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A collection of haunting, bizarre, extraordinary stories in which human experience and
relationships are examined as though through a magnifying glass and then distorted by the
light. In Diving Board, children are dangerous, or in danger, adults are lost and confused,
everything is a bit off kilter, and nothing is quite as it seems. In one story, two sisters visit a
clearing in the woods where black birds fall from the sky and die en masse. In another, a family
is besieged by a strange cloud. There are shape-shifting plants, mysterious beings from another
planet, a human zoo. Award-winning Argentine author Tomás Downey moves between reality,
fantasy, horror, and science fiction – his work can be considered alongside Latin American
authors such as Samanta Schweblin and Mariana Enríquez – but his fiction ultimately resides in
a singular, magical space that exists beyond genres. Downey has the ability to draw you into his
miniature worlds. To read these stories is like watching an anthology of eerie short films
projected inside your head: they seem so real you could reach out and touch them.
In the fall of 1998, Acadia University, Wolfville, Nova Scotia, hosted a symposium on the life and work of Pulitzer prize-winning writer Elizabeth Bishop (19111979). This book collects 25 of the essays that were presented at the conference, as well as over 40 black and white reproductions of photographs relating to Bishop’s life.
Contributors include: Crystal Bacon, Marian Bannerman, Sandra Barry, Brian Bartlett, Neil Besner, Theodore Colson, Barbara Comins, Gwen Davies, Jeffery Donaldson, Patricia Dwyer, Lilian Falk, Andre Furlani, Gary Fountain, Glen Robert Gill, Lorrie Goldensohn, Michael Happy, Kathleen Johnson, Ross Leckie, Elizabeth McKim, Laura Jehn Menides, Sara Meyer, Roger Moore, Brian Robinson, Camille Roman, Peter Sanger and Anne Stevenson.
This correspondence with Ezra Pound covers the years from 1949 to very nearly the end of his life. It began as an offer to help, in his difficult days in St. Elizabeths, Washington, D.C., and it grew into a whirlwind of paper and communication for a few years; then it diminished after 1953. For the following years there was only a few scattered letters set off by some particular event – a new magazine, a radio broadcast – and finally the correspondence came to an end with the complications about Pound’s coming to the World Poetry Conference at Expo in 1967.
“…a major contribution to our understanding of two distinguished North American poets…. Intrinsically delightful….” – Quill & Quire
Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.
It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.
It’s a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange,and the “wrong.”
And it’s a playful, purposeful contribution toward the building of stronger, more resilient writing communities.
A stunning collection of three mini narratives. Full colour contemplations on themes of psyche, mad identity, nature, animals, chickens, motherhood, menopause, dreams, and the principles and elements of design.
A stunning collection of three mini narratives. Halftone contemplations on themes of psyche, mad identity, nature, animals, chickens, motherhood, menopause, dreams, and the principles and elements of design.
Shortlisted for the 2016 Amazon.ca First Novel Award
Longlisted for the 2016 Leacock Medal for Humour Writing
Winner of an Independent Publishers Book Award (IPPY)
Freddy has problems. Some of them are because he’s autistic. Most of them are because he’s a teenager.
When he’s seven years old, Freddy’s mother walks him to the train station, sits him on a bench, kisses his forehead, and disappears from his life. In a few short days, everything changes. His father moves him across town, enrols him in a different school, and takes him away from little Saskia, the only friend he’s ever had.
Ten years later, Freddy is struggling to get through his last year of high school. He painstakingly avoids interactions with other students, who don’t understand his hyper-literal perspective. But then Saskia appears, and she’s different from the laughing little girl he remembers. She no longer smiles, and she doesn’t speak.
As they reconnect, Freddy begins to remember what really happened ten years ago. And everything he thought he knew begins to unravel. Both humorous and heartbreaking, Do You Think This Is Strange? is a coming-of-age tale you won’t soon forget.
In 1876, Jack the Ripper, otherwise known as Canadian Doctor Thomas Neill Cream, graduated with merit from McGill’s faculty of medicine. Cream was a backstreet abortionist and managed an exclusive brothel called The Elite Club. His notorious reputation eventually forced him to flee Canada for London. He was hanged in 1892 for the murder of four prostitutes.
Doctor Thomas Neill Cream mixes fact and speculation with its cast of unlikely characters: khaki-covered union organizers—the good guys; five white-faced “zombies” representing such illustrious “Founding Fathers of Confederation” and distinguished members of the McGill fraternity as Sir Hugh Allan, Sir William Dawson, Sir William Osier and Lord Strathcona—the victors; and their young prostitutes—the victims.
Intended as a cultural exorcism, playwright David Fennario charges with murder the capitalists who are now paraded through our history books as nation-builders. Past evil is parallelled in the present.
Tess and Jude live in small-town Quebec and spend their time travelling all across North America—using Google maps—which provides them the luxury of adventure while remaining in the comfort of their own home. But Tess and Jude are dreamers, and their online adventures eventually give rise to a desire to actually travel somewhere. They settle on Bird in Hand, Pennsylvania, and begin scheming to raise the cash they’ll need for the trip.
After a series of hilarious ideas that never pan out, they turn to a local experimental author (who has a major crush on Tess) and convince him to apply for an arts council grant on their behalf. But when they actually receive the grant money, can the pull it all together for a real adventure?
Funny, smart and wonderfully human, Document 1 is a tragicomic tale of two dreamers and their quest for adventure, as well as a satirical take on the world of letters.
Taking its inspiration from director Werner Herzog’s concept of “ecstatic truth” and recalling D.W. Griffith’s silent film classic Intolerance, poet/historian Walter Hildebrandt’s ambitious new book of poems is a searing denunciation of the exploitation of the poor and powerless at the hands of the wealthy. In forceful, unadorned language, Hildebrandt draws a clear line from historical outrages such as the Dakota Wars of the 19th century and the 1919 Winnipeg General Strike to injustices in present-day England, Cuba, and Canada.Documentaries urges readers to confront stories that are hiding in plain sight, but which are in danger of being lost when their truth goes unspoken.
In this fascinating, refreshingly clarifying book about food, food myths, and how sloppy science perpetuates misconceptions about food, a medical doctor on his way to a conference gets drawn into conversations that answer the following questions:Does vitamin C prevent the common cold? And if it works, why does it only work in Canadian soldiers, ultramarathon runners, and skiers?Was red meat really declared a carcinogen by the WHO? Does that mean I should become a vegetarian? And who decides what gets labeled as red meat and white meat?Is salt really not that bad for you and did a group of researchers really want to experiment on prisoners to prove the point?Does coffee cause cancer or heart attacks? Why did a California court say coffee needed a warning label?Is red wine really good for your heart, and what makes the French Paradox such a paradox?Why did the New England Journal of Medicine link eating chocolate with winning a Nobel Prize?Why were eggs once bad for you but now good for you again? Does that mean I don’t need to worry about cholesterol?Should I be taking vitamin D?
Guardian of the gates of hell, brightest star in the night sky, the dog is the saucy, swaggering, world-weary trickster whose indomitable spirit has been mythologized for millennia. In Dog, poets Catherine Owen and Joe Rosenblatt have written a volume of solo and conjoined sonnets about dogs of the cosmos, the underworld and the psyche. Orbiting around the striking canine images of photographer Karen Moe’s Perros: Dogs of Central Havana, Owen and Rosenblatt wisely and wittily follow the scent of mankind’s oldest friend, sniffing out the traces of the dog in all of us.