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Volume 8 in the Bibliography of Canada’s Major Authors series which brings together primary and secondary material written by some of Canada’s most preeminent literary figures. This volume includes annotated bibliographies on Irving Layton, Dennis Lee, and Duncan Campbell Scott.
Volume 6 in the Bibliography of Canada’s Major Authors series which brings together primary and secondary material written by some of Canada’s most preeminent literary figures. This volume includes annotated bibliographies on Margaret Avison, John Newlove, Michael Ondaatje, P.K. Page, Miriam Waddington, and Phyllis Webb.
Volume 8 in ECW’s bibliography of Canada’s major authors.
AURORA AWARD WINNER“This packs a punch.” — Publishers Weekly“One of the most unique and engaging voices in genre fiction.” — Booklist“In this rich and nuanced universe, Mohamed offers an emotionally fierce and human story that takes the time and space to personalize apocalypse.” — STARRED review, Quill & QuireA novella set in post–climate disaster Alberta; a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her communityThe world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but she can’t bring herself to abandon her mother and the community that relies on her. When she’s offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can’t even trust her own mind?With keen insight and biting prose, Premee Mohamed delivers a deeply personal tale in this post-apocalyptic hopepunk novella that reflects on the meaning of community and asks what we owe to those who have lifted us up.
Compiled to celebrate ten years worth of limited edition chapbooks and broadsides, The Anstruther Reader tracks the evolution of Anstruther Press, one of Canada’s most prominent micropresses. Featuring notable authors such as Klara du Plessis, Tolu Oloruntoba, David Ly, Rebecca Salazar, David Barrick, Fawn Parker, and T. Liem, The Anstruther Reader makes a case for the press’s reputation as a launching pad for emerging and established poets alike, and spotlights its mandate to publish poetry that both pushes against and expands the boundaries of Canadian literature.
Ken Belford’s career has spanned six decades and three lives. The Answer to Everything collects Belford’s poetry of the 1960s in Vancouver, his “lan(d)guage” poetry of the early 2000s influenced by his time on remote Blackwater Lake, and his more political-charged poetry of the last decade while he lived in Prince George. This collection allows readers to discover or reflect on Ken’s unique and challenging work, seeing patterns and themes in his poetics as they evolved out of his TISH-influenced poetry and into more contemporary dialogues where Belford seemingly establishes a poetic school of his own.
The collection has been organized chronologically, setting foundational texts from his earlier work next to his celebrated recent books that concretized his distinct poetic sensibilities. This remarkable collection is assembled based on Belford’s wishes by those close to him as a definitive record of his life’s work.
The shocking images of neo-Nazis marching in Charlottesville, Virginia, in the summer of 2017 linger, but so do those of the passionate anti-fascist protestors who risked their lives to do the right thing. In this stirring graphic non-fiction book by the author of The 500 Years of Resistance Comic Book, Gord Hill looks at the history of fascism over the last 100 years, and the concurrent antifa movements that have worked fastidiously to topple it.
Fascism is a relatively new political ideology, yet in its short history some of the greatest atrocities against humanity have been carried out in its name. Its poisonous roots have taken hold in every region of the world, from its beginnings in post-World War I Italy, through Nazi Germany, Franco’s Spain, and the KKK in America. And today, emboldened by the American president, fascism is alive and well again. At the same time, antifa activists have proven, throughout history and again today, that the spirit of resistance is alive and well, and necessary.
In The Antifa Comic Book, Gord Hill documents these powerful moments of conflict and confrontation with a perceptive eye and a powerful sense of resolve.
Full-colour throughout. Includes a foreword by Mark Bray, author of Antifa: The Anti-Fascist Handbook.
“You fool,” Sariel said. She gestured with a hand and the table between us slid to the side. “You ridiculous mortal fool. What did you do with the sphinx?”
With these words Cross finds himself thrust into his most dangerous adventure yet, working with the double-crossing angel Sariel to stop Noah from ending his eternal suffering by ending the world. But this Noah has not saved any beings from the flood, he is God’s warden, and he is bound to hold all God’s mistakes captive on his ark for eternity. And he has gone mad. Between provoking the sorcerous pirate Blackbeard, dealing with the devious vampire Ishmael and travelling beneath the seas with Captain Nemo and the last of the Atlanteans, Cross struggles to keep one step ahead of Noah until the last battle occurs before the very doors of Atlantis itself.
Anglophone Imogene Jackson grew up in an English suburb on the uneasy edge of a francophone world. At the age of nineteen she quit college to marry a shoemaker from the close-knit French village of Saint-Ange-du-Lac. For ten years she has lived with her husband, Thomas, above his family’s historic shoe shop, immersed in village life. When Thomas dies in a car accident, she is shattered and her hard-won mastery of the French language deserts her. Isolated and grief-stricken, she retreats to her childhood home. There she discovers that a petty drug dealer she knows from the village has rented a ramshackle farmhouse, nicknamed the “Apple House,” at the corner of her parents’ street and befriended her easily influenced brother Petey. Her childhood obsession with the old house resurfaces and she finds herself confronting events from both her recent and more distant past as her two worlds collide.
Set in 1970s Quebec and written with a gentle humour, The Apple House is an intimate portrait of life during a time of great change.
In experimental lit veteran Brian Dedora’s third novel, prose fragments and narrative threads come in and out of focus as, on a winter’s night, a reveller in an upscale Toronto restaurant begins the most dangerous of things: a journey into memory. Is he a narcissist or is he among the wounded? What is it to be gay in a small desert town and in the heart of a sprawling city? The Apple in the Orchard navigates the truths and half-truths of a traveller, a loner plunging through city streets and into the woods, a Canadian wrapped in the myths of the North and tangled in the snare-traps of the urban. As this layered, undulating novel explores class tensions, a family in disintegration, and how the effects of sexual abuse wind through generations, and while cameos by voyageurs, cowboys, Black Robe, and Grey Owl flicker to life and vanish again, the tragic story of the unnamed Her emerges in verbal snapshots.
In the vein of Kate Atkinson’s Jackson Brodie novels comes a smart thriller with literary chops. Art appraiser Helena Marsh explores shady deals and complicated history as she navigates post-WWII corruption in the art world.
“This peppy thriller from Porter bursts with banter and tantalizes the reader with half-revelations and game-changing twists.” — Kirkus Reviews
“[A]n intelligent and exhilarating thriller.” — Publishers Weekly
“A gripping thriller set against the rich post-war history of middle-Europe.” — Staunch Book Prize Committee
When wealthy octogenarian Geza Marton hires art expert Helena Marsh to buy back his family’s Titian painting, Helena flies to Budapest to close what she expects will be a reasonably simple sale. But nothing is ever simple in this beautiful, flawed city where corruption abounds. Helena discovers that there are multiple bidders for the painting, including some dangerous Slavs. Soon there are also dead bodies, and a complicated history that leads her to men Marton knew in Vorkuta, one of Stalin’s notorious gulags.
As she works to unravel the truth of the painting’s ownership and dodges her tail, the dogged ex-detective Attila Feher, Helena is forced to call on all her considerable skills to stay alive and out of jail. Smart, fast-paced, and wildly entertaining, The Appraisal is a terrific thriller set against Budapest’s corruption and lost promise.
The Archaeologists follows six people from the fictional edge city Wississauga whose lives intersect when bones are discovered in a backyard overlooking the site of a proposed thoroughfare. As personal beliefs are challenged and lives are turned upside down, they each must grapple with the big questions–the environment, consumerism, ennui, repatriation.
The Archeology of a Good Ragù offers a unique take on the recovery narrative. A damaged but savvy author finds new wholeness by way of a fascinating old city: Naples, Italy. John Domini’s exploration of the place— little known to North Americans, yet rich in culture and challenge— draws on decades of research, living with local friends and family. His work has appeared previously in the New York Times and elsewhere, and he’s published award-winning Neapolitan novels. This memoir will take readers into the back alleys and hidden beaches. It will examine intricacies of both romance and crime, and provide insight into the latest Naples immigrants, African refugees. Overall, Archeology of a Good Ragù turns the city into a prism that throws its colors across both urban and spiritual experience, everywhere.
This volume includes work selected from six of Frank Davey’s books of poetry—Weeds, Four Myths for Sam Perry, Griffon, Arcana, King of Swords and The Clallam—as well as the manuscript edition of his War Poems.
Guido Nincheri’s work has been appreciated by connoisseurs of stained-glass windows and frescoes in church interiors scattered across Canada and New England. Although considered to have been the most prolific religious artist in North America, his work is not well known. The Art and Passion of Guido Nincheri provides intimate glimpses into the life story of this man of great artistic integrity, and introduces the reader–with 36 colour plates–to a sampling of the churches and one of the non-religious buildings Nincheri decorated, which exemplify his ideals of beauty, decoration, and the public aspect of art. In addition to churches in Vancouver, Toronto, Ottawa, Montreal and Edmundston, and many other cities, Nincheri decorated Montreal’s Château Dufresne Museum and the Roger Williams Museum of Natural History in Providence, Rhode Island.
A native of Prato, Nincheri trained at the Academy of Fine Arts in Florence and was influenced by the Pre-Raphaelites and the Italian Stile Liberty. The young artist and his new wife arrived in Montreal in 1913 by way of Boston on the eve of the outbreak of World War I. The author was privileged to have access to both family stories and the rich archival resources documenting the studio, business and private life of the artist.