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In the aftermath of a Memory War, society is fragmented into strange new cultures, castes and coalitions. Set against a backdrop of retrofitted food garages, microchip-sorting factories and hyperloop terminals, Whitney French brings us a dazzling novel-in-verse where memory is the highest currency and love, like all revolutions, is dangerous, unruly and singed with hope.
O and Z are two young women searching for purpose in a world where a decades-long earthquake reverberates through the Earth’s crust, and the population scrambles to hide from deadly acid rain. Descended from space pirates, O is drawn to the sky, while Z is earthbound, a skilled forager with connections to the black market. The two become travel companions and lovers until, torn between choosing their values or each other, a fateful decision must be made at the el Corazón space station.
In this speculative and intoxicating novel, French offers readers an intricate future-world that resonates so powerfully with our own, as it explores a people gripped in the war-torn politics of migration, memory-keeping, labour, and survival.
On December 8, 2024, Syria’s president Bashar al-Assad departed for Russia after militia forces took Damascus. An Al-Qaeda affiliated group led by Abu Mohammed Al-Jolani took power. New York Times columnist Thomas L. Friedman hooted that it was the “biggest . . . most game-changing event in the Middle East in the last 45 years.” Yet until then, Al-Jolani was wanted for terrorism and had a U.S. State Department $10 million bounty on his head since 2017.
Mainstream and even alternative media celebrated Assad?s defeat, making it into a story of popular “rebels” triumphing over “evil.” Erased from the record was Washington’s role in initiating and coordinating this long-standing regime change operation.
Syria: Anatomy of a Regime Change offers the first comprehensive account of the U.S. regime change operation in Syria. The operation was underway ever since Bashar’s father, Hafez-Al Assad, was targeted by the U.S. government because of his support for Arab unity, his nationalist economic program, his support for the Palestinians, and his steadfast opposition to U.S. and Israeli hegemonic designs in the Middle East.
The methods utilized to oust Syria’s leaders fit a long-standing U.S. regime-change playbook applied around the world. Ukraine and Libya are prime examples. Key aspects include a protracted demonization campaign targeting Syria’s leader, imposition of economic sanctions designed to destroy Syria’s economy, and CIA financing of rebel groups under the billion-dollar Operation Timber-Sycamore, the CIA’s largest covert operation since its support for the Afghan mujahadin in the 1980s.
Tamar Rubin grew up immersed in Hebrew, Jewish traditions and texts, in a secular household, the daughter of an immigrant mother. In becoming a physician, she learned yet another language: medicine.
The poetry in Tablet Fragments, Rubin’s first published collection, weaves between the texts of all her learning, deploying evocative biblical mythopoetics and the precision of medical science.
Writing as a diagnostic eyewitness to the complexities of her life, Rubin explores the natural history of familial and romantic relationships, the impacting of migration and displacement, and her composite identities as outsider and insider; as doctor and her own body; as daughter, lover, mother and poet.
Tabloid Trash is a funny, irreverent, wildly entertaining take on the great American subculture of supermarket tabloids, as well as a classic detective novel in its own right. It opens as the infamous U.S. Reporter decides to hold a lavish retirement gala for its star sleazebag journalist, Max Kowalski. But the party comes to an abrupt close just after midnight, when Max is found dead — murdered during a robbery.
One of the guests happens to be Max’s nephew Arnie Kowalski (a crippled ex-cop with a major chip on his shoulder) who begins his own investigation into the dual crime. As Arnie and his trash-talking girlfriend Charlene start to ask questions, they also begin to run into problems with various parties and their already strained relationship begins to unravel. Their task is not made any easier by the fact that almost everyone had a reason to loathe Uncle Max, including a Nazi rabbi, a sensitive sumo wrestler, an incompatible biker couple, an oriental astrologer, an oversexed former hooker, a stunt man who once climbed the Empire State Building in a King Kong suit, and a 100-year-old from Iowa who was abducted by aliens.
As the plot develops, strange clues, smart deductions, and unlikely twists lead inexorably to a racy climax, as Arnie Kowalski finally uncovers the surprising truth about his uncle’s death — and life.
Charlotte–a gifted but broken jazz singer–has found security and support under the roof of an overbearing French patroness of the arts, only to become trapped by her own dependence. There are no bars on the windows and no locks on the doors, but Charlotte is very much a prisoner in an opulent but unsympathetic world in which her self-worth is contingent on her voice. When the irresponsible and headstrong Theo re-enters her life after thirteen years, she is compelled, finally, to choose between complacency and autonomy.
Many questions swirl around the heads of worried Canadians at tax time every year. As they snap their pencils, slam down their calculators, and let out an anguished sigh, they wonder, “How on earth did this convoluted system of taxation ever evolve?” That question breaks the logjam of many others, and Alex Doulis is here to answer them:
Doulis tells true stories of taxpayers who have taken the taxman to the Bar and left him in tatters. He stiffens the backbones of Canadians who are all too ready to confess when the taxman comes to their door. He explains the difference between a tax audit and a tax investigation and shows how to deal with both (“nothing by mouth” is his prescription: turn the taxman away and insist he put all his questions in writing).
No one ever hears about taxpayers’ triumphs over the taxman (though his victories are broadcast widely, usually during tax-filing time). Read Tackling the Taxman to find out how these taxpayers managed to win.
In Tacoma Narrows, Mitchell Parry reflects on the nature of disasters, both public and private. A reflection on things lost, Parry allows himself to feel deeply, to ask what went wrong and to ruminate tragic moments with humility and romantic sensibility. Acutely aware of the nature that surrounds him, Parry embraces things like the wind howling at his window, an elk in the backyard or an orange sunset, and attaches them to memories.
A deep mediation in three parts, Tacoma Narrows is a consideration on how we weather storms, the “currents, turmoil, vortices” of life and recognizing that one is “still learning to let lost things stay lost.” The result is a courageous, moving and deeply personal collection that asks us to realise that letting things go is the hardest thing disasters of all kinds demand of us, but it’s also perhaps the most important lesson they can teach us.
A corrupt mining company, repossessed gravestones, a man’s fractured past, mysterious notes posted to lampposts and murder deep in the highlands of Guatemala. In Tailings of Warren Peace, Stephen Law effortlessly weaves these elements into a powerful story of love and memory, exploring how the past haunts us and how solidarity can save us all. Mysterious, passionate and powerful, Tailings of Warren Peace shows us the interconnections that exist between us, transcending social class, culture and geography.
In an affluent city perched on Ontario’s Niagara Escarpment, residents begin turning up on the pathologist’s autopsy table with what looks like epidemic mad cow disease. Zol Szabo, a public-health doctor and former chef, and Hamish Wakefield, a young infectious-diseases specialist, must trace the epidemic to its source while dodging the deadly prions that appear to have contaminated almost everything in the supermarket. Things spin out of control and more lives are threatened when a government-appointed investigator pulls rank, hijacks the investigation, and allows his inflated ego to supersede common sense.
Incidents of contamination of the food supply are featured almost weekly in the news. In Tainted, the clock is ticking to discover the source of the disease before it can spread, while navigating the political minefield of the hospital and the media.
A suspenseful and vexing medical thriller, Tainted comments on the vagaries of modern medicine, and explores the complexities of relationships between men: fathers and sons, colleagues and subordinates, gay men and their lovers.
Tainted is a medical thriller that illustrates the potential disastrous consequences of misplacing our trust in those who manufacture our food and our pharmaceuticals.
Take As Directed gives Canadians a much-needed guidebook to safely navigate our encounters with health-care providers and optimize the management of our own health. In recent years, evidence indicating that our health-care system can be made safer has emerged. Here, a family physician and a pharmacy professor discuss the role each of us can play in achieving the best and safest possible health outcome for ourselves and our families. In clear and engaging language, Take As Directed walks the reader through the call to the family doctor’s receptionist, the examination room encounter, the pharmacy counter, a visit to the emergency department, and a stay on the hospital ward, and outlines common pitfalls in these encounters. Health-care consumers will learn how to provide critical information to their caregivers and know what information they must obtain from them. Since many adverse health outcomes are related to the use of medications, readers will learn how to safely and effectively use their prescriptions and over-the-counter drugs.
Take As Directed is the first and definitive source book to:
All health-care consumers will benefit from the sage voices of the authors, two of Canada’s most respected health-care professionals.
High-interest accessible novel for teen readers. ~The only thing worse than crash landing a plane is spending a weekend hiking with your bully. Marisa’s only hope for a second chance at her test flight is extra credit from a survival camp weekend. As an aviation cadet, hiking in the wilderness should be a breeze. But Marisa, who is gay and out, needs the courage to deal with Aimee, a toxic basketball star and long-time bully. When Aimee is injured on the hike, Marisa will have to decide how to help her. Getting them to safety may cost Marisa her credits. Is it worth it to save a bully?
Teacher resources available on publisher website: https://www.rebelmountainpress.com/take-off-teacher-resources.html
Take off! Book trailer https://youtu.be/In_Wpm8XN_0
Take the Torch is a compelling memoir from one of BC’s most widely accomplished and animated politicians, Ian Waddell, QC. Waddell takes us on a journey through his life and career as a storefront lawyer, an NDP Member of Parliament, a Minister of Culture, a writer, a teacher, a film producer and more—delivering a smart, humorous, endearing and impossible-to-forget exploration of public life.
Following up Donna Macdonald’s Surviving City Hall, Take the Torch is Nightwood’s second publication in a campaign to promote participation in civic affairs and community activism to younger generations. Waddell endeavours “to pass on some of the lessons I learned about setting goals for social change and the methods to use to get there … debating, protesting, and marching to ‘biting dogs’ at press conferences (following the old adage ‘dog bites man is not a story; man bites dog is a headline’), writing op-ed pieces for newspapers, getting elected, taking on prime ministers, dictators and kings, grabbing maces, lobbying diplomats in the lobby of the United Nations, and bucking your own party.” Waddell got his start through his involvement as a young lawyer, from an immigrant family, in both the first consumer class-action lawsuit in Canada and the Berger Inquiry into the Mackenzie Valley Pipeline.
I have always had a revolutionary idea about law: that it is about justice and that it can be used to make change in society. That’s why I started as a criminal lawyer, and why I went on to be a storefront lawyer, assistant to Judge Berger, and then a member of both the federal Parliament and the BC legislative assembly. What I love about Canada is that we are still a young country and still a place where you can make change happen. In this book I describe some of those changes—many of them are big changes, historic events for our country and our people; others are tiny incidents that helped only one person or a small group, but they’re still important. Often I played a minor role, but my part was big enough to give me an inside look at how change happens.
Pulling from twenty-five years of essays, articles, and reviews, Alex Boyd’s Take This for the Pain is a curious look at art and culture in a rapidly changing world. Boldly tackling topics ranging from faith to aging to work in factories and bookshops, Boyd’s work finds inspiration in the philosophies of writers like George Orwell, William Stafford, and Charlotte Brontë. If you’ve ever wondered about the value of poetry in the 21st century, or whether graffiti is a valid art form, Take This for the Pain reveals how art can reinforce selfhood and galvanize social change. Moreover, it includes a range of reviews that covers a number of overlooked, deeply worthy books that will prove interesting to any book lover.
In Take Us Quietly, Armstrong explores life, sickness, death and the importance of paying attention to the wider world, filtered through her own unique sensibility. Nothing is taken for granted in this new collection.
Whether travelling through Spain, mining a memory from a rural New Brunswick childhood, or exposing the concessions of love in a long-term relationship, Armstrong creates poems that leap from thought to thought, from one emotional tone to another, propelled by torque and tension.
Startlingly beautiful with unexpected intensity, Take Us Quietly draws us into the mind’s deepest truths. By turns nightmarish, erotic and full of delight, her third collection of poems drills through the surface into the artesian well of memory.