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Tess and Jude live in small-town Quebec and spend their time travelling all across North America—using Google maps—which provides them the luxury of adventure while remaining in the comfort of their own home. But Tess and Jude are dreamers, and their online adventures eventually give rise to a desire to actually travel somewhere. They settle on Bird in Hand, Pennsylvania, and begin scheming to raise the cash they’ll need for the trip.
After a series of hilarious ideas that never pan out, they turn to a local experimental author (who has a major crush on Tess) and convince him to apply for an arts council grant on their behalf. But when they actually receive the grant money, can the pull it all together for a real adventure?
Funny, smart and wonderfully human, Document 1 is a tragicomic tale of two dreamers and their quest for adventure, as well as a satirical take on the world of letters.
Taking its inspiration from director Werner Herzog’s concept of “ecstatic truth” and recalling D.W. Griffith’s silent film classic Intolerance, poet/historian Walter Hildebrandt’s ambitious new book of poems is a searing denunciation of the exploitation of the poor and powerless at the hands of the wealthy. In forceful, unadorned language, Hildebrandt draws a clear line from historical outrages such as the Dakota Wars of the 19th century and the 1919 Winnipeg General Strike to injustices in present-day England, Cuba, and Canada.Documentaries urges readers to confront stories that are hiding in plain sight, but which are in danger of being lost when their truth goes unspoken.
In this fascinating, refreshingly clarifying book about food, food myths, and how sloppy science perpetuates misconceptions about food, a medical doctor on his way to a conference gets drawn into conversations that answer the following questions:Does vitamin C prevent the common cold? And if it works, why does it only work in Canadian soldiers, ultramarathon runners, and skiers?Was red meat really declared a carcinogen by the WHO? Does that mean I should become a vegetarian? And who decides what gets labeled as red meat and white meat?Is salt really not that bad for you and did a group of researchers really want to experiment on prisoners to prove the point?Does coffee cause cancer or heart attacks? Why did a California court say coffee needed a warning label?Is red wine really good for your heart, and what makes the French Paradox such a paradox?Why did the New England Journal of Medicine link eating chocolate with winning a Nobel Prize?Why were eggs once bad for you but now good for you again? Does that mean I don’t need to worry about cholesterol?Should I be taking vitamin D?
Guardian of the gates of hell, brightest star in the night sky, the dog is the saucy, swaggering, world-weary trickster whose indomitable spirit has been mythologized for millennia. In Dog, poets Catherine Owen and Joe Rosenblatt have written a volume of solo and conjoined sonnets about dogs of the cosmos, the underworld and the psyche. Orbiting around the striking canine images of photographer Karen Moe’s Perros: Dogs of Central Havana, Owen and Rosenblatt wisely and wittily follow the scent of mankind’s oldest friend, sniffing out the traces of the dog in all of us.
Like the “page turned down to make another / page,” Dog Ear explores the marks we leave on a world whose social, political and personal markers are constantly shifting. In his fourth book of poems–and most focused work to date–Jim Johnstone establishes himself as an exquisite observer of decay, both physical and spiritual. This is a universe where man resembles “the final / generation of a species branching / towards an in-between.” Johnstone’s poetry blurs past and present, private and public in a kinetic style marked by weird semi-narratives, defamiliarizing close-ups and raw self-examinations.
Everybody wants to get to Heaven, but nobody wants to die. And in Hell, everyone is naked. Dog Eat Rat, the third novel by Tom Walmsley, one of Canada’s most uncompromising writers of plays, fiction and poetry, is the story of private investigators Trip and Ginger, who continually devise new ways to break the tedium of their primary task: sitting in cars for days on end, waiting for their subject to step out a door or step into one. But suddenly everything changes: in what begins as a dime-a-dozen case of an adulterous wife, Trip and Ginger fall off the edge of the world trying to solve a mystery no one knew existed. Hard-boiled yet determinedly literary, Dog Eat Rat draws the reader into another of Walmsley’s unique explorations of sex, faith and violence.
People love to dress up their kids for Halloween, but recently another phenomenon has been occurring. Now, families ask their patient pets to wear costumes, and then take them out trick or treating. Here are the best, funniest, most embarrassing photos of our four-legged friends, taking a big hit for their companions. The sixty photos are taken from all over, including the Internet, and will appeal to cat and dog lovers. Published in hardcover, this is a great gift suggestion for cool October evenings. No animals were harmed in the production of this book.
Published on the centennial of the city and its police force, Dogged and Destructive is a short collection of critical and deeply researched essays about the history, violence, and costs of the Winnipeg Police Service (WPS). It argues that policing in Winnipeg should be studied and understood regardless of where one lives due to the city?s particular dynamics of settler-colonialism, enormous police budgets, and concerns about violence. The book provides a comprehensive yet accessible introduction to the WPS and advocates for the imagining and pushing for alternatives to police power in Winnipeg and Canada. Part of ARP Books? Semaphore Series of short polemics on contemporary issues.
The beginning of Neil Bissoondath’s Doing the Heart Good marks the end of a seventy-year-old man’s independent life. Alistair Mackenzie — widower, father, grandfather, retired professor, lover of Dickens and good sherry — is forced to move in with his daughter and her family, bringing with him only a few medals, pyjamas that still bear the smell of smoke, and memory — that territory, alien and untrustworthy, unfailingly inhabited by a familiar stranger.
Seeking to come to terms with a life he has never anticipated, fearful of disappearing after his death, he examines significant episodes from his shattered past, revisiting a lifetime of love and quarrels, friendship and betrayal, war and peace. As he performs that strange and wonderful dance of moving forward while also looking back, the past begins to lend coherence to the confused present and to reveal the thread that connects him to his new future with his daughter, his son-in-law, and his grandson. A sedentary man quietly living out the final years of life, Alistair Mackenzie must learn how to adapt to his place in time — and how not to let the rest of his life pass him by, his family become strangers, his achievements be forgotten.
A novel of memory — of what it means, how it informs, how it can salvage tomorrow from the debris of yesterday — written at the very height of a great artist’s power.
Housekeeper–or whore?
Twenty-year-old Moira, the daughter of a Newfoundland doctor, dreams of becoming a doctor herself; but when she becomes pregnant out of wedlock, she is banished to the bleak landscape of southern Saskatchewan in 1906, where she must come to terms with her predicament, her pioneer environment, and her employment as a “dollybird,” a term applied to women who might be housekeepers, might be whores-or could be both.
A saga of birth, death, and the violent potential of both men and the elements, Dollybird explores the small mercies that mean more than they should under a prairie sky that waits, not so quietly, for people to fail.
Winner of the Willa Award for Historical Fiction
Saskatchewan Book Award Finalist
It is the year 2135, almost four decades since the Water Wars ended. Much of the continent is a desert wasteland, and the powerful Consortium rules Adanac, one of the few habitable areas remaining, with an iron fist. Cee and Dee, 16-year-old twins who share a special, almost psychic bond, are runaways from a Consortium workhouse. Now living as Freeworlders in the largest tent city in Trillium province, they are determined to survive–Dee spends her days thieving with her best friend Rogan, and Cee makes a living selling his handmade woodcarvings to the Fancies, the wealthy elite. Like all Freeworlders, life is a struggle, made worse by the constant threat of The Dome, where punishments for the slightest offense are meted out by the Dome Master.
When devastating circumstances force the twins to become separated, all seems lost until the sudden appearance of Darv Bouchard, leader of an underground resistance movement, who reveals some shocking truths. Rumours become reality, enemies become friends, and old foes resurface. Dee and Cee are tested to their limits as they confront the demons of their past and try to save the future, for themselves and all of Adanac.
A sequence of fifty dated poems, four quatrains each; lyrical arguments; quick thinking amid the rational absurdity of everyday machinery; intuitive explorations of unknown energies; a diary of the unconscious.
“Thoroughly accomplished in the exact, on-going articulate rhythms of its long lines, its syntax full to the edge with an intelligence always breaking into surprise.” – Stephen Ratcliffe
Composed like a dark novel-in-verse, Dominican Moon is the second book in Ken Norris’s travel trilogy. With Dante as his guide, he leaves behind the predominantly European terrain of the first book in this series, Limbo Road, and finds himself in the “terra incognita” of the Caribbean Sea.
On his own contemporary voyage of discovery of the island of Hispaniola, the “new world” Columbus discovered in 1492, Norris encounters seductive lovers and moon-haunted tropical nights, dark Dominican rum and winter baseball, sugar cane fields and “the city of shortstops.”
At the heart of the book is an unsettling story of the deficiencies of love—of a perhaps not so divine comedy of those who didn’t love enough—steeped in a clash of cultures wherein the third world willingly, even perversely, offers itself up as a farm-team for the first, fuelled by the cataclysm of that other third world export, cocaine.
Edinburgh, 1917: Headstrong Highland lass Mary Stewart is a vibrant woman forced into the world’s oldest profession in order to provide for her ailing father and younger sister in the city’s Old Town. When her uncle, a well-to-do solicitor with political aspirations, thinks that her presence might impede his lofty ambitions he gives her a way out with dignity: a one-way ticket to the frontier town of Anyox, British Columbia, where nurses are needed to care for injured soldiers returning from the war.
Mary agrees to depart Scotland and leaves her sister in the care of her uncle, but finds that a past like hers is not easy to escape, and that living on the frontier has more challenges than even the darkest streets of Old Town. She must survive by her quick intelligence, but that is a quality that few women were allowed to reveal.
In his historical epic Dominion of Mercy, Danial Neil gives vivid life to the gritty world of an early twentieth-century mining town and a radiant protagonist who illuminates its dark corners with her insight, empathy, and bold spirit.
Don Messer was more than a household name in Canada: he was part of family life, the background music in Canadian kitchens, first on radio, and then on television. Private and unassuming, Don was everyman, and yet someone singular and special: a devoted family man, a rigid Calvinist, band diplomat, lover of Kentucky Fried Chicken, and a musical prodigy who from the age of seven knew and played directly to an audience… an audience that eventually protested in unprecedented numbers on Parliament Hill upon CBC’s sudden cancellation of his show, Don Messer’s Jubilee. Through collected personal anecdotes and careful research, Johanna Bertin shares the inner complexities of the man family and friends knew: the man behind the music that warmed the hearts of three million fans.