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In Heron Cliff, Margo Button, like all of us, is uprooted by the unique travels of an individual life. From the title poem about the giving up of a beloved home where a son had taken his own life, to poems about her own childhood and interconnectedness to the ever-lengthening branches of the family tree from grandparents to grandchildren, to poems about the larger upheavals and passions of the world–the lingering effects of the Great Depression, Europe during the Cold War, Guatemala and Beirut in the 1970s, and 9/11–to “Blue Dahlias,” which, in its fifty-nine wide-ranging and unpredictable, yet coherent and focussed, ghazal-like sections, evokes in ecstatic detail the new home, gardens, and ideas where she has come to settle, Button articulates a vision of life where the darkest grief has a place alongside the most profound joy. In Heron Cliff, the heart moves house and finds a home once more in the world. For both the consummate skill of the writing and the depth of passion expressed, Margo Button’s fourth book of poetry is a remarkable achievement.
Art, war, and the politics of culture collide in Sally Stubbs’ moving account of a family’s legacy of beauty and brutality. Anna, an established painter living in Canada, returns to Munich: the city she ran from decades earlier. As this poetic and powerful drama unfolds, Anna forces her family to answer tough questions about their past and the events of World War II. While her mother plays a private concert, history unravels, and Anna is confronted with a moral dilemma of her own. Inspired by factual events, Herr Beckmann’s People explores the question: How do we live with the choices we have made?
Maleea Acker’s dauntless new poetry collection is crafted with emotion and bold style.Any day now I shall be released to the Bangladesh runaway,
its burnt out plane a little hulk from a different dimension,a researcher of longing, no one selling Heineken
from a cooler in its unlit aisles, no one with a line to God.Acker’s poems hang on precipices of emotion. They cartwheel from sadness to glory, then break into blossoms in a drought-struck landscape of longing. These are poems filled with daring leaps and precise, deft metaphors. There is machinery, there are imaginaries; a dictator selects the musical soundtrack. The poems cajole and praise both the world and interior life with an erotic charge and enduring hope.
This book spans nearly 25 years in the career of one of Canada’s most original poetic voices. Poems are drawn from Stuart Ross’s three ECW books, as well as previously uncollected work from chapbooks, postcards, and leaflets, and a selection of new poems appearing in print for the first time.
Hi and Lois was created in 1954 by Mort Walker and Dik Browne. This classic American comic strip has been entertaining newspaper readers for over five decades. The stars of the feature — Hi, Lois, Chip, Dot, Trixie, and Dawg Flagston — provide a warm, loving portrait of a wholesome family with traditional values and modern-day sensibilities. In today’s often dysfunctional world, the Flagstons put the “fun” into functional family. Whether it’s busy parents juggling jobs and raising a family, a teen coping with self-image, sibling rivalry among the youngsters, or a toddler learning about her place in the world, Hi and Lois has kept pace with mainstream life.
The first Hi and Lois Sunday page was released on October 14, 1956. Mort and Dik always looked on these weekly instalments as an opportunity to showcase their best work. To them, a Sunday page was more than just an expanded daily strip. Mort would challenge Dik with ideas that inspired him to create a graphic masterpiece. Childhood fantasies, nostalgia trips, seasonal strolls, summer vacations, and holiday celebrations were among the many recurrent themes explored in these episodes.
An early collection from the author of The Pearl Inside the Body.
In a series of short stories based in her native Britain, as well as in her adopted country of Canada, Margaret Thompson delights us with her pictures of ordinary life… or is it so ordinary? Sometimes brittle, sometimes gentle, she delivers telling shots at individuals and society’s foibles.
“A fast-moving swinging story of intrigue, suspense, action, and mayhem . . . [the] characters are all colorful rogues.” — Pittsburgh Post-Gazette
From the Arthur Ellis Award and Dashiell Hammett Prize winner
In rugged, remote Newfoundland, a merry band of smugglers is carrying on a grand tradition, handed down over centuries. But the greatest of them all, a man named Peter Kerrivan, is now in the sights of the authorities, from the Royal Canadian Mounted Police to the American DEA.
Centered around a multimillion-dollar cargo of pot on a creaky freighter and offering a high-seas romp spanning from Colombia to Miami to the North Atlantic, High Crimes is a gripping novel with a thrilling triple-twist conclusion.
High Friends in Low Places features in lurid detail Alan Lord’s epic romp through the riotous avant-underground scene of Montreal, New York, and Europe in the 1980s. Along the way, he relates his encounters with the luminaries of cutting-edge literature, music and art including William Burroughs, Kathy Acker, Chris Kraus, John Giorno, Manu Chao, Blixa Bargeld, Chris Burden and pop artist James Rosenquist, as well as introducing us to brilliantly creative unknowns in all the arts. In the end, exhausted, he begins a downward spiral—only to be rescued by a woman who becomes his wife of 34 plus years.
High Marsh Road, a finalist for the 1980 Governor General’s Award and a beautiful example of bookmaking, is now back in print. High Marsh Road is a signficant step in the century-long artistic tradition of the Tantramar region, begun by Charles G.D. Roberts and continued by Alex Colville, John Thompson, and Lochhead himself.
The book consists of 122 poems marking daily walks over the windblown marsh. Along with minute particulars of the marsh itself, its weather, and its birds and animals, High Marsh Road is an intimate account of a man’s exploration of nature and the self.
In this collection of twenty-six stories, acclaimed author Louise Dupré celebrates women who have reached the summer of their lives, with plenty to look back upon and even more to look forward to. In one story, two lovers trapped by a snowstorm call an end to their relationship. In another, a woman buries her father but finds herself unable to grieve for him. At Expo 67, a teenage girl discovers the world and the fellowship of humankind. A quietly desperate academic travels to a conference and unexpectedly finds passion — perhaps even love.
These women are tightrope-walkers, alone and courageous; having crossed so many thresholds, they must now find the strength to defy convention, and take one more leap into the unknown in order to start over. Dark, yet radiant, High-Wire Summer is proof of Louise Dupré’s ability to disarm and seduce with the delicate music of her words.
Ian McGillis may well have grown up in the whitest place in North America: Edmonton, Alberta in the 1970s and ’80s. Yet, through a series of fortuitous accidents, he became exposed to the world of black music—first soul and Motown, then reggae, then hip-hop—and it became a lifelong passion. In three parts—built around Stevie Wonder’s Innervisions, The Congos’ Heart of The Congos, and Nas’ Illmatic—Higher Ground recounts his love affair with each form. McGillis does not shy away from the tough questions: What is the line between sincere appreciation and cultural appropriation? Can a white person truly understand soul, reggae, and hip-hop? Can a black form “crossover” without losing its essence? His answers to each of these questions, and many more, are thoughtful and illuminating, and may well leave the reader rethinking some of his own assumptions.
Reminiscent of the best writing of Greil Marcus and John Jeremiah Sullivan, and mixing memoir, cultural history, and musical and cultural theory in a fresh and readable way, Higher Ground offers up a real life The Commitments and a life study in musical appreciation.
Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, the patriotic landscape painter had taken a seemingly unexpected turn toward a transnational career in abstract painting.
The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America, seen in the paintings of Georgia O’Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson, and Lawren Harris. Harris, in particular, made an impact on both sides of the border. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his contemporaries turned to abstraction to express higher states of consciousness, creating work that was the very embodiment of the modern spirit.
As Harris’s career progressed, as he ascended from mountaintops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Two major essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris’s exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture.
Higher States: Lawren Harris and His American Contemporaries accompanied an exhibition organized by the McMichael Canadian Art Collection.
Higher Teaching is divided into two sections: “Practice,” which addresses what to teach when you get your first course outline, how to choose strategies and plan lessons, and how to manage your classroom so it is a safe and positive place in which students learn. There are chapters on instructional media, teaching online assessment and evaluation, dealing with difficult students and academic integrity issues, and how to improve your teaching. The second part “Theory and Background,” focuses on the theories that inform current higher education teaching and curriculum, adult education, and a very useful chapter of advice extracted from experienced teachers responding to the question, “What’s the advice you would give to a brand new teacher?” Also useful to a new teacher are the glossary of academic jargon and a lesson plan template.
Twenty-five years after his father Gord died in a car accident, Richard gets a call from his cousin Tony, who is working on a theory that Gord’s death was orchestrated by Al Forzante, Gord’s former boss and a powerful union leader. With his own career and marriage sputtering, Richard is reluctant to believe Tony, inclined instead to cling to the one sure source of his own self-worth–being the son of legendary labour lawyer Gordon McKitrick. Does Richard believe Tony, pursue Forzante and risk revealing unsavory elements of his father’s life? Or does he keep his mouth shut, humiliate his cousin, and allow Forzante’s crime to go unpunished? A mystery plated with plenty of sides, The Higher the Monkey Climbs examines our relationships to our own pasts and how we adjust to the world as it shifts around us.