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Here in There, Angela Carr’s third book of poetry, is a lyrical petition to the human faculty of attention. In constant motion, the poems locate unusual instances of connection. They ask, do we give or pay attention? And what do we attend to? How do we decide what merits our attention? In a world where stillness is elusive, can we give or pay attention to anything but that which outlives our own distraction? Turning our attention to the senses, in Here in There, touch informs inscription, credit becomes an audible vibration. Carr’s poems form traceable and untraceable patterns, disappearing economies of material.
Winding their way through places that are experiencin g a change of purpose, Jonathan Bennett’s poems move with a unique, seductive language and an irresistible drive. Revelling in the articulation of transition, as awestruck by the possibilities of change as it is keenly aware of loss, this debut collection rejects the too-easy judgements of navigation guided solely by a moral compass. With influences as diverse as the poetry of Les Murray and the painting of Edward Hopper, Here is my street, this tree I planted bounces, both linguistically and culturally, from one end of the globe to the other — and back again. Always moving, always seeking, always metamorphosing: Bennett’s writing is the kind of poetry this country needs — one that’s as universal as it is Canadian.
With her remarkable debut collection, Yukon poet Clea Roberts proffers a perceptive & ecological reading of the Canadian North’s past & present.
Roberts deftly draws out the moments that comprise a cycle of seasons, paying as much attention to the natural—the winter moon’s second-hand light that pools in the tracks of tree squirrels & loose threads of migrating birds—as she does to the manufactured—the peripheral percussion of J-brakes & half-melted ice lanterns. She also casts her gaze back to the Klondike Gold Rush of 1897-1898, raising the voices of those marked by a frenetic race for fortune: a seductive, edgy wolf, a disillusioned photographer, and a pragmatic prostitute, among others.
Here Is Where We Disembark is a beautifully crafted book that ignites the senses, and its presence lingers, like woodsmoke, long after the final page has been turned.
Herman, by Jim Unger, is syndicated in more than 800 newspapers in North America. Hilarious, biting, and snappy, these cartoons are found on fridge doors throughout the country.
This particular volume contains more than 400 panels, in full colour and on high-grade coated stock, demonstrating how Herman gets along with pets.
Syndicated in more than 800 newspapers, Herman is recognized as one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humor, this popular strip reveals a hilarious cast of characters in panels with such themes as golf, marriage, and prison. This full-color collector`s edition contains specially colored Herman favorites and a collection of 50 full-page Sunday spreads that have been colorized for this volume only.
?Syndicated in more than 800 newspapers in North America, Herman is one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humour, this popular strip reveals a hilarious cast of bandaged hospital staff, hapless criminals, zealous sales clerks, and frustrated cavemen.
This full-colour collector’s edition contains more than 400 specially coloured panels of Herman favourites, with comments and insights from the award-winning cartoonist, covering such topics as golf, marriage, jail, and war.
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Syndicated in more than 800 newspapers in North America, Herman is one of the funniest comics of the past two decades. With an economy of line and a wry, nonchalant humour, this popular strip reveals a hilarious cast of bandaged hospital staff, hapless criminals, zealous sales clerks, and frustrated cavemen.
This full-colour collector’s edition contains more than 400 specially colored panels of Herman favorites, with comments and insights from the award-winning cartoonist, covering such topics as golf, marriage, jail, and war.
Ten years ago, Richard Harrison thrilled poetry and hockey lovers with a collection of poetry devoted to the great Canadian game. This beloved collection has been re-issued with a new selection of poems, “The Hero in Overtime,” an essay by the author on ten years of living with hockey poetry, and a foreword by Roy MacGregor.
“I was mesmerized by Harrison’s writing ? his observation that Mark Messier’s stare ‘weighs 200 pounds’; his descriptions of Don Cherry; his astonishing, yet accurate, comparison of hockey to Sumo wrestling ? and I am delighted that, 10 years on, he is back with a new issue of Hero of the Play with all kinds of new writing to fascinate and intrigue and, most importantly, inspire those of us who profoundly believe it is impossible to know this country without knowing its game.” ? Excerpt from Foreword
Enter Citiesville, the golden metropolis (no, not that one) guarded by Hero-Man! When Hero-Man uncovers a plot by the Mayor to take advantage of Hero-Manbs protection, his whole world is changed. Hebll need the help of Kid-Lad, Hero-Lass, and all the citizens of Citiesville to help him overcome his greatest challenge: himself. Join Hero-Man on his first adventure as he makes you reconsider everything youbve ever thought about comic books and the world around you.
In 2009, author Ted Rowe published his fascinating book about the transatlantic cable called Connecting the Continents. The narrative of that 1866 miracle of engineering brought the outport of Heart’s Content back to the world’s attention. Now, in a companion volume to his earlier book, Rowe introduces us to the characters who shaped this remarkable community from its earliest days up to the 1970s. Readers will meet pioneer merchants, rogue priests, and community stalwarts. And they will hear the extraordinary stories of how these people shaped a Newfoundland outport through more than three centuries.
Winner of the City of Vancouver Book Award
The Heroines Series is an epic photographic documentary of the addicted women of Vancouver?s Downtown Eastside. In 1997, fashion and portrait photographer Lincoln Clarkes turned his lens away from the world of glamour and began documenting the dire circumstances being endured by the marginalized women living and working on the streets of Vancouver?s most troubled neighbourhood. The Heroines Series consists of over 400 portraits of addicted women in Vancouver?s notorious Downtown Eastside, and has garnered national and international media attention. Peace Arch Entertainment produced a one-hour documentary film, Heroines: A Photographic Obsession, earlier this year for BRAVO! and Women?s Television Network. The film "e;is a study in pain and intimacy, artistic expression fuelled by passion and moral outrage"e; and is accompanied by original poems written and narrated by Susan Musgrave. The documentary opened the Leipzig Documentary Film Festival and has been screened at several other festivals since its premiere in June of 2001.