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Climates is suffused with the single-minded desire to fully inhabit, and be inhabited by, a place: Acadie. The political push-and-pull of being Acadian is a constant, even when the mutability of personal life is in the foreground. The four sections of Climates each correspond to a season, and each is marked by unity of tone, atmosphere, and form.
Garry Gottfriedson’s Clinging to Bone digs into the marrow, heart and soul of the human condition. Looking deeply into the Secwepemc (Shuswap) world of today, he examines betrayal, grief, love and survival. He states, “the broken winged sparrows are lost in flight, surviving starvation in the empty belly of wind.” In “Foreigner” he describes how “my skin is the scent of Secwepemcúlucw / a rez Indian, a foreigner / in my own homeland / can you imagine that?” (where “Secwepemcúlucw” means land of the Shuswap). But he also sees humour in the very mechanics of surviving as an Indigenous individual in the Canada of today. His poetry will draw you into love, laughter and sorrow, but leave you contemplating your own survival. A glossary of Secwepemc words is included.
Lewd, loving, delicately crafted, the poems of Clinical Studies focus on the processes we live by, both of the body and the heart – be it the birth of a child, the death of a parent, or the joys and pitfalls of the flesh. With unstinting clarity, candour, and wit, George Slobodzian’s work partakes in the ongoing exploration and celebration of being that is lyrical poetry.
The Clock of Heaven explores issues of identity and of hope through its protagonist, Esa Withrod, an intelligent, educated young woman who is also the unwanted child of dysfunctional parents. The only bright spot in Esa’s childhood was the three months she spent with her grandmother in a house by the sea (in the Maritimes) when she was seven years old. Now she is a young woman struggling over recent events in her personal life–a failed first relationship and resulting pregnancy–as well as with the legacy of her desolate upbringing. Esa is an unusual character–extremely competent but socially withdrawn and unable to establish ordinary relationships with the people around her. Her childhood has prepared her to deal with the world with endurance and resilience, but not with joy. She remains “mystified by kindness.” Searching for that safe haven she knew as a child, she returns to her grandmother’s house to find that it is not possible to go back. Through a spring and summer of traumatic events in what has been her family’s homestead, she discovers the love of family, friendship, and the best of what people in a small community have to offer each other in times of difficulty.
Jonathan Ball’s Clock?re is a suite of poetic blueprints for imaginary plays that would be impossible to produce – plays in which, for example, the director burns out the sun, actors murder their audience or the laws of physics are de?led. The poems in a sense replace the need for drama, and are predicated on the idea that modern theatre lacks both ‘clocks’ and ‘?re’ and thus fails to offer its audiences immediate, violent engagement. They sometimes resemble the scores for Fluxus ‘happenings,’ but replace the casual aesthetic and DIY simplicity of Fluxus art with something more akin to the brutality of Artaud’s theatre of cruelty. Italo Calvino as rewritten by H. P. Lovecraft, Ball’s ‘plays’ break free of the constraints of reality and artistic category to revel in their own dazzling, magni?cent horror.
‘[Ball is] one of our most exciting young poets.’ – Robert Kroetsch
The ultimate adventure for fans of Rush and the internationally bestselling author Kevin J. Anderson
Imagine if someone had written the novel of The Wall, Tommy, or Sgt. Pepper’s Lonely Hearts Club Band when those classic albums were released. For fans of the multi-platinum band Rush, Clockwork Angels: The Novel is that project. In collaboration with the legendary rock band, acclaimed novelist Kevin J. Anderson turns the sonic journey of Rush’s new album into a full-length literary adventure.
In a young man’s quest to follow his dreams, he is caught between the grandiose forces of order and chaos. He travels through a lavish and colourful world of steampunk and alchemy, with lost cities, pirates, anarchists, exotic carnivals, and a rigid Watchmaker who imposes precision on every aspect of daily life.
The final volume in the New York Times–bestselling, award-winning steampunk trilogy by Kevin J. Anderson and legendary Rush drummer Neil Peart
In Clockwork Angels and Clockwork Lives, readers met the optimistic young hero Owen Hardy, as well as the more reluctant adventurer Marinda Peake, in an amazing world of airships and alchemy, fantastic carnivals and lost cities. Now Owen Hardy, retired and content in his quiet, perfect life with the beautiful Francesca, is pulled into one last adventure with his eager grandson Alain. This final mission for the Watchmaker will take them up to the frozen lands of Ultima Thule and the ends of the Earth. Marinda Peake must undertake a mission of her own, not only to compile the true life story of the mysterious Watchmaker, but also to stop a deadly new group of anarchists.
The Clockwork trilogy is based on the story and lyrics from the last album of musical titans Rush, with Anderson and Peart expanding the world, stories, and characters. The two developed the final novel in the trilogy in the last years of Peart’s life, and more than a year after his passing, Anderson returned to that unfinished project, with the full support of Peart’s wife, bringing Owen and Marinda’s stories to a satisfying and stirring conclusion.
Some lives can be summed up in a sentence or two. Other lives are epics.
In Clockwork Angels, #1 bestselling author Kevin J. Anderson and legendary Rush drummer and lyricist Neil Peart created a fabulous, adventurous steampunk world in a novel to accompany the smash Rush concept album of the same name. It was a world of airships and alchemy, clockwork carnivals, pirates, lost cities, a rigid Watchmaker who controlled every aspect of life, and his nemesis, the ruthless and violent Anarchist who wanted to destroy it all.
Anderson and Peart have returned to their colourful creation to explore the places and the characters that still have a hold on their imagination. Marinda Peake is a woman with a quiet, perfect life in a small village; she long ago gave up on her dreams and ambitions to take care of her ailing father, an alchemist and an inventor. When he dies, he gives Marinda a mysterious inheritance: a blank book that she must fill with other people’s stories — and ultimately her own.
Clockwork Lives is a steampunk Canterbury Tales, and much more, as Marinda strives to change her life from a mere “sentence or two” to a true epic.
A snug country house, a snowy landscape in a place that could be Prince Edward Island, a small-town lawyer bumbling through an emotional crisis — Close to the Fire is a winter’s tale that warms the heart while gently chilling the blood. Many years ago, the lawyer (then a student) persuaded the woman who is now his wife to desert Orland, her older husband, and run away with him. Now Orland arrives on their doorstep to die. The lawyer recalls the moral force her exerted to make Marijke change loyalties instead of simply enjoying a little adultery. Does sheltering a dying man atone for stealing his wife? The lawyer doesn’t know and isn’t sure he cares until a dramatic fire and Orland’s death rearrange the domestic hearth.
After snorting up his first-overall pick money and wrapping his Ferrari around a telephone pole, Casey’s baseball days are unambiguously over before they’ve even begun. That is, until the general manager of his hometown Toronto Blue Birds pays him a surprise visit, making an unlikely offer. The team is eager for Casey to sign, but on one condition: he is to be the personal catcher for the team’s star closer, Phil Reardon, a seven-foot-tall lumberjack of a man with a bad attitude and even worse manners. The two form a pact: Reardon will help Casey stick with the team if Casey promises unwavering loyalty. Uneasy with the terms but ultimately agreeable, Casey shakes on it, figuring no harm could come of it. But as he settles into his role on the team, it becomes clear that Reardon is hiding a secret that threatens to derail both Casey’s career and the team’s championship ambitions. Bawdy and brawling, comical and crude, The Closer offers a gritty, uncensored glimpse into the grind of professional baseball.
In this brave first book, Lucy Haché transports the reader with intimate revelations on self-awareness and identity by exploring both her personal and ancestral relationship to the sea, forest and sky. Through skilled restraint and beautifully astute description, Haché’s prose reaches past her own contemplation to connect us all. Masterfully illustrated by artist Michael Joyal, his stunning and meteorologically accurate cloud drawings contribute to the overall sensory and transcendent experience.
In this brave first book, Lucy Haché transports the reader with intimate revelations on self-awareness and identity by exploring both her personal and ancestral relationship to the sea, forest and sky. Through skilled restraint and beautifully astute description, Haché‘s prose reaches past her own contemplation to connect us all. Masterfully illustrated by artist Michael Joyal, his stunning and meteorologically accurate cloud drawings contribute to the overall sensory and transcendent experience.
From the author of Glenn and Inexpressible Island comes this scathing satiric play about sex, power and the Canadian newspaper industry.
Lionel K. Biggar, newspaper baron, aspiring English Lord and megalo-maniac, and Trent, a burnt-out liberal journalist formerly in Biggar’s employ, are kidnapped from a shareholder’s meeting by Eve, shape-shifting terrorist and nemesis. Chained back to back in a dungeon cell, the two men find themselves in a nebulous zone where ideological mind games are the order of the day. The stakes of these games? The future itself.
Clout offers no easy resolutions, no back door out of the story, no final exit.
Cluck is a darkly comic novel about Henry, an only child whose mother has bipolar disorder. As a teen, Henry becomes a radio junkie lost in the world of music. As a young man, he becomes obsessed with a female DJ whose evening show mysteriously beams out of Idaho and into his car while he’s driving over Vancouver’s Lions Gate Bridge. Henry has to live his life in the shadow cast by his mother, but he never completely gives up hope that he can find his place. Slowly, when he’s in his thirties, his life starts to open in positive directions, including sporadic success with chicken farming, outsider art (he calls himself a knit reactor), and romance. But, it’s not until Henry is in his fifties that his character is finally defined, but not without one final struggle with his own quirkiness.
Coal Boy, is a human fiction that builds on the premise: love is universal; so is racism—the same mold as Colson Whitehead, James Hannaham, and Robert Dugoni. Geocultural attributes set my story apart from their works. The United States of America stages their stories, where Black Americans and slavery have long been one of the major human rights issues intensely debated in sociopolitical arenas. My story focuses on people of mixed racial heritage: namely, Black-Japanese—the children of Black Americans and Japanese women born in Japan during the post-World War II Occupation.