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“Christine Higdon is a brilliant storyteller. Gin, Turpentine, Pennyroyal, Rue is a joy and a privilege to read; undoubtedly one of the best books I’ve read in years.” — Donna Morrissey, author of PluckFour working-class Vancouver sisters, still reeling from the impact of World War I and the pandemic that stole their only brother, are scraping by but attempting to make the most of the exciting 1920s. Gin, Turpentine, Pennyroyal, Rue is a love story — but like all love stories, it’s complicated …Morag is pregnant; she loves her husband. Georgina can’t bear hers and dreams of getting an education. Harriet-Jean, still at home with her opium-addicted mother, is in love with a woman. Isla’s pregnant too — and in love with her sister’s husband. Only one soul knows about Isla’s pregnancy, and it isn’t the father? When Isla resorts to a back-alley abortion and nearly dies, Llewellyn becomes hellbent on revenge, but against whom and to what end? What will it change for Isla and her sisters? For women? And where can revenge lead for a man like Llew, a police detective tangled up in running rum to Prohibition America?Gin, Turpentine, Pennyroyal, Rue is immersed in the complex political and social realities of the 1920s and, not-so ironically, of the 2020s: love, sex, desire, police corruption, abortion, addiction, and women wanting more. Beautifully written, with a compelling cast of characters, this novel is a tender account of love that cannot be acknowledged, of loss and regret, risk and defiance, abiding friendship, and the powerful bonds of chosen family.
Humanity and Art: The Artist and the Saint
With Girl by the Water, award-winning poet Gary Geddes brings together a collage of stunning narratives which comprise “Girl by the Water,” and “Mao, Dreaming.” Conflict and struggle in places ranging from the Yukon to Chernobyl to China, Guatemala, Hamburg and Quebec are linked with lyrics about family relationships, gun control, the farm crisis and other issues that affect people all over the world, resulting in a collection of poetry that succeeds in being both global and intensely personal.
“All thriller, no filler.”— Dr. Indigo Willing, sociologist and lead researcher of Skate, Create, Educate and Regenerate and co-author of Skateboarding, Power and Change
A vibrant, meticulously researched celebration of the women and non-binary skateboarders who defied a hostile industry and redefined skateboarding around the world
With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks. Skater librarian Natalie Porter presents interviews and meticulous research, including the DIY zines created by female and non-binary skaters as a means of communication, to expose this unacknowledged story while offering a personal narrative about the importance of community-building and validation, with or without your own video game.
Girl Gangs, Zines, and Powerslides disrupts the image of skateboarding as an exclusive male domain, offering historical context for the seemingly rapid progress of female skaters today seen competing on the Olympic stage. Discover how the collective action of a grassroots movement in the 1980s established meaningful change, building a foundation that has led to greater inclusion and diversity, which has inspired women, girls, and non-binary youth worldwide to roll on a skateboard for the first time or rediscover their youthful obsession as an adult and feel inspired to drop once again.
Sweetly funny and deeply perceptive, Girl in Shades offers a fresh take on what it is to grow up and discover who you really are
“An immensely satisfying coming-of-age tale and a remarkable first novel.” — Chatelaine
Maya Devine has a strange ability to see colors that surround other people — and sometimes even to hear the thoughts in their heads. But even with these gifts, she still struggles to understand her mother, Marigold. Desperate for enlightenment, Marigold drags Maya to library lectures on making money and gardening as part of her home schooling; attends AA meetings even though she never has more than two drinks at a time; and conscripts Maya for the very personal crusade of spreading the words of the Bhagavad Gita from street corners.
When Marigold is diagnosed with cancer and vows to spend her final days in the tepee she’s set up in the backyard, neighbors and strangers — believing the dying Marigold to be a prophet — camp out in the family’s front yard. As her father grows ever more distant, Maya finds solace in the music of 1980s teen idol Corey Hart — but as she faces her losses, she must eventually find a vision for her future on her own.
As Morris Panych’s latest comedy opens, we hear Iris, a precocious girl of ten, saying: “These are the last few days of my childhood.” The death of her goldfish, Amal, she is sure, has been announced by the air-raid sirens during the day’s school drill. For Iris, there remain a few more days of life in a universe that is inherently ordered, where the spirit of her departed and ritually interred goldfish can, of course, be re-incarnated in a lost and amnesiac drifter given to rhetorical questions of seemingly deep philosophical import.
Iris’s terminally depressed parents, trapped within the nostalgic desires of their own lost youth, are oblivious to how the child’s eye view of their daughter works and what it sees. They remember too well their own loss of innocence as they abandoned themselves to the existential chaos of adulthood. The middle-aged family boarder has spent years in a frustrated search for any kind of gratification, immediate or otherwise, at the Legion after a full day’s work in the fish cannery.
It is into the goldfish bowl of this dysfunctional family of lethargic piranhas, existential bottom-feeders and aggressive guppies that the audience peers with incredulity, acute recognition, hysterical laughter, and an overwhelming sense of the creative healing power of the imagination.
Cast of three women and two men.
Winner of the 2004 Governor General’s Award for Drama.
Former Inspector Frank Foote has left the Winnipeg Police force and gone into home renovations, but after tearing down a wall on a job one day and finding the skeleton of a small female who has been imprisoned there, he finds himself following the leads to a photographer who specialized in taking photos of the recently deceased for their families.
As the world around them collapses under the weight of a slow, creeping virus that erodes memory, fifteen-year-old Dany and her five-year-old sister are on the edge of their own personal apocalypse – fearing separation at the hands of child services. When a dangerous new strain of the virus emerges, Dany careens headlong into crisis, determined to save her sister. Together with her best friend and reluctant history teacher, they must flee the city. Along the way, Dany faces a series of devastating choices: Can she make the dangerous attempt to break her aunt out of the prison-hospice? And just how much is Dany willing to sacrifice to ensure her sister and her friends survive?
Girl Minus X is a meditation on the gift that is memory and its hidden costs, pitting a fear of forgetting against a desire to erase the past.
Girls! Girls! Girls! The carnivals, the girls, and the scams — a journey back through time to the glory years of traveling adult entertainment. Many of these photos have never been seen before, and no one has published a book exclusively devoted to the women (and men) who performed in Girl Shows. Picture yourself at a carnival in the 1950s. It’s summer, and after you wander through the midway, you head towards the sideshow area. There, on stage in front of huge banners, is Tirza — The Wine Bath Girl. A crowd has already gathered, and the talker is describing the pleasures to be found inside, but only after you’ve bought your ticket. “See the beautiful Tirza, in the altogether, taking a full bath — in wine!”
Interested? Unfortunately, you can’t attend these Girl Shows anymore. The last performances occurred in the mid-1970s. But you can see 200 photos from 1900 onwards in A.W. Stencell’s book about this cultural phenomenon. And you can read about their European origins, their American developments, their heyday after World War II, and their ultimate demise in the face of men’s magazines, strip clubs, and x-rated videos.
The 2012 One Book Toronto title
Shortlisted for the Toronto Book Award
A girl faints in the Toronto subway. Her friends are taken to the hospital with unexplained rashes; they complain about a funny smell in the subway. Swarms of police arrive, and then the hazmat team. Panic ripples through the city, and words like poisoning and terrorism become airborne. Soon, people are collapsing all over the city in subways and streetcars and malls.
Alex was witness to this first episode. He’s a photographer: of injuries and deaths, for his job at the hospital, and of life, in his evening explorations of the city. Alex’s sight is failing, and as he rushes to capture his vision of Toronto on film, he encounters an old girlfriend – the one who shattered his heart in the eighties, while she was fighting for abortion rights and social justice and he was battling his body’s chemical demons. But now Susie-Paul is in the midst of her own crisis: her schizophrenic brother is missing, and the streets of Toronto are more hostile than ever.
Maggie Helwig, author of the critically lauded Between Mountains, has fashioned a novel not of bold actions but of small gestures, showing how easy and gentle is the slide into paranoia, and how enormous and terrifying is the slide into love.
‘The depth of her understanding … fills this book with moving scenes and striking perceptions.’
—The Globe and Mail (about Between Mountains)
‘With pitch-perfect prose, Helwig shows huge compassion and an ability to make Toronto come alive.’
—NOW
‘stellar … meticulous and poignant realism’
—Montreal Gazette
Poison? Paranoia?: this 2008 novel of love and fear is more relevant than ever
A girl faints in the Toronto subway. Her friends are taken to the hospital with unexplained rashes; they complain about a funny smell in the subway. Swarms of police arrive, and then the hazmat team. Panic ripples through the city, and words like poisoning and terrorism become airborne. Soon, people are collapsing all over the city in subways and streetcars and malls.
Alex was witness to this first episode. He’s a photographer: of injuries and deaths, for his job at the hospital, and of life, in his evening explorations of the city. Alex’s sight is failing, and as he rushes to capture his vision of Toronto on film, he encounters an old girlfriend – the one who shattered his heart in the eighties, while she was fighting for abortion rights and social justice and he was battling his body’s chemical demons. But now Susie-Paul is in the midst of her own crisis: her schizophrenic brother is missing, and the streets of Toronto are more hostile than ever.
Maggie Helwig, author of the critically lauded Encampment, has fashioned a novel not of bold actions but of small gestures, showing how easy and gentle is the slide into paranoia, and how enormous and terrifying is the slide into love.
A quintessential Calabrian love story.The Girls of Piazza d’Amore traces the lives of three village girls and the forces that lead them to leave home for a new life across the ocean. Set in southern Italy in the 1950s, Connie Guzzo-McParland’s short novel walks us through the piazza and the narrow alleys of her own childhood, imaginatively recreating an entire world as seen through the eyes of a young girl who accompanies her friends on their evening passeggiate to the spring water fountain and carries their love notes to the boys they love. The joys of Calabrian village life are palpable, and so are its frustrations and heartbreaks, but this is a world on the cusp of irrevocable change, as family after family is leaving. And that’s what is most heartbreaking of all.
A linguistically inventive exaltation, a wild ride down into the privacies, the here-and-goneness of girlhood.
In Girlwood, Jennifer Still’s second collection, her poems come of age: they take the dare; they cross out of sapling and into maturity’s thicket. But the poems don’t leave the girl behind, they bring her along: as sylph, as raconteur, as witness, as pure, unstoppable bravado. These songs of liberation and confinement arise from the rich and mysterious connection between mother and daughter. Here, the mother figure is as vulnerable as the daughter, caged by domestic duty, by the fear that snakes through sexuality, the longing and the repulsion that accompany mortal desire. The daughter is at once compassionate and defiant. This is the paradox at the heart of this collection. “Mother, divine me,” Jennifer Still writes, and later, “Mother, spare me.” Between these two phrases, which are both plea and command, we experience all the tangled pathways between mother and daughter, the cries of devotion and the congested laments.
Gitwaa?tk by Crystal AJ Smith is the story of a young Indigenous woman who loses her Sister-Cousin to the highway of tears and who embarks on a journey with her na?xnox to find and bring to justice to the person responsible for her Sister?s disappearance.
It?s an exploration of how grief and loss can find strength in family, community, and tradition.