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Showing 3537–3552 of 9493 results

  • Identifying Mavor Moore

    Identifying Mavor Moore

    $24.95

    The enigmatic, obscured figure behind many of the most important moments in building Canada’s theatrical and cultural landscape has largely been ignored by history. In this groundbreaking study of his work, Allan Boss re-locates Moore in Canada’s cultural history. Moore may be a jack of all trades, but Boss exposes a historical record that seems to conceal Moore’s work, challenging the conventions of recorded theatre history in Canada. Painting a picture of Moore’s identity and legacy through his theatrical and artistic work and through an assortment of his literary contributions to the theatre, Boss creates an astounding account of a cultural giant who’s been lost to history.

  • Idler’s Glossary, The

    Idler’s Glossary, The

    $12.95

    Idler’s Glossary, The

  • If I Could Turn and Meet Myself

    If I Could Turn and Meet Myself

    $24.95

    At his death in 1985, Alden Nowlan stood in the first rank of Canadian writers. Today, his poetry is beloved by Maritimers and popular across Canada and in the US as well. If I Could Turn and Meet Myself tells his life story, from his birth to a 14-year-old mother in 1933 through his impoverished childhood, his disturbed adolescence, his newspaper career, his struggle with cancer, and his tenure as writer-in-residence at the University of New Brunswick.

    Nowlan founded his success and peace of mind on his belief that he was a composite of many selves. In 12 books of poetry, two novels, a book of stories, and 15 years of weekly columns for the Saint John Telegraph Journal, he fictionalized his own life. At the same time, he hid some of the most significant facts about his background from everyone, including those closest to him. His overall personal honesty ensured that even today people accept his “authorized version” as the full and only story.

    In If I Could Turn and Meet Myself, Patrick Toner portrays a more complex and more richly humane Nowlan than any previous commentator, including Nowlan himself.

  • If I Were in a Cage I’d Reach Out for You

    If I Were in a Cage I’d Reach Out for You

    $18.95

    If I Were in a Cage I’d Reach Out for You is a collection that travels through both time and place, liminally occupying the chasm between Canadiana and Americana mythologies. These poems dwell in surreal pockets of the everyday warped landscapes of modern cities and flood into the murky basin of the intimate.

    Amidst the comings and goings, there’s a sincere desire to connect to others, an essential need to reach out, to redraft the narratives that make kinship radical and near. These poems are love letters to the uncomfortable, the unfathomable, and the altered geographies that define our own misshapen understandings of the world.

    “With a depth of feeling for places and their connecting joys and aches, these are beautifully written poems, vivid as the morning paper, bracing as moonshine.”

    -David McGimpsey, author of Sitcom and Asbestos Heights

    “Brims with cracking imagery and whip-smart delivery.”
    —The Winnipeg Free Press

    “Adèle Barclay has that rare gift of making something entirely new feel familiar, every door she opens we want to swoon right in.”
    —Today’s Book of Poetry

  • If It Gets Quiet Later On, I Will Make a Display

    If It Gets Quiet Later On, I Will Make a Display

    $22.95

    Essays, stories and poems on the interior lives of bookstores.Nick Thran’s volume of essays, stories and poems is a quietly powerful meditation on a life of reading, writing and bookselling. Thran, who returned to bookselling when he moved with his family to Fredericton, NB, captures the rare magic of reading communities. Here, the bookstore itself sits in the middle of an expanding root system, connecting lives, nurturing interests and stoking passions. It is a place for both private daydreaming and the small talk that staves off loneliness. And it is the fertile ground on which so many authors—including Thran—find the courage to write.

  • If It’s No Trouble . . . A Big Polar Bear

    If It’s No Trouble . . . A Big Polar Bear

    $12.95

    Natalie’s finished her Christmas list. It’s really quite perfect with one little twist: A remote control scooter, some candy to share and, if it’s no trouble, a big polar bear.

  • If Language

    If Language

    $20.00

    Most anagrammaticians satisfy their urge with the rearranged name of a celebrity (Marshall McLuhan = Malls launch harm) or perhaps, if more adventurous, a familiar aphorism (The Medium is the Message = The Media is the Muse’s Gem). The true devotees of the clan turn to games like Scrabble and Humbug. Gregory Betts’ If Language takes this one-time parlour game to its evolutionary extreme, constructing 56 paragraph-long perfect anagrams of an original seed-text. Each poem is exactly 525 letters; the same letters that echo throughout the book is radically different forms. These poems test the endless possibilities of the constraint. They tell the mystical history of anagrams, from its use by early scientists to escape Christian zealots to Rosicrucian symbology to Greek mythology to Kabbalism. They explore how individualities happen in words and limited vocabularies. If Language asks the question: what are the limits of individuality within a closed system? Betts uses his own experiences, relationships and uncertainties to explore this question with humour, with intellect, and with a manic obsession capable of turning a simple game into this wildly original exploration.

  • If Pigs Could Fly

    If Pigs Could Fly

    $16.95

    Written in three parts, master storyteller Arnason’s second volume of fractured prairie tales includes political fables, Ukrainian tales and fabulations, leaving no stone unturned in his parody of Canada’s political and cultural landscape.”Fairy tales on speed make great fiction.”–Rob McLennan, The Ottawa Express

  • If Pressed

    If Pressed

    $18.00

    If Pressed–the second collection of poetry from Andrew McEwan—explores forms of pressurized and pressurizing language as a means to shed light on the depressions we live among.

    Overlapping language of fear and speculation gain momentum in these poems, where layers of atmospheric and emotional lexicons—ranging from descriptions of the mid-2000s financial crisis and subsequent recession, to writing on melancholia from the 1600s, to weather reports and condo listings, to pharmaceutical sales pitches and literary book reviews—focus attention on the ways that anxiety so easily and completely infiltrates our daily personal and public experiences.

  • If Tenderness be Gold

    If Tenderness be Gold

    $22.95

    If Tenderness Be Gold is set in 19th-century and early 20th-century northern Ontario and Manitoba. An Irish mother, an Italian herbalist, and a Scottish midwife come together on the night of a difficult birth, and the result of their union has effects that echo through the generations.

  • If There Were Roads

    If There Were Roads

    $17.00

    Guided by the geography of land and mind, the familiar and the unknown converge in If There Were Roads by Joanna Lilley. A family shattered by a phone call, a monk who becomes a hermit, and a woman adjusting to living on the edge of the boreal forest, each finding their future from the experiences of their past. Pulled like the tide between the sea and the shore, If There Were Roads drives toward new vistas while reflecting on what has been lost in the process of moving forward. Lilley’s poems explore the paths we take from here to there when there are no roads to guide us.

  • If This Is Freedom

    If This Is Freedom

    $27.00

    If This Is Freedom continues the story of struggle for Loyalist settlers in Nova Scotia after the American Revolutionary War. In the black settlement of Birchtown, times are especially hard for the former slaves. They face the difficulties of a hardscrabble existence and continued discrimination from their white counterparts.

    Like many desperate Birchtowners, Sarah Redmond has signed an indenture agreement, a work contract meant to protect her rights and ensure a living wage. Sarah’s employers, the Blyes, do not honour the agreement, and Sarah and her family are all but shattered when Sarah takes a wrong step – one she will come to regret as it sets off a chain of unusual events that put her under further pressure. With her faith in the settlement running dry and the Birchtowners abandoning the settlement, Sarah is perplexed and soon faces the taxing option of whether to hold on to the only real life she has ever known or let go. At once a stand-alone story and a companion to Gloria Ann Wesley’s previous novel, Chasing Freedom, this story about moral courage and the enduring strength of dreams shares history with us in a way that is both honest and emotional.

  • If We Caught Fire

    If We Caught Fire

    $22.95

    If We Caught Fire brings two families together for a wedding in St. John’s, an event that sets off a summer of fireworks in the lives of the people around them.

    Edie’s calm and contained life is knocked awry when her mother decides to marry a man she met online after just a few months of dating. The groom’s son, Harlow, is a joyful adventurer who shows up for the wedding and quickly recruits Edie as his sidekick.

    Harlow runs toward risk and adventure with arms wide open, unconcerned about what other people expect from him. Edie plans every step carefully and keeps her dreams small and attainable, even when others encourage her to want more. Over a few months, they develop a connection that defies definition, a situation that leaves Edie queasy with fear and tingly with possibility. 

    Edie and Harlow (and the rest of their new unwieldy family) do an elaborate dance, trying to discover just what they are to one another. When Edie thinks she’s figured him out, Harlow reveals a depth and darkness she didn’t see coming. By Labour Day, they’ve created connections, tested boundaries, and found they’ve come together and apart in unexpected ways.

  • If You Hear Me

    If You Hear Me

    $22.95

    Winner of the 2020 Governor General’s Award in Translation

    A World Literature Today Notable Translation of 2020

    Sliding doors open and close automatically, exit to the left, entrance to the right. Beyond it, cars go by, and pedestrians and cyclists. A large park behaves as if nothing has happened. The mirage of a world intact.

    In an instant, a life changes forever. After he falls from a scaffold on the construction site where he works, the comatose David is visited daily by his wife, Caroline, and their six-year-old son Bertrand—but despite their devoted efforts, there’s no crossing the ineffable divide between consciousness and the mysterious world David now inhabits. A moving story of love and mourning, elegantly translated by Lazer Lederhendler, If You Hear Me asks what it means to be alive and how we learn to accept the unacceptable.

  • if you lie down in a field, she will find you there

    if you lie down in a field, she will find you there

    $20.00

    While in the middle of a divorce and in the process of reinventing herself, Doris Brown died suddenly in 1974. Two years later, a serial killer confessed to her murder. What propels this book is a desire to recover Doris’ life, which has been obscured by the spectacle of her death. If you lie down in a field, she will find you there, captures the cadence of family stories collected through interviews the author conducted with her siblings. Essays and memories by Doris Brown’s youngest children, Colleen and Laura, appear alongside spoken word anecdotes that contain the family’s oral history and tell us who she was.

  • If You’re Not Free at Work, Where Are You Free

    If You’re Not Free at Work, Where Are You Free

    $25.00

    The essays in If You’re Not Free At Work, Where Are You Free?: Literature and Social Change focus on the interconnection of community/workplace/individual and how literature (and thinking about literature) has a role in social struggles aimed at making that nexus more liberatory. The essays’ topics include various social issues in contemporary writing–daily work, narrative, love poems, the teaching (and hence status) of poetry, and postmodernism.