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Hard Ass is a daring and bold collection of poetry, filled with passion and anger. McCartney skillfully hones her craft, yet the poet?s confessional voice feels raw and honest as if she merely purged her words onto the page. Using weightlifting as a metaphor to explore the poet?s inner world and her romantic attachments, McCartney both reinforces and undermines the transcendence of love.
Hard Core Logo is an epistolary novel that portrays a punk rock band reunited for one last shot at glory.
Adapting a scrapbook approach, consisting of monologues, conversations, letters, interviews, photographs, and related paraphernalia (including posters, invoices and contracts), Hard Core Logo tells the story of Joe Dick, an unrepentant, true-blue punk rocker, whose no-holds-barred approach to music was severely undermined by the breakup of his band, Hard Core Logo, done in by changing times and fortunes. However, when he and the band are asked by a longtime fan to reunited for an environmental benefit, his passions are once again stirred, and he convinces his bandmates to turn the one-time reunion into an actual tour.
The book provides a fascinating, warts-and-all glimpse into the life and times of a rock band, and the dichotomy between the grim realities of life on the road, and the rock’n’roll spirit that inspired them in the first place.
Hard Core Logo was made into a feature film by director Bruce McDonald, debuting at the Cannes Film Festival in 1996 to rave reviews.
Hard Core Logo has also been adapted for radio; a stage version will debut in Vancouver in 2010.
This latest printing features a brand new cover.
Hard Electric is Michael Blouin’s third book of poetry, a road-tripping, bridge-burning collection of the author’s hard-won and soft-edged reflections that seem to stutter-step towards resolution while tumbling down a decided slant towards disaster.”Where Does My Heart Beat Now” was Celine Dion’s first North American hit and in it she asks: Where do all the lonely hearts go?’
In Hard Electric Blouin presents a bleakly unsettling but ultimately life-affirming treatise that hints at his fascination with the same question and perhaps shuffles into the neighbourhood of an answer. That neighbourhood is peopled with the late-night bars of Key West’s Duval Street, the sharp spice of BBQ joints, sunburned beach motels and Christmas lights frozen to February trees. And Susan Sarandon’s cousin.
All in a work that legendary poet bill bissett has called:”One of the most moving books I’ve ever read, with some of the wisest lines ever written.”
It’s a book not for the faint of heart, but for the lonely hearted, and for those who know them well.
‘Hard Hed’ is a contemporary retelling of the Johnny Appleseed story. Hoosier Chapman, local historian and apple orchardist, has just been released from a Northwestern Ohio jail after serving two years for planting wild apple trees in a city park. Dropped at the State Line by a deputy sheriff, Hoosier treks west, overland and barefoot into Indiana state, recreating history and inventing myth, both public and private, along the way. Hoosier Chapman, the historian, yearns for a pre-colonial, pre-gunpowder freedom that lies just beyond the common fields, before the wetlands were drained and the forests cut down. Chaos and violence-like fate-hound his every step. In five “Books” ranging in style from realism to fantasy to historical document to speculative fiction to lyric poetry, there is a joy of craft that shows through page after page. ‘Hard Hed’ is part meta-story, part documentary, part violent romance, an unabashedly original work of fiction that roams in and out of time and place and point of view. Tidler has created an Indiana as Faulkner created a Mississippi and Steinbeck a California.
“Tidler takes readers on a roller-coaster of a ride, with highs and lows and mighty twists. The history of the Indiana Territory is revealed, along with the brutalizing of its original inhabitants. And the brutality never stops. … The language is raw and crude at times, reflecting the violence of the narrative, but it is also eloquent. …’Hard Hed: The Hoosier Chapman Papers’ is an impressive achievement, albeit a tricky read. It’s definitely worth it to see what’s happening beyond the margins of the conventional novel. Way beyond.” – The Times-Colonist
“It’s an impressive novel that reminds you what a talented writer can achieve in under 180 pages, one who clearly enjoys taking chances as he pillages narrative and history to lay bare prejudice and hope.” -Quentin Mills-Fenn, Uptown
In Hard Is the Journey, award-winning historian and researcher Lily Chow exposes the difficult history of Chinese Canadians in the Kootenay, shedding light on the stories of those who risked everything and often lost their lives in building the Canada we know today. Bravely, she unearths the racism of early newspapers that portrayed Chinese immigrants as dirty, sinister, and lethargic people not fit to live in BC. Through painstaking research, she exposes stories of injustice and exploitation, such as the history of the Chinese labourers who completed the deadly work of blazing the Dewdney Trail from Hope to Kootenay only to be dismissed, without any compensation, as soon as the project was completed.
Through it all, she also offers an intimate and inspiring look into the many ways Chinese immigrants survived, finding community, building resilience, and preserving their culture. Featuring powerful interviews with descendants of Chinese immigrants alongside old government documents and newspaper articles, Hard Is the Journey is a unique testament to the resilience and accomplishments of Chinese Canadians in the face of injustice.
New light on Michael Crummey’s classic depiction of Newfoundland and Labrador’s past.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the fifth of six new editions of classic books from our back catalogue. This edition of Hard Light features a new Introduction by Lisa Moore, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
In Hard Light, first published in 1998, Crummey retells and reimagines his father’s and others’ stories of outport Newfoundland and the Labrador fishery. These deeply felt poems are rooted in the places where “human desire comes up against rock” (John Steffler).
I have a fair trial on the fishing line now,
being three summers out from home, two summers on
the French Shore, four down on the Labrador,
and three trips this year to the Banks of Newfoundland,
and this is what I have learned to be the price of fish
–“‘The price of fish.’ (September, 1887)”
“In these stories and poems, an intimate, bright world flares up, glowing in the darkness of recent history, full-blown and vivid.” –Lisa Moore, from the Introduction
Following in the tradition of Edgar Allan Poe and Oscar Wilde, St. John’s author Mike Heffernan has created an anthology of uniquely east-coast fiction: twisted, macabre, eery and compelling. The fourteen stories include work by such award-winning writers as Michael Crummey, Ramona Dearing, Jo-Anne Soper-Cook and many others. The foreword has been written by another award-winning Newfoundland writer – Kathleen Winter.
Hard Ol’ Spot is full of visceral imagery. Readers will be confronted by immigrant strangers in lonesome towns, and a suburb where rape is a girl’s first romance. These are stories of lost dreams, oceans that can swallow a man whole, and tales where personal sorrow is whipped by the wind until it becomes bitter and bloody.
For anyone who likes their literature written with a ragged quill pen, a messy inkpot, and a sinister edge, Hard Ol’ Spot brings us the dark beauty of Atlantic-Canadian fiction.
hard ticket noun (Nfld) a lively character, a tough or headstrong person, someone not easily controlled.
Hard Ticket showcases some of the most exciting writers in Newfoundland. Selected by critically acclaimed author Lisa Moore, these previously unpublished stories highlight the charged and magnetic work of Newfoundland’s next generation of literary trailblazers.
Contributors to the anthology include Bridget Canning, Matthew Hollett, Jim McEwen, Michelle Porter, Olivia Robinson, Heidi Wicks, and others.
From Jane Austen to Taylor Swift, a look at the surprising politics of romantic love and its dissolution.
Whatever the underlying motives – be they love, financial security, or mere masochism – the fact is that getting involved in a romantic partnership is emotionally, morally, and even politically fraught.
In Hard To Do, Kelli María Korducki turns a Marxist lens on the relatively short history of romantic partnership, tracing how the socio-economic dynamics between men and women have transformed the ways women conceive of domestic partnership. With perceptive, reported insights on the ways marriage and divorce are legislated, the rituals of twentieth-century courtship, and contemporary practices for calling it off, Korducki reveals that, for all women, choosing to end a relationship is a radical action with very limited cultural precedent.
Jason Heroux’s fourth collection of poems takes him to the laboratory. The book is marked by several long serial poems that take his work further than ever before. Working in free verse, more formal structures and the prose poem, Heroux’s image-rich verse explores loss, death, angst — but with wit, an empathetic gentleness, and magic.
“I imagine a crowd of bottle blonde, husky voiced, fishnet-wearing hookers lounging on my couch. They sniff their coke and chat loudly about their Johns.”
How far would you go to be free?
Humorous, though tinged with a sense of the tragic, at times risqué, and utterly contemporary, The Harem is a fast-paced novel about young Asian women and their quest for freedom.
Farina has only one dream: to be free and move away from Peckville, a Muslim ghetto in a large city. She is eager to escape the clutches of her strict parents who will not let her drink, party or have any kind of contact with males. As soon as she turns eighteen, she sets her dream in motion and gets her own apartment. The only problem is that her minimum-wage job leaves her feeling anything but liberated. How can she resist when her ambitious best friend Sabrina proposes an infallible business idea? How harmful can running as escort agency really be? Will she finally be freed by her increasing wealth and independence, or will she remain enslaved by her increasing guilt?
Jesse Patrick Ferguson brings music and poetry into conversation with each other in this compelling debut collection. Modelled on the fundamental tones and overtones of the harmonic series, poems in Ferguson’s arrangement riff on one another, and words, phrases and images resonate sympathetically, with all the energy and buzz of a firmly plucked mandolin string.
Throughout, Ferguson pays homage to poetic traditions, infusing age-old forms like the sonnet and the villanelle with an astute and contemporary political sensibility, a unique and fresh aesthetic energy, and a breezy, brazen East Coast swagger. In dense and vivacious verse, he tunefully explicates a range of subjects from climate change to rent cheques to various incarnations of love, offering the reader a tin-can telephone to the raucous and beautiful symphony of everyday life.
HARROWINGS takes place mainly in the rural and reconnects with a history of Black intellectual and artistic history in relation to agriculture. The poems include pulses of memoir from the poet’s childhood growing up in the country on a farm. These experiences connect to her volunteer work during the recent pandemic, on a local “prison farm” – an agricultural enterprise whose leadership includes people who were formerly incarcerated. Considering movements organizing for food security, and related, resurgent practices, HARROWINGS addresses the work of cultivation. Underlying references include almanacs and Anglo idioms, drawing upon tabular information, weather, and the workings of the sun, moon, and points of stars as may be practical in relation to a localized, growing year. The poems refuse the romance of husbandry, cultivation, and predictive customs. Understanding “the farm” as a tract of colonial advance – tropes of charming and white, tradition and supremacy, are confronted in a study of biome, water, soil, and seed. With love, despite episodic and chronic illness, duress, and dissociative relationships to time – the poetry advances by way of practical tasks such as watering, weeding, and sowing toward abolitionist futures.
In a parody of a thriller novel, Harry the Hack, newly recruited literary spy, follows a mystery woman seeking wisdom and sanity.