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Culture, science, and commerce collide when twin white buffalo calves are born on a First Nations ranch in Saskatchewan. Are they the sign of the prophecy or the results of genetic manipulation? As crowds of pilgrims gather to witness what they hope is a miracle in action, the reserve’s veterinarian, Dr. Vanessa Brokenhorn, must do all that she can to protect her research and the twin calves.
While the tone of Patricia Young’s latest collection, Here Come the Moonbathers, is perhaps more dark, difficult and tragic than her earlier work, beautifully hedonic poems spark and sizzle throughout. The poems in this collection have wild freedom, different kinds of power, exploring the themes of love and longing and loss (especially the latter) with grace, bewilderment, playfulness, and occasionally anger. There’s a surreal edge to many of these poems, a personal, political and ecological vision, and an incantatory vernacular and rhythm that makes these poems unforgettable. This collection is perhaps the more important and immediately human of Patricia Young’s celebrated career.
Alastair Luce is a dreamer, one of three who tell this tale. A Canadian expat living in a 1950s New York City suburb, he’s an artist, a quiet man who paints houses for a living, fears atomic holocaust, drinks too much and worries about his suffering child, Grace. His wife Nora is a passionate American who misses the excitement of wartime life and finds an outlet–and a lover–during the Red scare. Just before the accident that will drive so many future events, Alastair offers a ride to their teenage neighbour, Claire, who as a witness to tragedy and a wry observer of suburban mores, continues the story. Later in Toronto, Alastair’s exiled daughter Grace picks up the narrative, giving voice to her fury, an artist who works to “burn” the city down with brilliant colour. All three are bound together by their history, as a crisis draws their lives to a climax. It’s then that Grace ventures homeward for the first time, into a startlng vision of the unknown.
Named a Fall 2020 Best Indie Read by the Globe and Mail
From Eamon McGrath, award-winning musician and author of the widely acclaimed Berlin-Warszawa Express, comes a smart and gritty novel that explores the lives of touring musicians
Here Goes Nothing, Eamon McGrath’s brave second offering and follow-up to 2017’s widely acclaimed Berlin-Warszawa Express, once again explores the world of touring musicians — but this time McGrath expands his scope and perspective from the inner dialogue of a traveling songwriter into the wider range of a multi-member touring band.
Told in two interwoven narratives that blur the lines between past and present, Here Goes Nothing explores the complex relationships that are both created and destroyed by the perpetual-motion engine that is the touring van.
From confessional tales of saving friends and oneself from drowning in polluted lakes in Michigan to legendary liver-wrecking nights of excess and debauchery in Lisbon, McGrath comments on the corrupt and selfish music industry and the toll it takes on musicians as they blindly chase success. Here Goes Nothing is a gutsy story of how life on the road can bring a band together — or tear them wildly apart.
A 49th Shelf Editors’ Pick
MyMum said sometimes refugees don’t eat anything for days and days. Sometimes weeks and months so I am really lucky. I think she exaggerates. But I think she is right about the lucky bit. Or maybe not. Sometimes I forget that MyMum is dead. But that is probably better than remembering.
When Frankie’s mother dies, he tells his teacher, of course. But he can’t seem to get anyone at his school in southern England to listen to him. So the six-year-old comes up with a plan: go to France, find a police station, and ask the officers to ring his father. Thus a stowaway’s view of the sea opens Giller-nominated Pauline Holdstock’s eighth novel, narrated in turns by Frankie—who likes cheese, numbers, the sea when it’s pink and “smooth like counting,” and being alone when he feels bad—and a cast of characters that includes his worried Gran, his callous teacher, and his not-so-reliable father. Set in the summer of Annichka the Soviet space dog, Here I Am! is a mesmerizing story about the lucidity of children and the shortsightedness of adults.
Here in There, Angela Carr’s third book of poetry, is a lyrical petition to the human faculty of attention. In constant motion, the poems locate unusual instances of connection. They ask, do we give or pay attention? And what do we attend to? How do we decide what merits our attention? In a world where stillness is elusive, can we give or pay attention to anything but that which outlives our own distraction? Turning our attention to the senses, in Here in There, touch informs inscription, credit becomes an audible vibration. Carr’s poems form traceable and untraceable patterns, disappearing economies of material.
Winding their way through places that are experiencin g a change of purpose, Jonathan Bennett’s poems move with a unique, seductive language and an irresistible drive. Revelling in the articulation of transition, as awestruck by the possibilities of change as it is keenly aware of loss, this debut collection rejects the too-easy judgements of navigation guided solely by a moral compass. With influences as diverse as the poetry of Les Murray and the painting of Edward Hopper, Here is my street, this tree I planted bounces, both linguistically and culturally, from one end of the globe to the other — and back again. Always moving, always seeking, always metamorphosing: Bennett’s writing is the kind of poetry this country needs — one that’s as universal as it is Canadian.
With her remarkable debut collection, Yukon poet Clea Roberts proffers a perceptive & ecological reading of the Canadian North’s past & present.
Roberts deftly draws out the moments that comprise a cycle of seasons, paying as much attention to the natural—the winter moon’s second-hand light that pools in the tracks of tree squirrels & loose threads of migrating birds—as she does to the manufactured—the peripheral percussion of J-brakes & half-melted ice lanterns. She also casts her gaze back to the Klondike Gold Rush of 1897-1898, raising the voices of those marked by a frenetic race for fortune: a seductive, edgy wolf, a disillusioned photographer, and a pragmatic prostitute, among others.
Here Is Where We Disembark is a beautifully crafted book that ignites the senses, and its presence lingers, like woodsmoke, long after the final page has been turned.
Herman, by Jim Unger, is syndicated in more than 800 newspapers in North America. Hilarious, biting, and snappy, these cartoons are found on fridge doors throughout the country.
This particular volume contains more than 400 panels, in full colour and on high-grade coated stock, demonstrating how Herman gets along with pets.
Syndicated in more than 800 newspapers, Herman is recognized as one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humor, this popular strip reveals a hilarious cast of characters in panels with such themes as golf, marriage, and prison. This full-color collector`s edition contains specially colored Herman favorites and a collection of 50 full-page Sunday spreads that have been colorized for this volume only.
?Syndicated in more than 800 newspapers in North America, Herman is one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humour, this popular strip reveals a hilarious cast of bandaged hospital staff, hapless criminals, zealous sales clerks, and frustrated cavemen.
This full-colour collector’s edition contains more than 400 specially coloured panels of Herman favourites, with comments and insights from the award-winning cartoonist, covering such topics as golf, marriage, jail, and war.
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Syndicated in more than 800 newspapers in North America, Herman is one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humour, this popular strip reveals a hilarious cast of bandaged hospital staff, hapless criminals, zealous sales clerks, and frustrated cavemen.
This full-colour collector’s edition contains more than 400 specially colored panels of Herman favorites, with comments and insights from the award-winning cartoonist, covering such topics as golf, marriage, jail, and war.
Ten years ago, Richard Harrison thrilled poetry and hockey lovers with a collection of poetry devoted to the great Canadian game. This beloved collection has been re-issued with a new selection of poems, “The Hero in Overtime,” an essay by the author on ten years of living with hockey poetry, and a foreword by Roy MacGregor.
“I was mesmerized by Harrison’s writing ? his observation that Mark Messier’s stare ‘weighs 200 pounds’; his descriptions of Don Cherry; his astonishing, yet accurate, comparison of hockey to Sumo wrestling ? and I am delighted that, 10 years on, he is back with a new issue of Hero of the Play with all kinds of new writing to fascinate and intrigue and, most importantly, inspire those of us who profoundly believe it is impossible to know this country without knowing its game.” ? Excerpt from Foreword