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Country Music is a book about the stories the author listened to late at night around kitchen tables or campfires growing up in rural British Columbia. Mining these materials for a rural poetics – a country music – Koss begins to understand his working-class upbringing and academic surroundings through philosophical inquiries into what draws him continually back to these stories. The stories themselves, punctuated by the humour and violence of life in the mountains, offer a means of critiquing “extractiveness” – both the violence of settler-colonial capitalism and the systems of class privilege that devalue rural, working-class experience. It’s a book that wants to find a way forward through the imperfect inheritance we’re given.
Shifting between the poetic inquiries of Lisa Robertson and the vernacular improvisations of Fred Wah, the book offers an investigation of identity, family, and place akin to Kaie Kellough’s Magnetic Equator, Kate Siklosi’s Selvage, D.M. Bradford’s Dream of No One But Myself, or Jordan Abel’s Nishga .
Aye Jay, creator of the Gangsta Rap Coloring Book, the Heavy Metal Fun Time Activity Book (ECW 2007), and the Punk Rock Fun Time Activity Book (ECW 2009), takes on Country music in his latest collection of pop culture activity fun. Mixing country legends like Patsy Cline, Loretta Lynn, and Johnny Cash with new country (and tabloid-friendly) faves like Brad Paisley, Taylor Swift, and Carrie Underwood, Country Music Fun Time will appeal to both the hardcore country fan and those who never want to hear a Garth Brooks song again.
Don that cowboy hat, get out your six-shooter of crayons, and draw Dolly Parton’s body; help Brooks through a maze to find Dunn; draw Billy Ray Cyrus’s mullet; colour Kenny Rogers; complete the country pioneers word search, and much more. This book is sure to cheer up anyone, even the guy whose dog just died, truck broke down, wife left him, and has a daddy in jail.
Country of Poxes is the story of land theft in North America through three diseases: syphilis, smallpox and tuberculosis. These infectious diseases reveal that medical care, widely considered a magnanimous cornerstone of the Canadian state, developed in lockstep with colonial control over Indigenous land and life.
Pathogens are storytellers of their time. The 500-year-old debate over the origins of syphilis reflects colonial judgments of morality and sexuality that became formally entwined in medicine. Smallpox is notoriously linked with the project of land theft, as colonizers destroyed Indigenous land, economies and life in the name of disease eradication. And tuberculosis, considered the “Indian disease,” aroused intense fear of contagion that launched separate systems of care for Indigenous Peoples in a de facto medical apartheid, while white settlers retreated to sanatoria in the Laurentians and Georgian Bay to be cured. In this immersive and deeply reflective book, physician and activist Dr. Baijayanta Mukhopadhyay provides riveting insights into the biological and social relationships of disease and empire. Country of Poxes considers a future of health in Canada that heeds redress and healing for Nations brutalized by the Canadian state.
Courage, My Love
Courage, Sacrifice and Betrayal provides a detailed account of the day-to-day operations of the 60th Battalion and the lives of its many soldiers. The 60th is one of only 50 battalions to actually fight as a unit as part of the Canadian Expeditionary Force in World War I.
It was the 60th Battalion that captured, on day two of the Battle of Vimy Ridge, the villages of Vimy and Petit Vimy. Engagements at Vimy Ridge, Sanctuary Wood, the Somme, and Regina trenches are set against the backdrop of the broader Canadian, British, and French combat operations against the Germans and their allies. Author Richard Pyves skillfully brings readers into “the moment of war” through many long-forgotten personal accounts and letters included in the book.
Rich in historical fact, Courage, Sacrifice and Betrayal provides an intimate portrayal of life in the trenches and reveals the destructive emotional impact of war.
After his plane to Greece is hijacked, Canadian Michael Barrett finds himself in Ukraine on the run from the Mafia, in the company of his mysterious Ukrainian seat-mate, Dmitri. As Michael and Dmitri try to stay ahead of the pursuing Mafia, Michael struggles to figure out who to trust. In a country where bribery is rampant, and authorities are suspect, his only resource is the morose Dmitri, who is hiding his share of secrets. As the two fugitives race through the Ukrainian countryside in a desperate attempt to reach the border, catastrophe strikes, testing the tentative bond between them, and jeopardizing their hope of survival.
In this 2010 Grand River Forum Lecture, Ted Chamberlin describes how stories give shape and substance to the things we believe in, from scientific theories and sacred texts to literary tales and philosophical propositions. They promote ideals and identities, and sustain institutions and communities. They raise questions about the nature of truth and the character of belief. And they create a covenant in wonder that is at the heart of all storytelling, a ceremony of belief that may be different for each tradition of story and song-ancient or modern, oral or written-but eventually becomes as familiar as “once upon a time” or “let x be such and y be so” or “hallelujah.” In his progress across the continents and centuries, Chamberlin explores the art and ideas of William Wordsworth, Lorna Goodison and Wallace Stevens as well as the oral stories of the ?Khomani people of Africa, the story designs of Blackfoot warriors, and the spiritual ideals of Mongolian herders.
“Cover Art by Vanessa Westermann has all the hallmarks of a great summer read.” — I’ve Read This
Charley Scott is thrilled to be running a summer pop-up gallery in cottage country. Returning to the lakeside village, not on vacation but as an artist, she’s determined to turn her hobby into a career. Joined by two other artists, including her childhood friend Kayla, the Cover Art Exhibit is a dream come true.
But, beneath the surface of this peaceful town, darkness lurks. There’s a history.
Local chocolatier, Matt Thorn, is struggling to come to terms with his father’s recent death and his legacy of deception. As Matt plans to expose his father’s secrets, Kayla’s husband is found dead, the result of eating Matt’s boutique chocolates.
The homicide investigation threatens to make Charley’s pop-up gallery a failure before it even begins. Luckily, art is all about perspective and she’s always had a keen eye. Can she see past the obvious and find the killer?
In this dazzling “ethical thriller” novelist and poet, Brian Brett and a wildly unreliable narrator employ every trick in the storyteller’s arsenal, dancing us from slapstick to horror, from Godel’s Proof to oyster hunting, from high comedy to lyric portraits of one of the legendary Gulf Islands, while engaging in a wicked argument with the reader and the world we are losing.
A lot of time has passed but the Trickster has returned and the world that he left is in desperate need of some levity, the truth and most importantly, reconciliation.It is time to start again. In the spirit of treaty. But before that can happen some things need to be cleared up. Some eyes need to be opened but most importantly some hearts need to change. This is a story of change. For the better.
Isidor, a half-coyote, half-wolf coywolf, has always struggled to find his place as a half-breed. After the untimely death of his mother, he leaves his community to roam across prairies, forests, and mountains, sharing stories in his search for kinship and belonging. But as Sharp-Tooths are increasingly policed, tagged, or killed to make way for insatiable human expansion, Isidor and his pack are forced to make impossible decisions. Do they retreat to better their chances of survival, or risk everything by joining a resistance of rogue animals to protect what’s left of their homeland?
In this gripping drama, Colin Wolf weaves a powerful allegory through the lives of animals, paralleling the displacement of Métis people and the enduring struggle for Indigenous land rights on Turtle Island. CoyWolf is a hopepunk thriller and a roadmap for young revolutionaries navigating the realities of resistance, doing your best, and learning the wisdom of those who have walked the path before.
Crabdance is a tragicomedy in three acts in which a lonely, middle-aged woman plays elaborate, ritualistic games with three men whom she forces to play the roles of her son, her husband and her lover.
Winner of the Trillium Book Award for Poetry
Nominated for the Griffin Poetry Prize and the Gerald Lampert Award.
With cameos by jackalopes, Glenn Gould, homemade spaceships and Carl Linnaeus, these poems are remarkable for their technical agility and their restless inventiveness. There’s anelegance here that matches Dodds’ impulse to challenge the reader with fresh metaphor and astonishing phrasing; the formal ambitions of many of the poems in Crabwise to the Hounds are balanced by an inclination towards wordplay and abright musicality. Humorous at times, yet always handled with consummate craft, these poems invoke historical figures like Hiram Bingham and Ho Chi Minh even as they traverse a poetic landscape that includes telephone-game-style translations, interpretive dance poems on historic paintings and carnivalesque jaunts into a natural world overrun with mules, Alsatians, lions, and motorcycle-sized-deer.
“It is the voice of the characters, the kindness of strangers, and the ingenuity and determination of our protagonist against terrible forces that make this story sing.” — San Francisco Chronicle on Tucker’s debut, The Clay Girl
From the author of the Indie Next List pick The Clay Girl comes a deeply moving novel about the resilience of a remarkable young woman unraveling the mystery of a missing friend while struggling to grow past the trauma of her calamitous upbringing.
From the waning flower-power ’60s in Toronto through her East Coast university years, Ari fights to discover who she is and what it means to be the child of an addicted mother and depraved father. When her friend Natasha, the perfect girl from the nicest family, suddenly vanishes, Ari sets out to find out what has happened to her — are her troubled parents to blame?
With wit, tenacity, and the incessant meddling of Jasper — the seahorse in her head — Ari rides turbulent waves of devilry and discovery, calamity and creation, abandonment and atonement on a journey to find her true self, and to find Natasha.
Cracked Pots is a story about a girl broken by both cruelty and truth. It is a revelation that destiny is shaped in clay, not stone. It is also a celebration of rising after the blows, gathering the fragments, and piecing together a remarkable life through creativity, kindness, and belonging.
From “the heir-apparent to Elmore Leonard” (Crime Syndicate Magazine) comes a caper novel full of twists, hitmen, and loads of stolen cash.
Wanting to free herself from her boyfriend, aging gangster “Maddog” Palmieri, Bobbi Ricci concocts a misguided plan with Denny, Maddog’s ex-driver, a guy who’s bent on getting even with the gangster for the humiliating way in which he was sacked.
Helping themselves to the gangster’s secret money stash, along with his Cadillac, Bobbi and Denny slip out of town, expecting to lay low for a while before enjoying the spoils.
Realizing he’s been betrayed, an enraged Maddog calls in stone-cold killer Lee Trane. As Trane picks up their trail, plans quickly change for Bobbi and Denny, who now find themselves on a wild chase of misadventure through northern British Columbia and into Alaska.
Time is running out for them once they find out that Trane’s been sent to do away with them, or worse, bring them back — either way, Maddog will make them pay.