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The 2007 Kimmy Beach model, in Cars, is a crowd-pleasing look at the lives of rural teenagers in western Canada, and includes a free-wheeling tour of love, cars, and roller rinks.As the speakers pound out instantly recognizable hits of the eighties, Beach looks under the hood of female desire. Wearing string-back driving gloves, hands at two and ten o’clock, she investigates our fascination with cars and the way they crash. Wearing her white Sure-Grip high-tops roller skates with Precision Bearing wheels, Beach blows smoke in the face of the poetry establishment.Standard features of in Cars include youthful lust and squealing tires, muscle cars and disco balls. Optional extras include style, smarts, and Fancy Ass jeans.in Cars showcases an unmistakeably original poetic voice. Kimmy Beach, the reigning poet of pop/mainstream culture, pops the clutch with this exploration of the nexus of libido, danger, and the darkness at the centre of attraction.
In Confidence features two monologues by two women in two different cities three thousand miles apartthis simple conceit is all Hollingsworth needs to create a complex portrait of a friendship hampered by dark secrets in each woman’s marriage.
“This book is filled with important information and excellent insights. … You should buy it … please don’t illegally download it.” — John Degen, The British Columbia Review
Copyright is one of the cornerstones of western civilization; it is as relevant today, if not more so, than it was when the first formal copyright laws were enacted in the eighteenth century.
With the rise of the Digital Age, new challenges have been brought to the frontlines of the copyright battle. Online piracy, extensive unauthorized use of copyrighted works by educational institutions, and artificial intelligence are testing the ability of copyright laws to protect creators and their intellectual property.
Canada’s copyright laws are out of step with other western democracies and are overdue for updating. They need to be resilient and adaptive to the digital age to promote the production of new work and ideas.
A man loses his daughter while swimming one summer. This little gem of a novella?sad and beautiful and spellbinding all at once?is the tale of how he strives to be reunited with her again, whether back home on dry land or thousands of miles underwater. Racked with guilt and doubt, he lingers over her memory, refusing to let her go. He imagines and reimagines the moment she slipped away from him as he searches for her behind every rock, in every bush, in every wave.
In the decade since the publication of the first edition of In Fine Form, there has been a resurgence of Canadian poets writing in “form” – in sonnets and ghazals, triolets and ballads, villanelles and palindromes – and formal poetry has become more visible in books, literary journals and classrooms. The first edition of this anthology was called “groundbreaking,” “a paradigm shift” and “a landmark text.” Since then, it has gone through several printings and been widely used in classrooms at all levels from elementary school to university, by writers who want to try something new, and by readers eager to explore a whole other side of Canadian poetry. Of course, Canadians have always written in form, and some of its early practitioners such as Charles G.D. Roberts and Robert Service are again represented here, as well as more recent writers such as PK Page, Margaret Atwood, Fred Wah, Rachel Rose, Christian Bök and George Elliott Clarke. The new edition includes 51 new poets including Nicole Brossard, Rob Taylor, Renée Sarojini Saklikar, Kyla Czaga, David O’Meara, Sheri-D Wilson, George Bowering, Lillian Allen, Marlene NorbeSe Philip, Mary Dalton, and also explores exciting new forms not acknowledged in most other anthologies including spoken word, prose poems, doublets, found poems and pas de deux. In Fine Form, 2nd Edition is an anthology that continues to break new ground, a thrilling collection of more than 25 forms and 180 poems arranged by section, one for each form, with a brief introduction to the form’s history and variations. An extended essay explores common poetic terms and technical devices. Surprising and exhilarating, here is a showcase for some of the best poetry this country has produced.
The politics of difference, mired in the violence of colonial history, are a dominant force in the socio-economic development of contemporary society as it strikes a balance between the acceptance of new cultures, and the absorption and gentrification of them. In this collection of essays edited by the University of Guelph’s Smaro Kambourelli, Roy Miki–poet, scholar, and member of the Order of Canada–investigates the shifting currents of citizenship, globalization, and cultural practices facing Asian Canadians today through the connections of place and identity that have been forged through our developing national literature.
The post-apocalyptic love child of Stephen King and Cormac McCarthy
Ten years after the calamitous events set in motion by Dylan Cleary in his attempt to bring George Cleary’s last novel to life, Deacon Riis has settled back into the rather sedate life of a small-town reporter. That is, until he’s invited to a New Year’s Eve Party by Dylan’s sister Crystal, who’s now a successful writer/producer behind a wildly popular horror movie franchise and for her next big budget slasher flick she’s chosen to adapt one of her grandfather’s apocalyptic thrillers.
On the drive up to his sister’s retreat in northern Ontario, Deacon receives a text that reads, It has begun again. D. True to his word, Dylan is even then orchestrating an apparently random and increasingly savage series of attacks culled from his grandfather’s last fiction and Deacon’s only hope of avoiding a similar climax as the one that saw much of Mesaquakee reduced to ash will be to go all-in like Dylan, even if it means sacrificing everything he holds dear.
When Tim Horton died tragically in a car accident in 1974 at age 44, he left behind a legacy of love, respect, and goodwill from everyone who knew him. In Loving Memory traces the life and career of the legendary NHL defenceman, from his humble beginnings in small-town northern Ontario, to junior stardom at St. Mike’s in Toronto, a Calder Cup championship with the AHL Pittsburgh Hornets, four Stanley Cups with the Toronto Maple Leafs, and a distinguished late career with the expansion Buffalo Sabres. This book features dozens of vintage photos of Tim — on the ice, in the locker room, and at home with his family — as well as rare memorabilia, letters, and documents, many of which have been preserved by Tim’s wife, Lori.
In Many Waters is the gripping story of three orphans whose lives intersect on the island of Malta during our current, urgent refugee crisis. Zoe, a budding historian, comes to Malta with her younger brother Cal to learn more about their Maltese mother, as well as the mysterious circumstances surrounding their parents’ untimely deaths. The siblings’ well-mapped plans are derailed when Cal, who is a daily swimmer in the Mediterranean, discovers a girl floating in the sea, barely alive. The small, battered fishing boat on which she has journeyed from Libya to Malta capsized in a storm: Aziza is the sole survivor. Meanwhile, Zoe returns to the site of her parents’ drownings and stumbles across a trail of clues which lead to the discovery of an unknown family member, unearthing a chain of life-changing secrets. In Many Waters brilliantly mines the hearts and minds of characters in extremis, the unforgettable tale of the ways that we love and help one another and how the choices we make reverberate through generations.
Winner of the 2023 Berman Literature Prize
Longlisted for the 2022 Dublin Literary Prize
Shortlisted for the 2021 International Booker Prize
Longlisted for the 2021 National Book Awards: Translated Literature
Longlisted for the 2021 Bailie Gifford Prize
Winner of the 2018 Bolshaya Kniga Award
Winner of the 2019 NOS Literature Prize
The Globe 100: a Globe and Mail Best Book of 2021
An exciting contemporary Russian writer explores terra incognita: the still-living margins of history.
With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century.
In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities, offering an entirely new and bold exploration of cultural and personal memory.
In a blend of essayistic poetics, Broadbent wields alchemy, translation and necromancy to bring readers In on the Great Joke.
What do you get when you cross Lao Tzu and an application for a university teaching application? What do you get when you give W. G. Sebald and Clarice Lispector the ability to speak from the afterlife? What happens if a girl is stopped at a red light for an entire year? In on the Great Joke is a palace of hybridity, where film structure informs poetry, poetry alters the essay, and the essay recalibrates the joke. Broadbent has lent her ear to the dead, the living, the voiceless, to give us the punchline of what it means to be intellectually alive.
‘Then there’s Laura Broadbent. She is, as are her poems, full of sultry verve and invective. Watch out. Her lines are dizzying and always on point.’
– Michael Nardone, Hobo Magazine
Praise for Oh There You Are I Can’t See You Is It Raining?:
‘Oh There You Are… succeeds because it is accessible. Intellectually rigorous and evasive, it also makes itself emotionally available.’
– Justin F. Ridgeway, Broken Pencil
In Our Own Teen Voice 4 is an anthology of creative fiction and poetry by teens in Vancouver Island, BC, in grades 8-12. With themes ranging from self-identity, family, friends and relationships, belonging, sports, gaming, stress, depression, disability, and loss, to coming-of-age, sexual orientation, love, war, passion, courage, and hope, In Our Own teen Voice 4 is written by teens, for teens, and can be enjoyed by readers of all ages.
On November 11, 1923, the fifth anniversary of the Armistice, the memorial for the Fredericton war dead was unveiled. Popular perception is that the process was a simple one: a list of all of those who died in the Great War was compiled and inscribed on the monument. In reality, the truth is much more complex.
In Perpetuity brings together the biographies of 110 soldiers from the Fredericton area who died from service during the First World War. The product of an inquiry-based learning project led by social studies teacher James Rowinski, the biographies shed light on the lives of the soldiers, the conditions they experienced during their service, and the process of commemoration following the war. The book includes the biographies of four soldiers that students argue should have been included on the official memorial, including Lieutenant Charles Blair who died by suicide in 1920 and would now likely be recognised as suffering from PTSD.
A correction and supplement to official memory, In Perpetuity preserves the memory of Fredericton’s war dead — those who both were included and excluded from the official record.
In Perpetuity is volume 30 of the New Brunswick Military Heritage Series.