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Now in trade paper
Written with the same spirit and wit as the bestselling Too Close to the Falls and After the Falls, Coming Ashore is the third and final volume of Catherine Gildiner’s memoir series. Picking up her story in the late ’60s at age 21, Cathy whisks through seven years and three countries. Whether reciting verse in the classrooms of the University of Oxford, arranging a date with Jimi Hendrix, teaching inner city kids literature, rooming with a major drug dealer, falling in love, or working in a psychiatric hospital, Cathy determinedly blazes her own trail through all the passion and uncertainty that comes with the cusp of adulthood.
Coming Ashore transports readers to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.
A comprehensive look at the 1972 Canada-USSR Hockey series and the way that Canadian mythology has been built around it, including essays on topics such as the impact of the summit series on the development of women’s hockey, an analysis of media perspectives from the series and how the summit series helped to form Canada’s identity abroad. This collection will be written in accessible prose, allowing it to read and enjoyed by a devotee of the game who is not an academic.
This migration anthology is an entertaining miscellany of memoir, essays, newspaper reportage, and even a poem, highlighting the humour, as well as the ironies and agonies generated when humans seek a new homeland. The authors, and their stories, are as diverse as our Canadian population itself, and help to tell who we all are within this amazing, tolerant, nurturing and sometimes frustrating geographic space called Canada.
Why is so little written about work when we spend a huge portion of our lives engaged with it? Informed by her observations and evaluations of hundreds of jobs, ergonomist Jane Byers’ Coming Home From The Candy Factory shines a spotlight on the physical labour that often leads to workplace injuries. And as a poet, Byers pays attention not only to the physical demands but also the language of work. As an ergonomist and a poet, her work comes together in this new collection of lyric essays and poems.
Coming Home From The Candy Factory is fueled by Jane Byers’ drive to make the workplace safer but also inspired by her working-class background and her father’s work in a power plant. Byers takes on the forgotten labour of women, whose unpaid housework and child-rearing is often not considered work at all.
As a return-to-work specialist, Jane Byers has had many conversations with people about what their occupations mean to them. She advocates for the benefits of going back to work, a choice she made when returning back to the job after a workplace injury. These stories are grimy and dusty and come from the beautiful corners of workplaces and work cultures.
With sensitivity and tenderness, Starkie Mak has captured a tale of the immigrant experience, from the eyes of a child. Masterfully rendered with careful homage paid the childrens books that have touched the hearts of so many, Maks brush strokes and calligraphy evoke the turbulent emotions and difficulties a child must surely experience when having their little world upended, only to have a much larger and foreign world unfold before them.
In a heartbreaking parting, a child says goodbye to her family and is left with her imagination as guide. In search of a new life in a new land, a child retreats into the realm of fantasy. Through the devastating pain of childhood loss emerges the joy of a childs triumph.
With sensitivity and tenderness, Starkie Mak has captured a tale of the immigrant experience, from the eyes of a child. Masterfully rendered with careful homage paid the childrens books that have touched the hearts of so many, Maks brush strokes and calligraphy evoke the turbulent emotions and difficulties a child must surely experience when having their little world upended, only to have a much larger and foreign world unfold before them.
In a heartbreaking parting, a child says goodbye to her family and is left with her imagination as guide. In search of a new life in a new land, a child retreats into the realm of fantasy. Through the devastating pain of childhood loss emerges the joy of a childs triumph.
Commonwealth is a profound lyrical meditation on the pre- and post-colonial migrations of the Lenape population throughout the American Midwest, from the watershed of Weli Sipu (the Ohio River) in the Commonwealth of Kentucky to Indiana and beyond. This is a book that transcribes the languages of rivers, highways, rail lines, and buffalo traces. It seeks—or is pushed toward—destinations that are always over the horizon. It is about the fluidity of space and time, and the tangibility of history. As the Lenape journey ever northward and westward, they both create and are created by a collective body of stories: stories of belonging and exclusion, of freedom and confinement, of aspirations and hard truths. Commonwealth explores the ways landscape and people inform one another, and does so in a way that is as clear as a broad Ohio sky.
Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.
Including material and photographs not included in most of the 100 other books about the champion, Ishmael Reed’s The Complete Muhammad Ali is more than just a biography?it is a fascinating portrait of the 20th century and the beginning of the 21st. An honest, balanced portrayal of Ali, the book includes voices that have been omitted from other books. It charts Ali’s evolution from Black Nationalism to a universalism, but does not discount the Nation of Islam and Black Nationalism’s important influence on his intellectual development. Filipino American author Emil Guillermo speaks about how “The Thrilla’ In Manila” brought the Philippines into the 20th century. Fans of Muhammad Ali, boxing fans, and those interested in modern African American history and the Nation of Islam will be fascinated by this biography by an accomplished American author.
Ottawa poet Stephen Brockwell has stumbled upon a vault of startling Ñ and non-existent Ñ collections of outrageous poetry. This compendium of verse, Brockwell’s fifth full-length collection, draws from this imaginary motherlode, showing the poet at his most incisive, most harrowing, and funniest. Here you’ll find narrative poems from The Big Book of Confessions and Apologies by Self-Aware Addicted Persons, rapturous bureaucratic odes from The Evangelical Handbook for Engineers, and lyric delights of excess from Cantos of the 1%. Let Brockwell take you on a tour of the finest poetry books that never existed!
Who are the people who mark our lives? Must we know them personally or is influence also exerted from the distant past, the grave, or even from the pages of a book? Devastated by the sudden death of one of his sisters in 2015, award-winning poet John Barton, over the decade since, felt moved to answer these and other questions for himself in Compulsory Figures, his thirteenth collection of poems.
Born in the 1950s to parents who moved to Edmonton during the early years of the oil boom, Barton roots many of his poems in the prairie, foothills, mountain, and urban landscapes of his Alberta childhood—the land itself a formative influence—to ground his memories of his sister and of his parents, who divorced just as he was entering his twenties.
Barton broadens his inquiry to wrestle with larger societal forces, including settler colonialism and the role his ancestors played in Ontario and the Canadian West after their arrival in the nineteenth century. As a gay man who came to a full acceptance of himself during the AIDS pandemic, he also explores the stigmatizing impact of homophobia and how the courage of figures like Christopher Isherwood, Frank O’Hara, Paul Monette, and Robert Mapplethorpe continues to provide him solace and strength.
Lyrical and thought-provoking, Compulsory Figures plunges into the depths of history, grief, and the unshakable power of everyone and everything that shapes us.
Part 2 in the Shame trilogy. The second book Shame: Pursuit follows Shame’s development after escaping her prison and embracing her father’s evil nature. Virtue, reborn into the body of Shame’s child, has spent 16 years trapped in Cradle, originally created to contain and nurture her daughter. Now it has been corrupted and become a dangerous jungle populated by the twisted torturers that once were dryads and sprites. Outside, Shame’s evil power has spread. Many people fall victim to her influence or are put to the sword or flame. Some of the survivors band together and fight back. Of these rebels there is a young man, Merritt. He searches the heart of the Great Swamp to find the one person who might save them from Shame’s evil rule, Virtue.
Winner of the 2003 Griffin Poetry Prize and of the 2003 CAA Jack Chalmers Poetry Award and Globe 100 book for 2003
In Margaret Avison’s new poems, little pleasures are bound up with larger ones. Her slightest subjects — beloved Toronto parks with their population of oaks, firs, squirrels, dogs, kids, even ants, and the minutest sighs of her contemporary urban soundscape — all have their being within an immense composition that calls and hauls us to a largeness, a category-breaking “always unthinkable” beyond.
“Words have their life too, won’t/ compact into a theorem,” Avison says, and this is certainly true of hers.
To myself everywhere:
Cry out, “Break!” Break
all our securities, and break out!
Explore only the ranges
beyond our mastering. Take on
the inexorable demands made by
a norm of unpremeditated excellence!
from “Alternatives to Riots but all Citizens Must Play”
Concrete and Wild Carrot is Margaret Avison’s sixth book of poems, her first with Brick Books — though we now distribute her Lancelot Press books. She is one of Canada’s most respected writers, still at the top of her form in a career that stretches back to the 1940s, and during which she has gained three honorary degrees and two Governor General’s Awards for Poetry (for Winter Sun and No Time).
Toronto is a concrete city. From international landmarks to civic buildings to cultural institutions to metropolitan infrastructure and the single-family home, reminders of the era of ‘brutalist’ architecture surround Torontonians. But for how long? As architectural fashion has shifted to the glass-and-steel neomodernism of today, these concrete structures have been increasingly ignored – and in some cases, demolished.
Concrete Toronto takes readers on a guided tour of Toronto’s concrete architecture. Editors Michael McClelland and Graeme Stewart have assembled a diverse group of industry experts – architects, university faculty, local practitioners, city planners, historians and journalists – to examine the unique and important qualities and the past and future of Toronto’s concrete buildings in interviews, articles, archival photos, drawings and case studies.
Appealing to both the average reader and the enthusiast, Concrete Toronto provides a refreshing look not only at the neglected buildings, but also at the trends that produced them and the impact and consequences that resulted from their construction.