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“A lighthearted story that’ll leave you looking forward to the future.” —Intermission Magazine
Life at Paradise Village Retirement Home is much what you’d expect: bridge nights, the occasional medical emergency, and even a little outdoor hanky-panky in the communal garden. When the spirited Doris Mooney arrives and strikes up an unlikely friendship with the reserved Ivy Hoffbauer, the two quickly become inseparable. Seeking to spice up the place, Doris soon takes it upon herself to play matchmaker between Ivy and Arthur Beech, a charming professor and amateur poet with only two years left to live. As Arthur pursues one last chance at love and Ivy learns to open her heart again, the three discover that life’s great adventures may still lie ahead of them.
Norm Foster is better than ever in this laugh-a-minute buddy comedy about friendship, love, and the courage to embrace new beginnings. Filled with Foster’s trademark wit and warmth, Doris and Ivy in the Home is a touching reminder that some things only get better with age.
This book chronicles the life of the poet Dorothy Livesay. Included in this book are the roots of Livesay’s social activism: her commitment to social work and her involvement with the Communist Party; her vital contributions to the magazines New Frontier, Contemporary Verse, and CV/II; her European and African travels; her lifelong battle with recurring physical illness; and her struggles against barriers to political and sexual freedom and artistic growth.
Abandoned as a child, Melanie Forsythe seeks stability and belonging after her mom’s boyfriend is left to raise her. Despite her raw deal, Melanie grows up to have a good head on her shoulders and a strong bond with her stepdad. But her dream of having a family of her own is shattered when she suffers tragedy and betrayal. Finding herself at an unexpected crossroads, Melanie must rely on the lessons given to her by someone who owed her nothing but gave her everything.
Still Desire You (a fresh adaptation of I Love You, Anne Murray, first produced in the 1980s) deals with issues that are central to the growing malaise of celebrity culture in our society. For some fans, innocent fantasies about their connection to the performer behind the song can become real and dangerous obsessions. Such is the story of David Stuart, a fundamentally decent man on trial for “the crime of loving a girl” who happens to be a pop icon. Still Desire You explores the slippery slope of a fan’s delusions and, in the process, indicts the star-making machinery behind our communal obsession with celebrity.
Fire explores the extraordinary relationship between Pentecostal Christianity, the birth of rock and roll, and the rise of right-wing fundamentalism as a force in American politics. Inspired by the lives of Jerry Lee Lewis and Reverend Jimmy Swaggart, who learned how to play on the same piano, Fire traces the rise and fall of Cale and Herschel, the sons of a Southern preacher. In the ’50s Cale becomes a rock and roll star but, convinced he is damned for playing “the devil’s music,” embarks on a self-destructive rampage that nearly destroys him. By the 1980s Herschel has become a famous televangelist and is drawn into a dangerous mix of faith and right-wing politics. Caught between the two brothers is the woman who loves them both, Herschel’s wife, Molly. A play about searching for salvation with your head, your heart, and your groin.
?The Toronto Argonauts have been a beloved football team since its beginnings in 1873, when players first donned the double blue uniforms (so popular, blue was adopted by other Toronto sports teams). The oldest professional sports team in North America with the same name since inception, the Boatmen have rewarded their fans with 15 Grey Cup titles.
This is a book for these fans.
Presented in full colour with photos throughout, here are many stories from players, coaches, and other people connected with the team. Dozens of interviews with key Argonauts, past and present, are an integral part of the research being done specifically for this book. Journalists who have followed the Argos will contribute special pieces on important aspects. The fans will tell their stories, show off their photos and memorabilia. A history will highlight the triumphs from each year, as well as the prominent players, the venues, the changes to the game and the league, and so on.
Rounding out the book are profiles of key Argonauts, with photos, stats, and a section on “Where Are They Now?” Plus there will be highlights on turning points — the moments in Argos‘ games that made the difference in a season.
This book is a must for any fan of Canadian football.
The first of its kind, Double Exposure: Plays of the Jewish and Palestinian Diasporas is a groundbreaking anthology about the Israeli-Palestinian conflict penned by Diaspora playwrights of Jewish and Palestinian descent.
Featuring compelling interviews with each playwright and introductions by acclaimed dramatists Karen Hartman and Betty Shamieh, this volume of seven plays—three by Jewish playwrights, three by Palestinian playwrights, and a collaboration by both—tackles one of the remaining thematic taboos for many theatres in the Western world. Varying in genre between drama and comedy, in aesthetic between realism and surrealism, in setting between the Diasporas and Israel/Palestine, and in the political opinions of characters, Double Exposure offers distinct Diaspora perspectives that turn the political into the personal. This collection includes The Peace Maker by Natasha Greenblatt; Sabra Falling by Ismail Khalidi; Bitterenders by Hannah Khalil; Facts by Arthur Milner; Sperm Count by Stephen Orlov; Tales of a City by the Sea by Samah Sabawi; and Twenty-One Positions: A Cartographic Dream of the Middle East by Abdelfattah AbuSrour, Lisa Schlesinger, and Naomi Wallace.
Curiosity about his father’s homeland sends American photographer Min Lin to Burma to immerse himself in its culture and build his portfolio. But it’s 1988 and pro-democracy activists are trying to overthrow the military regime. Min gets caught up in the movement after falling in love with one of its leaders. When she’s arrested, Min flees to the jungle and, joining the rebels, comes face-to-face on the battlefield with a Burmese army captain who looks exactly like him. After an explosion kills his double, Min awakes in a hospital misidentified as a hero of the regime, causing him to pose as the dead soldier for his own survival.
Escaping in 1990, he returns to Los Angeles, where he builds a new life based on his acceptance of his homosexuality while adjusting to the shock of discovering his father’s secret history in Burma. Decades later, a new wave of religious persecution and ethno-nationalism in the country now known as Myanmar compels him to return. Still haunted by the events of ’88, and knowing his ex-girlfriend is to be released from prison, Min must come to terms with his actions while seeking the truth about the double he met on a battlefield a lifetime ago.
Double Self-Portrait explores doubling and reproduction in art, memory, culture, nostalgia and fatherhood. Divided by four longer, more autobiographical poems, Double Self-Portait is a deeply layered collection, one that at times speaks directly to the reader and at other times is metatextual. Bees, cicadas, music and photography swirl through these poems, bounded as they are by the resistance to and embracing of responsibility. This is a collection where the poems work individually and together, subtly building toward a single theme that slowly coalesces during the reading to create a collection that resonates in your mind long after the book is closed.
A Globe and Mail Best Book of 2016
Double Teenage tells the story of Celine and Julie, two girls coming of age in the 1990s in a desert town close to the US–Mexico border. Starting from their shared love of theatre, the girls move into a wider world that shimmers with intellectual and artistic possibility, but at the same time, is dense with threat.
This unrelenting novel shines a spotlight on paradoxes of Western culture. It asks impossible questions about the media’s obsession with sexual violence as it twins with a social unwillingness to look at real pain. It asks what it feels like to be a girl, simultaneously a being and a thing, feeling in a marketplace. Wherever they are—whether in a dance club in El Paso or an art lecture in Vancouver—these characters brush against maddening contradiction and concealed brutality.
This is a portrait of the recent past, seen through the cloudy lens of now. Murphy traces the lives of friends struggling within self-destructive realities. Part bildungsroman, part performance, part passionate essay, part magic spell, Double Teenage ultimately offers a way to see through violence into an emotionally alive place beyond the myriad traps of girlhood.
There’s no room for Nat’s polar bear in her house. It seems there’s no space for him anywhere. On a class trip to The Rooms in St. John’s, Newfoundland, Nat wonders if they’ll let Bear in. But the museum has room for all sorts of fun and maybe even a bear–or two!
In the mass media today, as well as in high art and academia, there seems to be what one recent magazine has called an “irony epidemic.” This collection of essays considers irony in its Canadian literary and artistic context, with titles such as “Who Says That Canadian Culture Is Ironic?” and “Ironies of Color in the Great White North: The Discursive Strategies of Some Hyphenated Canadians.”
Doubting Yourself to the Bone is a story about the nature of grief, about what it means to be a parent in the face of great sorrow, the idea of re-invented love and hope. Set in Paris and a small town in the Canadian Rockies, the novel is propelled forward by a horrific car crash that reverberates for the victim’s husband and daughters. From a scotch-swilling Tibetan monk to a titillating, imagined waif named Katya, whose uninvited visits are always intriguing, this story serpentines through the labyrinth of grief and pain as the victim’s husband wrestles with the question, was the car crash an accident or intentional? It is a bumpy and strange journey, peopled with a capricious mother, an aging alcoholic uncle, five Buddhist monks in a broken van, and a nudist lesbian, that leads its main character and the reader on the road to salvation.
How can we carve private spaces from discarded publics?
DOWN takes junk language – with cameos by Frank O’Hara, Frank Ocean, Aaliyah and the Temptations – and distresses it, building sonically dense poems that are caught between the poignancy and flatness of their source texts. Disorientation and defamiliarization yank fresh feeling from banal sentiments in this playful collection.
‘I’ve believed in Dowling’s poems for a long time with you. Or maybe you’re just now catching up to how the genius is working her machine on our minds? Gravity of letter in the word measured and dispensed with inimitable grace. The words are familiar, yes, but we get them again from this magnificent poet who is not going to let us just trample the smallest of them. I have tremendous respect for any poet who strives to be even half as great as Sarah Dowling.’
—CAConrad
‘After all of the previous avant-garde’s perpetual rediscoveries of Gertrude Stein’s formal innovations, Dowling reminds us that her best poetry was, above all, sexy. Where Dowling surpasses is in her recognition of the phatic, the emphatic, the obsessive understanding of the cultural syntax of infatuation. Everything in DOWN is palpably cloudy in its thick description: I am starstruck.’
— Craig Dworkin
Everyone’s welcomeAt the Seaweed Cafe,Where seaweed teaIs served all day…If you’ve ever played restaurant, made mud pies or hosted an imaginary tea party, you’ll welcome an invitation to the The Seaweed Cafe for an evening of song, storytelling and dance. A perfect bedtime book, Down at the Seaweed Cafe’s sunken treasure, sea monsters and tsunamis will charm readers of all ages.
After a dangerous incident, Sergeant Roxanne Calloway left the RCMP’s Major Crimes Unit and is now working as the Team Commander of the Fiskar Bay detachment. Roxanne is adjusting to her new job when the body of retired Sergeant Bill Gilchrist, her predecessor, is discovered in a ditch at the side of the road.
Spring in Fiskar Bay often means flooding, as the normally peaceful stream–home to ducks and teals and the occasional blue heron during the warmer months–fills to the top of its banks with fast-moving, murky brown water, sweeping chunks of ice and broken tree branches along with it. The locals from the close-knit community show up in droves to help sandbag and Roxanne organizes the local RCMP to help with the effort.
Then another RCMP officer is found dead, and tensions begin to rise as quickly as the water levels. Roxanne moved to Fiskar Bay to keep herself out of harm’s way, but with a cop killer on the loose, she isn’t sure who she can trust. Can Roxanne find the killer before it’s too late?