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The work gathered in this anthology spans a wide range of formats and styles: essay, biography, story, prose and journalism. Pertinent pieces include “Albums That Saved My Life” by Richard Van Camp, “Iron Yells” by Gerry William and “Feast of Four Winds” by Beth Cuthand.
Critical Fictions contains essays and other writing about five contemporary artists living and working in Canada. Although quite distinct, there are threads and sympathies between them. All are Canadian, each works with abstraction, the body is central, they probe structures of power and control with wit and pathos, and each is queer. Their subversion, humour, slipperiness, and fluidity are rooted in their queerness, making them intimate bedfellows. Their work is brilliantly critical, tenderly gorgeous, and delightfully acerbic.
Many of Hannah?s responses didn?t fit in a conventional essay form: memories, images, poems, stories, and weird tangents bubbled up. These interdisciplinary texts, mostly placed after each essay, respond to the analysis, the art, and the experience of writing with these artists? work.
When 26-year old Crito Di Volta is released after 10 years of psychiatric institutionalization, he develops and launches Mortarismo?a new socio-political, psycho-spiritual, artistic movement? with the aim of deinstitutionalizing, and eventually reconnecting with, all of humanity. Called a work of genius
and a poem that exceeds Allen Ginsberg’s Howl in both authenticity and intensity,
di Saverio?s epic Crito Di Volta is a strong pronouncement on civil rights, religion and art; and a daring revolt against the platitudes of contemporary Western society.
Croak is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song. It parades, mutilates and reacquaints Kermit the Frog with Girl 00010111, Michigan J. with Aristophanes, and biblical plagues with caged canaries in a vaudevillian play of time, culture, gender and narrative. Combining vivisection and classical literature, empirical observation and philosophical speculations, Sampirisi’s grotesque characters splash and sparkle before moving toward their inevitable narrative end.
In conversation with Samuel Beckett’s Words & Music , Croak presents a negotiation between the doom and gloom of a species in crisis and the many empirical markers we attach to such creatures. Sampirisi reminds us that we are all porous in the mud of language.
A poetic meditation on what it means to live a medicated life, looking toward sites of nature where life and death exist side by side
Crohnic is a brilliant and moving collection of poems that asks, what is the landscape of a medicated life? From their convalescence in a room that overlooks the North Saskatchewan River, author Jason Purcell thinks ecologically with medical records, prescriptions, and dosages, staying attuned to place and to what it might mean to live a life relying on something – in this case, an interminable course of medication – that hurts you in some ways to help you in others. How does the terrain of life change?
Picking up the threads of sickness first plucked in Swollening, Crohnic charts two years of Purcell’s treatment for Crohn’s disease, journeying from hospital rooms to bogs and muskeg, places where life and death intermingle and create the conditions for one another’s flourishing. This is a world populated by coyotes, ermines, steroids, pine, infusion drips, moss, pills, and ice. These other-than-human beings come together in Crohnic, coalescing into relations that together form a personal narrative of the management of chronic illness.
Crooked at the Far End, the latest book of poems in a series called The Man From Saskatchewan, travels, plays, and has a look around. Voices emanate from celebrities who inhabit cabins at Emma Lake, an old man sitting on a bench in Portugal, and the patrons of a fictional pub among others, all taking stock of the world we inhabit. A poet laureate details the incredible events that occurred during his tenure, “we saw industries of hope and growth/ and visitors from other lands sing/ in their own voices who they are/ We saw ourselves in a land alive.” This collection is an homage to the natural and physical world and how “We still and always love the tender fits/ our language endures, lost souls asleep before the gate.”
A mother struggles to keep her family together after her eldest son suffers a brain injury in a car crash. Within months, her youngest son becomes involved with drugs and his sister suffers a physical collapse that puts her in a wheelchair. A moving and inspiring memoir written with emotional honesty, filled with hope and celebration for life’s small successes.
A Globe 100 Best Book of 2024
From the bestselling author of Bush Runner: The Adventures of Pierre Esprit-Radisson
This is the story of the collision of two worlds. In the early 1600s, the Jesuits—the Catholic Church’s most ferocious warriors for Christ—tried to create their own nation on the Great Lakes and turn the Huron (Wendat) Confederacy into a model Jesuit state. At the centre of their campaign was missionary Jean de Brébeuf, a mystic who sought to die a martyr’s death. He lived among a proud people who valued kindness and rights for all, especially women. In the end, Huronia was destroyed. Brébeuf became a Catholic saint, and the Jesuit’s “martyrdom” became one of the founding myths of Canada.
In this first secular biography of Brébeuf, historian Mark Bourrie, bestselling author of Bush Runner: The Adventures of Pierre-Esprit Radisson, recounts the missionary’s fascinating life and tells the tragic story of the remarkable people he lived among. Drawing on the letters and documents of the time—including Brébeuf’s accounts of his bizarre spirituality—and modern studies of the Jesuits, Bourrie shows how Huron leaders tried to navigate this new world and the people struggled to cope as their nation came apart. Riveting, clearly told, and deeply researched, Crosses in the Sky is an essential addition to—and expansion of—Canadian history.
Crossing Borders: Essays in Honour of Ian H. Angus is a collection of original and cutting-edge essays by thirteen outstanding and diverse Canadian and International scholars that engage with Professor Ian Angus?s rich contributions to three distinct, albeit overlapping, fields: Canadian Studies, Phenomenology and Critical Theory, and Communication and Media Studies. These contributions are distinct, unique, and have had resonance across the intellectual landscape-over the thirty years that Angus has been teaching communications, philosophy, Canadian Studies, theory, and humanities first in the United States and then in Canada.
The story continues … The second in Michel Tremblay’s new series of novels presents two very different lives. We meet Maria as she leaves the city of Providence, Rhode Island, pregnant and alone. Two years later, we also meet Maria’s older daughter, Rhéauna, as she disembarks the train at Windsor Station, having crossed the continent from her grandparents’ farm in Saskatchewan, called home to Montreal to care for her one-year-old baby brother, Théo, while Maria works.
Along the way, Crossing the City affectionately and accurately depicts Montreal’s Plateau neighbourhood at the beginning of the last century. Readers will delight in the small details of description, and Tremblay fans will revel in the backstory to the characters of his great Chronicles of Plateau Mont-Royal, particularly of his mother, celebrated as Nana throughout his work, including as his famous Fat Woman next door. In this novel, Nana is the young Rhéauna, reunited with her mother, Maria, for better or for worse.
Crossing the City continues the Desrosiers Diaspora novel series.
Born in Providence, Rhode Island, to a Cree mother and a French father, Rhéauna, affectionately known throughout Tremblay’s work as “Nana,” was sent with her two younger sisters, Béa and Alice, to be raised on her maternal grandparents’ farm in Sainte-Maria-de-Saskatchewan, a francophone Catholic enclave of two hundred souls. At the age of ten, amid swaying fields of wheat under the idyllic prairie sky of her loving foster family, Nana is suddenly told by her mother, whom she hasn’t seen in five years and who now lives in Montreal, to come “home” and help take care of her new baby brother.
So it is that Nana, with her faint recollection of the smell of the sea, embarks alone on an epic journey by train through Regina, Winnipeg, and Ottawa, on which she encounters a dizzying array of strangers and distant relatives, including Ti-Lou, the “she-wolf of Ottawa.”
To our delight, Michel Tremblay here takes his readers outside Quebec for the first time, on a quintessential North American journey – it is 1913, at a time of industry and adventure, when crossing the continent was an enterprise undertaken by so many, young and old, from myriad cultures, unimpeded by the abstractly constructed borders and identities that have so fractured our world of today.
This, the first in Tremblay’s series of Crossings novels, provides us with the back-story to the characters of his great Chronicles of Plateau Mont-Royal, particularly of his mother, “The Fat Woman Next Door …” and his maternal grandmother, who, though largely uneducated, was a voracious reader and introduced him to the world of reading and books, including Tintin adventure comics, mass-market novels, and The Inn of the Guardian Angel, which fascinated the young Tremblay with its sections of dramatic dialogue, inspiring the many great plays he would eventually write.
In Crossing the River, thirteen Canadian and European scholars celebrate the life and work of Margaret Laurence. “. . . all students of Laurence’s art should find this a useful, probing casebook.”–The Globe and Mail
M. Travis Lane’s poetry has always been diverse: variously serious, silly, melancholy, cheerful, meditative, witty, philosophical, enigmatic, colloquial, intimate, simple, complex. Asked “What kind of poetry do you write? What do you write about?”, she has replied, accurately, “all kinds” and “anything” — calling her collections “eclectic miscellanies” and refusing to be nailed down by the critics’ need for tidiness. She shifts easily from lyric to monologue to epigram to song to riddle, drawing inspiration equally from the natural world and the world of art and imagination. Though her concerns are often feminist, environmental, civic, and political, her poems transcend such labels. And no matter what form an individual poem takes, there is something in the voice that makes it instantly recognizable as hers: a distinctive musical cadence, a groundedness in nature (nature not just appreciated but intimately observed, known, named), an immediacy of thought and emotion, a compassionate humanity, a questioning spirit. Crossover, Lane’s fifteenth collection, is a continuation of one poet’s exploration of the world and of her inner world, shared with us in the conviction that the spaces we inhabit overlap and connect.
Winner, IPPY Award for Best First Book – Fiction and Margaret and John Savage First Book Award for Fiction
Runner-up, Leacock Medal for Humour
Shortlisted, Jim Connors Dartmouth Book Award and Kobo Emerging Writer Prize for Literary Fiction
Long-Shortlisted, 2020 ReLit Award (Novel Category)
When Stacey Fortune is diagnosed with three highly unpredictable — and inoperable — brain tumours, she abandons the crumbling glamour of her life in Toronto for her mother Effie’s scruffy trailer in rural Cape Breton. Back home, she’s known as Crow, and everybody suspects that her family is cursed.
With her future all but sealed, Crow decides to go down in a blaze of unforgettable glory by writing a memoir that will raise eyebrows and drop jaws. She’ll dig up “the dirt” on her family tree, including the supposed curse, and uncover the truth about her mysterious father, who disappeared a month before she was born.
But first, Crow must contend with an eclectic assortment of characters, including her gossipy Aunt Peggy, hedonistic party-pal Char, homebound best friend Allie, and high-school flame Willy. She’ll also have to figure out how to live with her mother and how to muddle through the unsettling visual disturbances that are becoming more and more vivid each day.
Witty, energetic, and crackling with sharp Cape Breton humour, Crow is a story of big twists, big personalities, big drama, and even bigger heart.
Winner, E.J. Pratt Poetry Award
Shortlisted, NL Reads, Derek Walcott Prize for Poetry and Raymond Souster Award
Longlisted, First Nation Communities READ Award
From the author: I cannot let the story of Crow Gulch — the story of my family and, subsequently, my own story — go untold. This book is my attempt to resurrect dialogue and story, to honour who and where I come from, to remind Corner Brook of the glaring omission in its social history.
In his debut poetry collection, Douglas Walbourne-Gough reflects on the legacy of a community that sat on the shore of the Bay of Islands, less than two kilometres west of downtown Corner Brook.
Crow Gulch began as a temporary shack town to house migrant workers in the 1920s during the construction of the pulp and paper mill. After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently — including the poet’s great-grandmother Amelia Campbell and her daughter, Ella — and those the locals called the “jackytars,” a derogatory epithet used to describe someone of mixed French and Mi’kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten.
Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.
The evocative story of Katya’s epic winter journey through Prussia and her eventual imprisonment by the Red Army.
It is January 1945, the last winter of the Second World War, and East Prussian civilians flee as the feared Red Army invades Germany in the wake of the impending Nazi defeat. Katya and her two sisters join thousands of others trudging to the Baltic Sea in the hope of escaping imprisonment.
But in a raid on a night-time hiding place, Katya is separated from her sisters and forced to take a long and shameful journey back into the Soviet Union, a country she fled as a child when her home was destroyed. Captured and imprisoned by the Russians, she is forced to endure hunger, back-breaking work and filthy conditions labouring in a mine deep in the Ural Mountains. But Crow Stone is also a story of friendship and the small acts of mercy that help Katya survive her ordeal. The novel is inspired by Gabriele Goldstone’s mother’s powerful memories of more than two years in a Soviet forced labour camp. A remarkably contemporary tale of invasion and the plight of refugees.