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An honest memoir about life, family, and baseball from the longtime, legendary Toronto Blue Jays radio broadcaster
For 36 years, Jerry Howarth ushered in eternal hope each spring and thrived in the drive of each fall as the voice of the Toronto Blue Jays. In 1982, the lifelong avid sports fan joined Tom Cheek as full-time play-by-play radio announcer for the Blue Jays, and for the next 23 years, “Tom and Jerry” were the voices of the franchise. Jerry became part of the fabric of a nation and a team, covering historic moments like the rise of the Blue Jays through the 1980s that culminated in back-to-back World Series Championships in 1992 and 1993. His Hall of Fame–worthy broadcasting career has been nothing short of legendary. When Jerry retired in February 2018, the tributes poured in and made one thing perfectly clear: Toronto baseball would never be the same.
Howarth brings together thoughts on life, family, work, and baseball. Featuring stories about everyone from Dave Stieb, Jack Morris, Duane Ward, Roberto Alomar, and Joe Carter to John Gibbons, Edwin Encarnacion, Josh Donaldson, and the late Roy Halladay, Hello, Friends! is a must-read for sports fans everywhere.
Helpless Angels weaves several themes together: music’s impact on a life, expressed through memory; poems that are like songs; music found in or described through nature; poems that directly consider music’s power; and, as a counterpoint to how music carries us through life, how art — and each of us — deals with significant loss: the death of a loved one. Helpless Angels looks at a long-term development — the ubiquitousness of widespread personal access to music performed by others that began in the 1950s and has continued to expand ever since. The collection explores via the medium closest to music, poetry, and a number of the delightful or at least positive dimensions to this enormous change in the fabric of people’s everyday lives.
All people have incorporated music into their lives individually as well as socially as when they gather for celebrations like weddings, birthdays, and church service or when they gather at funerals, or to send off soldiers to war. There is little that music doesn’t touch. In the written arts, poetry, of course, has long been the source for song and its intricate structures have been the layman’s access to the complexities of rhythm and meter. The connections between poetry and music run deep and offer engaging opportunities for readers.
Wayman’s Helpless Angels also reminds us that many of us are from the generations that have been able to listen, anyplace and anytime, to our own choice of music performed by others. Thus, we are the first human beings who have been continually surrounded by music made by others all our lives. How this change has impacted us is a major focus of this book.
Following the greatly acclaimed first two volumes in this series, this collection brings together more first-rate stories by South Asian women that–whether set in their home countries or those of their adoption–explore with profound and sensitive insight the inner tenor of women’s lives caught between places, cultures, and generations. Precisely crafted and sensitively told, each of these twenty stories offers us a wonderful glimpse into the complex and manifold world of the South Asian women of North America.
Contributors of Her Mother’s Ashes 3 are Maria Chaudhuri (Toyko), Shefali Shah Choksi (Plantation, FL), Sarmista Das (Montreal), Pallavi Sharma Dixit (Minneapolis), Janice Goveas (Toronto), Wasela Hiyate (Toronto), Gitanjali Kolanad (Toronto), Sharmila Mukherjee (Watsonville, CA), Lila S Nagarajan (Chicago), Tahira Naqvi (New York), Mahtab Narsimhan (Toronto), Kalyani Pandya (Ottawa), Mariam Pirbhai (Waterloo, ON), Ranga Rajah (Mississauga, ON), Bapsi Sidhwa (Houston), Herpreet Singh (Austin), Prema Srinivasan (Worcester, MA), Tasleem Thawar (Toronto), Priscila Uppal (Toronto), Billie Vasdev (Rochester, NY), Bageshree Vaze (Toronto), Sweta Srivastava Vikram (Queens, NY), Padma Viswanathan (Fayetteville, AR), and Nalini Warriar (Quebec City).
Margaret Jacobson was a sweet-natured young girl who played the accordion and had dreams of becoming a teacher until she had a psychotic break in her teens, which sent her down a much darker path. Her Name Was Margaret traces Margaret’s life from her childhood to her death as a homeless woman on the streets of Hamilton, Ontario. With meticulous research and deep compassion author Denise Davy analyzed over eight hundred pages of medical records and conducted interviews with Margaret’s friends and family, as well as those who worked in psychiatric care, to create this compelling portrait of a woman abandoned by society.
Through the revolving door of psychiatric admissions to discharges to rundown boarding homes, Davy shows us the grim impact of deinstutionalization: patients spiralled inexorably toward homelessness and death as psychiatric beds were closed and patients were left to fend for themselves on the streets of cities across North America. Today there are more 235,000 people in Canada who are counted among the homeless annually and 35,000 who are homeless on any given night. Most of them are struggling with mental health issues. Margaret’s story is a heartbreaking illustration of what happens in our society to our most vulnerable and should serve as a wake-up call to politicians and leaders in cities across Canada.
Her Paraphernalia, the new book of creative non-fiction from noted Canadian poet Margaret Christakos, presents an intimate and original collection of midlife writings that seeks to make readers think in a very personalized way about family geneology, private sexuality and life changes, including those experiences that exist at the intersections of contemporary digital culture.
Through a sequence of ten �tudes (consisting of entre-genre pieces, including prose and lyric poetry, experimental writing that integrates elements of social media posts, and other forms), Christakos’s virtuosity with language and wordplay tantalizes, as she explores women’s and girls’ relationship to self-portraiture in the age of social media, and considers aspects of how we negotiate our public and private identities as women, mothers and daughters. Christakos takes as her starting point the reproductive touchstones of ages 15 and 50, and in this light, reflects upon the closeness and distances between herself, her own daughter, and her Greek and English immigrant grandmothers.
Written as a love song to her mother and daughter, Her Paraphernalia is at once a personal and yet wholly personable entr�e into major themes that so many people of all ages and stages can relate to–self-identity, the beauty of the selfie, social media, partnership, miscarriage, menstruation, sexual lust, solo travel, depression, menopause, the death of a parent, the writing life, divorce, and women’s transgenerational vitality, among others.
Interesting, unusually honest and open-minded, this collection will find a welcome audience among intelligent, self-actualizing women interested in contemporary culture and feminist questions; mothers of young women; women in midlife who may be experiencing mother-loss, menopause, empty nest, and divorce and those who self-direct their sexuality; readers interested in the overlap of artists who are mothers, and vice versa; and poets and readers interested in Christakos’s oeuvre in general.
Shortlisted for the Raymond Souster Award ? League of Canadian Poets
Shortlisted for the Canadian Authors Association Award for Poetry</b
In her fifth collection of poetry, Catherine Graham breaks into rich, new territory. Long recognized for the easy grace and strange beauty of her poems about grief and remembrance, in Her Red Hair Rises with the Wings of Insects, she turns her thoughts toward poems of tribute and exaltation. Paying homage to the work of two inspiring poets?P. K. Page, whose long life and celebrated career have made her a legend in her native Canada, and Dorothy Molloy, an Irish poet whose life was tragically cut short just as readers were discovering the true scope of her talents?Graham has crafted an ocean-spanning book of deep feeling, good humour and hard-won solace.
In the early 1990s, Susan McDonald was diagnosed with an autoimmune disorder that threatened her life. The bad news: Her condition worsened as she underwent traditional medical treatments. The good news: Her condition improved as she studied and used alternative medicines, adopted a holistic lifestyle, and began her training as a naturopath and herbalist. She believes that everyone has a right to know all of the options available for healing.
In Herbal Simpling Plain and Simple she shares how you can: become an herbal simpler; understand physical symptoms; wildcraft herbs; and, create simple herbal preparations. Susan describes most of the major North American herbs in detail, along with the more controversial ones like ginseng, St. John’s wort, and licorice. She explains traditional uses, effectiveness, and contraindications. Her personal experience with these herbs makes this book unique, and her ten years’ experience as a retailer with a health food store in Port Hope has only increased her commitment to herbal remedies in their simplest form.
Canada in the twenty-first century is a place of growth and expansion. Cities like Vancouver and Toronto have become word class destinations for business and tourism. Meanwhile, smaller, less prominent communities face changes of different sorts, as residents depart for the opportunities present in our country’s largest cities. Nowhere is this more apparent than in Canada’s prairie provinces.
Despite changes in population and the loss of such essential services as schools, post offices, and grain elevators, many of Canada’s oldest prairie communities–communities like Craik and Meacham in Saskatchewan, and Vulcan in Alberta–have defied the odds, facing death only to rise again.
In Herbert Has Lots for a Buck, Elizabeth McLachlan investigates how these communities have capitalized on green initiatives, the growing influence of local artists, and even an uncanny connection to one of Star Trek‘s most famous icons to not only survive beyond expectations, but thrive.
Culture, science, and commerce collide when twin white buffalo calves are born on a First Nations ranch in Saskatchewan. Are they the sign of the prophecy or the results of genetic manipulation? As crowds of pilgrims gather to witness what they hope is a miracle in action, the reserve’s veterinarian, Dr. Vanessa Brokenhorn, must do all that she can to protect her research and the twin calves.
While the tone of Patricia Young’s latest collection, Here Come the Moonbathers, is perhaps more dark, difficult and tragic than her earlier work, beautifully hedonic poems spark and sizzle throughout. The poems in this collection have wild freedom, different kinds of power, exploring the themes of love and longing and loss (especially the latter) with grace, bewilderment, playfulness, and occasionally anger. There’s a surreal edge to many of these poems, a personal, political and ecological vision, and an incantatory vernacular and rhythm that makes these poems unforgettable. This collection is perhaps the more important and immediately human of Patricia Young’s celebrated career.
Alastair Luce is a dreamer, one of three who tell this tale. A Canadian expat living in a 1950s New York City suburb, he’s an artist, a quiet man who paints houses for a living, fears atomic holocaust, drinks too much and worries about his suffering child, Grace. His wife Nora is a passionate American who misses the excitement of wartime life and finds an outlet–and a lover–during the Red scare. Just before the accident that will drive so many future events, Alastair offers a ride to their teenage neighbour, Claire, who as a witness to tragedy and a wry observer of suburban mores, continues the story. Later in Toronto, Alastair’s exiled daughter Grace picks up the narrative, giving voice to her fury, an artist who works to “burn” the city down with brilliant colour. All three are bound together by their history, as a crisis draws their lives to a climax. It’s then that Grace ventures homeward for the first time, into a startlng vision of the unknown.
Named a Fall 2020 Best Indie Read by the Globe and Mail
From Eamon McGrath, award-winning musician and author of the widely acclaimed Berlin-Warszawa Express, comes a smart and gritty novel that explores the lives of touring musicians
Here Goes Nothing, Eamon McGrath’s brave second offering and follow-up to 2017’s widely acclaimed Berlin-Warszawa Express, once again explores the world of touring musicians — but this time McGrath expands his scope and perspective from the inner dialogue of a traveling songwriter into the wider range of a multi-member touring band.
Told in two interwoven narratives that blur the lines between past and present, Here Goes Nothing explores the complex relationships that are both created and destroyed by the perpetual-motion engine that is the touring van.
From confessional tales of saving friends and oneself from drowning in polluted lakes in Michigan to legendary liver-wrecking nights of excess and debauchery in Lisbon, McGrath comments on the corrupt and selfish music industry and the toll it takes on musicians as they blindly chase success. Here Goes Nothing is a gutsy story of how life on the road can bring a band together — or tear them wildly apart.
A 49th Shelf Editors’ Pick
MyMum said sometimes refugees don’t eat anything for days and days. Sometimes weeks and months so I am really lucky. I think she exaggerates. But I think she is right about the lucky bit. Or maybe not. Sometimes I forget that MyMum is dead. But that is probably better than remembering.
When Frankie’s mother dies, he tells his teacher, of course. But he can’t seem to get anyone at his school in southern England to listen to him. So the six-year-old comes up with a plan: go to France, find a police station, and ask the officers to ring his father. Thus a stowaway’s view of the sea opens Giller-nominated Pauline Holdstock’s eighth novel, narrated in turns by Frankie—who likes cheese, numbers, the sea when it’s pink and “smooth like counting,” and being alone when he feels bad—and a cast of characters that includes his worried Gran, his callous teacher, and his not-so-reliable father. Set in the summer of Annichka the Soviet space dog, Here I Am! is a mesmerizing story about the lucidity of children and the shortsightedness of adults.