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Levi Conley has spent his life making a hard living off the water. Fishing defines who he is. But after being betrayed by his business partners, who are also his brothers, he flees out west for the “big bucks” promised by work as an apprentice welder. The work is well-paid, as promised, but it is also hazardous. And there is the unexpected collaboration with Jon Smith, a young native and contemporary artist; Levi respects his craftsmanship but balks at his politics. A new career in a new place with a new view of Canadian society – Levi must navigate these obstacles and more in charting his new life.</P.
Three generations of a family argue over current events, finances, and culture, with everyone looking to blame someone else for society’s ills in this satirical examination of how judgment can both divide and unite people.
Elizabeth, the matriarch, has invited her children and grandchildren over for dinner. Instead of a nice family meal, it quickly slides into the adults arguing in the dining room and the kids fighting in the living room. Rapid-fire dialogue fuses and overlaps, but no one listens to each other. A blistering take on the family drama, Public Enemy asks, who’s really responsible for all our suffering?
Award-winning actor/playwright Chris Craddock explodes the conventions of the theatrical monologue in this collection of three hilarious, poignant, feverishly inventive and (sometimes literally) electric solo stage pieces.
In Public Speaking, an amoral lifestyle guru finds his message of guilt-free self-interest tested when his sex-addicted daughter is kidnapped by a pair of dangerous thugs. In Porn Star, a mousy small-town librarian is titillated to learn that she has unwittingly become an internet sensation thanks to an X-rated viral video starring her and her ex-boyfriend (much to the horror of her mother, a family-values right-wing politician). And in the astonishing Moving Along, Craddock ricochets wildly through the story of his own life–through childhood traumas, adolescent tragedies, adult triumphs, and frequent philosophical tangents.
A humorous tale about a hard-barking pup who realizes his job is to expose prowlers – but can’t figure out how to identify them. He accosts the postman, the milkman, innocent visitors, family members sneaking home late at night and generally makes, an unholy nuisance of himself. When a real prowler does come, Puccini decides, he’s much too nice to mean any harm. The family decides he’s no watchdog, but Puccini at least makes a noise like one, “which is enough to fool all honest people.”
1957. Barely a decade after the first use of atomic bombs, the world is divided and fearful of the real threat of nuclear weaponry. In an effort to understand the devastating effects of radiation, leading scientists and academics—world-renowned “Thinkers”—are invited to a conference in the small town of Pugwash, Nova Scotia.
Two local children, Conni and Jamie, take interest in some of the Thinkers, who are humbled by their innocent welcome. But a spy disguised as a reporter has conned Jamie for information to use against the Thinkers, putting the entire conference—and the town of Pugwash—at risk.
Over a twelve-month period spanning 197677, Soren Bondrup-Nielsen conducted bird surveys in the territory that would become Pukaskwa National Park (pronounced Puck-a-saw), a tract of wilderness on the northern shore of Lake Superior. As plans to establish the new park were taking shape, Bondrup-Nielsentogether with his wife, both graduate students in the zoology department at the University of Torontowon a contract to study its avian life. Fuelled by youthful idealism and eager for adventure, the pair elected to live in the park for the full year, camping at various inland and coastal sites and travelling to the park’s remote corners by ski, snowshoe, Ski-Doo, powerboat, canoe, helicopter and bush plane.
Comprised of an edited selection of Bondrup-Nielsen’s journal entries, Pukaskwa offers a look into the daily life of a biologist in the field: from walking transects and recording observations to whimsical projects and side excursions; from the rudimentary essentials of warmth, food and shelter to the joys of companionship and the simple comforts of camp life. As well as recounting his experiences, Bondrup-Nielsen comments on the general ecology of the park, wrestling with the potential impact of human activity and the incursion of park infrastructure on the preservation of wilderness.
“Part Real Housewives, part grown-up Nancy Drew.” — Missy Marston, author of Bad Ideas
When Jane’s partner goes missing she needs to find out if he’s in danger while also contending with the politics of a large international film festival: Hollywood power brokers, Russian oil speculators, Chinese propagandists, and a board chair who seemingly has it out for her.
Jane has been appointed interim director of the Worldwide Toronto Film Festival after her boss has been removed for sexual harassment. Knives are out all around her, as factions within the community want to see her fail. At the same time, her partner, a fund manager, has disappeared, and strange women appear, uttering threats about misused funds. Yet the show must go on. As Jane struggles to juggle all the balls she’s been handed and survive in one piece, she discovers unlikely allies and finds that she’s stronger than she thinks.
Brian Lembeck – ‘Pulpy’ – takes life slow and steady. He likes his office job, and he likes his gentle, figurine-collecting boss, Al. He even likes the bitter receptionist, though he’s the only one who does. He likes his wife, Midge, too, and their ice-dancing lessons. Midge works as a candle-party hostess – she quit her office job when Al’s dog ate her pet pigeon and Al promised Pulpy a promotion.
But when Al retires and the tyrannical Dan takes over, the promotion vanishes. And then Dan’s oversexed wife, Beatrice, takes a shine to Pulpy, and Dan starts to think Midge is one hot tamale. Soon, the receptionist is smitten with Pulpy, Midge can’t get rid of Dan and Beatrice, and Pulpy’s job is in jeopardy. For once, Pulpy just might have to take a stand.
‘A hilariously deadpan, wincingly funny take on one office innocent’s workplace coming-of-age. Brian “Pulpy” Lembeck is the new hero of the keyboard-and-cubicle set.’
– Lynn Coady, author of Mean Boy
Trevor and Margaret Rudley, proprietors of the Pleasant Inn, are looking forward to autumn at their bucolic Ontario cottage-country hotel, expecting only a little Halloween high-jinks to punctuate the mellow ambiance. However, the first maple leaf has barely turned red when Gerald, an old female-impersonator friend of the Pleasant’s esteemed cook Gregoire, turns ups dragging his very frightened friend Adolph behind. On the lam from Montreal after witnessing a drug deal in progress, the two effect to blend into the Pleasant’s pleasant rhythms, hoping to remain anonymous until the heat is off. Alas, they hope in vain, and it is more than the pumpkins in the patch that suffer violence
Duncan has always been a pretty boring guy, leading a simple life while working at a bread factory. Then he stumbles upon Brenda, a sad young woman who’s about to end her life. Convinced he’s fallen in love, Duncan strikes up a desperate deal: if he can get her to laugh, she’ll give life another shot, but if she doesn’t even giggle, he’ll help her go through with her plan. There’s just one catch: Duncan isn’t funny. At all. So he borrows Pat, his second-favourite comedian, to help him come up with the perfect routine. But Pat is having a hard time mustering his sense of humour after a bad break-up, and the last thing he wants to do is teach a lonely loser the difference between knock-knock jokes and schadenfreude while chained to a typewriter.
A tragicomedy of three misfits, Punch Up navigates a hostage situation and a life-or-death comedy lesson to show just how far we’ll go for a laugh.
People don’t ever leave The Point, even if they move far away. Or at least, that’s how it seems to journalist Kathy Dobson. Growing up in Point St. Charles, an industrial slum in Montreal, she sees how people get trapped in the neighbourhood. Dobson shares her journey of trying to escape what was once described as the toughest neighbourhood in Canada, as she and her five sisters–raised by their single mother–deal with slum landlords, “pervy uncles,” and their father–a mostly absent police officer who does occasional work on the side for the local mob. As Kathy grows up and starts attending college outside the Point, she has to learn how to survive in a new world where problems aren’t solved by a good punch to the head.
punchlines is a lyric long poem that probes the poetic tensions in the everyday languages of computer-user collaboration. Within the narrative structure of a Canadian couple’s drive down the West Coast of the United States, the poems set this exploration between the call (poem title) and response (the poem itself) of jokes and punchlines, echoing the input-output (call/response) of modern computer-user cooperation, with the ultimate goal of infusing code with poetry and poetry with code. The first section is the initial trip down the coast while the second section houses poems in response to the return trip. There is little stopping in this long poem: the poems are told while driving or while in intermediary places like hotels and restaurants, and are deliberately full of jerky and fast hyperlinking motion.
Fasten your safety pins and spike your mohawks for another round of pop culture activity fun! Aye Jay, creator of the Gangsta Rap Coloring Book and the Heavy Metal Fun Time Activity Book (ECW 2007), takes on punk with mosh-worthy results. This activity book will challenge kids and adults alike with word searches and drawing games, or just sharpen your crayons and color legends of punk’s past and present!
Help Siouxsie Sioux apply her makeup. Draw Henry Rollins’ tattoos. Color in the members of Green Day. Part history lesson and part activity time, the Punk Rock Fun Time Activity Book will be more fun than a night at CBGB.
With a foreword by American Hardcore author Steven Blush, and a cover collage of punk art legends, this is a must-have for the music lover in your (dysfunctional) family!
Culled from a wide variety of award-winning plays, the pieces presented here are sure to delight both those new to Canadian plays and those familiar with some of this country’s most memorable stage shows from the past twenty years. Ideal for scene study or just a good read. Includes excerpts from The December Man (L’homme de décembre) by Colleen Murphy, Elizabeth Rex by Timothy Findley, Goodnight Desdemona (Good Morning Juliet) by Ann- Marie MacDonald, Mary’s Wedding by Stephen Massicotte, The Real McCoy by Andrew Moodie, and many more.
Drawing from a range of contemporary poetic traditions, The Purpose Pitch explores the overlap between narrative, pop culture, and the political. These poems are often funny, sometimes harrowing, and always unsettling. Through rants, narrative prose poems, absurdist dialogues, brutal police reports, invented biographies of real people, Google search results, and celebrity-interview mash-ups, Mockler shows us just how Boschian Western culture is in the twenty-first century.