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The decade between 1961 and 1971 was a time of tumult; of innocence lost, gained, and lost again. During those years, Ralph Osborne moved from the confusions of being 17 to, briefly, believing that at 27, he knew everything. It is, he says, “my version of the Divine Comedy — more comedic than divine.” From Someplace Else is an often hilarious, occasionally tragic account of the exploration of boundaries, inner and outer, through a time of free love and psychedelic adventure. And because the paths between Heaven and Hell, good and bad, and up and down are not linear, this book is necessarily an account of one man’s first trip around the circle. Osborne’s Holy Grail is identity. His quest, in which he sets out to learn “a small piece of the puzzle — one little thing I could know for certain,” takes him from a working-class tenement on the east coast, through the privileged confines of Westmount, west to the cleansing air of the prairies, and east again, to the stoned-out beginnings of Toronto-the-hip where he becomes general manager of the infamous Rochdale College. From Someplace Else is a journey driven by the ever-relevant question: to be, or to become? It’s also the slightly surreal description of the thin line between simplicity and squalor.
From the Ashes collects solo plays by Black Canadian women and womxn that together celebrate the hope, humour, and healing that can come after devastation and loss. From lighthearted comedies to heavy dramas, this anthology contains a multitude of stories on Blackness, love, motherhood, sexuality, trauma, racism, mythology, and more.
In Georgeena by Djanet Sears, a bride speeds down the highway, struggling to make sense of what led her to that moment. In benu by d’bi.young anitafrika, a young woman faces motherhood while still coming to terms with her own motherlessness. Makambe K Simamba’s A Chitenge Story follows a young woman who travels to her native Zambia to find and confront the man who abused her as a child. Ngozi Paul’s The Emancipation of Ms. Lovely chronicles a woman throughout different stages of her life that relate to her sexual awakening. In The Sender by Cheryl Foggo, a woman working for a global racism-elimination project encounters some technical difficulties when someone unexpectedly objects to the project’s restrictions. And in Kalale Dalton-Lutale’s Crybaby, a young woman falls in love for the first time, which opens a well of questions about her identity.
One of the Village Voice’s Top 25 Books of 2003.
Guy Maddin is one of Canada’s most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital, Careful, Dracula: Pages from a Virgin’s Diary and the forthcoming The Saddest Music in the World. Few know, however, that he is just as gifted a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight.
From the Atelier Tovar gathers, in one volume, the best of Maddin’s writing: his journalism (originally published in the Village Voice, Cinema Scope, Film Comment and points beyond), unpublished short stories and film treatments (including the riotous Child Without Qualities), and selections, both lurid and illuminating, from the filmmaker’s personal journals. Here are Maddin’s feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.
Isiah Lord Thomas has dedicated his life to professional basketball. He honed his skills in Chicago’s South Side, went to college, signed an NBA contract, joined the Detroit Pistons, turned them into league champions in 1989 and 1990, and was named one of the NBA’s 50 greatest players. Thomas became general manager and vice-president of the Toronto Raptors when they entered the NBA in 1995-96. In 1999, he bought the Continental Basketball Association, which went bankrupt in 2001. Now, he’s back in the game as president of the New York Knicks, who compete every night in the sports-media center of the world. Here, writer Paul Challen examines Thomas’s life in depth — as a terrific player, as the man who introduced professional basketball to Canadian fans, and as the often-controversial coach and executive.
Imagine you’re sitting next to a pilot on a flight and he’s eager to answer all those nagging questions you have about air travel. Are those bumps and noises normal? Why are some take-offs delayed? What happens if there’s a storm? How does this plane stay in the air, anyway?
In From the Flight Deck: Plane Talk and Sky Science, pilot, meteorologist, and flight-school instructor Doug Morris lets you take the window seat on a trip around the world, giving you the scoop on everything from take-off to landing. He explains what you see looking out the window, what that window is made of, and how the plane is kept in rigorous flying condition. Perfect for informing the aviation enthusiast and calming the fearful flier, From the Flight Deck tells you everything you want to know about commercial airline travel: the physics of flight, how airplanes work and what they’re made of, how pilots are trained, route planning and the importance of the ground crew, turbulence, flying in storms, what the flight crew gets up to on layovers, and much more. With facts, trivia, humour, and illuminating photos throughout, From the Flight Deck is the ultimate flight companion.
In this collaboration, which can be viewed as two visions in dialogue, Shantz and Lilburn each focus on the story of the Sumerian goddess Inanna, who descends from her throne in heaven to the underworld. After being killed there by her sister, Inanna is reborn to return transformed, with her adornments no longer external but “formed by the scars of her healed wounds” (Shantz), a new Inanna who is also “a new physics” (Lilburn). By dramatizing the myth of the female dying-and- rising divinity in Lilburn’s poetic sequence and a series of colour photographs of Shantz’s room-sized constructions, the book offers us all access to the roots of feminine power in our lives.
BC Book Prize, Poetry: Cecily Nicholson, From the Poplars (Winner)
In the North Arm of British Columbia’s Fraser River lies an uninhabited island. Guarded by water from the city of New Westminster’s bustling industrial and shipping district, Poplar Island is lush and unspoken, but storied. It is the traditional territory of the Qayqayt peoples. Made into property, a parcel of land belonging to the “New Westminster and Brownsville Indians,” it is the location of one of British Columbia’s first Indian Reserves.
Polar Island is a landscape marred by colonization, where Indigenous smallpox victims from the south coast were forced into quarantine, substandard care, and burial. Once their peoples were decimated and the land taken, wrangled and exchanged between levels of government the trees were clear-cut for industry, including shipbuilding during the First World War and booming anchorage for local sawmills. From the Poplars is the poetic outcome of archival research and of keeping an ear to the ground – of listening to the stories of an earth scoured by colonization, inequality, and extraction. It is a meditation on an unmarked, twenty-seven and a half acres of land held as government property: a monument to colonial plunder on the waterfront of a city built upon erasures.
From an emplaced poet and resident of New Westminster, this text contributes to present narratives on decolonization. It is an honouring of river and riparian density, and a witness to resilience. It tempers a silence that inevitably will be heard.
parcel bought and sold as the record shows stolen
quarantine and bury there the government
not taking graves into account
warships were built view down a launch ramp
After a lifetime of sleeping in alleys and flophouses, Kit’s musical talent is discovered, and he is remade into Andy Nebula.
Well-fed, content with a warm bed and contract, Andy begins to wonder why every previous “Sensation Single” star was a flash-in-the-pan. Little does he know that the answer lies with the off-world Hydras and their taste for music and flash, a drug forbidden to humans…and that he is their next fix.
Originally published as Andy Nebula: Interstellar Rock Star, this exciting outer-space teen adventure has been completely revised by the author for this new edition.
from time to new by Lydia Kwa is a collection of poems that weaves themes of alienation and reconciliation between the past and the present. It is work that explores themes of grieving and recovery from illness, touching on the unseen aspects of surviving intergenerational trauma, on the challenges of being part of the Asian diaspora in North America in a time of rising violence against BIPOC people, and on the isolation that accompanies living through a global pandemic. Through all these elements, the collection asserts the love of self as inseparable from the care of others.
Fuelled by equal parts outrage, intelligence and wit, Fronteras Americanas re-creates one person’s struggle to construct a home between two cultures, while exploding the images and constructs built up around Latinos and Latin America. This one-person play works through bold juxtapositions and satiric reference points: Simón Bolívar and Speedy Gonzales; Columbus and Fodor’s travel guides; Ricky Ricardo and the Latin Lover; ‘La Bamba’ and Placido Domingo; Carlos Fuentes and American made-for-TV drug-wars movies. Verdecchia twirls stereotypes and clichés, offers comparative histories, examines myths and mysticism, and provides lessons in language and dancing.
Cast of one man.
This book is the first to showcase the work of established and emerging Latina/o playwrights in Canada, charting the range and depth of Latina?/o Canadian theatre—its radical experimentations with form; its unflinching forays into histories of conquest, political oppression, and exile as told from intimate first-person perspectives; its community activism; and its dark humour. Each play is preceded by a critical introduction written by Latina/o theatre studies scholars from Canada and the US. With its companion essay collection, Latina/o Canadian Theatre and Performance, this anthology provides a core curriculum for courses focusing on Latina/o theatre, theatre in the Americas, political performance, or intercultural theatre in Canada.
Exploring reconciliation and connection through a story that spans seven generations, Frozen River (nîkwatin sîpiy) tells the story of two eleven-year-olds through the eyes of Grandmother Moon. Eilidh and Wâpam are born under the same blood moon, but Eilidh was born in Scotland and Wâpam in Kihci-Manito kâ ayapit, now known as Manitoba. After sailing across the ocean in hopes of a more prosperous life, Eilidh meets Wâpam deep in the forest, and the two become instant friends. Coming from vastly different worlds, Eilidh and Wâpam decide to teach each other about their ways of life. But when a sacred promise between them is broken, the relationship among cultures becomes jeopardized for generations to come.
Frozen River (nîkwatin sîpiy) shows audiences that an openness to learn from those who have protected and honoured the waterways for centuries can lead to healing and reconciliation.
A delicious collection of slice-of-life comics that’s sure to delight!
Experience cartoonist Cathon’s hectic trials and tribulations through the short comics in this juicy collection. Whether we find her slurping down a piña colada at her fave tiki bar, meeting oddball fans at a comic book festival, road-tripping with her pals, or simply strolling the streets of Montreal, Cathon always manages to find the sublime in everyday life. Mix in some wild flights of fantasy, a splash of adorable childhood memories, and the occasional good cry, and you’ve got the recipe for a laugh-out-loud book that will make you feel like you’re hanging out with your newest, funniest friend!
Fans of Kate Beaton, Lisa Hanawalt, Gemma Correll, and Lynda Barry will devour Cathon’s Fruit Salad!