A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 1729–1744 of 9492 results
CBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN SPRING 2023
Feminist poems both serious and absurd that question our obsession with productivity instead of with care.
Continuity Errors questions the privileging of work and productivity over rest and care from an ecological and feminist perspective. Written before and immediately after the birth of her first child, these poems try to imagine the future her son will inherit. Encounters with an unusual cast of characters – including lonely cryptids, unrepentant grifters, and persistent ghosts – provide incomplete answers, and while the continuity errors keep multiplying around her, Wright pauses to consider whether our devotion to innovation is keeping us stuck.
“Catriona Wright’s Continuity Errors is a book of snaking moves and sneaking intellect, a book of style and fortitude and sass. Wright’s always sharp and often eerie interrogations lead us through a world of cryptocurrency, grunt work, predictive policing, extinction, haute cuisine, billboard ads, smoke breaks, breast pumps; these are poems for our moment of onslaught and bewilderment that, having had the world forced down their throats, spit back.” – Natalie Shapero, author of Popular Longing
Contraband Bodies is a debut to be reckoned with. Jide Salawu shines in this personal record of migratory travails and a country lost to precarious politics. A conscious elegy of displacement and home regained through the tribute of roads, evoking diasporic conditions by highlighting syncopated language through pixelated imagery and lapidary details the diverse circumstances of being a Black migrant in Africa, Europe, and America. Contraband Bodies is a cogitation on the agony of Atlantic memories and dispersal. It confronts new forms of digital kinship activated through social waves across diasporic landscape. In Contraband Bodies, Salawu performs a poetic remittance on current exodus within Africa and outside of it as a form of resistance against all forms of oppression against Black migrant subjects in the world today.
In this debut poetry book, Sophie J. Morgan delivers masterful and ravishing tales of heartache, spirituality, happiness, the hunger for oblivion, and the quest for forgiveness. This poetry collection focuses on complex and everlasting themes of emotional contradictions, personal perceptions, and human reflections. These compassionate, exhilarating, and philosophical poems portray a remarkable observation of life and reveal how our world is far from being content.
Contributor’s Notes
Conversations, a collection of poetry that won the 1999 Governor General’s Award (French Language), is a sequence of 999 numbered fragments that record the essence of verbal interactions between two people. Over a period of a year, Herménégilde Chiasson captured snatches of conversations overheard, conversations he had with other people, even reported conversations. Then he distilled what was said and his observations into a series of single sentences, each attributed to a strangely impersonal He or She. Chiasson has likened his concept to the visual experience of driving: a succession of flashes zooming by, the connections only intuited. The blank spot for entry number 1000 underlines a Zen-like philosophy that suggests that nothing is ever fully completed. In subject matter and technique, Conversations fuses tradition and modernity. Chiasson continues his exploration of the often uncomfortable zone where the mechanical or artificial meets human emotion and spirit. The format participates in the strong and lively Acadian oral tradition, yet the sentences themselves are polished literary jewels, almost epigrammatic in their compactness.
Conversations is at the same time as public as a news broadcast and as private as a lover’s unspoken thoughts. With ten personal collections of poetry, Herménégilde Chiasson’s body of work is among the most prolific in Acadian poetry. Mourir à Scoudouc was published in 1974 to critical acclaim in Acadie and Quebec. In 1976, he made a radical departure in style with his collection of anti-poetry Rapport sur l’état de mes illusions. Busy with filmmaking, the visual arts, and playwrighting, it was a decade before Chiasson published Prophéties in 1986. The 1990s were a prolific time for Chiasson’s poetry. His 1991 collections Vous and Existences, broke new ground in the field of experimental poetry and Vous was nominated for a Governor General’s Award. Vermeer and Miniatures continued Chiasson’s quest to blend the visual with the oral in a unique poetic style. In 1996, Chiasson produced Climats. It was hailed as one of modern Acadie’s strongest poetic works and was the first of his books to be translated into English. Climates brought Chiasson his second Governor General’s Award nomination. In 1999, Chiasson won the Governor General’s Award for his landmark poetic work Conversations, now available in English from Goose Lane Editions.
In early 2004, filmmaker Jean-Daniel Lafond (Salam Iran, a Persian Letter) and author Fred A. Reed (Persian Postcards: Iran after Khomeini) returned to Iran after a two-year absence—on the eve of the parliamentary elections that were to seal the political defeat of the Reform movement. They had come to interview several of the men and women who had propelled Mohammad Khatami to the presidency in 1997, with a mission to rebuild a civil society in Iran under the banner of human rights, democracy, free speech and a renewed dialogue of civilizations.
This is their report: Iran’s once lively press has been all but silenced, the country’s most outspoken journalists imprisoned, and, argues Mohsen Kadivar, one of the regime’s sharpest critics, the shah’s crown has now merely been replaced by the mollah’s turban.
Most surprising of all, however, was the populist bitterness expressed against the now beleaguered Reform movement. Too many promises had gone unfulfilled; too many commitments neglected.
President Khatami’s Reform movement had failed to improve the people’s livelihood. Worse, it would not, or could not, defend its strongest supporters against assaults by those determined to stop a democratic restructuring of the modern world’s first religious state. It was, said Saïd Hajjarian, the Reform strategist semi-paralyzed in an assassination attempt, “too late”: Mahmoud Ahmadinejad and his radical cohorts were already lurking in the shadows.
The second edition of Mark Abley’s acclaimed creative biography, revised and expanded with a new introduction by the author.
When he died in 1947, Duncan Campbell Scott was revered as one of his country’s finest poets and honoured as a devoted civil servant. Today, because of his work as head of the Department of Indian Affairs, he’s widely considered one of history’s worst Canadians. When word of this reaches Scott’s ghost, he returns to the land of the living to ask poet and journalist Mark Abley to clear his name, and in the ensuing research, Abley learns of a man who could somehow write vibrant poems about Indigenous people in one moment, and in another institute policies designed to destroy Indigenous culture and force assimilation.
With intelligence, moral ferocity, and a hunger for truth, Abley delves into Scott’s professional and personal lives while also exploring the hostile government policies—including the residential school system—that damaged and continue to damage the lives of hundreds of thousands of Indigenous people. By mixing traditional non-fiction with an imagined debate between the author and Scott’s ghost, Conversations with a Dead Man makes it clear that “the villain was a man, and his nation is our nation. Abley’s act of radical empathy makes it harder to turn the page on a chapter of our history we might otherwise slam shut” (Andrew Stobo Sniderman, Maclean’s).
Finally, a cookbook that captures the creative, innovative, and delicious cooking of Canada’s greatest chefs from coast to coast. And now you can cook right alongside these artists of the kitchen, using their signature recipes reproduced and illustrated here in lavish colour.
Cookbook writer and philanthropist Karen Dubrofsky crisscrossed the country to gather more than 90 great recipes for this book, including:
* Appetizers: Scallops with black mushroom trumpet crust by Francois Gagnon of CinCin in Vancouver and Oeuf poché by Jason Bangerter of Auberge du Pommier in Toronto.
* Soups: Spring asparagus and mushroom soup by Scott Pohorelic of River Café in Calgary and Hot and sour duck broth with duck meatballs by Chris Deraiche of Wellington Gastropub in Ottawa.
* Salads: Grilled calamari salad by Steven Leslie of Tavern on the Square, Montreal, and Salade nicoise à la Bacaloa by Mike Barksy of Bacaloa in St. John’s.
* Entrées: Fiorentina steak with mushroom duxelles, warm vinaigrette, and arugula and parmesan by Andrey Durbach of L’Altro Buca, Vancouver; Seared rare big eye tuna with green papaya salad by David Lee of Nota Bene in Toronto; and Miso-crusted sablefish by James Walt of Araxis in Whistler.
* Desserts: Goat’s cheesecake with crushed amaretti and caramel sauce by Jason Schubert and Paul Harding of The Only on King, London; Chocolate salame by Massimo Capra of Mistura, Toronto; and White chocolate and vanilla cream with oranges by Martin Juneau of La Montée in Montreal.
Cooking with Canada’s Best not only will reveal Canada’s amazing culinary resources to Canadians and the world, it will also help you display your own prowess in the kitchen to those lucky enough to dine at your table.
Proceeds from sales of this book will be contributed to the Kilee Patchell-Evans Autism Research Group, University of Western Ontario.
Cooking with Giovanni Caboto
In August of 2002 four 20-something friends from Victoria packed a motor home and embarked upon a three-month non-profit marathon known coast to coast as The Extreme Kindness Tour. Their mission: to commit as many random acts of kindness in as many Canadian communities as possible. From mile zero to St. John’s, the boys staffed soup kitchens, broke horses, roofed houses, delivered flowers, sang songs, visited hospitals, raised funds, and staged rallies determined to make someone’s day and encourage them to Pay It Forward, connecting the world through kindness. The crew originally documented their transCanadian adventures on a global Web show at extremekindness.com; here they offer testimonials, resources, and inspiration for those ready to hit the road with kind acts of their own.
For Coop, adjusting to a new home after being adopted by Zach, Emma and their mother, Jess, is not easy. It’s hard enough being a lowly dachshund, but it’s even harder when your home is a financially unstable guesthouse with smelly strangers drifting in and out. Worse still, the unhappy teenager in charge of Coop is steaming mad much of the time. On top of that, Lucinda, the annoying cat, likes to tease and torment. It’s no wonder Coop wishes he could have his old life back.
Enter a murder of crows, a stranger with a mysterious past, two bullies bent on making Zach’s life miserable, and a vicious dog with a grudge against Coop. As the risks and challenges mount, Coop’s wish only grows stronger. Will he ever find the forever home he so desperately wants?
A follow-up to Coop The Great !
– MYRCA Sundog Nominee
– Best Books for Kids and Teens
– Highly Recommended, CM Magazine
You will never know what really happened to Lech or any of us. We mean nothing by it, darling. It is a silent agreement we all have with ourselves, that nothing will ever make us prisoners again, not even memory.?
Set primarily in the neighbourhood of fictional Copernicus Avenue, Andrew Borkowski’s debut collection of short stories is a daring, modern take on life in Toronto’s Polish community in the years following World War II. Featuring a cast of young and old, artists and soldiers, visionaries and madmen, the forgotten and the unforgettable, Copernicus Avenue captures, with bold and striking prose, the spirit of a people who have travelled to a new land, not to escape old grudges and atrocities, but to conquer them.
Taking as her guide the structure of the contemporary pop psychology how-to book, with its neatly numbered and ordered rules regarding how to change and improve our lives, and also flirting with a concept found in serial poems such as Jack Spicer’s “Psychoanalysis: An Elegy,” Dina Del Bucchia fashions incredibly witty and punchy guides for exploring our most awkward emotions.
The question becomes how to get a grip on these emotions and “self- actualize” in an age when the height of illusory autonomy is achieved by maximum contagion, by “going viral,” and through intensely obsessive identification with celebrities – spectacular representations of living human beings who, as Guy Debord suggests, “exist to act out various styles of living and viewing society unfettered, free to express themselves globally” through the act of dramatizing by-products of our labour, emphasizing power and vacations, decision and consumption.
With the advent of reality show worship, our sense of emotional control and superiority is inextricably linked with enjoying an emotional arena full of “real people” that combines explosive “blowouts” with grave mockeries of our electoral process. This phenomenon was evident in the case of the now-deceased Nyac, one of eight sea otters brought to the Vancouver Aquarium following the massive Exxon Valdez oil spill that devastated Prince William Sound, Alaska, on March 24, 1989. Nyac skyrocketed to celebrity status when millions watched a YouTube video posted in 2007 that caught her holding hands with Milo (another otter).
In poems about this exciting celebrity hookup, by turns touching and ironic, Del Bucchia takes on our “society of the spectacle,” prompting us to meditate upon the media viewing frustum through which we channel so many of our emotions and thereby construct our sense of reality, when otters are looking out for one another in a way we often don’t.
Summer 1936, Wilkes County, North Carolina during the great depression. The Flagg family resides in the middle of the Appalachia – one of the hardest hit areas in the country. As the depression drags on the Flagg family watch their molasses business decimated. Jedediah, the family patriarch and his sons Morgan and Ezra struggle to produce a few meager gallons a week. That is until their sister Ava arrives home and takes control of the family business and starts running moonshine. Ava bails out ex-con Bobby Barlow and tells him he is working for the Flagg family now. With threats mounting from rival clans and the local cops breathing down Bobby’s neck, he and Ava devise a plan to play them all, one against the other. They don’t necessarily do it by legal means but that doesn’t bother them. To live outside the law, you must be honest.
From Leacock finalist Ali Bryan, a witty and immensely fun dramedy about a family’s memorial trip to the City of Love, where chaos ensues at every turn.
It’s been ten years since Claudia’s mother died after a tragic collision with a banana boat. Her kids are now teenagers, her brother’s wife has left him, and her ex has had a spiritual awakening that has him hinting at reconciliation—all things she can handle.
But when her septuagenarian father decides to remarry after a brief courtship with a woman who is decidedly different than their mother, the entire family is thrown off course, and plans a long overdue memorial trip to the only place their mother ever dreamed of going: Paris. However, minutes after take-off, the trip takes an unpredictable turn and sets off a chain of events that threatens to derail the closure the family desperately seeks.
Chance meetings, poolside confessions, run-ins with mimes, climate protests, and a man with a death wish force Claudia to reconsider everything she thought she knew about love, both the familial and the romantic, the tragic and the sublime. How well do we really know those closest to us? And how well do we really know ourselves?
In this follow-up to her award-winning novel Roost, Ali Bryan explores thorny family dynamics with her trademark offbeat humour and insight. Coq is a darkly comedic contemporary family drama that explores grief, identity, and second chances in the one-and-only City of Love.