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Shortly after the first referendum on Quebec separation, four people in their forties encounter each other in Ile d’Or, the town where all of them grew up. The novel is about gold and greed and renewal and hope. About people who emerge from a frontier existence into the society of the late 20th century with the need to discover how their contemporary lives connect with their pasts: how growing up in a mining town in northern Quebec in the 1930s through 1950s shaped who they are today. They do this with the hope that confronting the past may better equip them for moving on with their stalled lives. Their pasts include alcoholism, scandal, suicide, ethnic and linguistic tensions as well as violence and divorce. As children they all experienced a substantial amount of shame largely because of adult behaviour beyond their control. They need to be reconciled with themselves through a reconciliation with the community in which they grew up shamed. One component of their shame relates to the languages they and their parents spoke, or did not speak, and how those languages were related to power and class. This particular shame and how they deal with the language issues now as adults runs as a leitmotif throughout the manuscript.
Marsha Pomerantz’s The Illustrated Edge is as close to a perfect first collection of poetry as you’re likely to find: long-distilled explorations of the human heart mixed with linguistic and formal exuberance and playfulness.
Includes author-curated discussion questions!
Mark Lisac’s Image Decay returns to the pugnacious world of backroom politics laid out in his award-nominated Where the Bodies Lie. Set again in that “unnamed capital city east of the Rockies,” where the Brutalist architecture of the downtown core reflects the body politic laid bare.
When a cantankerous ex-government photographer seeks ownership of his prints, the powers-that-be are determined to prevent the release of certain sensitive photos. Set in the 1990s, this political thriller delves into questions of identity and memory, established power and its fears and secrets, old stock versus newcomers, belonging and alienation.Image Decay investigates the intricacies of political manipulation, personal anxieties, and how history must be seen to be confronted.
Shortlisted, Shaughnessy Cohen Prize for Political Writing and Democracy 250 Atlantic Book Award for Historical Writing
Once, a single francophone settlement shared both sides of the Saint John River, until a political trade-off between countries split it down the middle. From that inauspicious start, the Maine-New Brunswick border, the first boundary to be drawn between the two nations, has served as a microcosm for Canada-U.S. relations.
For centuries, friends, lovers, schemers and smugglers have reached across the line. Now, post-9/11, mounting political paranoia has led to a sharp divide, disrupting the lives and welfare of nearby residents. An elderly Canadian couple’s driveway touches the border, leading to a Kafkaesque overreaction by Homeland Security. The Tea Party political movement advocates complete border shutdown. Once friendly neighbors have become increasingly isolated from each other.
In this timely exploration, Jacques Poitras travels the length of the border, from Madawaska and Aroostook counties through Passamaquoddy Bay to a tiny island still in dispute to uncover the arbitrarily drawn line that shouldn’t be there, almost wasn’t there, and can be difficult to find even when it is there. The stakes are high as New Brunswick and Maine re-imagine their relationship for the 21st century and communities strive to stay together despite the best efforts of parochial politicians, protectionists, and overzealous border officials.
Imaginary Maps reveals a city haunted by monsters, movie stars and jilted lovers; a city where hope and rage, sacred and carnal, mundane and surreal are uneasy neighbours. One with a downtown that swells with pleasures and pains too big for words, where every dead end is suffused with an unbidden kindness, ‘an accidental choreography.’
Photographs of musicians by Bill Smith.
A survey of the people, places and stories that make up Winnipeg’s literary history, from its earliest days to the present. Illustrated with maps and photos.
The twenty contemporary writers featured in this anthology have one thing in common: a connection to British Columbia, to a specific time, landscape, or community in BC. Their essays and memoirs have been inspired by, or are in some way affected by, the particular “sense of place” that sets that left-hand corner of the country apart from other provinces. Some are humorous? others are poignant. Whether describing a family history in Kitsilano, the difficulties fitting in as an immigrant, or a close encounter with a grizzly bear, these stories communicate a sense of belonging to, or a trying to find, a sense of place.
Some of Canada?s best-known writers, all members of the Federation of BC Writers, are featured in this anthology, including Pauline Holdstock, Harold Rhenisch, George Fetherling, Howie White, Katherine Gordon, and, M.A.C. Farrant. The book features an introduction by editor Daniel Francis, a historian and author of twenty books.
Award-winning author Gary Barwin has written poems, novels and books for children. He’s composed music, created multimedia art and performed around the world. Now he has turned his talented pen to essays. In Imagining Imagining: Essays on Language, Identity and Infinity Barwin thinks deeply about big ideas: story and identity; art and death; how we communicate and why we dream. From his childhood home in Ireland to his long-time home in Hamilton, Barwin shares the thoughts that keep him up at night (literally) and the ideas that keep him creating. Filled with witty asides, wise stories and a generosity of spirit that is unmistakable, these are essays that readers will turn to again and again.
Immigrant Blues, an extension and deepening of the famous poems of the siege of Sarajevo translated in Simic’s Sprinting from the Graveyard (Oxford, 1997), explores the personal and the public devastations of war, especially its effects on the emotions, thoughts and memories of exiled survivors. Simic’s genius is to present this disturbing reality in terms so vigorous and humane that pain is mixed with the solace and pleasure of great art.
Open the doors, the guests are coming
some of them burned by the sun, some of them pale
but every one with suitcases made of human skin.
If you look carefully at the handles, fragile as birds’ spines,
you will find your own fingerprints, your mother’s tears,
your grandpa’s sweat.
The rain just started. The world is grey.
from “Open the Door”
“The brilliance of these poems lies in their detail, their lack of rhetoric, and their passion.” — Helen Dunmore, reviewing Sprinting from the Graveyard in The Observer
“Goran Simic has written with tact and restraint in daunting and provocative conditions. The fact that his terrifying testimony seems more whispered than screamed is part of its power.” — Denis O’Driscoll, on Sprinting from the Graveyard in The Times Literary Supplement
Imminent Domains: Reckoning with the Anthropocene invites readers to join a contemplation of survival—our own, and that of the elements that surround us. Using research, lyric prose, and first-hand experiences, Alessandra Naccarato addresses fundamental questions about our modern relationship to nature amidst depictions of landscapes undergoing dramatic transformation.
We trace the veins of harm, memory and meaning amongst ecosystems and bioregions; through history and across continents, from the mines of Cerro Rico to the ruins of Pompeii. Arranged by five central elements of survival—earth, fire, water, air and spirit—these essays refute linearity, just as nature does.
Naccarato offers not blanket answers about our future, but rather myriad ways to find our own, individual response to an imminent question. We are being called to work together; to dig a trench deep and wide enough that the fires around us might stay at bay. How do we turn towards the fire?
Immortal Water is an extraordinary tale of the Spanish conquistador Juan Ponce de Leon and a retired history teacher, Ross Porter. In parallel, interlaced plots both men suffer life altering crises. As age steals away their powers they obsess in a quixotic search for the mythical Fountain of Youth. Each man’s search reveals significant shifts in his life. In the depths of a Florida cypress swamp their quests culminate with astonishing results. Intriguing, poetic, and timely.
Young up-and-coming author Liz McKinnen has no idea that her life is about to change forever when she comes home from her first book tour. When she’s kidnapped and told by her captors that she has to kill her fantasy book’s antagonist, she thinks that she’s fallen into the hands of crazy, dangerous fans… until her antagonist sends a real, fire-breathing dragon after her. Liz is quickly initiated into the Immortal Writers, a group of authors from throughout time whose words have given them eternal life, and whose prose is so powerful that it’s brought stories over from the Imagination Field into the Reality Field. As Liz meets authors such as William Shakespeare, JRR Tolkien, Edgar Allan Poe, and Jane Austen, she has to learn how to control magic, fight dragons, and face her own troubled past before her power-hungry villain takes over the world. Will she survive the ultimate battle against the dragon lord whom she created?/
Impeccable Regret travels terrain demonstrating that, as a result of the so-called postmodern impulses driving poetic discourse, culture has replaced nature as humanity’s defining context; that, within the paradigm of the twenty-worst century, the recollection of natural environments seems anachronistic or oxymoronic. The poems in this collection respond to the questions: What happens when natural phenomena no longer provide solace and comfort? And how do we define both “self” and “other” in postmodern terms when the basis for such assessments fails on a grand scale?
To these ends, the poems concern themselves with the power of politics and the politics of power, both as they surround and confound the individual; both “I” and “you” in these poems transcend the local in order to undertake the divagation of truths with regard to the way in which, when two (or more) individuals are brought (or thrust) together, the dynamics of power and the political demand that one or more people dominate the others. Taking a stance far from the confessional mode, the work examines elements of our interior/exterior values while concurrently demonstrating how evaluation and devaluation control the work’s central question: how does one remain true to a common valuing of humanistic principles when the world, such as it is and isn’t, presses so insistently against each or all of us? Where do we turn when we wish to “disconnect”? Why does impeccable regret become so difficult to achieve, maintain, and sustain (or thrive beyond mere survival)?
In the words of Arthur Miller, “all one can do is hope to end up with the right regrets.”
Passion, obsession, addiction, vision, and despair — these are just a few of the themes explored by Mitchell Parry in this poignant portrait of Austrian poet Georg Trakl. Born in Saltzburg in the second half of the 19th century, Trakl was severely addicted at an early age. He smoked opium and later took up chloroform, alcohol, and cocaine. He was passionately obsessed with his younger sister, witnessed the bodies of partisans hanging in trees, and attempted suicide on more than one occasion. He died at the age of twenty-four, leaving behind a legacy of poems that capture the anxiety, passion, and exhaustion of early twentieth-century Austria and the years leading up to the First World War.
Using Trakl as a lens, Parry explores the world of Freud, Wittgenstein, Rilke, Klimpt, Kakoschka, Loos, Kandinsky, and Klee, a time when Europe is drawn through the crucible of Modernism. In this blend of fact and fiction, poetry and prose, Parry flirts with darkness, plunging into a sordid and dangerous world and exploring the complex relationship between poetry and extremity. The result is both chilling and glorious.