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The English translation of new work from a celebrated Danish poet.
Frayed Opus for Strings & Wind Instruments is a collection of poems that zooms in and out of places and states of mind, from a lit bicycle shed in the back yard to a root canal in November, from a typhoon in Hong Kong to instincts astray in various Copenhagen neigbourhoods. Elegantly translated by Canadian collaborators Per Brask and Patrick Friesen, these dreamlike poems attempt, with honesty and humour, to fathom what it is to inhabit a specifically unspecific point in life–not to mention in the Universe.
…In my pocket I have
the photo of the house, I have to stop continually, put
the suitcases down, take the photo from my pocket
and compare the house in the photo with the houses
we pass. In this way seventeen years go by.
–from Frayed Opus for Strings & Wind Instruments
Praise for the work of Ulrikka S. Gernes: “…airy and abstract, like pinching smoke… risky and intriguing.” –The Antigonish Review
This volume explores the life and works of Frederick Philip Grove. These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.
Diagnosed with incurable cancer in 2009 with a maximum six-year life expectancy, the author chronicles her journey through traditional and alternative treatments to complete remission. Without rejecting traditional treatment (i.e., chemo or radio therapies), she refused to be an object to be treated by others. Though initially terrified, she was able to move on, insisting on knowing what was going on and why. This required research, adventure (trips to other countries), sadness, humour, serenity, and some very surprising ?alternatives.? These include self-hypnosis, determining the emotional causes of my lymphoma, working with a medium, and the essential need for laughter and hope.
Her roadmap could be described as interactive, since newly-diagnosed cancer patients overwhelmed by their situation can adapt her approach to their lives.
Freedom from Culture presents eleven more of the polished and incisive essays on Canadian literature and culture that have made John Metcalf a household name in households of the better sort. His subjects range over the dangers of state subsidy, anthologizing, the inflation of reputations by academics desperate to invent new ancestors, and the lunacy of affirmative action in literature. The collection also features loving illuminations of fiction’s interior workings. These essays are required reading for anyone interested in writing in Canada.
Freedom in American Songs, The
Freedom: A Mixtape is a soulful artistic response to recent and historical violence on Black bodies, presented through a collection of original songs, stories, poems, anecdotes, spoken-word pieces, and musical instrumentation from folks living in Ontario’s Niagara Region. A community conversation about our complicated relationship with emancipation and the human right to be free, Freedom: A Mixtape is a compilation album that is part protest and part celebration. It is history and the present moment all at once, a reminder that this moment is part of a larger, ongoing movement. Familiar pains are felt deeply in moments both bygone and bitingly present, setting the tone—and stage—for action.
Analog field recordings and soothing talk-radio energy give voice to the residue of intergenerational trauma, the depths of colonialism, resilience amidst oppressive conditions, and a clarion call that joy is a birthright for everyone. With emotional precision and softness, Freedom: A Mixtape offers a radical reminder that in our bleakest moments, we rise up through love of self and community.
Winner, Redgees Legacy Award
Throughout photographer Freeman Patterson’s remarkable decades-long career, his ambition has been to expose the spiritual, religious, and even mystical dimensions that lie beyond the literalness of the image itself. Patterson has continually strived to have viewers appreciate the compositional grammar and unique syntax of this visual art, pushing to transcend the picturesque qualities of the image and expand the viewing moment to a longer and more profound level of experience.
For Patterson, life, the mind, and nature are fully a part of each other. Through images that both inspire and provoke, Freeman Patterson: Embracing Creation shows us that such inter-connectivity is the mechanism by which all things are affected; this is the fundamental concept that Patterson lives, believes, and expresses as art.
“A non-stop, furiously paced story.” — Robert Charles Wilson, award-winning author
A nuanced story about artificial intelligence and digital immortality, Freenet plunges readers into the far future, when humans have closed distances in time and space through wormhole tunnels between interplanetary colonies. Consciousness has been digitized and cybersouls uploaded to a near-omniscient data matrix in a world where information is currency and the truth belongs to whoever has the greatest bandwidth.
When Simara Ying crash-lands on the desert planet Bali, she finds herself trapped in a cave-dwelling culture with no social network for support. Her rescuer, Zen Valda, is yanked into a new universe of complications he can scarcely grasp and into an infinite network of data he never knew existed. When brash V-net anchorman Roni Hendrik starts investigating how Simara became the subject of an interplanetary manhunt, he finds a dangerous emergence in the network that threatens all human life.
Freenet is an exciting new novel about the power of information, as well as the strength of love, in a post-digital age.
Freeze is an allegorical comedy that dramatizes the Great Ice Storm of ’98 as a metaphor for “cooler”, more tolerant times in Quebec compared to the separatist “heat” of earlier decades. Five Montrealers find themselves trapped inside the power-outed duplex of Nicole, a pur-laine pro-sovereignty journalist. Her boyfriend Curtis, a Black Anglo jazz musician, arrives with a shocking marriage proposal. Mickey, an Irish gambling-addicted handyman, exploits the storm by selling firewood at exorbitant prices. And Hydro Quebec lineman Réjean tries to do his job, while Claire, the horny elderly neighbor, struggles to mediate. This dysfunctional quintet butt heads over politics and love, provoking us to ponder whether Montreal’s “two solitudes” has become a stereotype in this new Century.
The Deal: Jake Morgan, ex-cop, gambler, and casino dealer, reluctantly agrees to keep an eye on his boss’s great-niece during her visit to Vegas.
When someone keeps trying to accost them and the bruises escalate with each encounter, Jake realizes that it isn’t a simple case of mistaken identity. To make things worse, his precocious Britney look-a-like charge has a crush on him, leaving Jake in a quandary as he tries to unravel a mystery that began fifty years earlier …
Back in the ’50s, Chicago mobster Carmine Bonello embezzled funds from his mob’s Vegas operations to plan for his family’s future. When he suddenly vanished and his wife Olivia found her every move monitored, she realized that Chi-Town not only wanted answers, but also their money back.
Fifty years later, Olivia is still worried — and wondering. Did she misjudge Carmine? Did he leave his family for a mistress and the stash as rumour suggested, or did he die a lonely death? When she falls ill, Olivia calls her only granddaughter to her side. Those watching think a family secret will soon be passed on to the last of the Bonellos …
Bullets fly, bodies fall, and Jake soon discovers the final piece of the puzzle: a cache worth millions. But is it worth his life?
In Greek mythology the muses preside over the arts and inspire writers and artists to produce works of genius. In ‘Frenzy’, Catherine Owen pays homage to the muses in a six-part compilation of muse-quests, some the author’s, some those of others. In “Flood-Ghazals,” she takes the leaping form of the Persian ghazal and makes it fluid, out of entirely, loosened from its couplet bounds and set free as an unravelled block of threads. “Cobalt Moments” are paeans to a place and its temporalinhabitants-a punk-metal bar in Vancouver and some of its crazy denizens, an attempt to capture the rhythms of this hypnotizing zone of intense music and liminal people. “Opposite Angel’s” is a satirical fable of the muse-seeker. How the artist, perhaps unwittingly, ends up placing their muses, especially when they are human, alive, and of the desired gender, on a pedestal. “One Week in Her Life” covers eight random days, in which the poet rambles through the urban world, facing various incongruities, griefs, absurdities, while reveling in little glimpses of peace. “agitate” is a long poem about a photographer’s sojourn along a Vancouver Island beach on a trek to chronicle sea surfaces. Environmental, gendered, and artistic critique collide in her mental and physical reality as she dreams of emerging from the frenzy to establish one pure moment of beauty in the world.
“Catherine Owen is a neo-romantic bard whose idiosyncratic poetry is barbed with aspects of Tough Love wed to the groom of nihilism. This poet wears a black mood for a wedding dress as she casts invective against bourgeois normalcy. Mistress of neologism and its conflicted ally-ambiguity?-this musifier is unabashedly shameless in making herself “lovesick”. A poet taster’s head spins, which may not be a bad thing. In an era of political correctness and its self-righteous terrorisms, Owen’s muse skateboards over society’s niceties as her love junkie heart leaps like an adolescent butterfly. Revel in the nuancesof light and darkness doing a tango in the ineffable quest for the muse’s many forms.” – Joe Rosenblatt (poet, artist, editor, and recipient of the Governor General’s Literary Award)
“Catherine Owen is an extraordinarily gifted poet. It’s not just the sheer sonic pleasure of her language or the largesse of her endlessly inventive imagery but that she is unsettled and unsettling, deeply disobedient and yet almost selfless in her surrender to form. These poems, and especially the Flood-Ghazals, take you down and then drag you up again, gasping for air.” -Robert Priest (poet, songwriter, playwright, winner of the Milton Acorn Memorial People’s Poetry Award)
Fresh at Twenty: The Oral History of Mint Records is first and foremost the story of an independent record label and the people who helped build it. But it’s also the story of a place and time in popular music — Vancouver through the 1990s and 2000s. Mint helped launch the careers of the New Pornographers, Neko Case, the Evaporators, the Smugglers, the Sadies, the Pack A.D. and countless other acts. In doing so, Mint not only shaped the sound of Vancouver at the end of the 20th century, but helped usher in a golden age of Canadian popular music that still thrives today.
Now, on the eve of Mint’s 20th anniversary, the people who recorded the albums, drove cross-country in failing vans, and made Vancouver pop music matter, speak for the first time about the label that they love — and that truly loves them back.
Canadian Gothic? From the land of the polite and the national obsession with curling? You bet! Although there have been American and British collections in New Gothic writing, this is the first collection with Canadian writers only. The term “New Gothic” refers to tales told in the context of our modern world. These tales will often take characters, complacent in how their world works, and throw them a curve so things are not as they seem.
Act I of LaFrance’s first book, Species Branding, ends with the line: “crippled on my last leg. where are our friends?” It is a question that led to Friendly + Fire (Talonbooks 2016), where LaFrance takes aim at friendship as such.
The Tarnak Farm Incident, where four Canadian soldiers in Afghanistan were killed by American Air Force pilot Harry Schmidt, is used as source material to navigate and build a discourse of friendship in the 21st century. From this case study, Friendly + Fire interrogates the male subjective experience of war and the gendered implications of camaraderie or “brotherhood” by employing a character named H.S. (his? Harry Schmidt?) on the cheap as a filter for engaging with and through real-life stories of friendly fire.
Friendly + Fire commingles receiving a “pink slip” from an employer with forced affect in the workplace. Work, of course, is another social site where friends are made and ultimately collapse outside the parameters of wage labour. Here is where friends can become comrades.
In Friendly + Fire the mental and physical conditions endured by fighter pilots (suppressed appetite, prescribed sedatives and amphetamines to regulate sleep and stress tolerance) parallel the semiotic and parasitic flows of online friends. The inaccuracy of a war target, of friendly fire, hovers and takes aim at the frivolities of gossip quasi far away from any war zone: “MILITARY LINGO SUBLIMATES SMACK TALK FROM HERE ON IN.”
~~ Danielle