A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 6913–6928 of 9248 results
From Dr. Schott’s 30 years in veterinary practice come over 60 heartwarming, funny, and adorable stories about angry pelicans, bug-eyed goldfish, and plenty of cats and dogs In the third book in this bestselling series, we meet the oddest creatures, from an escaped newt to a baby snow leopard, but the focus is on the dogs and cats that make up most of a pet vet’s day and on the wacky and wonderful people who bring them in.Dr. Schott also pulls back the curtain on what it’s really like to be a veterinarian. Do some vet students faint at the sight of blood? (Yes.) Is it easier for vets to bring their own pets in for procedures? (No.) Did the pandemic change veterinary practice? (Yes, and how.)You will also learn how to bathe a dog, why some rats love cats, why Dr. Schott is afraid of parrots, and a surprising way for a dog to accidentally get drunk. And, of course, you will meet Supercat, the Siamese kitten with the mightiest lungs.
The Battle of Batoche is the best-known confrontation between Métis and British soldiers in the Northwest Resistance of 1885. It remains one of Canada’s most emotion-laden memories, eloquently revisited in this revised and expanded edition.The strategies of both sides are thoroughly examined, and numerous maps and photographs offer detailed description of the fateful battle. Introduction by Jean Teillet, great-grandniece of Louis Riel.
The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she’s written the works of Baudelaire.
One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life.
Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.
Glenn and Jean Cochrane have lived in Toronto’s Beach area for thirty-eight years ? which sounds like a lifetime but really leaves them as relative newcomers. Like many of the area’s residents, the Cochranes are convinced that once someone moves to the Beach, they’ll never leave. From Kingston Road right down to the Boardwalk, the Beach is a Toronto oasis. Here, the Boardwalk stretches along the lake creating a calm, outdoor atmosphere unlike any other part of the city. The streets and shops are busy with pedestrians, dogs, and strollers, and in the summers are packed with people from all over: picnickers, sunbathers, and outdoor sports enthusiasts. ?The Beach is the perfect introduction to the life and history of this unique area of Toronto. This is the Cochranes’ personal take on everything they have learned about the area over the past four decades, and through their words and collected photos, readers will share in their delightful discoveries.
A writer’s obsession with the story of Marguerite de la Rocque leads her to question how women’s stories have been told, and how she will tell her own.
Blending autofiction and the essay, The Bear Woman takes us on a journey of feminism and literary detective work that spans centuries and continents. In the 1540s, a young French noblewoman, Marguerite de la Rocque, was abandoned by her guardian on an island in the Gulf of Saint Lawrence with her maidservant and her lover. In present-day Stockholm, an author and mother of three becomes captivated by the image of Marguerite sheltered in a dark cave all alone after her companions have died.
The image is an anchor that soon becomes an obsession. She must find out the real story of the woman she calls the Bear Woman. But so much in this history is written so as to gloss over male violence. And that maps and other sources she consults are at times undecipherable.
We meet fellow chroniclers of the Bear Woman, such as Queen Marguerite de Navarre, the most powerful woman in Europe, but whose Heptameron (1558) was unjustly dismissed as the writings of a dabbler. We follow the author on a research trip to Paris where she is accompanied by her teenage daughter and the specter of herself as a younger woman, to dinner tables in Mexico and Sweden, to the map division of the New York Public Library, and to bookstores and celebrity hotels in California during the wildfires. Ramqvist explores what it means to write history, how women’s stories have been told, and wonders, in this time of narrative fatigue and a new wave feminism that the author does not quite relate to, where we have gotten ourselves to.
“Karolina Ramqvist writes with frosty precision the kind of literature that is unforgettable. Her portraits of women hit deep into bone and marrow.” – Dorthe Nors, author of A Line in the World
“Ramqvist’s acute rendering of embodied sensual experience combined with her evocation of her double character’s increasingly desperate circumstances create a story of high tension, startling insights, and lasting resonance.” – Siri Hustvedt, author of Mothers, Fathers and Others
“One of my favorite discoveries from this year.” – Samanta Schweblin, author of Little Eyes
“Ramqvist is a serious contender for the Swedish literary limelight.” – Shelf Awareness
A man wakes up in a hospital with one word in his head: Sapporo. He dimly recalls this as the place where he was raised, and it becomes his name and identity. Like an immigrant without language or memory he relies on his young son as guide and interpreter, but soon drifts away into what some might see as madness.
In Sapporo’s floating world, he is also Prospero, summoning the ancestors and channeling the lost dreams that gave way to the modern industrial era.
His son, meanwhile, has escaped to the city’s underworld. His laconic account of the anarchic, callous, tender tribe of street kids is beyond the scope of any realist fiction, yet compelling as a documentary and fiercely poetic.
Parallel to these worlds, and destined to reconnect them, is a young woman’s journey through what is indeed the Third World – as surreal in its poverty and shifting realities as anything in Sapporo’s visions or his son’s predations.
The Beautiful Children is a triumph of language and structure; it is also a haunting, and haunted, elegy upon innocence.
Finalist, Books in Canada/Amazon.ca First Novel Award
The Beautiful Dead End is a visceral crime thriller that takes the reader on an existential journey to the “other side” and almost back again. In a bizarre, shadowy interzone populated by disturbing characters, our anti-hero confronts the dark secrets of his past, and comes face to face with the consequences of having lived an unexamined life.
Praise for The Beautiful Dead End:
“Every detail of setting and behaviour and inner response contributes to the spare, mesmerizing beauty of Hutzulak’s prose” (The Globe and Mail)
“So startlingly fresh it is hard to believe it is a first novel. Apparently, it took Hutzulak twelve years to complete the book – a fact that underscores the precision and confidence that is woven throughout the novel. It is a brilliant debut.” (Vancouver Sun)
“This is an astonishing debut, powerful, scary, sexual, existential in scope. Hutzulak is a writer to watch, and possibly to fear.” (Books in Canada)
Lee Gowan’s new novel is an audacious sequel to Sinclair Ross’ prairie classic, As for Me and My House. The Beautiful Place is about a man who is in trouble in love and work—a darkly funny cautionary tale for our times.
“A preposterous, pan-Canadian tale, straight-faced, that evolves into a quest for a dead man’s frozen head. Subtly hilarious, beautifully crafted and with lots of moving parts, this novel is fresh, original, and compelling.”
–Ken McGoogan, award-winning author
“Where is home? Where is here? In The Beautiful Place we discover that the true geography of art begins in the heart. Profound, witty, and charming: read this novel!”
— Kim Echlin, author of Speak, Silence
The man we know only as Bentley is facing a triple threat—in other words, his life is a hot mess every way he looks. Like anyone who feels that he’s on the brink of annihilation, Bentley thinks back to his misspent youth, which was also the year he met his famous grandfather, the painter Philip Bentley, for the first time. To make matters worse, he has inherited his grandfather’s tendency to self-doubt, as well as that cranky artist’s old service pistol.
Our hero is confused about so much. How did he end up as a cryonics salesman—a huckster for a dubious afterlife—when he wanted to be a writer? And who is the mysterious Mary Abraham, and why is she the thread unravelling his unhappy present? What will be left when all the strands come undone?
Lee Gowan’s The Beautiful Place is the best kind of journey: both psychological and real, with a lot of quick-on-the-draw conversations and stunning scenery along the way —and only one gun, which may or may not be loaded.
In the spring of 2008 Elena, who recently moved to Montreal with her seven year old daughter, Sharon, finds a job in a retail store on Sherbrooke Street. She meets Mahfouz working in his family’s fast food outlet on The Main. Partially as an antidote to her chronic loneliness, partially influenced by Sharon’s spontaneous affection for him, Elena commits to a deepening relationship. Together the three of them enjoy a wonderful spring. That summer, however, Mahfouz doesn’t return from a visit to Cairo, and his father is picked up and held indefinitely for unknown charges on undisclosed evidence. Elena and Mahfouz, no longer in any contact with each other, must separately come to terms with their historical situation, and prepare for a future shaped by forces they struggle to understand.
The literary post-punk short movies of Emily Vey Duke and Cooper Battersby have been tearing up the festival/gallery circuit for the past fifteen years with their blend of bedroom pop, perverse animations and fame hopes. In this collection of stills, award?-winning scripts, creative writings and critical missives, scholars, video legends and animal experts weigh in on why they matter.
A surreal story of honeyed sweetness, predatory stings, and metamorphosis.
In a coming-of-age story inspired by second-wave feminism, the intelligent and curious Habella confronts her passions and those of the men around her. From her first period, to unsettling sexual encounters, to her dissatisfying life as a mother and wife, The Bee Book follows Habella as she negotiates the complexities of her desires as they conflict with the oppressive norms of patriarchy. In this genre-defying work that brings together fiction, poetry, visual art, games, and more, we follow Habella – deeply inspired by the lives of bees – as she seeks self-liberation.
Originally published in 1981, this new edition features an introduction by Stephen Cain and Eric Schmaltz.
Young, impressionable, twenty-year-old Walter Taylor flees his suburban home in search of freedom and adventure and stumbles into more than he bargained for. Set in a chaotic bee-farm at the height of the 1960s, home to a bohemian, European-born artist and his mistresses, The Beekeeper is filled with allusion, irony, and high humour, yet sets in stark relief the fund of violence and ignorance that underlay the romantic dreams of the 1960s. Henderson has written a hilarious satirical portrait of the last generation’s counter-culture movement, as well as an original and thought-provoking assessment that what produced this rebellion was to a large measure transplanted European ideas originating not only in the last century but beyond.
This detailed history of meteorology in Canada to 1880 focuses on the establishment and operation of the Magnetic and Meteorological Observatory in Toronto. Established in 1839–40 by the British Government and manned by a Royal Artillery detachment, the Observatory came under the control of the Province of Canada by the 1850s and was supervised by the University of Toronto for the next two decades. Morley Thomas examines the military bureaucracy in the early days of the observatory and discusses the problems encountered by the observatory’s director, G.T. Kingston, in trying to establish a climate observing network, the basis for a scientific national meteorological service that would collect climate data and issue daily weather forecasts.
A history of the Beothuk of Newfoundland. Exciting in its detail, this book gives us a rare picture of a lost people whose culture was destroyed after the arrival of white settlers.