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This volume brings together selections from Karen Mac Cormack’s poetry publications between 1984-2009: Nothing by Mouth, Straw Cupid, Quill Driver, Quirks & Quillets, Marine Snow, The Tongue Moves Talk, At Issue and Vanity Release. Also included are previously uncollected poems and a selection of new work. Some of the earlier poems appear in revised form.
Curious, uncanny tales blending Indigenous oral storytelling and meticulous style, from an electric voice in Canadian fiction
These are stories that are a little bit larger than life, or maybe they really happened. Tales that could be told ’round the campfire, each one-upping the next. Tales about a car that drives herself, ever loyal to her owner. Tales about an impossible moose hunt. Tales about the Real Santa(TM) mashed up with the book of Genesis, alongside SPAM stew and bedroom sets from IKEA.
G.A. Grisenthwaite’s writing is electric and inimitable, blending meticulous literary style with oral storytelling and coming away with a voice that is entirely his own. Tales for Late Night Bonfires is truly one of a kind, and not to be missed.
Welcome to Phantom City where a cat-shaped pendant with magical powers takes a detective on a precarious journey. Award-winning artist and animator Patrick Jenkins has devised a story as affecting as his complex line art. With a mixture of film noir and magic realism, Jenkins employs smoky halftones and sumptuous linework as a binding elements in a sequence of bizarre twists, offering a layered vortex of visual delights without linear paths or escape. Jenkin’s debut is a stunning kaleidoscopic treasure.
A National Bestseller. Now available in paperback.
“On a Rrrroll! You may not be familiar with Ron Buist, but you know his handiwork.” — The Ottawa Citizen.
Tales from Under the Rim is a behind-the-scenes look at a simple business that became a Canadian icon. Tales from Under the Rim chronicles the rise of Tim Hortons, from its humble beginnings to a national institution. The recipe was simple: it took “one hockey player, one favourite barber shop, one former drummer, and one police officer” plus “the luck hard work brings” to transform a once unknown donut shop into one of Canada’s leading franchise operations.
In this bestselling business memoir, Ron Buist shows how Tim Hortons became a second home to millions of Canadians. It includes the grass-roots marketing strategy that defined the early years, the Tim Hortons habit of listening to customers, and the whole story of Roll Up the Rim to Win, the no-frills contest that has become a defining feature of Canadian life.
A lighthearted approach to Buddha’s journey of discovery. Collecting all the stories created so far for the very first time, from the powerhouse team of Alan Grant, Jon Haward and Jamie Grant. Tales of The Buddha Before He Got Enlightened answers the question ‘just what did this holiest of men do before gaining enlightenment?’ The stories take an extremely lighthearted approach to Buddha’s journey of discovery as he samples other religions whilst hanging out with other well know religious icons, as well as getting the chance to experience life’s more physical pleasures along the way.
The near-death experience of an atheist makes him re-evaluate his life. Students are taught how idiotic philosophy can be. Recruits in a boot camp go through tough training exercises to become an elite cadre of readers. A self-made billionaire offers a free course on inner peace. An academic abandons his two kids and meets them as adults. A chef uses his TV cooking show to re-connect with his family. Aspiring writers learn their craft from a ghost. Where Playing To Win was about the joy and agony of competition, Talk About God offers an eclectic variety of stories that are at once thought-provoking and whimsical, with a touch of the incongruous and the absurd.
This practical handbook will equip readers with the tools to have meaningful conversations about death and dying
Death is a part of life. We used to understand this, and in the past, loved ones generally died at home with family around them. But in just a few generations, death has become a medical event, and we have lost the ability to make this last part of life more personal and meaningful. Today people want to regain control over health-care decisions for themselves and their loved ones.
Talking About Death Won’t Kill You is the essential handbook to help Canadians navigate personal and medical decisions for the best quality of life for the end of our lives. Noted palliative-care educator and researcher Kathy Kortes-Miller shows readers how to identify and reframe limiting beliefs about dying with humor and compassion. With robust resource lists, Kortes-Miller addresses
Far from morbid, these conversations are full of meaning and life — and the relief that comes from knowing what your loved ones want, and what you want for yourself.
A fable for our times, Joni Murphy’s Talking Animals takes place in an all-animal world where creatures rather like us are forced to deal with an all-too-familiar landscape of soul-crushing jobs, polluted oceans, and a creeping sense of doom.
It’s New York City, nowish. Lemurs brew espresso. Birds tend bar. There are bears on Wall Street, and a billionaire racehorse is mayor. Sea creatures are viewed with fear and disgust and there’s chatter about building a wall to keep them out.
Alfonzo is a moody alpaca. His friend Mitchell is a sociable llama. They both work at City Hall, but their true passions are noise music and underground politics. Partly to meet girls, partly because the world might be ending, these lowly bureaucrats embark on an unlikely mission to expose the corrupt system that’s destroying the city from within. Their project takes them from the city’s bowels to its extremities, where they encounter the Sea Equality Revolutionary Front, who are either a group of dangerous radicals or an inspiring liberation movement.
In this novel, at last, nature kvetches and grieves, while talking animals offer us a kind of solace in the guise of dumb jokes. This is mass extinction as told by BoJack Horseman. This is The Fantastic Mr. Fox journeying through Kafka’s Amerika. This is dogs and cats, living together. Talking Animals is an urgent allegory about friendship, art, and the elemental struggle to change one’s life under the low ceiling of capitalism.
Talking Bodies collects Larry Tremblay’s four stunning and memorable solo performances for the stage. Thematically related, each deals with the reconstruction of an identity which, through trauma, illusion, accident or destiny, has been threatened, destabilized, broken or dispersed.
It is the body in which any identity finds its origin, but it is only in that body’s gestures, the most complex of which is language, that this construct of identity can be elaborated. Each of these characters is a body placed on a stage where it enacts both its limitations and its possibilities with its words.
With an introduction by Jane M. Moss.
Talking Bodies includes:
A Trick of Fate
A man loses a tooth eating a chocolate éclair, then all his teeth, his tongue, a finger, and finally his head, as his body increasingly abandons its “ordinary” place in the world.
Anatomy Lesson
A professor re-examines and dissects her long relationship with her abusive, slick, lawyer-politician husband.
The Dragonfly of Chicoutimi
Forty years after a trauma-induced aphasia, a man loses his maternal French and awakes from a dream reinventing his life in English words using French syntax.
Ogre
In this biting media satire, a thoroughly odious character’s actions become ever more disgusting as he increasingly believes a hidden camera is recording his every move.
Talking Masksis a dramatic score whose themes collide, clash and harmonize. At its core are a son, two mothers and an absent father who, in exploring their intertwined fates, fuse two of the world’s most enduring myths: the tragedy of Oedipus and the tale of Isaac and Ishmael. What unfolds is a wild progression of rapid-fire interactions that reveal and expose as much as they conceal and mask about the Ôcharactors’.
“Riveting theatre, its arguments touching the mind while its emotions engage the heart.”
Ñ Jon Kaplan, NOW Magazine, on ANTIGONE : INSURGENCY
“A truly admirable play Ð the themes are fascinatingÉ the trio of actors wonderfully done, and the traces of the Jacob story very well modulated.”
Ñ Marjorie Perloff on ALL IS ALMOST STILL
Behind the scenes at the world’s major art museums, the life of a curator can be thrilling, amusing, disappointing–but never boring.
In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese boxes called kogos, watercolour sketchbooks of the Canadian north, a beautiful prayer room in Montreal, gondolas flying through windows in Venice, and Moscovites who love Goldfinger.
Pepall’s stories sparkle with clarity and leave one with a sense that art is an amazing, worthwhile, occasionally mysterious human activity.
Archival black and white photographs and colour plates–including Edwin Holgate’s Ludivine, one of the most beloved and recognizable Canadian portraits ever painted–make this book a must-have for art lovers, students, academics, museum-goers and readers interested in the role art plays in the creation of our lives.
Talking to Strangers is a book of bracing encounters. Throughout her four decades as poet, Rhea Tregebov has displayed an uncommon eye for the mysteries of ordinary life-moments where, as she writes, “[t]he simplest things / elude me.” This gift is brought to brilliant effect in her eighth book of poetry and most charged to date. In gorgeous arias of recollection and evocation, of elegy and heartbreak, Tregebov mourns, praises, prays, regrets, summons, celebrates, and bears witness with formidable artistry and tenderness (“You wouldn’t think the inanimate would get tired /but it does.”) Direct, never forced, keenly observant, and marked by scrupulous craft, these new poems unfold in beguiling, often breathtaking ways. They confirm Tregebov’s place among the most significant poets of her generation.
In Talking to the Story Keepers: Tales from the Chilcotin Plateau, writer and journalist Sage Birchwater gathers dozens of stories spanning decades in the Cariboo Chilcotin from those who hold onto stories passed through generations. These stories reflect on the story keepers themselves as well as our collective humanity, tying everything from the small, almost forgettable moments, heroic deeds and colourful characters, to the greater significance of our histories. Each story contains insight, wisdom, knowledge or entertainment, connecting the past to the present and shaping the future in their telling; each story provides a sense of perspective of where we come from, and prepares us for how we might proceed forward.
Talking to the Story Keepers also offers an image of a changing landscape, identifying the quiet or forgotten stories swept aside by colonization. Here, those often left unnamed in historic photographs and the side characters in the many stories are given a voice, a name, that may otherwise be left to history. From the tale of the Old Emmanuel United Church’s Brass Band playing “Onward Christian Soldiers” from the pews, as the church is dragged across the river to its new location on the south side of the Bella Coola river, to the Ulkatcho community search for missing local Tory Jack, which was successfully led to its conclusion by a clever horse, each story builds a portrait of time, place, and of the story keepers that protect these histories for the next generation.
When a local guide goes missing in the woods north of Lake Superior, William Longstaffe, a retired English professor who retreated to the isolation of his cabin in the wilderness after the death of his wife, unwillingly becomes involved in the search for the missing man–and the eventual discovery of his body. The trail soon leads to more deaths and the haunting legend of a lost gold mine.
Before her death, Rubis Caillou Morin sends her son west to help her brothers settle new land. Raoul carries with him a shadowy understanding of why his mother died, and a red book filled with her wisdom and love. The book sees Raoul through life, and helps his great-granddaughter find the truth about healers, Rubis, and the loyalty, responsibility, and consequence that rules her family.
When British immigrant Selena Jones marries Aidan Gilmor, a Sinhalese-Eurasian — part British — from Sri Lanka in the 1960s in Toronto, a passionate clash of culture ensues. Selena’s mother in Wales is horrified when Selena brings Aidan home to Wales for the wedding. Back in Toronto, Selena faces further prejudice and disapproval of her “mixed marriage,” despite Pierre Elliott Trudeau’s new “multiculturalism,” which was being encouraged but also resented. She is shocked not only by the reaction of neighbours but by the teachers at the all-White school in Toronto where she teaches, and she pretends that Aidan is a White Canadian. When two poor West Indian and two East Indian children from a new government housing project nearby unexpectedly arrive at the school, Selena is forced to take a stand in their defence. Gradually she learns to face her fears and confront racism. She is drawn into a deeper understanding of her Sri Lankan family, and especially of her father-in-law, a former tea planter under the British, who left Ceylon after Independence in 1956. She sees the effect of colonialism on Aidan and his family, trying to be “British” while caught in the middle of the civil war conflict in Sri Lanka. The revelation of her father-in-law’s secret guilt about the past leads to an inevitable and shocking climax.