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The two prose pieces that constitute The Black Debt deploy rhythms, cadences and repeated motifs to create an overall structure that is pre-eminently musical. This is a Large Print edition.
Hailed as the world’s first Deaf musical—told entirely in American Sign Language and Signed Music—The Black Drum revolves around Joan and her journey to healing after the death of her wife, Karen. Since Karen’s passing, Joan has been unable to share her music with the world, anguish snatching her desire to perform. Joan’s grief pulls her into a bizarre, black-and-white world where her two beautiful tattoos come to life as guides and together they confront a monster called the Minister. But the only way to defeat the Minister and begin to heal is for Joan to embrace her own voice.
An epic fantasy about grief and healing, The Black Drum questions the concept of music we are conditioned to believe, suggesting that music is not just something you hear, it is something you see and feel.
In the heart of the Latin Quarter, meeting place of marginal characters of all sorts, Céline Poulin works the night shift at a cheap and popular restaurant, Le Sélect, serving hamburger platters and spaghetti and meatballs to student misfits, transvestites, hookers and queens from the Main—Montreal’s disreputable Boulevard Saint-Laurent. Hanging out with a theatre company in her off hours, Céline sees opening before her a world where it is not only possible, but even desirable to pretend. When the director offers her a role in The Trojan Women, the die is cast.
The Black Notebook is Céline’s diary, her account of her trials and tribulations, her expectations and her cruel disappointments, because this young waitress at Le Sélect has her own dramatic story to tell, even if only to herself: Céline is a midget.
From the theatre of Euripides to the theatre of Montreal’s Main, Michel Tremblay—our Balzac—creates and gives voice to some astonishing new characters in this first of a new series of novels. For the characters of The Black Notebook, the first in this trilogy, life is a comedy that barely conceals the cruel and pitiless tragedy of the everyday. With a transcendent eloquence and compassion, Michel Tremblay celebrates how it is possible for Céline to embrace her difference and to flourish—despite that difference, or perhaps, because of it.
Enid Blue Starbreaks is a fighter. The survivor of a mass killing of her people, the Repletians, she was adopted and raised by an Amphorian family. Despite their attempts to erase her memory and integrate her into Amphorian society, Enid clings to the lingering memories of who she was. Seen as “less than” for being a Repletian, Enid experiences rampant racism but is able to rise up the ranks of the Amphorian navy and eventually becomes an admiral. Enid must reclaim her connection to her self, her people and let her memories light her path across the stars.
The parallels in this novel to the Sixties Scoop of Indigenous people in Canada are striking. Through the power of science fiction, Gerry Williams offers a rethinking of the past and a reimagining of the future.
Henry Raeburn led a privileged childhood in Kerrisdale in a family of considerable political pedigree. Following a brief period of addiction and homelessness on the streets of Vancouver, Henry found his calling in photography, building a lucrative international career at the intersection of art and politics, photographing black sites—international locations, not found on any map, where detainees suffer unspeakable torture to elicit intelligence for complicit Western governments. The novel opens as Henry approaches one such site, only to be captured and held prisoner. During a transfer, insurgents kidnap Henry, and demand an exorbitant ransom for his release. As the ensuing crisis unfolds, the reader is transported into a shadowy world of international diplomacy and government as Henry’s father musters all his considerable political capital in order to secure Henry’s release. Intense and captivating, earnest and explosive, The Black State is not only a political thriller exposing our darkest foreign adventurism, but an edge-of-your-seat race against time.
It is June 1900. The Boxer slogan, “Exterminate the Foreigner”, haunts Emily, William and Martha as they flee for their lives, victims already of their own private obsessions, their faith shaken when they need it most, with only one another to count on for survival.
Holdstock’s skillful and intriguing use of flashbacks and shifting focus, and her extraordinary evocation of character and atmosphere, provide the reader with an inspired insight into what differentiates the East from the West.
The Bleaks is the true story of a harrowing nightmare into which writer Paul Illidge’s life is plunged one summer night, when a police drug-squad raids his suburban house, arrests him and his two teenage sons, and whisks them off to jail for growing some marijuana plants in their basement.
Helpless against police harassment and abuse, tangled in a judicial system where the presumption of innocence is thrown out the window, Illidge is not only forbidden contact with his children, but forced by his estranged wife to sell their house before the government seizes it as an organized crime grow-op.
He finds himself embattled on all sides, living out of the trunk of his car, his finances dwindling, a debilitating depression setting in that he can’t seem to shake—other than through desperate measures that, before things went so badly awry, would have been unthinkable.
With circumstances at their bleakest, no choice but to admit defeat and face the consequences of his so-called crimes, he stumbles on an idea that he thinks could save him. The question is, will it be in time?
From the author of the widely acclaimed Niko comes a fresh take on the political thriller, an allegory of power and privilege resurrected from the thwarted ideals of the Arab Spring. In The Bleeds, Nasrallah overturns the conventions of the political novel to focus on the corroded luxury and power structures framing the lives of those most affected by war and insurrection. For half a century, the Bleeds have ruled with an iron fist. Once hailed as the founders of an independence movement, they’ve long since cemented into corrupt autocrats upheld by the foreign investors who manage their region’s uranium trade. The aging Mustafa Bleed orchestrated the election of his son, Vadim, but Vadim’s first term has proven he’s more interested in the casinos of Monaco than his new role as leader. Now that an election has set the stage for revolt, opposition leaders, foreign diplomats, and journalists are fomenting a revolution against the Bleeds. All the while, father and son grapple with bonds of love, loyalty, betrayal, and paranoia. Dimitri Nasrallah’s second novel, Niko, was nominated for CBC’s Canada Reads and the International IMPAC Dublin Literary Award, and has been published in four languages. His debut, Blackbodying, won the McAuslan First Book Prize. He lives in Montreal, where he teaches creative writing at Concordia University.
Rich with literary awards and honours, Alberto Manguel extends his literary genius to address and complete a thoughtfully crafted extrapolation on a paper left unfinished by Northrop Frye in 1943. The result is a succinct yet densely multilayered examination of how various readings of Homer throughout the annals of history cast light upon the human tendency towards war rather than peace and asks what roles writing and reading play to bring the world into better equilibrium. Central to this lecture is the concept of re-binding, a word drawn from the Latin roots for the word religion, which Manguel posits is the essential definition of poetry. Homer’s writings, the point of origin of all written verse, are also the first written instance of the binding of imagined, written, and read realities. The semantics of Homer’s name and the literal and figurative ramifications of his blindness are investigated as Manguel builds the scaffold for unveiling our own blindness through our desire to read Homer in our own image. We are left to examine our own assumptions.
Comblé de prix littéraires et d’honneurs, Alberto Manguel prête son génie littéraire à l’étude et au parachèvement d’une extrapolation songée que Northrop Frye avait laissée en plan en 1943. Il en résulte une analyse succincte mais en replis serrés des multiples lectures d’Homère léguées par les siècles, qui révèle comment ces interprétations éclairent la propension humaine à la guerre plutôt qu’à la paix, ce qui le mène à s’interroger sur le rôle que jouent l’écriture et la lecture quand il s’agit de créer un monde plus équilibré. La notion de re-lier, un mot dont les racines latines sont les mêmes que le mot religion, est au coeur de cette conférence, et Manguel en fait la définition essentielle de la poésie. Les écrits d’Homère, point d’origine de toute la poésie écrite, fournissent aussi la première occurrence d’un lien entre les réalités imaginées, écrites et lues. La valeur sémantique du nom d’Homère et les répercussions concrètes et figurées de sa cécité font partie des éléments que Manguel scrute pour fonder son évocation de notre aveuglement à nous quand nous insistons pour lire Homère à notre propre image. Nous n’avons plus qu’à remettre nos hypothèses.
A spellbinding evocation of the power of memory and the spirit of place
Set in the small farming community of Blomidon on Nova Scotia’s Bay of Fundy, The Blomidon Logs starts with tales of Glooscap and a leaky old cabin. Complete with the wild imagination of youth and rumours of a drowned artist, the book moves up the road to a new A-frame cottage and back in time to the generations who preceded the author at Blomidon, providing a rich heritage of farmland, beach, and stories. Taking its title from the logbooks kept by Dwyer’s parents, the collection is about childhood, family, and a time when summer meant freedom and outdoor play. The poems refer to the legends of the First Nations chief/god who once made his home at Blomidon and celebrate the work of farmers, loggers, and their families and predecessors who have made, and somehow still make, a living from the land.
The Blood of Five Rivers tells the story of a young man named Kaka, born and raised in a small, rural farming village in the Indian province of Punjab. Seizing on a unique opportunity to leave India, and to seek his fortunes abroad, Kaka is catapulted into a journey in which he becomes an unwitting witness to some of the most significant historical events in the latter half of the 20th century, many of which leave an indelible mark on him.
“Revitalizes the cyber-fiction genre with its vivid prose and believable characters . . . [This] should appeal to fans of Bruce Sterling and William Gibson.” —Library Journal
“Finding innovative science fiction is getting harder and harder . . . Then comes along The Bloodlight Chronicles and hope for originality in the genre is revived.” — Amazing Stories
Zakariah and Mia Davis have been infected with an alien virus that prolongs life — and as a result, their blood is a valuable black-market staple due to its rejuvenating effects. But the “eternal virus” has not affected their son Rix, and Zakariah is consumed with the search for an active sample to inoculate the teenager against mortality.
To succeed, Zakariah surgically wires his brain for the global computer network, a virtual cyber-economy controlled by avatars. Busted for transporting grain without a permit, and on the run from the government and the Eternal Research Institute, Zakariah must travel off-planet through a commercial wormhole, alongside a woman who is seeking the source of immortality for her own purposes.
Now, in the Cromeus colonies on the other side of time and space, Zakariah will risk everything to give his son eternal life . . .
Nicole Brossard’s lucid, subversive and innovative work on language has influenced an entire generation of readers and writers. But three of her seminal works of postmodernism and feminism have been lost to us for years. The Blue Books brings them back.
A Book: A novel about a novel; five characters in ‘search of a narrative, a narrative in search of an author.’ Brossard’s first novel, and a key work in Canadian postmodernism. Turn of a Pang (Sold-out in French): Quebec’s 1943 Conscription Crisis and the 1970 War Measures Act weave together to form the texture of a woman’s life. French Kiss: a celebration of the energy of women and language in the face of the male authorities of Montreal politics and the physical authority of the printed (and bound) word.
The Blue Books collects these three long-out-of-print, groundbreaking Brossard titles, in their original Coach House Press English translations (A Book by Larry Shouldice, Turn of a Pang and French Kiss by the acclaimed Patricia Claxton). Don’t be blue: these Brossard classics are back!
What is the cause and drive of the impulse to create art? What happens to an individual who is gifted with talent, but finds himself thwarted? Does that creative spark become some kind of death wish? These are the questions Sky Gilbert explores in The Blue House.
Taking the form of a memoir, the novel relates the story of Rupert Goldmann, a cello virtuoso by the age of twelve, who becomes a composer, and whose life collapses into depression and possible madness when no orchestra will perform his symphonies. Rupert’s musical life includes years of lessons from the great pianist Vladimir Horowitz, who flirts awkwardly and ineffectually with Rupert, and a full-fledged romance with the celebrity composer and conductor Leonard Bernstein.
But as his life narrows, Rupert finds himself immersed in dreams and fantasies, which are interrupted by a superficial and talentless gay rights activist and theatre director, and Simon Reycraft, an early explorer of artificial intelligence, who offers the suicidal Goldmann a legacy of computer-generated music — posing a significant question for our times: Can art be created by a machine, technology without a soul?
Rupert Goldmann’s “memoirs” trace the story of his life as a child-prodigy cello virtuoso, his flirtations and relationships, his experiences as an unrewarded composer, and his eventual, much-interrupted attempt to retreat into the world of his imagination.