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LONGLISTED FOR THE 2016 SCOTIABANK GILLER PRIZE
SHORTLISTED FOR THE 2016 KOBO EMERGING WRITER PRIZE
Most of the things Pillow really liked to do were obviously morally wrong. He wasn’t an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who’d committed no crimes, but he just loved it. The way Pillow figured it, love wasn’t about goodness, it wasn’t about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.
Pillow loves animals. Especially the exotic ones. Which is why he chooses the zoo for the drug runs he does as a low-level enforcer for a crime syndicate run by André Breton. He doesn’t love his life of crime, but he isn’t cut out for much else, what with all the punches to the head he took as a professional boxer. And now that he’s accidentally but sort of happily knocked up his neighbor, he wants to get out and go straight. But first there’s the matter of some stolen coins, possibly in the possession of George Bataille, which leads Pillow on a bizarre caper that involves kidnapping a morphine-addled Antonin Artaud, some corrupt cops, a heavy dose of Surrealism, and a quest to see some giraffes.
Pine Bugs and .303s is the story of two families in Northwestern Ontario. Elmer Wabason, a Cree man and Gilbert Bertrand, a white man grew up three miles apart. Until World War II they had never met. The town and the reserve are separated by the newly named Trans-Canada Highway. A fast-paced story uncovering the bond of soldiers, the strength of women, the impact of racism and resilience. The families endure disaster, deceit and corruption. They achieve many firsts even though the odds seem stacked against them at almost every turn. The search for justice takes them to a pivotal trial in 1965.
Ten years after her picture on a magazine cover made her nationally famous as The Darling of Kandahar, Irina moves up North hoping that new experiences would allow old wounds to finally heal. Yet, in the land of darkness and polar bears, she learns that there really is no place to hide from herself. When she meets Constable Liam O’Connor, her past comes out to challenge her once again.
Pinkerton’s and the Hunt for Simon Gunanoot throws new light on the extensive manhunt for an accused murderer in northern British Columbia in the early 1900s. After a double murder in 1906, Gitxsan trapper and storekeeper Simon Gunanoot fled into the wilderness with his family. Despite lack of proof, the police pursued Gunanoot for nearly three years, sending search parties and police operatives into the wilds of northern BC. The hunt was covered by numerous newspapers at the time, describing a melodramatic cat-and-mouse chase–a not-entirely-accurate account. Frustrated by Gunanoot’s ability to evade capture, the Attorney General of BC asked Pinkerton’s National Detective Agency in Seattle to assist in the pursuit.
In May 1909, two Pinkerton’s operatives disguised as prospectors were sent to Hazelton, BC, to find and apprehend Gunanoot. From 1909-1910, they delivered regular reports to Pinkerton’s office in Seattle detailing their progress. Many of these confidential reports, written around campfires on the treks in the wilderness, provided a vivid picture of life in the frontier town, relations of the settlers and prospectors, and of the conflicting loyalties and tensions in both the Indigenous and non-Indigenous communities.
One of the most famous fugitives in BC history, Gunanoot’s story has taken on the status of legend. Pinkerton’s and the Hunt for Simon Gunanoot is a fascinating tale of turn-of-the-century crime-solving techniques, rural politics and backwoods survival, based on never-before published, firsthand accounts of the two undercover operatives.
Alone In his cabin, Pirate Glitterbeard sprinkled pink glitter onto his beard and put on his finest pink skirt!
All aboard The Heart’s Desire! Pirate Glitterbeard loves everything pink and glittery. Will his crew rebel when they find out? In this rollicking sea tale, the captain and his quirky crew journey to find their treasure – the Wikkie-Tikkie’s legendary meat pies. But, argh, evil Pirate Squidlips and her ship, The Rotten Turnip draw near…
teacher resources available https://www.rebelmountainpress.com/pirate-glitterbeard-teacher-resources.html
Ed Dyck finds that you cannot say “piss” on the radio in Saskatoon. There wasn’t very much radio promotion of his book. That’s a shame. Everybody should know about the cat Jack and the world Dyck compacts around him in 15 “sonnets.”
Frank Cork is head trader at Chicago’s leading brokerage firm. It’s October 1929, and Frank has made a killing trading wheat futures on the city’s commodities exchange. At thirty-two, Frank and his wife, Katrina, have climbed from the South Side to the tony northern suburbs. They’re at the top of their game in their stunning modernist home with two young children. But on October 29, 1929, Frank watches in the trading pit as his fortune is wiped out in a single day. Some traders skulk home while others lurk in the shadows of the Clark Street Bridge. Frank drags himself to Grand Central Station. Hawkers scream, “Black Tuesday, Market Crash,” as Frank staggers onto the nearest train. Flattened by shame, the fallen trader finally debarks a thousand miles later as his train crosses the border into Saskatchewan. Holed up in a shed on the Canadian Prairies, Frank wrestles with how to redeem himself and return home. The only opportunity in sight is selling Canadian whiskey to the Chicago mob. Frank faces setbacks at every turn, including a terrifying visit to the still in the tunnels under Moose Jaw. In Chicago, Frank’s firm is looking for him. Was it suicide? Murder? Everyone’s a suspect, from the managing partner to the mob-boss mayor.
Twice nominated for the best cartoon panel division of the National Cartoonist`s Society, Rhymes With Orange appears in more than 150 daily newspapers nationwide and is adored by animal lovers, fans of literature, and anyone who can laugh about the quirky nature of life. This collection draws from a broad selection of beloved cartoons, divided into 11 distinct topics, including pets, love, and play. Complete with entertaining author commentary, these strips also feature humorous, behind-the-scenes back stories.
Robert Pasternak (NAK) is a virtuoso of the sequential art form. An adept panelologist and painstaking craftsman. Despite a loyal and attentive following, awareness of his work is limited. In many ways, what may appear to be a constraint is part of the NAK mystery and lore. The abstract comics medium is highly complex and only vaguely understood. For NAK, it’s merely a brushstroke. Yet, to define this artwork as abstract could be considered derivative. To the observer, NAK is ocular candy. Psychedelic sensuality.
Delve into the NAK experience, an explorative expedition contained in this first published volume of his work. This creative journey will compositionally challenge and cerebrally stretch the current understanding of comics.
Mary McGahern goes off to university from the small town of Leitrim Falls. Mary was mostly schooled at home by a self-taught, highly literate, widower farmer father, which has always made her an oddity.
Professor Jake Flynn, nearing retirement, despairs of contemporary higher education in English Literature, which has moved away from reading and studying the best that has been thought and written to viewing literature as valuable only to the extent that it contributes to improving the world. Mary becomes Professor Flynn’s student in two courses.
The English Department’s rare, autographed edition of Joyce’s Ulysses is stolen from a display case.
Detective Gurmeet finds that Jake Flynn stole the rare edition of Ulysses. While being examined for mental competency in the Princess Diana Mental Health Center, Jake commits suicide. Mary?s father is killed in a car accident and she returns home to see to the farm.
In equal parts Joyce and Hemmingway, Plaguing Jake heralds a powerful return to literary storytelling and captures and essential Canadian narrative.