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A beloved poet explores why life is so rich, even at the worst of times.
Disturbing the Buddha, Barry Dempster’s fifteenth collection, is disarmingly conversational and, like the best conversations, it moves between reverence and irreverence, sincerity and irony as it grapples with love, loss, loneliness and simple lack of luck–the “three-leaf clovers” so much more plentiful than the four.
Dempster’s wit and playful metaphoric turns let us take for granted the courage needed to admit to life’s ongoing intensities, disruptions, and indignities. In these poems, a forty-year-old man dons a pink plastic crown on his niece’s order; a solitary man watches a Nicole Kidman rom-com with his cat; an aging Aphrodite, more mortal than god, suffers hot flashes. Like the mystic poets he addresses in the book’s final section, Dempster respects the unknown as he comes to terms with the ups and downs of the all-too-human condition.
Shifting effortlessly from light-hearted ode to solemn elegy, Dempster offers no touch-up jobs; instead we find a love of the flaw, a generosity toward it even as he exposes it. This is a poetry of inclusiveness, engaging both our better and worse angels, baring its Achilles’ heel and trusting us to do likewise.
…Heaven
is a still life in a Motel Six
non-smoker. … Tonight
you’ll sleep in a clearing
that won’t be there come dawn. (from “Lao-Tzu”)
“Few if any poets encompass the range, the dynamism, and the spectrum of emotional colours Barry Dempster does…” –Canadian Authors Association Chalmers Award Jury Citation
New poems from one of Canada’s best-known poets
Where most poetry seeks contemplative quiet, as in Wordsworth’s “emotion recollected in tranquility,” Diversion asks: What happens to poetry if one stops trying to block the incoming cacophony and instead embraces the multiple streams of data that bombard the contemporary thought process? What poetry comes from the multitude of channels — ambient office radio, TVs at the gym, rampant social media alerts, eavesdropped conversations within crowds, 24-hour-news cycles, texts, telephone and voicemail, email pings — that constantly interrupt the brain from cogent thought? The result is alternately dark and hilarious, straddling the line between aphorism and poetry and creating an atmospheric narrative through connections that form between seemingly unassociated lines. For better or worse, what used to be stream-of-consciousness is now stream-of-collective-unconsciousness.
In Divide and Rule, Walid Bitar delivers a sequence of dramatic monologues, variations on the theme of power, each in rhymed quatrains. Though the pieces grow out of Bitar’s personal experiences over the last decade, both in North America and the Middle East, he is not primarily a confessional writer. His work might be called cubist, the perspectives constantly shifting, point followed by counterpoint, subtle phrase by savage outburst. Bitar’s enigmatic speakers are partially rational creatures, have some need to explain, and may succeed in partially explaining, but, in the end, communication and subterfuge are inseparable – must, so to speak, co-exist.
Divine Realms is an anthology that looks at spiritual questions through the medium of science fiction and fantasy. This is an eclectic lot, and the main theme is faith– or lack thereof. The stories are written by some of Canada’s best and up-and-coming writers.
A collection of haunting, bizarre, extraordinary stories in which human experience and
relationships are examined as though through a magnifying glass and then distorted by the
light. In Diving Board, children are dangerous, or in danger, adults are lost and confused,
everything is a bit off kilter, and nothing is quite as it seems. In one story, two sisters visit a
clearing in the woods where black birds fall from the sky and die en masse. In another, a family
is besieged by a strange cloud. There are shape-shifting plants, mysterious beings from another
planet, a human zoo. Award-winning Argentine author Tomás Downey moves between reality,
fantasy, horror, and science fiction – his work can be considered alongside Latin American
authors such as Samanta Schweblin and Mariana Enríquez – but his fiction ultimately resides in
a singular, magical space that exists beyond genres. Downey has the ability to draw you into his
miniature worlds. To read these stories is like watching an anthology of eerie short films
projected inside your head: they seem so real you could reach out and touch them.
In the fall of 1998, Acadia University, Wolfville, Nova Scotia, hosted a symposium on the life and work of Pulitzer prize-winning writer Elizabeth Bishop (19111979). This book collects 25 of the essays that were presented at the conference, as well as over 40 black and white reproductions of photographs relating to Bishop’s life.
Contributors include: Crystal Bacon, Marian Bannerman, Sandra Barry, Brian Bartlett, Neil Besner, Theodore Colson, Barbara Comins, Gwen Davies, Jeffery Donaldson, Patricia Dwyer, Lilian Falk, Andre Furlani, Gary Fountain, Glen Robert Gill, Lorrie Goldensohn, Michael Happy, Kathleen Johnson, Ross Leckie, Elizabeth McKim, Laura Jehn Menides, Sara Meyer, Roger Moore, Brian Robinson, Camille Roman, Peter Sanger and Anne Stevenson.
This correspondence with Ezra Pound covers the years from 1949 to very nearly the end of his life. It began as an offer to help, in his difficult days in St. Elizabeths, Washington, D.C., and it grew into a whirlwind of paper and communication for a few years; then it diminished after 1953. For the following years there was only a few scattered letters set off by some particular event – a new magazine, a radio broadcast – and finally the correspondence came to an end with the complications about Pound’s coming to the World Poetry Conference at Expo in 1967.
“…a major contribution to our understanding of two distinguished North American poets…. Intrinsically delightful….” – Quill & Quire
Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.
It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.
It’s a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange,and the “wrong.”
And it’s a playful, purposeful contribution toward the building of stronger, more resilient writing communities.
A stunning collection of three mini narratives. Full colour contemplations on themes of psyche, mad identity, nature, animals, chickens, motherhood, menopause, dreams, and the principles and elements of design.
A stunning collection of three mini narratives. Halftone contemplations on themes of psyche, mad identity, nature, animals, chickens, motherhood, menopause, dreams, and the principles and elements of design.
Shortlisted for the 2016 Amazon.ca First Novel Award
Longlisted for the 2016 Leacock Medal for Humour Writing
Winner of an Independent Publishers Book Award (IPPY)
Freddy has problems. Some of them are because he’s autistic. Most of them are because he’s a teenager.
When he’s seven years old, Freddy’s mother walks him to the train station, sits him on a bench, kisses his forehead, and disappears from his life. In a few short days, everything changes. His father moves him across town, enrols him in a different school, and takes him away from little Saskia, the only friend he’s ever had.
Ten years later, Freddy is struggling to get through his last year of high school. He painstakingly avoids interactions with other students, who don’t understand his hyper-literal perspective. But then Saskia appears, and she’s different from the laughing little girl he remembers. She no longer smiles, and she doesn’t speak.
As they reconnect, Freddy begins to remember what really happened ten years ago. And everything he thought he knew begins to unravel. Both humorous and heartbreaking, Do You Think This Is Strange? is a coming-of-age tale you won’t soon forget.
In 1876, Jack the Ripper, otherwise known as Canadian Doctor Thomas Neill Cream, graduated with merit from McGill’s faculty of medicine. Cream was a backstreet abortionist and managed an exclusive brothel called The Elite Club. His notorious reputation eventually forced him to flee Canada for London. He was hanged in 1892 for the murder of four prostitutes.
Doctor Thomas Neill Cream mixes fact and speculation with its cast of unlikely characters: khaki-covered union organizers—the good guys; five white-faced “zombies” representing such illustrious “Founding Fathers of Confederation” and distinguished members of the McGill fraternity as Sir Hugh Allan, Sir William Dawson, Sir William Osier and Lord Strathcona—the victors; and their young prostitutes—the victims.
Intended as a cultural exorcism, playwright David Fennario charges with murder the capitalists who are now paraded through our history books as nation-builders. Past evil is parallelled in the present.