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With this psychological thriller, award-winning author Fulvio Caccia continues a trilogy that began in 2004 with The Gothic Line. Jonathan and Leila are two strangers who meet coincidentally in Paris. Soon, their budding romance leads them to discover that they share more than attraction. A dark episode took place between them, and will send their reality into a downward spiral.
In Coït, minimalist traces of language cling to a series of mapped channels. Every channel is a tenuous archive of choreographed gestures recorded by the poet from the edges of dance stages. Here, spaces hold words and words hold movement. A book marked by inexhaustible passages, this exquisite English language translation of Québécoise poet Chantal Neveu’s fourth book invites the reader to collaborate in the making of both texts and spaces. Here, Coït refers not only to coitus but to the act of moving in unison. Conceptual and intimate, Coït is a consensual experiment that exceeds the form of the book.
Finalist, Bill Duthie Booksellers’ Choice Award (BC Book Prizes)
In her BC bestseller Cold Case Vancouver, crime historian and reporter Eve Lazarus used investigative skills to shine a light on the city’s most baffing unsolved murders. In Cold Case BC, Lazarus casts her gaze more widely on long forgotten and unsolved murder cases throughout British Columbia. These include teenager Molly Justice, who was murdered on the outskirts of Victoria after taking the bus home from work, and a follow-up to the tragic 1953 Babes in the Woods story of two children found murdered in Stanley Park, whose names were finally revealed this year in a story broken by Lazarus herself. There’s also the tale of four police officers in the 1960s who committed a string of robberies that culminated in the biggest heist in Vancouver’s history. Their reign of terror ended with one of the officers murdering his family before killing himself. Or were they all killed by someone else?
Lazarus also looks at some of the province’s most intriguing missing person cases, such as three-year-old Casey Bohun, who vanished from her bed in the middle of the night, and the Jack family of four, who left Prince George to work in a logging camp along the infamous Highway of Tears but were never seen again.
Interviews with law enforcement, forensic experts, and family and friends of the victims add new life to these historical cases, some of which date back to World War II. The book also includes some cases that have been solved, revealing the painstaking investigative work and new forensic technology that ultimately brought about closure for victims’ families.
Meticulously researched, Cold Case BC is a fascinating true crime book that reveals startling details about the province’s criminal past.
When his father died, award-winning poet and curator Gil McElroy was given a box of photographs that documented his father’s military career. Beginning in the Second World War and continuing right through to the end of the Cold War, the senior McElroy staffed Canada’s network of electronic defence, including the Distant Early Warning Line – a network of radar stations stretching along the Arctic coast from Alaska to Baffin Island.
Established in the early 1950s, the DEW Line provided advance warning of an aircraft or missile attack. There, servicemen lived in isolated radar stations, watching surveillance screens for the telltale blips that threatened nuclear annihilation.
McElroy reflects on the sacrifices these men made, living away from their families for great lengths of time – for the “greater good” of protecting North American airspace and
Western values.
At the same time, Cold Comfort follows McElroy’s experience of growing up as an itinerant military brat, who moved from one posting to another, and the military family’s attempts to hold together in the face of the father’s absence. Cold Comfort also explores the utter enigma that was the author’s father. Examining the contents of the box of photographs, image by image, McElroy attempts to come to terms with the mysterious photographer, a man better understood by his military compatriots than by his own family.
Emerging from the expanse of bewildered mourning, Su Croll’s third collection, Cold Metal Stairs, is a timely lament for those who wander deep into the mists of failing memory, and for those who are left behind, waiting. With profound care, Croll breaks open the quiet conversations happening across the nation about dementia by bringing readers to her father’s bedside to witness his final years, months, hours, and the days that follow. Tender and aching, Croll’s verse confronts the imperfect, heart-rending act of remembering the moments, and ghosts, that linger.
Mary Immaculate is just twelve years old the day she goes missing. Berry-picking in the woods near her village in outport Newfoundland, Mary has an encounter with something from another world. When she is finally found, Mary is taken to hospital in St. John’s, where her attending doctor makes the decision to adopt her out of poverty. Duley’s authentic portrayal of outport life sits in stark contrast to life in upper-level St. John’s, making this a novel as much about class distinction as it is a stunning narrative of a woman’s life in pre-Confederation Newfoundland. Originally published in 1939 to acclaim in Britain and the US, Cold Pastoral was the second novel by Margaret Duley, the acknowledged “first novelist” from Newfoundland.
Deep in the woods, way down the well, in the darkest, dampest parts of story, Cooley spins out his web. Like the best and most magical of fairy tales, cold press moon catches our anxieties and hopes, glimmers with mischief and mystery, and gloms onto something like truth. Romantic and irreverent, playful and profound, these poems work like spells to wake the vital heart.
Cold Sleep Permanent Afternoon, the follow-up to Ray Hsu’s award-winning first collection, Anthropy, is the second book in a prospective trilogy that explores the “grammar of personhood.”Whereas Anthropy approached the human condition through the prism of first-, second- and third-person perspectives, Cold Sleep Permanent Afternoon uses the grammatical concepts of singular and plural as grid-lines to chart contemporary life and concerns both harrowing and humane. Extending from this principal division, Hsu explores the borders between civic engagement and domesticity, dissent and accord, freedom and restriction–each of these are tested against another and framed by the tension between the collective and the individual. With Cold Sleep Permanent Afternoon, Ray Hsu presents our landscape in stark light,confronting the human drama that is manifesting within our lives,and investigating how we make sense of ourselves and the world we have wrought.
Shortlisted for the 2023 Howard Engel Award for Best Crime Novel Set in Canada
November’s rain in Toronto 1936 has turned into December’s cold snap. Charlotte Frayne escapes being hit by a mud-splattered car racing round the corner at Queen and Spadina. The stranger who saves her turns out to be the man her boss, Mr. Gilmore, has helped to escape Germany and is now a refugee in need of shelter.
In a world still recovering from the War to End All Wars and the Spanish Influenza pandemic that killed fifty million people worldwide, and still in the throes of the Great Depression, Stephen Lucas is not just any refugee from the Nazi regime; he is in possession of information that could alter the course of history — but only if seen by persons in power and if acted upon. In a surprising twist of fate, Charlotte’s estranged mother reappears, wanting assistance in locating the son she gave up at birth twenty years before. Despite her turbulent feelings about her mother, Charlotte agrees to investigate, having no idea that the two cases will connect in surprising ways.
Back at the Paradise Café, Christmas draws near and Charlotte’s beau, Hilliard Taylor, and his partners are in disagreement about the holiday concert. With her beloved grandfather in the mix, there’s no telling whether the show will end in good tidings or anarchy.
Cold-Cocked
This collection spans almost five decades and contains more than two hundred poems – poems that demonstrate the variety of Len Gasparini’s themes and styles, his ironical vision, and his verse rhythms in the use of language. Together they document the development of a strong creative source in Canadian poetry.
Alden Nowlan (1933-1983) once wrote of a desire to leave behind “one poem, one story / that will tell what it was like / to be alive.” In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada’s most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan.
Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan’s childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood.
Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a “plainspoken” poet. His varied uses of the poetic line — his handling of line-lengths and -breaks, stanzas, and pauses — show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.
The Collected Works of Pat Lowther brings together, for the first time, the complete contents of the poetry editions published by Pat Lowther. All currently out-of-print, these works are supplemented by never-before-collected and unpublished works, including the fifteen poems in “Time Capsule,” the manuscript Lowther was working on at the time of her death in 1975. One of most distinctive and ambitious voices of her generation, Pat Lowther has inspired critical discussion and cultural debates that have so far taken place in the absence of any fully reliable edition of her accomplished body of work. The Collected Works of Pat Lowther is the first posthumous edition that is attentive to chronology, allowing readers to gain a sharper sense of Lowther’s poetic development over time. Augmented by new audio materials available as a podcast, The Collected Works of Pat Lowther provides a valuable resource for the fans of Lowther and the general poetry reader, as well as for universities, colleges, and high schools.
Each book in this series offers a unique reading of a specific novel, revealing detailed information on the author’s life, the importance of the book, and the critical reception of the book. A selected list of works cited is also included. This volume is focused on Bodily Harm by Margaret Atwood.
Marking the 25th anniversary of the Art Gallery of Ontario’s photography department, Collective States explores the museum’s rich history with the medium, the origins of its permanent photography collection, and the AGO’s evolving engagement with the art form. Focusing on the evolution of the act of collecting at the AGO since the department’s creation at the outset of the 21st century, this book includes the work of early innovators, 20th-century trailblazers, and contemporary artists, as well as significant collections of 20th-century press photographs, pop photographica, and photographic albums.
Featuring over 200 images in five thematic sections, Collective States blends works made across time and place to reveal the rich and versatile uses and approaches to the medium. With a diverse range of artworks, and insightful essays by the AGO’s current curator of photography, Sophie Hackett, and the department’s founding curator, Maia-Mari Sutnik, the book explores the indispensable role photography plays in contemporary visual culture and the advent of galleries, magazines, and festivals that explored the photographic form over the last 50 years.
Back in Canada after a harrowing vacation gone wrong, Michael Barrett tries to put all thought of Ukraine and his mysterious captor turned friend, Dmitri, from his mind. This would be a little easier to do if a million dollars had not just popped into his bank account. A mistake, a message? Would he ever put this adventure behind him, and did a part of him miss the only interesting, yet terrifying, thing that had ever happened to him?