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SHORTLISTED FOR THE 2016 O’REILLY INSURANCE AND THE CO-OPERATORS FIRST BOOK AWARD AT THE SASKATCHEWAN BOOK AWARDS
As a long, hot Saskatchewan summer dawns, Darby Swank’s life is forever changed when she finds her beloved aunt floating dead in a lake. All at once, her blinders are lifted and she sees the country lifestyle she’s always known in a whole new way, with hidden pain and anguish lurking behind familiar faces, and violence forever threatening to burst forth, like brushfire smouldering and dormant under the muskeg.
With her first novel, Lisa Guenther lays bare familial bonds, secret histories and the healing potential of art. Friendly Fire recalls the work of Ann-Marie MacDonald and Lynn Coady as it eviscerates small-town platitudes and brings important issues to light.
Praise for Friendly Fire:
“Friendly Fire is a remarkably honest and self-critical look at life in rural Saskatchewan.”
–Tom Ingram, The Winnipeg Review
“It’s clear Guenther knows rural small-town life, and in this novel she paints a vivid picture of both its foibles and its merits.”
–Sharon Chisvin, Winnipeg Free Press
“A well-paced character study with a strong sense of place.”
–LeoRobillard, Backwater Review
Non-fiction authority Myrna Kostash merges the past and the present in The Frog Lake Reader, which offers a startlingly objective perspective on the tragic events surrounding the Frog Lake Massacre of 1885. By bringing together eyewitness accounts and journal excerpts, memoirs and contemporary fiction, and excerpts from interviews with historians, Kostash provides a panoramic perspective on a tragedy often overshadowed by Louis Riel’s rebellion during the same year. The history is contentious and its interpretation unresolved, but The Frog Lake Reader, with its broad survey of vital historical accounts and points of view, offers the most comprehensive and informative narrative on the Frog Lake Massacre to date.
In the title poem of this extraordinary first book, Sally Ito remembers her childhood in Alberta, when she set frogs in the rain barrel and watched them swim like stars in a “pool of still and nether depths/ whose mirrored surface was all.”Those imagined depths become a powerful metaphor in these poems, which reflect Ito’s experiences as a young Japanese Canadian living and writing in Alberta, the Northwest Territories, the West Coast and Japan. Hers is a distinct poetic voice, equally at ease with such diverse images as an aged Chinese man on the train, the Inuit goddess of the sea and the first crocus of spring. Frogs in the Rain Barrel was runner-up for the Milton Acorn People’s Poetry Award in 1996.
In 1982, From a High Thin Wire introduced a powerful new voice into Canadian fiction. Twenty years later, Joan Clark, a powerhouse in Canadian fiction, re-edited her debut collection from the perspective of a more mature writer — an unusual feat for most writers.
The ten frank yet subtle fictions in this collection are loosely based on Joan Clark’s own life. Like Emily, a character who recurs in several stories, Clark left Cape Breton for Alberta as a young woman, only to struggle later with her sense of not quite belonging. Shortly after its publication, William French wrote in The Globe and Mail, “[Clark has] that admirable ability to peel away the skin and let us see all the complex influences that intersect to make a particular woman act as she does… She has a fine sense of the infinite possibilities of life that are somehow never realized because of the limitations of human nature.”
Having lived in Nova Scotia, New Brunswick, Ontario, Alberta, and Newfoundland, Joan Clark brought and still brings an intimate knowledge of many parts of Canada to her writing. In “God’s Country,” Emily feels compelled to return from Calgary to Harbour Mines, Cape Breton, where she rages against the “eye of God” that has reduced the miner’s son she once loved to a mute old man. “Her Father’s Daughter” finds the teenaged Emily confusing her affection for her lonely father with her own budding sexual longings. “Historical Fiction,” a comic allegory of university life, imagines first-year virgins guarded in their dorm by a witch with a cat named Freud, and in the title story, two sisters come back “from away” to bury their mother, whom they recall as a small bird, “singing from a high, thin wire.”
Told from the perspective of women at different ages, the stories in From a High Thin Wire explore how childhood experiences can sometimes shape adult choices. They also showcase the genius of the accomplished writer Joan Clark would become.
For almost fifty years Paul LaPointe wondered what was wrong with him while he struggled with the consequences of undiagnosed bi-polar disorder. He lost relationships, lived a life of extremes and cycled in and out of jail as a result of his bizarre behaviour. While his memoir, From A Cell to Sanity, details some of his wilder moments, it is also a chronicle of hope for others who either live with this condition or who are close to someone who does.
Theatre as we know it started in Manitoba almost a century and a half ago. During that time it has produced some shining moments, some unforgettable characters, and some great stories: how two visionaries, Tom Hendry and John Hirsch, convinced Manitoba to embrace a theatre centre that became a model for the rest of the world, how Prairie Theatre Exchange inspired Manitobans to create their own theatre, how Nellie McClung used theatre to help women get the vote, and how a fire at the first theatre event in Winnipeg almost destroyed the whole town.
From Fire to Flood explores how Manitoba theatre got to where it is today, and why it didn’t go somewhere else. It examines Manitoba theatre from its beginnings, placing theatre in its social and historical context. A key question is how our theatrical past can help us complete the final piece of the puzzle: a unified, indigenous theatre that explains us to ourselves and to the rest of the world.
A blueprint for becoming the best boss you can be
North Americans work 90,000 hours in their lifetime. Wouldn’t they enjoy working in a job they love, with a boss who energizes them? David Lahey’s From Hire to Inspire can help make that happen. With advice for all types of companies, From Hire to Inspire is a road map to becoming a better boss — maybe even the best boss — and to helping your employees achieve their potential.
Using a new set of behavioral science analytics, Lahey shows you how to determine what types of work different people will find fulfilling. When leaders use these principles to put the right people in the right positions at the right time, employees spend less energy adapting, their engagement levels improve, and they are less absent at work, which results in an increase in productivity and lower accident levels.
Set your employees up for success in both work and life by learning how to adapt to a changing workplace, the science of decision making, how to coax the most from a millennial workforce, the influence social media has on a culture, how to maintain a respectful environment where leaders can flourish, and more.
When your staff excels and grows, your company grows too.
Every morning Anand and Kabir start work in a run-down tea stall in a poor Delhi neighborhood. Winter, summer, rain or shine. It’s the same day in and day out. The shop owner, Sharmaji, is a good man. It is out of kindness that he employs the two boys. He knows Anand is a Dalit, from the untouchable caste, and also that Kabir is a Muslim. The boss, a devout Hindu, is protective of the boys who both lead sad lives in the slums. This morning Anand sets off with a tray of steaming glasses of tea, while Kabir helps in the stall.
Some customers are glued to a TV screen. After a brief exchange with a customer, starting as a friendly banter, he is insulted as an untouchable. Anand moves along to serve, finally, a solitary Holy Man who sits quietly in a corner every day. He notices the tears in Anand’s eyes and asks him to call his Muslim companion and sit beside him. They watch the TV screen as the Holy Man gives a commentary, encouraging the two to reflect on what they see and prodding their thoughts.
The story is in fact a treatise on power, authoritarian power, and the ploys leaders use to remain in power – stoking flames of racial and religious hatred, inspiring fear of certain ethnic groups, and demeaning others. The topics include the alternate universes many leaders engineer and then choose to live in them – resulting in countless unnecessary deaths as with the pandemic in the USA, or with the dislocation of millions of lives through sudden and unplanned lockdowns, as in the case of India.
On the subject of alternate realities, the final section closes on an imaginary universe of escape for Donald Trump and Indian Prime Minister Narendra Modi. The story ends on a question of historic social change with a final commentary on the death of George Floyd, the spark that lit the ‘Black Lives Matter’ movement worldwide.
With astonishing detail, Albert Canadien fondly recounts his boyhood years in Lishamie, a traditional Dene camp north of the Mackenzie River, and reflects on the devastating and long-lasting impact residential schooling had on him, his family and his people. Separated at a young age from his parents and forced to attend a strict Catholic boarding school, the authorand many like himwas robbed of his language, community and traditional way of living. From Lishamie is a candid memoir of loss and of the journey back.
In From My Mother’s Back: A Journey from Kenya to Canada, Njoki Wane introduces us to her mother, a woman of deep wisdom, and to all the richness of a life lived between two countries. A celebrated professor and award-winning teacher, she shares her journey from a Catholic girls’ boarding school in rural Kenya to standing in front of a lectern at the University of Toronto. Along the way she reflects on the heritage that was taken from her as a child and the strengths and teachings of the family that pulled her through and helped her to not only succeed as a scholar, but to reclaim her culture, her history and even her name.
Aboriginal Canadians tell their own stories, about their own people, in their own voice, from their own perspective.
If as recently as forty years ago there was no recognizable body of work by Canadian writers, as recently as thirty years ago there was no Native literature in this country. Perhaps a few books had made a dent on the national consciousness: The Unjust Society by Harold Cardinal, Halfbreed by Maria Campbell, and the poetry of Pauline Johnson and even Louis Riel. Now, three decades later, Native people have a literature that paints them in colours that are psychologically complex and sophisticated. They have a literature that validates their existence, that gives them dignity, that tells them that they and their culture, their ideas, their languages, are important if not downright essential to the long-term survival of the planet.
Tomson Highway’s From Oral to Written is a study of Native literature published in Canada between 1980 and 2010, a catalogue of amazing books that sparked the embers of a dormant voice. In the early 1980s, that voice rose up to overcome the major obstacle Native people have as writers: they are not able to write in their own Native languages, but have to write in the languages of the colonizer, languages that simply cannot capture the magic of Native mythology, the wild insanity of Trickster thinking. From Oral to Written is the story of the Native literary tradition, written – in multiple Aboriginal languages, in French, and in English – by a brave, committed, hard-working, and inspired community of exceptional individuals – from the Haida Nation on Haida Gwaii to the Mi’kmaq of Nova Scotia’s Cape Breton Island.
Leading Aboriginal author Tomson Highway surveys the first wave of Native writers published in Canada, highlighting the most gifted authors and the best stories they have told, offering non-Native readers access to reconciliation and understanding, and at the same time engendering among Native readers pride in a stellar body of work.
John Toone’s debut, From Out of Nowhere, explores growing up in Winnipeg and how cities have changed the landscape for prairie poetry. The poems find the intersections where nature speaks through cowboys, hunters, fishers, farmers, and businessmen. These voices are captured in cityscapes where they mutate, harmonize, and resonate to give new meaning to old turns of phrases, calls to actions, and directions home.
When Sprinting from the Graveyard was published in 1997, Goran Simic’s poems were severely altered out of the fear that they might offend “Western sensibilities.” These newly translated poems restore all that is offensive, despairing and necessary to our understanding of war by capturing the poems’ original power and humanity. In addition, this collection contains both previously unpublished poems, written “under the candlelight” of the siege, and new poems returning to the sniper’s alleys and bunkers of Sarajevo. From Sarajevo, With Sorrow is a disturbingly resonant, timely and important collection.
From Sojourners to Citizens: Alberta’s Italian History brings to life the untold story of Italian immigrants in Alberta from the 1880s to the present. It places them in the narrative of province building from work on railways, mines and other industries to breaking the land for agriculture. Oral history excerpts allow the men, women and children to speak for themselves. What emerges is an unquenchable desire to make good, and overcome intolerable working conditions and discrimination, which culminated with enemy alien designation and internment during the Second World War. The book also provides an exploration of the impact of Government of Canada’s multicultural policy on the process of assimilation for the post-war influx of immigrants. It offers a prototype of an immigrant community’s movement from marginalization to the mainstream.