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Ghost Pine: All Stories True offers thirteen years worth of sparkling true stories from the life of author Jeff Miller, compiling the best of his long-running zine. From his youth in suburban Ottawa in the late 1990s, to travels across Canada and North America and his current home in Montreal, Miller’s stories are equal measures funny and sad, nostalgic and unsentimental, punk rock and grandparents.
Within a ten-month period, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of personal devastation that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again.
Peart chronicles his personal odyssey and includes stories of reuniting with friends and family, grieving, and reminiscing. He recorded with dazzling artistry the enormous range of his travel adventures, from the mountains to the seas, from the deserts to the Arctic ice, and the memorable people who contributed to his healing.
Ghost Rider is a brilliantly written and ultimately triumphant narrative memoir from a gifted writer and the drummer and lyricist of the legendary rock band Rush.
Within a ten-month period, Neil Peart lost both his 19-year-old daughter, Selena, and his wife, Jackie. Faced with overwhelming sadness and isolated from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of personal devastation that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again.
Peart chronicles his personal odyssey and includes stories of reuniting with friends and family, grieving, and reminiscing. He recorded with dazzling artistry the enormous range of his travel adventures, from the mountains to the seas, from the deserts to the Arctic ice, and the memorable people who contributed to his healing.
Ghost Rider is a brilliantly written and ultimately triumphant narrative memoir from a gifted writer and the drummer and lyricist of the legendary rock band Rush.
Ghost Road
Readers will discover why railway men fear the number nine! … why a white horse is considered an ill omen … and why, in a profession where safety was a priority, often the supernatural was the only way to explain why accidents happened. Some of these episodes, which have now become folklore, can be explained as figments of imagination or mischief, like the supposed curse that haunts the bridges over Halifax Harbour. Others — like the ‘hoodoo’ on Intercolonial Railway locomotive No. 239 — cannot be explained away so easily, and readers will be left to make their own determination. Few of these stories have been told before, and never in such detail as Underwood probes the individuals involved, the events as they unfolded, and the popular superstitions of the era, to explain why such stories existed. The locomotive was to the citizens of the 1800s and early 20th Century what the computer is to people today — a symbol of the rapid and often impersonal advance of science and technology — and ghost stories may exist simply to give some substance to the belief that higher powers are at work! These ‘ghosties and beasties’ range from the monster that shook the occupants of a boxcar on a remote siding, to the lonely mother who sought the body of her dead son on the shores of Cape Breton Island; to visits from the Devil in New Glasgow and the spectre of death on ‘long black trains.’
In Ghost Walk, Anton Pooles develops a mythology of self in order to give substance to his undetermined origins. He does so through the lens of parable in poems that present strange creatures and uncanny phenomena, positing that “all children know the orphanage is alive.” Both spare and dreamlike, Ghost Walk is a poetic triumph that manifests identity through art.
On the day that Lou James finds her father dead on the garage floor, she leaves her small hometown and heads for Toronto on a Greyhound, initiating a series of events that will reshape her life. Lou moves in with her brother and begins a new existence all the while trying to make sense of her father’s unexpected death and the sudden loss of her place in the world.
Amidst the strangeness of life in Toronto, where vibrancy and violence mix, Lou builds a small community: Isabelle, the welcoming neighbour and new best friend; Sal, Lou’s angry but big-hearted godfather; despairing Donnie, a troubled fledgling drug dealer; dreamy Finn, lead singer in a post-punk band, and mysterious Stella, the old woman who spends her days seated on the back steps of a locked church door surrounded by plastic bags and bottles of Pepsi. When a series of savage and homicidal acts plague her new neighbourhood, Lou, following in her journalist father’s footsteps, attempts to investigate.
As her final year of high school unfolds, Lou comes perilously close to discovering the truth, and violence erupts, once again unravelling her world. She hops on a Greyhound, destination unknown, propelled by the urgent need to bridge the distance between the life she shared with her father and this precarious new existence where he grows ever more remote to her.
How do we redefine the self when memory begins to deteriorate?
This question is at the heart of Ghost Work, a suite of poems that explores a son’s gradual loss of his father from dementia. In compassionate, well-crafted pantoums, triolets, ghazals, and sonnets, Rob Colman probes family connection, digging into the liminal space memory preserves between our natural and built environments. Ghost Work is at once a tribute to a lost family member, and a testament to the fragility of the human condition.
Ghosthawk is a guidebook of imagination from grasslands to star fields to the weather of the poet’s body. Where’s home in the crises of ecological collapse and mortal illness? Where’s joy with constant pain, a future blurred by smoke? Carrying these questions, Matt Rader wrote down the names of the wildflowers he met in the mountains, canyons and woodlands of his home in the Okanagan Valley. These poems are what he learned, the directions as he can best describe them.
In Ghosts in a Photograph, award-winning nonfiction writer Myrna Kostash delves into the lives of her grandparents, all of whom moved from Galicia, now present-day Ukraine, to Alberta at the turn of the twentieth century. Discovering a packet of family mementos, Kostash begins questioning what she knows about her extended families’ pasts and whose narrative is allowed to prevail in Canada.
This memoir, however, is not just a personal story, but a public one of immigration, partisan allegiance, and the stark differences in how two sets of families survive in a new country: one as homesteaders, the other as working-class Edmontonians. Working within the gaps in history–including the unsolved murder in Ukraine of her great uncle–Kostash uses her remarkable acumen as writer and researcher to interrogate the idea of straightforward and singular-voiced pasts and the stories we tell ourselves about where we come from.
Rich in detail and propelled by vital curiosity, Ghosts in a Photograph is a determined, compelling, and multifaceted family chronicle.
Twelve-year-old Hope Graves can see the dead. But nobody believes her. Not even her best friend. When Hope and her mom move to the Gastown area of Vancouver, their new home isn’t exactly as she imagined. The ancient apartment sits over a weird crystal shop, she misses her dad, and ghosts lurk around every corner. The worst part? The strange boy whose parents own the shop can see spirits too, and he won’t stop bugging her about it.
Hope tries to avoid Oliver, but when a ghost appears in her bedroom with a haunting plea, he’s the only person she can turn to for help. Trying to banish the spirit only leads them down a twisted path far more dangerous than any ghost. Something is hunting the souls of Gastown, and it’s closing in on its next victim.
Aya Katerina, a neighbourhood in Ottoman Smyrna at the end of World War I. Through the eyes of Niko “the Orphan”-his Armenian father was taken away by the soldiers-we see this close world going about its traditional ways. But dark clouds loom in the near distance. We meet Elena, Niko’s aunt and talented artist; his idiosyncratic uncle Polycarp, wiser than he pretends; Manolis the Greek doctor who loves her; Naz?m the Turkish journalist who also loves her; Niko’s grandmother who holds the family together; and an assortment of neighbours of all backgrounds. As the War draws to a close, all these people await their fates as the Greek armies invade from the west and are fought back by the forces of Ataturk from the east. A story of love under impossible circumstances and a novel about growing up, this is also an account about a people, a neighbourhood, and a legendary city caught up by forces beyond their control. Aya Katerina goes up in smoke. Quiet and understated, colourful and intensely moving, this is a memorial to a charmed city now lost.
Threaded through this first collection are a sweetness and a hope which linger in spite of the dark wash of loss the poems bravely reconnoitre.
Seeking out enduring moments of beauty and human connection that redeem difficult remembering, Giacometti’s Girl attests to the ability of love, along with the passage of time, to heal and to allow for forgiveness and celebration.
Davies understands what makes people tick. Interweaving decades-old memories with some as recent as yesterday, she conjures vivid and believable portraits of family members and friends both living and departed, and of strangers both real and imagined. In language refreshingly direct, unforced and honest, she shares what she has lived and observed. Story, physical description, and conversation are the foundations upon which she builds her poems. Whether they depict a mother’s dementia, the tragic wake of suicide, the wonderment of first love or the “shocking thrill” of “widowed old age loving”, Davies finds phrases and images which allow us to register what we may have passed over, or to recognize some of the things we’ve experienced in a deeper or different way.
Giant Killer, The
This book invites the reader, through stunning photographs and vivid words, to accompany Giant (Michel Andrew) as he journeys 400 kilometres across northeastern Nitassinan (Labrador) on snowshoes pulling a toboggan. Inspired by his deceased grandfather’s counsel conferred in a dream, Giant elicits the help of his uncle Nikashant to organize a walk to raise awareness and funds for diabetes, a disease afflicting so many of his people. Readers will cheer through their tears.