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Colossal Equine Statue
A beautifully written collection of interconnected short stories told primarily through the eyes of a young Anishinaabe woman struggling with her relationships with lovers, friends, family, children, community and culture. As some relationships dissolve or are wrenched apart, others endure and gain strength. An intimate glimpse into the reality faced by many young First Nations women, The Colour of Dried Bones is by turns dark and brooding, sensual and filled with intense longing , infused with anger and brutality and, ultimately, uplifting in its portrayal of one woman’s winding path to reclaim her culture and sense of self.
A letter of apology to Vincent Van Gogh, a flat-footed dialogue with Bernini’s Pope Gregory, a searing glimpse into a young dissident’s life between the Wars — Colour Theory catapults readers back in time to unpack the human condition through vivid imagery and gripping narratives. It investigates how the mind deconstructs and regenerates events. The poems speak to each other and contribute to a steady momentum that’s both elegant and elastic. Collectively, they paint a visceral and highly emotive picture of the universal desire to find meaning, compassion and belonging where even the most ordinary details shimmer with new light and lyrical intensity.
A witty, layered and compelling novel about a woman with Down Syndrome, exploring textile art, sibling relationships, friendships, and good intentions gone awry
What is intellectual disability? Ask Bruno, who is at his wits’ end trying to predict what his sister, Mina, will do next. Ask Iris, who is entranced by the wildly inventive embroidery Mina creates. Ask Gabriela, who loves Mina and disagrees when Bruno uses Mina’s constant demands as an excuse not to have a child.
Meet Mina in her overstuffed Montreal apartment, surrounded by her treasures. She knows she is the best paper sorter at the recycling plant where she works. She is proud to be diabetic but equally happy to cheat on her diet. The colours she stitches hum with life.
Colours in Her Hands is a nuanced and thought-provoking novel about family, about art, about questioning the way the world treats those who are different. With an unforgettable voice, Mina navigates the labyrinth that society sets for her with dignity, inventiveness, and aplomb.
From the author’s note from the original production: Colours in the Dark might best be called a play box. Why?
I happen to have a play box and it’s filled with not only toys and school relics, but also deedboxes, ancestral coffin plates—in short, a whole life. When you sort through the play box you eventually see your whole life—as well as all of life—things like Sunday School albums which show Elijah being fed by ravens, St. Stephen being stoned. The theatrical experience in front of you now is designed to give you that mosaic—that all-things-happening-at-the-same-time-galaxy-higgledy-piggledy feeling that rummaging through a play box can give you. But underneath the juxtaposition of coffin plate with baby rattle with Royal Family Scrapbook with Big Little Book with pictures of King Billy and Hitler, there is the backbone of a person growing up, leaving home, going to big cities, getting rather mixed up and then not coming home again, but making home and identity come to him wherever he is. The kids at the very end of the play manage to get their lightning rod up and attract the thunder that alone can wake the dead. Or, on the other six hands, as Buddha says, there are any number of other interpretations that fit the mosaic we’re (director, writer, actors, kids, designers, composer) giving you…
Colours in the Storm is a musical about the life–and mysterious death–of iconic Canadian painter, Tom Thomson. A play with songs, rather than a traditional musical, the show follows Thomson’s development as a painter from his arrival in Algonquin Park in 1912 to his death there in Canoe Lake in 1917. Increasingly possessed by his artistic vision, Thomson struggles to realize his potential and to come to terms with the passions in his life.
Forget about a world where colouring books are for kids. Times have changed. Whether at home or at work, our busy lives are dominated by computer screens, stress and overflowing calendars. We seem to have lost the ability to relax and engage. Enter the adult colouring book, where the meditative and mindful act of staying inside the lines allows us to slip into a rhythmic, relaxed state-of-mind. Whether undertaken as a solo enterprise, or shared with family, the new world of colouring for grown-ups will feed the needs of the budding artist and dissolve the stress of your worst day. Artist Bobbi Pike is renowned for her vivid and symbolic art pieces. She pours her creativity onto paper and canvas, creating an homage to ‘The Rock’ in every work. In The Colours of Newfoundland and Labrador, Pike has altered her famous style to allow her audience to re-imagine the colours of this artful province. With her black-and-white sketches, she invites us into the coves, communities and small moments of daily Newfoundland life, allowing us to interpret her beautiful images using all the colours of the rainbow. Pike’s original pieces are in demand around the world. But in The Colours of Newfoundland and Labrador, she brings the inner artist in all of us “home,” to enjoy the vibrant, limitless creativity of this magical region.
“At the window, the sound of waves crashing on the beach has a rhythm, and as you close your eyes, that sound begins to vibrate, it blurs into a heavy pulsing sound of wheels pounding over the gaps in the steel rails. It passes. You hear the wind rush through the tall dry marsh grass, feel it pull at your clothes, drawing you inland, after the dark horse, and the girl keeps watching. The sound peaks, it becomes a cry. It is the last thing you will ever and always hear.” — Andrew Hunter
Colville is a book like no other.
Designed to accompany an exhibition at the Art Gallery Ontario, Colville honours the iconic Canadian artist’s legacy and explores the continuing impact of his work on film, literature, and music.
Known for painting decidedly personal subject matter, Colville’s painstakingly precise images depict an elusive tension, capturing moments perpetually on the edge of change and the unknown. Featuring more than 100 reproductions, Colville will feature works assembled from museums and private collections nationwide. Spanning the entirety of Colville’s career, the works will include many works that have never been have never been reproduced before this moment as well as his most iconic paintings, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.
Colville was a painter, printmaker, and war veteran who drew his inspiration from the world around him, transforming the seemingly mundane figures and events of everyday life into archetypes of the modern condition. He was made a Companion of the Order of Canada in 1982 and won a Governor General’s Visual and Media Arts Award in 2003.
“Andrew Hunter has looked with fresh eyes at [Colville’s] paintings and made a coherent argument that Colville deserves to be understood far beyond the normal borders of the art world.” — Robert Fulford, The National Post
This magnificent, best-selling volume is now available in a deluxe paper-bound edition. The original hardcover edition sold more than 15,000 copies.
Colville both honours the legacy of an iconic Canadian artist and explores the contemporary reverberations of his work. Colville was known for being his own man. His paintings depict an elusive tension, a deep sense of danger, capturing moments perpetually on the edge of the unknown. A painter, printmaker, and war artist who drew his inspiration from the world around him, Colville transformed the seemingly mundane events of everyday life into archetypes of the modern condition.
In this beautifully designed volume, Andrew Hunter organizes Colville thematically, incorporating interludes that explore the relationship between Colville’s work and the filmmaking of Wes Anderson, Stanley Kubrick, and Sarah Polley, as well as his influence on writers such as Alice Munro and even cartoonist David Collier. The book is rounded out with more than 100 colour reproductions of Colville’s paintings, spanning the entirety of his career, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.
There are few modern Canadian painters whose work has captured our collective imagination to the extent that Alex Colville’s has. Born in 1920, Colville served as a Canadian war artist in the Second World War and taught Fine Arts at Mount Allison University, Sackville, NB, before embarking on a career as a full-time artist. His paintings, often described in terms of magic realism, have found an international following. In celebration of Colville’s ninetieth birthday in 2010, Gaspereau Press commissioned essays on Colville’s life and work from four contributorstwo German and two Canadian. The resulting collection provides an intimate and thought-provoking reflection on both the artist and his work.
Combat Camera
Lorri Neilsen Glenn’s poems welcome the reader into a place where the strange is made familiar and the familiar reveals its own magic. Here the combustible materials of childhood and old age are always potentially present, and the attention paid them multi-dimensional. Her poems engage their subjects with wits and senses on full alert, whether the occasion is an encounter with the full moon during a lonely drive across the prairies, a raucous community dance at the oldest dance hall in the Maritimes, or the opening of the door into “the small town inside”. Reaching from nature to human nature, often drawn by the long line and the hum of loss, Neilsen Glenn explores a full range of poetic possibilities.
The Judy Garland of the future tells it like she sees it
The year is 2050, and, contrary to popular belief, Judy Garland did not die in 1969. At the grand old age of 138, she’s re-embraced her real name, Frances Gumm; she’s a feminist scholar, working on her Ph.D. at the University of Toronto; and she’s writing her thesis on a little-known gay Canadian playwright and drag queen, Dash King, whose rather dismal career ended in a plethora of drugs and promiscuous sex. Obsessed with King’s antiquated notion of gay politics, Frances’s own meditations on addiction are triggered by his tragic story. Will she go back to drugs, or will she finish her thesis?
Framed in an intense communication between Frances and her Ph.D. advisor, Come Back explores a dystopian future and muses on everything from the merits and demerits of post-structuralism to the future of queer theory. Sky Gilbert’s Judy Garland is angry, profane, funny, and very, very smart.
“Come Down From Up River is a breath of fresh air—in more ways than one.” —The Wellington Advertiser
Shaver Bennett lives a solitary life as a logger up river in the remote woods of northern New Brunswick. So it comes as a surprise when he asks to stay with his estranged niece Bonnie and her wife Liv while he undergoes medical testing at the local hospital. After twenty years apart, their reunion is fraught; Shaver’s rustic straightforwardness seems miles away from Bonnie’s progressive, interracial lesbian relationship. But when he turns out to be more open-minded than the bigoted backwoodsman they anticipated, this family must delve deeper to build a bridge over troubled waters.
From Canada’s most-produced playwright, Norm Foster brings his signature warmth and wit to this endearing comedy about family, forgiveness, and finding common ground. With humour and heartbreak, Come Down From Up River tenderly tackles the assumptions that keep us apart, reminding us that those who seem furthest away may be closer than we think.
A unique, single-volume historical and cultural compendium which will interest residents and visitors alike. Want to find out where the statues of North America’s most significant explorers are? Where British soldiers won a decisive victory in the War of 1812? Where you can swim with a polar bear? Where the first Hardy Boys books were written? Where Winnie the Pooh, Grey Owl and Shania Twain lived? Come On Over! features 42 separate articles focusing on over 100 cities, towns, and villages, the Anishinabek and Mushkegowuk First Nations in the region, and shared natural, historical and social features, such as rivers, waterfalls, railways, parks, recreation, fires, food, birds and birding, and early explorers.
A unique, single-volume historical and cultural compendium which will interest residents and visitors alike. Want to find out where the statues of North America’s most significant explorers are? Where British soldiers won a decisive victory in the War of 1812? Where you can swim with a polar bear? Where the first Hardy Boys books were written? Where Winnie the Pooh, Grey Owl and Shania Twain lived? Come On Over! features 42 separate articles focusing on over 100 cities, towns, and villages, the Anishinabek and Mushkegowuk First Nations in the region, and shared natural, historical and social features, such as rivers, waterfalls, railways, parks, recreation, fires, food, birds and birding, and early explorers.