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Miss Wondergem’s Bakery, coming quite soon! In fact, it will open tomorrow at noon!There’s a brand new bakery in town, and no one could be happier about it than Verna, Myrna and Bradley McGrew. As much as they love their mother, the McGrew children dread what comes out of her kitchen – and with very good reason. But when the three young McGrews meet the new bakery’s owner, they’re in for a most unpleasant surprise
Dr. Lorne Thorpe, a well-known pediatrician, is on a rare outing with his daughter Shawn when she is abducted. Although Shawn is eventually returned, seemingly unharmed but refusing to talk about what has happened, it seems that she is not the only child who has gone missing from their Troutstream neighbourhood. Detective Beldon has been put on the case, but Dr. Thorpe’s increasingly erratic behaviour is hindering his investigation. And it’s imperative to solve the mystery before more children disappear.
Recipient of the 2006 Poetry Prize of the Helen and Stan Vine Canadian Jewish Book Award.In this collection of poetry, acclaimed poet and writer Renee Norman captures the sensuous and surreal, the serious and the serene, the simple truths about life, love, self and family.
Who is the mysterious woman in the Matisse drawing, “Woman in a Blouse, Dreaming?” What secrets is she hiding? Chloe Rea grew up with the Matisse sketch and believes the woman in the famous Rumanian blouse is her grandmother. But the sketch now belongs to Adam Jensen, who inherited it after his brother’s sudden death in the south of France. Now Chloe wants the sketch back, but someone else is willing to kill for it. When a prominent art dealer in Toronto is murdered, Chloe and Adam flee to France to walk in the footsteps of Matisse and the beautiful Russian named Lydia. Her remarkable story, set amid the darkness and treachery of wartime Nice, holds the key to a missing masterpiece. Missing Matisse is a novel with a puzzle, set in the contemporary world of art theft and the historical reality of World War II, France. The heart of the story is the enigmatic and complex Lydia Delectorskaya, a Russian orphan who became Matisse’s muse, model, caregiver, administrator, and companion for twenty years. Lydia Delectorskaya is a fascinating figure, though little is known about her life after Matisse’s death. Brief accounts of her relationship with Matisse are noted in Hilary Spurling’s biography Matisse The Master (2005). While the author has held true to those facts, she has also imagined an inner life for Lydia, one that comes from her study of the paintings and her knowledge of the history of Nice and Vence during World War II. In Missing Matisse, Jan Rehner gives Lydia a voice, and pays tribute to her remarkable contribution to some of Matisse’s greatest paintings.
A spun radio dial passing clean through poetry. A stuttering loop of Endgame recorded by Stockhausen, remixed by Kraftwerk. The chatter of minotaurs and metadata. Transmissions from far-off futures or new pasts, recordings from a recoded present topped off with a cherry. Evel Knievel, above it all, mysterious, forever taciturn. Mission Creep comes on with the inferno of apocalyptic prophecy and melts on your tongue like the last snowflake of a nuclear winter.
Praise for Joshua Trotter:
‘Joshua Trotter’s long-awaited debut is here, and it’s every bit as good as we’d hoped. His poems have the one maker’s mark of authenticity that absolutely cannot be faked: a fresh style that holds novelty and tradition in creative tension. … By turns funny and terrifying, airy and claustrophobic, non-representational and razor-sharp, Trotter is stock to buy early and hold.’
– National Post (on All This Could Be Yours)
‘A miracle of meter and meteorology’
– Poetry Foundation (on All This Could Be Yours)
Missy tells all … and there is a lot to tell. First came Missy. Then came Sable, Sunny, Chyna, and the rest. Missy Hyatt was professional wrestling’s first character — the original sexy “socialite” sidekick whose trademark Gucci purse and tough-girl attitude made her the most loved — and most hated — woman in wrestling. Now, fifteen years after she first shimmied up to the ring, Missy Hyatt takes fans inside the world of wrestling. From her high school days as a hard-core fan, cheering from her living room, to the cover of Wrestler magazine, Missy has done it all. In this no-holds-barred memoir, Missy discloses the behind-the-scenes secrets of table-throwing, chair-smashing, hair-pulling, and the technique of “juicing” — how wrestlers make themselves bleed on cue. Find out about her intimate relationships with Jake the Snake, Wonder Years’ Jason Hervey, Hot Stuff Eddie Gilbert, and many many more. Missy has worked with wrestling’s biggest stars, from Hulk to Jesse, from Vince to the Rock, and she tells everything.
In these two plays for young audiences, award-winning playwright Erin Shields presents the challenges of friendship and communication.
In Mistatim, which is based on a concept from Sandra Laronde of Red Sky Performance, two eleven-year-olds strike up an unlikely friendship at the fence between one’s reserve and the other’s ranch. On Speck’s side, she’s carved names of family members into the wooden posts as she tries to piece together her identity. On Calvin’s side, he’s trying to train a horse in order to prove himself to his father. When Speck realizes she can communicate with Calvin’s horse Mistatim, the pair work to liberate the animal, and in the process learn about one another’s cultures.
In Instant, three teens find out how far they’ll go in their quest to be seen and heard. Meredith is a singer-songwriter who makes YouTube videos of covers in an attempt to gain Internet fame. But her friend Jay, a rising hockey star, can’t understand why she won’t post her original songs. When their classmate Rosie suddenly goes viral after a video is posted of her singing to raise money for her father’s medical bills, Meredith’s jealousy takes over and she pushes Rosie too far, triggering a near-deadly response.
In this poetry collection, the author takes an astonishing look into the heart of the afterworld and questions the circle of life as we know it. Mister Blackhurst miraculously regains consciousness on his hospital bed but he realizes that the world around him is no longer under his control. Strange people go in and out, collect their things in boxes, and then disappear. The reality of existence becomes more unpredictable and complex then he could have ever imagined.
Misty Lake tells the story of a young Metis journalist from Winnipeg who travels to a Dene reserve in Northern Manitoba to conduct an interview with a former residential school student. What Mary imparts in her interview will change Patty’s life profoundly, allowing the journalist to make the connections to her own troubled life in the city. Patty knows that her Metis grandmother went to residential school when she was a girl. But Patty hasn’t understood until now that she’s inherited the traumatic legacy of residential school that was passed down to her mother from her grandmother. With this new understanding, Patty embarks on a healing journey. It will take her to the Dene fishing camp at Misty Lake, a place of healing, where, with Mary, she will learn that healing begins when you can talk about your life.
Many strange tales woven and crafted to keep the reader glued to the book until its final page. Featuring cover art by award-winning artist Steven Paul Judd and the talents of Kateri Akiwenzie-Damm, Cherie Dimaline, Jesse Archibald-Barber, Damon Badger Heit, Tania Carter, Trevor Greyeyes, Brian Hudson, Rebecca Lafond, Lee Maracle, Neal McLeod, Duncan Mercredi, Daniel David Moses, Eden Robinson, Cathy Smith, Bill Stevenson, Drew Hayden Taylor and Richard Van Camp.
The last solider who saw World War I died in 2009, and, with him, all direct memory of the horror of that war left the earth. Memory has become history, but Brian Kennedy argues that our collective need to grieve the horrors of the Great War still remains. In this wide-ranging book he looks at a variety of fiction that has been written about World War I, from Michael Morpurgo’s War Horse and Sebastian Faulks’ Birdsong to Joseph Boyden’s Three Day Road and Timothy Findley’s The Wars with many other books besides. Kennedy considers the traditional stories and tropes of the war, along with modern revisionings, the role of women in the war and even Irish issues and the divisions within the British Empire. In the end, he argues persuasively that the cultural process of grieving concerns both the fear of forgetting and the need to build a narrative arc to contain events that shaped the past century.
Shortlisted, Hubert Evans Non-Fiction Award
Warm, imaginative, and thoroughly original, this memoir intertwines the mysteries of trees with the defining moments in the life of novelist and essayist Theresa Kishkan. For Kishkan, trees are memory markers of life, and in this book she explores the presence of trees in nature, in culture and in her personal history. Naming each chapter for a particular tree — the Garry oak, the Ponderosa pine, the silver olive, the Plane tree, the Arbutus, and others — she draws on Pliny the Elder’s Natural History, John Evelyn’s Sylva, and strands of mythology from other classical and contemporary sources to blend scientific fact with natural history and the artifacts of human culture.
Never pedantic and always accessible, Mnemonic reveals — through one woman’s relationship with the natural world — how all of us have roots that intertwine with the broader world, tapping deep into the rich well of universal themes. In the words of Pliny the Elder, “Hence it is right to follow the natural order, to speak about trees before other things…”
Why, it’s a whale of a book! Here comes Moby Jane – again! Originally published in 1987 and long out of print, Moby Jane contains ten years’ worth of Gilbert, poem by poem, that literally spill out over its edges – the book begins on the front cover and ends on the back! Eli Mandel calls Gilbert ‘an extraordinary, intelligent experimentalist,’ and Coach House has just gotten wind that this classic tome has been chosen for National Poetry Month 2004 as one of the ten all-time must-read books of Canadian poetry.
In poetry that strikes a delicate balance between candour and lament., Mockingbird tracks the aftershocks of a failed marriage through a variety of self-portraits. Derek Webster’s speakers itemize their regrets and fears while keeping sentimentality in check and the result is a first book of exceptional emotional power. Indeed, the distinctive and nuanced shapes of Webster’s exquisitely controlled lyrics highlight the great achievement of his debut: a clipped, often aphoristic line-making stripped down to cold truths. The struggle isn’t about being yourself, these poems argue, but about deciding which version of yourself to accept–and surviving the decision with equanimity. “Your small life wants to live in you / despite everyone’s attempts to do it in.”
One of the most commanding poetic debuts in years.
A mesmerizing and moving first collection, Model Disciple gives us a poetry of two minds. Confounded by Japanese-Canadian legacies too painful to fully embrace, Michael Prior’s split speakers struggle to understand themselves as they submit to their reinvention: “I am all that is wrong with the Old World, / and half of what troubles the New.” Prior emerges as a poet not of identity, but identities. Invented identities, double identities, provisional identities–his art always bearing witness to a sense of self held long enough to shed at a moment’s notice. Model Disciple ‘s Ovidean shape-shifting is driven by formal mastery and mot juste precision. It’s also one of the most commanding poetic debuts in years.
“Model Disciple comes alive in its beautiful precision of detail, defamiliarizing language, resonant music, and deep intimacy. These poems are lyrical accounts of the natural world intersecting with the manmade. They are viscerally present, and felt, written to illuminate and endure.”–Hannah Sanghee Park, author of The Same-Different
Evade your eye. Try to see as others do
what is desired or refused. What went wrong.
Or right, then wrong. Objectively, what hangs.
Pull yourself together. Years are neither kind
nor cruel. You drag on. The girl is gone.
Consider that it might be time to call in
a professional. Blood is fearless, runs
to meet a touch, indiscriminate, remembering
the first time it fell in love with the world, unaware
that now you are alone.
From “Mirror”
In Modern and Normal, Karen Solie takes her on-the-road fascination with being between places to a new level, exploring conceptual and perceptual states of in-betweenness – for example, between what is perceived and what is actually there, or between and among the patterns the world repeats from the cell to the structure of the universe — to find points of intersection. Solie finds a middle ground between the discourses of the hard sciences and the intuitive, a realm of weird overlap wherein lie questions of probability, fate, determinism, chance, luck, and faith. She writes about fractals and physics, but also about bar bands, broken hearts, and the trappings of desire. Some splendid landscape poems celebrate nature while mourning the way in which it’s often exploited and used. Once again Karen Solie offers readers her lovely dexterity and skill in poems which entertain as they move.