Nadia are trapped in a nightmare world where innocence counts for nothing and justice is a dream. Once they make their choices, they can never go back.
Daniel Sarah Karasik explores the beauty and peril of intimate attachment in their new work, The Crossing Guard, and in his award-winning In Full Light.
Every day after school, seventeen-year-old Timothy waits at the neighbourhood crosswalk where years earlier his older sister disappeared. Every day he crosses the street with Jim, the elderly crossing guard. It’s a ritual Timothy thinks might go on forever, until one day he arrives and Jim is absent. Instead, standing at the crosswalk is a young woman—a young woman who looks a lot like his missing sister. The Crossing Guard is a tender meditation on the limits of fidelity.
Ben’s teenaged daughter Claire is hit by a car. To ease his conscience, Leon, the driver, approaches Ben with a cheque. Which Ben takes. But now why is Leon calling Ben at work and showing up on his front lawn? And what’s going on with Claire, now recovered, throwing rocks at the window of the boy who lives across the street? In Full Light is a riveting exploration of obligation, obsession and desire.
“Wonderland is everywhere and we refuse to be small.”
In this collection of essays, Lloyd Ratzlaff brings the prairie landscape to life through a capacious imagination charged with wonder and the gentle irony of an awareness tempered by time and love. Ratzlaff connects with the challenges posed by skepticism and belief, countering both the cynicism and doctrinairism of contemporary life with a renewed praise of the profound depths of the spirit and the natural world.
Christian McPherson’s debut novel The Cube People pokes fun at government cubicle culture through the life and times of a struggling computer programmer/novelist wannabe. McPherson surrounds his protagonist, Colin MacDonald, with a cast of screwball characters while he toils away at his government job, struggles with fertility and dreams of becoming a published writer. Recycled air, bad lighting and bizarre environmental office policies by day; scheduled love-making sessions and rejection letters by night, push MacDonald to try to write his way out of his cyclical life story. Part tragedy, part comedy–with a bit of horror thrown in for fun–McPherson cooks up a boiling plot and a memorable anti-hero.