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In 1965, Africville, the largest and oldest black community in Canada was bulldozed into memory. What was lost to the politicians of Halifax was an inconvenience, an eyesore. But what was lost to the people whose roots ran deep through the once-vibrant community was an entire way of life. The hamlet’s roots went back to the 1830s, when it began to be settled by descendants of the Black Loyalists, the Black Pioneers and others who fled the horrors of slavery in America for the relative freedom of Canada. Africville flourished for generations as a tight-knit agricultural settlement, and its people had every right to expect the public services available to all other citizens of the Halifax peninsula. Homeowners in Africville paid city taxes, but after years of being unfairly and ruthlessly denied even the most basic of modern conveniences, including electricity, running water, and a proper sewage system, which were readily available to all of the rest of the citizens of Halifax, the decision by city officials to locate the municipal dump a stone’s throw from Africville created a rat-infested, slum-like environment for the already beleaguered neighbourhood. Condemned as unsanitary, its residents were told to sell their homes if they could, before finally being evicted without compensation as the bulldozers moved in. The final injustice was that part of Africville was demolished to make way for an off-leash dog park; the rest of the land was used to build the approaches to the A. Murray MacKay Bridge.
In Consecrated Ground, Nova Scotian playwright George Boyd retells the struggle of Africville’s residents to save their homes and their dignity. With tremendous wit and gravity, George Boyd takes us back to Africville on the verge of extinction, making us a gift of characters believable in their vulnerabilities, their courage and their outrage.
Bells doesn’t just fall in love – she dives into it enthusiastically. Although her romantic endeavours leave her with “emotional damage”, she is desperate to find inspiration – a Muse for her paintings – for her next piece. Mark, her crush turned friends-with-benefits, sets her up on a date with a former link. The date in question is Narisha, model and Muse extraordinaire. Bells is immediately smitten. She decides to take a risk for her new fixation by stepping into the unknown waters of polyamory.
An explosive book that exposes the truth about breast cancer screening.
For decades, women have been told that mammograms save lives. Yet many scientists say that this is in fact not true. Conspiracy of Hope reveals how breast cancer screening was introduced in the US before there was any good evidence it made any difference, and an unfounded belief in early detection caught on quickly in Canada and other developed countries. Today the evidence is starkly clear. Screening does more harm than good. Still women, and their doctors, continue to buy into a myth perpetuated by greed, fear, and wishful thinking.
Conspiracy of Hope illustrates how a vortex of interests came together to make breast screening standard medical practice and why it’s so hard to persuade them they are wrong. The radiologists, the imaging machinery manufacturers, and the pink ribbon charities are all part of that story. It is a tale of back-stabbing and intrigue, of exploiting fear and hope, while distorting and misrepresenting the evidence. Or simply ignoring it.
Winner, Thomas Raddall Atlantic Fiction Award
Longlisted, Newfoundland and Labrador Fiction Award and Miramichi Reader‘s “The Very Best!” Book Awards (Novel)
One of 49th Shelf‘s Books of the Year
The time is 1937. The place: the Basque Country, embroiled in the Spanish Civil War. Polyglot and British intelligence agent Temerity West encounters Kostya Nikto, a Soviet secret police agent. Kostya has been dispatched to assassinate a doctor as part of the suppression of a rogue communist faction. When Kostya finds his victim in the company of Temerity, she expects Kostya to execute her — instead, he spares her.
Several weeks later, Temerity is reassigned to Moscow. When she is arrested by the secret police, she once again encounters Kostya. His judgement impaired by pain, morphine, and alcohol, he extricates her from a dangerous situation and takes her to his flat. In the morning, they both awaken to the realities of what Kostya has done. Although Kostya wants to keep Temerity safe, the cost will be high. And Temerity must decide where her loyalties lie.
Writing about violence with an unusual grace, Michelle Butler Hallett tells a story of complicity, love, tyranny, and identity. Constant Nobody is a thrilling novel that asks how far an individual will go to protect another — whether out of love or fear.
Constructive Negativity is a book of criticism without precedent in Canadian Literature. The result of over twenty years of participation in the nation?s poetry community, it combines Shane Neilson?s lived experience of disability with prize culture theory in order to create that rarest of creatures: criticism as page-turner. In the first section of the book, Neilson repurposes Rilke?s famous admonition, saying to poets ?You must change your genre? ? meaning, you must write criticism ? in order for poetry to have a life in an era dominated by prize culture. Later, Neilson provides a starting point for others to engage with books of Canadian poetry using the lens of disability, covering a range of texts and especially weighing in on the author?s particular community, those with invisible disability.
Twenty years ago governments across Canada adopted–with much ballyhoo-new occupational health and safety laws. Consulted to Death shows how the laws failed to deliver on their promise because, despite their rhetoric, they refused to adequately confront the issue of power in the workplace.
During the past 20 years, Manitoba has experienced an astonishing surge of literary activity, dazzling in its diversity and in its divergence from conventional writerly wisdom. Striving to keep pace with this accelerated growth, a lively critical discourse has emerged which is, of necessity, sensitive to the rapidly shifting cultural and epistemological currents reshaping the context for literature.
Contents Under Pressure: 30 Years of Rush at Home & Away is a detailed history of the exhaustive road experience of Canadian rock icons Rush. Celebrating the band’s 30th anniversary, By-Tour features in-depth original interviews with Geddy Lee, Alex Lifeson, and Neil Peart. Together, history’s loudest Order of Canada recipients conjure the sights and sounds of their strange journey: one that began in the microscopic, sometimes hostile clubs of Ontario and culminated in hockey barns, arenas, and stadiums all over the world. Rush have been headliners for over 20 years. The announcement of an impending Rush tour is major entertainment news all over the world, and a cause for celebration for the fanatical following the band has created with their grace, humour, intellect, focus, and spellbinding musicianship. A visitor to this book will be justly rewarded with fresh, exclusive insights about this enigmatic Canadian institution.
Contest is a riotous excursion through the contemporary sportscape. Gary Genosko uncovers the cultural and political qualities of the world of sports from its gaudiest moments-the professional spectacle of Super Sunday and Sports Illustrated‘s swimsuit edition-to its obscure nooks and crannies, like figure-skating psychoanalyst Ernest Jones. The exploration ranges from hockey (“Disciplining Road Hockey,” “Athletes as Pets”) to sports’ relationship with design (“Furniture and Sport”); from bodybuilding (“A Portrait of Jesus as a Young Schwarzenegger”) to bike messengers; from gymnastics (“Olympian Cuteness”) to memorabilia. Genosko’s exhilarating approach employs an idiosyncratic mix of cultural studies, contemporary theory, and a lifetime of collecting sports cards as he celebrates the heroic amateurs and the radical losers who are the real stars of Contest.
Fleeing the increasing pressure to settle down, a restless young man heeds the call of the road and sets out on a meandering four-month bus trip from Dawson, Yukon, to Key West, Florida. Continental Drifter is the record of that journey.
Although a journalist by training, Dave Cameron is reluctant to play the role. He hopes merely to observe quietly, to collect experience. On the road he meets a variety of strangers, some more strange than others – from the Dawson City gold miner in designer sunglasses, the evangelistic co-ed, and a number of alcoholics (some more recovering than others) to the owner of a shrine to Elvis, the Crocodile Lady, and the leathery pensioner intent on passing his days beneath the palm trees of Miami Beach.
Collecting stories and mementos as he goes, by the end of his travels Cameron has also acquired a richer sense of the possibilities of his own life. Equal parts travel picaresque and coming-of-age memoir, Continental Drifter is at once an interpretation of many fleeting individuals and a gradual discovery of one in particular.
Chris Turnbull’s long-awaited debut, the visual and multi-voice continua, displays a remarkable ease across genre and structural boundaries, as well as an ease in which repeated readings both simplify and expand the complexity of a poetic that could only be described as incredibly precise. continua is thick with physical description, scrape and sound, composing pockets of text placed very deliberately against a carved white space.
CBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN SPRING 2023
Feminist poems both serious and absurd that question our obsession with productivity instead of with care.
Continuity Errors questions the privileging of work and productivity over rest and care from an ecological and feminist perspective. Written before and immediately after the birth of her first child, these poems try to imagine the future her son will inherit. Encounters with an unusual cast of characters – including lonely cryptids, unrepentant grifters, and persistent ghosts – provide incomplete answers, and while the continuity errors keep multiplying around her, Wright pauses to consider whether our devotion to innovation is keeping us stuck.
“Catriona Wright’s Continuity Errors is a book of snaking moves and sneaking intellect, a book of style and fortitude and sass. Wright’s always sharp and often eerie interrogations lead us through a world of cryptocurrency, grunt work, predictive policing, extinction, haute cuisine, billboard ads, smoke breaks, breast pumps; these are poems for our moment of onslaught and bewilderment that, having had the world forced down their throats, spit back.” – Natalie Shapero, author of Popular Longing
Contraband Bodies is a debut to be reckoned with. Jide Salawu shines in this personal record of migratory travails and a country lost to precarious politics. A conscious elegy of displacement and home regained through the tribute of roads, evoking diasporic conditions by highlighting syncopated language through pixelated imagery and lapidary details the diverse circumstances of being a Black migrant in Africa, Europe, and America. Contraband Bodies is a cogitation on the agony of Atlantic memories and dispersal. It confronts new forms of digital kinship activated through social waves across diasporic landscape. In Contraband Bodies, Salawu performs a poetic remittance on current exodus within Africa and outside of it as a form of resistance against all forms of oppression against Black migrant subjects in the world today.
In this debut poetry book, Sophie J. Morgan delivers masterful and ravishing tales of heartache, spirituality, happiness, the hunger for oblivion, and the quest for forgiveness. This poetry collection focuses on complex and everlasting themes of emotional contradictions, personal perceptions, and human reflections. These compassionate, exhilarating, and philosophical poems portray a remarkable observation of life and reveal how our world is far from being content.
Contributor’s Notes
Conversations, a collection of poetry that won the 1999 Governor General’s Award (French Language), is a sequence of 999 numbered fragments that record the essence of verbal interactions between two people. Over a period of a year, Herménégilde Chiasson captured snatches of conversations overheard, conversations he had with other people, even reported conversations. Then he distilled what was said and his observations into a series of single sentences, each attributed to a strangely impersonal He or She. Chiasson has likened his concept to the visual experience of driving: a succession of flashes zooming by, the connections only intuited. The blank spot for entry number 1000 underlines a Zen-like philosophy that suggests that nothing is ever fully completed. In subject matter and technique, Conversations fuses tradition and modernity. Chiasson continues his exploration of the often uncomfortable zone where the mechanical or artificial meets human emotion and spirit. The format participates in the strong and lively Acadian oral tradition, yet the sentences themselves are polished literary jewels, almost epigrammatic in their compactness.
Conversations is at the same time as public as a news broadcast and as private as a lover’s unspoken thoughts. With ten personal collections of poetry, Herménégilde Chiasson’s body of work is among the most prolific in Acadian poetry. Mourir à Scoudouc was published in 1974 to critical acclaim in Acadie and Quebec. In 1976, he made a radical departure in style with his collection of anti-poetry Rapport sur l’état de mes illusions. Busy with filmmaking, the visual arts, and playwrighting, it was a decade before Chiasson published Prophéties in 1986. The 1990s were a prolific time for Chiasson’s poetry. His 1991 collections Vous and Existences, broke new ground in the field of experimental poetry and Vous was nominated for a Governor General’s Award. Vermeer and Miniatures continued Chiasson’s quest to blend the visual with the oral in a unique poetic style. In 1996, Chiasson produced Climats. It was hailed as one of modern Acadie’s strongest poetic works and was the first of his books to be translated into English. Climates brought Chiasson his second Governor General’s Award nomination. In 1999, Chiasson won the Governor General’s Award for his landmark poetic work Conversations, now available in English from Goose Lane Editions.