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In this collaboration, which can be viewed as two visions in dialogue, Shantz and Lilburn each focus on the story of the Sumerian goddess Inanna, who descends from her throne in heaven to the underworld. After being killed there by her sister, Inanna is reborn to return transformed, with her adornments no longer external but “formed by the scars of her healed wounds” (Shantz), a new Inanna who is also “a new physics” (Lilburn). By dramatizing the myth of the female dying-and- rising divinity in Lilburn’s poetic sequence and a series of colour photographs of Shantz’s room-sized constructions, the book offers us all access to the roots of feminine power in our lives.
BC Book Prize, Poetry: Cecily Nicholson, From the Poplars (Winner)
In the North Arm of British Columbia’s Fraser River lies an uninhabited island. Guarded by water from the city of New Westminster’s bustling industrial and shipping district, Poplar Island is lush and unspoken, but storied. It is the traditional territory of the Qayqayt peoples. Made into property, a parcel of land belonging to the “New Westminster and Brownsville Indians,” it is the location of one of British Columbia’s first Indian Reserves.
Polar Island is a landscape marred by colonization, where Indigenous smallpox victims from the south coast were forced into quarantine, substandard care, and burial. Once their peoples were decimated and the land taken, wrangled and exchanged between levels of government the trees were clear-cut for industry, including shipbuilding during the First World War and booming anchorage for local sawmills. From the Poplars is the poetic outcome of archival research and of keeping an ear to the ground – of listening to the stories of an earth scoured by colonization, inequality, and extraction. It is a meditation on an unmarked, twenty-seven and a half acres of land held as government property: a monument to colonial plunder on the waterfront of a city built upon erasures.
From an emplaced poet and resident of New Westminster, this text contributes to present narratives on decolonization. It is an honouring of river and riparian density, and a witness to resilience. It tempers a silence that inevitably will be heard.
parcel bought and sold as the record shows stolen
quarantine and bury there the government
not taking graves into account
warships were built view down a launch ramp
After a lifetime of sleeping in alleys and flophouses, Kit’s musical talent is discovered, and he is remade into Andy Nebula.
Well-fed, content with a warm bed and contract, Andy begins to wonder why every previous “Sensation Single” star was a flash-in-the-pan. Little does he know that the answer lies with the off-world Hydras and their taste for music and flash, a drug forbidden to humans…and that he is their next fix.
Originally published as Andy Nebula: Interstellar Rock Star, this exciting outer-space teen adventure has been completely revised by the author for this new edition.
from time to new by Lydia Kwa is a collection of poems that weaves themes of alienation and reconciliation between the past and the present. It is work that explores themes of grieving and recovery from illness, touching on the unseen aspects of surviving intergenerational trauma, on the challenges of being part of the Asian diaspora in North America in a time of rising violence against BIPOC people, and on the isolation that accompanies living through a global pandemic. Through all these elements, the collection asserts the love of self as inseparable from the care of others.
Fuelled by equal parts outrage, intelligence and wit, Fronteras Americanas re-creates one person’s struggle to construct a home between two cultures, while exploding the images and constructs built up around Latinos and Latin America. This one-person play works through bold juxtapositions and satiric reference points: Simón Bolívar and Speedy Gonzales; Columbus and Fodor’s travel guides; Ricky Ricardo and the Latin Lover; ‘La Bamba’ and Placido Domingo; Carlos Fuentes and American made-for-TV drug-wars movies. Verdecchia twirls stereotypes and clichés, offers comparative histories, examines myths and mysticism, and provides lessons in language and dancing.
Cast of one man.
This book is the first to showcase the work of established and emerging Latina/o playwrights in Canada, charting the range and depth of Latina?/o Canadian theatre—its radical experimentations with form; its unflinching forays into histories of conquest, political oppression, and exile as told from intimate first-person perspectives; its community activism; and its dark humour. Each play is preceded by a critical introduction written by Latina/o theatre studies scholars from Canada and the US. With its companion essay collection, Latina/o Canadian Theatre and Performance, this anthology provides a core curriculum for courses focusing on Latina/o theatre, theatre in the Americas, political performance, or intercultural theatre in Canada.
Exploring reconciliation and connection through a story that spans seven generations, Frozen River (nîkwatin sîpiy) tells the story of two eleven-year-olds through the eyes of Grandmother Moon. Eilidh and Wâpam are born under the same blood moon, but Eilidh was born in Scotland and Wâpam in Kihci-Manito kâ ayapit, now known as Manitoba. After sailing across the ocean in hopes of a more prosperous life, Eilidh meets Wâpam deep in the forest, and the two become instant friends. Coming from vastly different worlds, Eilidh and Wâpam decide to teach each other about their ways of life. But when a sacred promise between them is broken, the relationship among cultures becomes jeopardized for generations to come.
Frozen River (nîkwatin sîpiy) shows audiences that an openness to learn from those who have protected and honoured the waterways for centuries can lead to healing and reconciliation.
A delicious collection of slice-of-life comics that’s sure to delight!
Experience cartoonist Cathon’s hectic trials and tribulations through the short comics in this juicy collection. Whether we find her slurping down a piña colada at her fave tiki bar, meeting oddball fans at a comic book festival, road-tripping with her pals, or simply strolling the streets of Montreal, Cathon always manages to find the sublime in everyday life. Mix in some wild flights of fantasy, a splash of adorable childhood memories, and the occasional good cry, and you’ve got the recipe for a laugh-out-loud book that will make you feel like you’re hanging out with your newest, funniest friend!
Fans of Kate Beaton, Lisa Hanawalt, Gemma Correll, and Lynda Barry will devour Cathon’s Fruit Salad!
Gathering berries or information; hunting game, experience, or knowledge; we’re still essentially the children of our earliest ancestors. Stephen Brockwell’s latest collection, Fruitfly Geographic, examines the features of our nomadic trajectories with different lenses: the present moment, the collected or archived past and (im)possible futures. By turns objective, personal, quizzical, and ironic, these poems explore the influence of form on our perceptions. Brockwell takes a lens to geography and history as one might inspect a backyard insect in the afternoon — in doing so, he simultaneously magnifies and distorts our domestic microcosm.
Fruits of our Desiring
These poems take the reader on a mind-blowing journey across the known micro- and macrocosms to the extreme outer edges of space and time. The counter-intuitive insights of modern science here become reality as we are led to question the representations of our senses. Quantum physics and cosmic relativity, captured in the intimacy of the prevailing sonnet form, create a dynamic challenging the reader to reaffirm the human world in the face of the unknowable.
***2019 RELIT AWARD LONG SHORTLIST***
Full Circle brings together poetry written across decades by one of Newfoundland’s best-loved writers. Balanced on the sharpest edge of life, yet caught in the ruthless pull of aging and death, these poems offer keen insights into the way the world was—and the way it ought to be. Throughout, Porter reminds us that change, like life, is a long and circuitous journey, and that the fight for a good life and a just society is never over.
It is 1997 and Noah Lamarck’s life is a mess. Laid off work as a librarian, with his estranged wife and child in need of money, and the trauma of his father’s mysterious suicide unresolved, he struggles to find a way forward. A persevering man, but running out of options, Noah is thrown an unexpected lifeline: when long lost evidence of Shakespeare’s life is uncovered, an eccentric bibliophile hires Noah and his friend, graduate student Cecelia Lines, to investigate.
But the more they delve into the playwright’s life, the more they are drawn into each other’s; and despite their growing feelings for one another, their divided loyalties leave them increasingly at odds, and vulnerable to the manipulations of their employer. So unfolds a drama of love, sex, family tensions, financial burdens, obsessions, and devious manipulations which Noah and Cecelia, like players in a Shakespearean romance of star-crossed lovers, must navigate to save not only themselves, but Noah’s family from ruin.
Set in places as varied as the seacoast of Cape Breton, the streets of Toronto, and Shakespeare’s London, in Full Fadom Five the past is always present, and the characters always at the mercy of their legacies: those they carry forward, and those they try to leave behind.