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Posing the question: who packed the baggage we carry from birth?
Don’t Ask poses the question: who packed the suitcase we carry from birth? In this literary thriller, a woman agonizes over her mother’s suicide and is thrown into turmoil over her attraction to a German. Hannah Baran is 45, a successful Montreal real estate broker with a highly lucrative client who, like her parents, is a Holocaust survivor. Born in a German DP camp, she is the only child of Rokhl and the late Barak. One day, she arrives to take her mother to the doctor’s but Rokhl is gone, leaving behind a mystifying note that reads: I am not her. Throughout Hannah’s life, Rokhl’s notes have been all the guidance she received from a laconic, distant mother, a foil to Hannah’s voluble father who rescued Rokhl from Auschwitz. When Hannah announces that she must travel to Germany on business, Rokhl threatens that should Hannah ‘go to that land of murderers,’ it would be over her dead body. Three days later, Hannah locates her missing mother in the morgue. Secreted away in a confessional letter for Hannah to find one day is the story of Rokhl’s life filled with loss, betrayal, and guilt. It is woven into the intrigue of the plot about contested land and a love affair weighted down by the baggage of history.
The novel features two main narratives in alternating chapters. The first narrative is set in Khon Kaen Thailand in 1970. This narrative follows the developing love story between Tuum and Roong. Tuum is a high school mathematics teacher and Roong has been forced to work in a wealthy family’s home to pay off a family debt. As they fall deeply in love, Roong’s circumstances become more precarious and dangerous. The second narrative in present day Thailand follows Canadian ex-pat Ed Linn, married to Nan, a Thai woman. While Ed is helping her great uncle Song harvest his rice crop, he witnesses a murder. He soon learns that there are very powerful and complicated connections between him and the murder victim. Over time these connections get more and more complicated and eventually this narrative converges with the first narrative.
Prince Edward County is the stuff of magic: gorgeous beaches, unruly vineyards, Horn Trips, and meat rolls at the Elks Lodge. Don’t Honk Twice: A Prince Edward County Anthology is a dedicated effort to try and pin down that magic and celebrate everything Prince Edward County has to offer. Edited by Tanya Finestone and Leigh Nash, and
illustrated by Nella Casson, contributions span the breadth of PEC experiences, including local legends (and gossip!), family stories, historical anecdotes, and personal essays that capture the colour and character of the real County.
“This book introduces you to the local personalities. The writers draw you into their world and leave you feeling like you belong.”―Canadian Cookbooks
Rob Krause and Daria Salamon sold their car, rented out their Winnipeg home, and packed up their two young children to embark on a 12-month journey around the world. In this dual retelling of their ambitious year abroad, Don’t Try This at Home chronicles the hilarious and sensational misadventures of a Canadian family as they travel across 15 different countries in the Southern Hemisphere. In an honest reflection on parenting, marriage, and living for a year on a tight budget, Krause and Salamon take readers through some of the world’s most stunning vistas while meeting the challenges of foreign customs, broken-down buses, stomach bugs, personal loss, and their often less-than-enthusiastic children.
A fresh, analytical, and entertaining take on hockey’s tough guys
In professional hockey, enforcers are often as popular with fans as the stars who cash the big paycheques. Called upon to duke it out with a fellow troublemaker, or to shadow (and bruise) an opponent’s top scorer, these men get the crowds out of their seats, the sports-radio shows buzzing, and the TV audience spilling their beers in excitement. Don’t Call Me Goon gives the mayhem-makers their due by sharing their overlooked stories and contributions to the game. Drawing on a wealth of knowledge, research, and interviews, Oliver and Kamchen highlight the players who have perfected the art of on-ice enforcing from old timers like Joe Hall and Red Horner; to legendary heavy-hitters like Tiger Williams, Stu Grimson, and Bob Probert; to fan favourites like Tie Domi and Georges Laraque; and contemporaries like Arron Asham and Brian McGrattan. Don’t Call Me Goon also explores the issues that plague the NHL’s bad boys — suspensions, concussions, controversy — and looks ahead to the future of tough guys in the fastest game on ice.
Don’t Let It End Like This Tell Them I Said Something — Paul Vermeersch’s fifth collection of poetry — is, as its title suggests, a lyrical meditation on written language and the end of civilization. It combines centos, glosas, erasures, text collage, and other forms to imagine a post-apocalyptic literature built, or rebuilt, from the rubble of the texts that came before.
“The ultimate resource for truly dedicated fans.” — School Library Journal
The kids in McKinley High School’s glee club, New Directions, might not be the most popular, but for six years Glee was unquestionably a runaway hit. During its spectacular run from 2009–2015, Glee exploded as one of the most popular hours on TV, and earned an astounding 19 Emmy nominations in its first season. In addition to the show’s staggering success, Glee’s songs heated up the music charts, with 25 tracks on the 2009 hot 100 list, a hit-rate topped only by the Beatles when they had 31 hits in 1964.
Don’t Stop Believin’ pays tribute to the glorious mash-up of music, comedy, drama and social commentary that keeps Glee and its band of misfits in the spotlight, even after the final curtain fell on the show. Written by gleeks extraordinaire Erin Balser and Suzanne Gardner, the book is jam-packed with:
Capturing all the highs and lows of this ground-breaking series, Don’t Stop Believin’ is a show-stopping guide to Glee’s journey — the perfect companion for fans who need an encore of the show.
The art of Donald Andrus defies categorization. Although principally known for his abstract paintings, Andrus has, throughout his career, combined his first love — drawing — with a deep engagement with colour, a desire for experimentation, a keen interest in the physical qualities of his materials, and the sensory experience of the viewer.
Donald Andrus: The Shape of Desire brings together four major essays, including one by the artist, and more than eighty full-colour reproductions to assess a body of work that extends from abstract paintings to portraits. Roslyn Rosenfeld writes about Andrus’s early abstract work, Ihor Holubizky considers Andrus’s portraits, and Pan Wendt revisits Andrus’s contemporary abstract paintings. Taken together, the essays and images take full measure of the entirety of Andrus’s career and influences — from the landscapes of Greece and the poetry of George Seferis to the cinematic works of Andrei Tarkovsky and the pioneering work of contemporary German artists Gerhard Richter and Anselm Kiefer.
Donald Andrus has been painting for over thirty-five years. His work has been exhibited at galleries and museums throughout Canada and may be found in both private and public collections. He has previously worked as a curator at the Beaverbrook Art Gallery, as a lecturer at the University of New Brunswick, and as a professor of art history at Concordia University. Andrus now lives and works in Charlottetown, Prince Edward Island.
The final installment of the critically acclaimed memoir series
Done Hunting brings Martin Hunter’s memoirs to a close, sharing adventures and observations from his sixth to ninth decades. With descriptions of theatrical productions he’s written and directed, it also provides a subtle commentary on Canada and its social and cultural place in the world. Done Hunting also chronicles Hunter’s experiences as a magazine and radio journalist and his unsuccessful attempts to break into film and television as a scriptwriter. Accounts of his travels in Mexico, Sweden, England, France, and Italy include fascinating encounters with Laurier LaPierre, Bill Glassco, David Earle, and Adrienne Clarkson and writers Barry Callaghan, Mavis Gallant, and Gore Vidal. His friendship with Richard Monette and peripheral involvement with the Stratford Festival, as well as his work as a philanthropist as president of the K.M. Hunter Charitable Foundation, are highlights of this fascinating and insightful self-examination.
It is said that one’s first love sets the template for all loves to follow. The Doomed Bridegroom narrates one woman’s attraction to rebel heroes, both real and imagined, in Canada, Eastern Europe, and the Mediterranean.
Ariane, Wally, Flish, and Rex Major are on a collision course. Excalibur is about to be reforged. But who’ll get to the final piece first-and what will happen then?
When Wally uncovers the surprising location of the final piece of Excalibur, far closer to hand than they’d ever guessed, it seems all Ariane and Wally have to do is claim it.
But when the pieces of the sword are at last reunited, and the long-closed door into Faerie swings open wide, who-and what-emerges from it may destroy everything and everyone Wally and Ariane have fought so hard to save-and allow Rex Major to snatch victory from the very jaws of defeat.
Fighting side by side, Ariane and Wally must draw on all their strength, courage, magic, and love to save the world…and there’s no guarantee it will be enough.
Door into Faerie is an exciting modern-day young-adult fantasy by award-winning author Edward Willett, perfect for anyone who thrills to stories of modern-day magic and tales of King Arthur.
From Scottish castles to Saskatchewan settlements to the terrifying knights of Faerie, every moment of the final book of the Shards of Excalibur series is filled with adventure.
A great love comes with bells…
Flip is an unemployed writer with a heart of gold and limited social skills — he’s also very much in love. And you? You’re invited to witness the carnage… .
It’s a story we’re all familiar with: just as the right girl finally comes along, Flip’s leg is broken, his roommate has gone nuts, and his father’s threatening to cut him off by cancelling his credit cards… . And then there’s that other small matter — he’s still in love with Belle, the ghost he met when he was eight.
Thank God he’s well taken care of — how does anyone manage this kind of thing alone?
Daccia Bloomfield’s Dora Borealis is a not-quite-coming-of-age novel and a good old-fashioned love letter written in the era of the open relationship. Set against the backdrop of Toronto’s insular art scene (itself haunted by the ghost of meaning), this story about connection (in a town hooked on missed connections) explores what it means to be truly haunted.
Winner of the Ann Saddlemyer Book Prize, as awarded by the Association for Canadian Theatre Research. In this first biography of Dora Mavor Moore, Paula Sperdakos examines the life and career of a key figure in the development of the theatre in Canada. This extraordinary woman is best remembered for her work with the New Play Society. But when Dora founded the NPS in 1946, she was already close to 60 years old, and she had been working tirelessly as actress, director, producer, and teacher, for almost 40 years. The story of her remarkable achievements will appeal to anyone with an interest in the arts in Canada.