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“As accomplished as Jonathan Bennett is at using language, he’s never fussy or precious about it. With his exacting, contemporary voice, part colourful reporter, part reluctant witness, his lines gain their effect by serving experience in the most necessary way possible, via clear-eyed attention and vivid diction. The result is an immediacy often lacking in other poetry. Civil and Civic’s nimble narratives will crackle in your ear.” — David O’Meara, author of Noble Gas, Penny Black
The poems of Jonathan Bennett’s second collection, Civil and Civic, probe for present meanings of civility and civic mindedness, search for boundaries between private and public realms, and question the sprawling and often unintended effects of transparency and obligation. Medicine, the military, science, public relations, social justice, media, business, and the environmental movement are just some of the worlds these poems inhabit.
Not without a spirit of play, in Civil and Civic Bennett emerges as a disquieting curator, giving the reader poetry that is relevant, humane, political, investigative, and outward looking. Yet, within which, he supplies voice to private moments, isolated or suppressed incidents, and to the happy accidents that can occur within language when irreconcilable spheres of influence meet and open up new meanings, ideas, hope even.
This trailblazing history of early British Columbia focuses on the 1858 Fraser River gold rush. Marshall’s detailed account becomes an adventure, prospecting the rich pay streaks of B.C.’s “founding” event and the gold fever that gripped populations all along the Pacific Slope. In doing so, Marshall unsettles many of our romanticized assumptions about the Fraser rush. He shows how foreign miner-militias crossed the 49th parallel, taking the law into their own hands and conducting extermination campaigns against Indigenous peoples. Drawing on new evidence, Marshall explores the three principal cultures of the goldfields: those of the fur trade (both Indigenous and the Hudson’s Bay Company); the Californian; and the British. The year 1858 was a year of chaos unlike any other in Pacific Northwest history. It produced not only violence but the formal inauguration of colonialism, Native reserves, and, ultimately, the expansion of Canada to the Pacific
Slope – leaving Indigenous sovereignty waiting for a full resolution.
The first biography of the beautiful young star of William Shakespeare’s Romeo + Juliet, Brokedown Palace and My So-Called Life, Claire Danes.
Her remarkable early career lead her to become one of the most respected and sought-after stars in Hollywood. She was heralded as the best actress of her generation by Steven Spielberg, and counts her mentor Jodie Foster among her most ardent supporters. Claire Danes traces the first twenty years of this New York native’s enviable life and career — from her childhood growing up in New York City’s trendy Soho district with hippie-artist parents to her successful first year studying at Yale University. All this, and Claire Danes seems to have had a great romantic life as well — including long-term relationship with Australian rocker Ben Lee.
Offering much more than just a biography, Jennifer Ambrose pays special tribute to the show that gave Claire her big break: the critically acclaimed but short-lived television drama My So-Called Life. She includes commentaries on the characters, episodes, and critical and popular reactions to the show, as well as an account of the fans’ ongoing efforts to keep it on the air. Since that career-launching television role Claire Danes spent the rest of her twenties giving exceptional performances in several major Hollywood movies: Little Women, How to Make an American Quilt, Home for the Holidays, To Gillian on her 37th Birthday, William Shakespeare’s Romeo + Juliet, U-Turn, The Rainmaker, Polish Wedding, Les Misérables, The Mod Squad, and Brokedown Palace. One critic has described her strength as the ability to offer “luminous characterizations of complex young women” (Entertainment Weekly) and she has developed this strength throughout her wildly successful career.
This biography will appeal not only to the millions of Claire Danes fans and movie buffs worldwide, but also to television memorabilia collectors and the scores of people who still adore My So-Called Life.
Ever since anthropology PhD student Clara Lemont started researching the African-Brazilian religion of Odùn, her days and nights became filled with dreams of swirling figures of white, drum beats and yellow eyes haunting her in the darkness. When Clara travels to Brazil to do fieldwork, she quickly finds herself immersed in a world of dark intrigue, political corruption, black magic and desire. Travelling across time and space to be reunited with her eternal lover, history, politics and sex all collide as the female energy of the goddesses and the transformative power of love combat the dark forces of evil. An evocative and sweeping tale of myth and magic, from a seventeenth-century escaped slave community in northern Brazil to 1930s Rio de Janeiro, Clara Awake will take you on a sensual journey of intense passion, intrigue and love.
How to survive the unthinkable? This is the question nine-year-old Tom has to face after witnessing his parent’s murder-suicide. After the horrific event, Tom refuses to speak. At first, he moves in with his childless Aunt Sonya, but she is ill equipped to deal with the traumatized boy. Before long, Tom is forced to move again, this time to Claremont Street in downtown Toronto, where he shares a run-down house with his mercurial Aunt Rose and his reckless yet endearing Uncle Will. As the seasons change, Tom’s silence becomes a powerful presence, allowing this fractured family to hear one another for the first time– and for Tom to finally find a home. Claremont is a gripping story of one family’s journey through grief and toward healing.
This volume represents the first full-scale appreciation of Clark Blaise’s writing in more than 25 years and the first comprehensive study of his now more than 20 books. Included are previously published essays by, among others, Robert Lecker, Alexander MacLeod, Catherine Sheldrick Ross, and the volume’s editor, J.R. (Tim) Struthers, along with new essays by William Butt, Stephen Henighan, W.H. New, and Sandra Sabatini, as well as a brand-new autobiographical essay by Blaise himself. As important as these essays are for their insights into Blaise’s works, they offer something more: a rich range of examples showing us how we, as readers and as writers, can come to understand much more intricately and to practice much more powerfully the art of the essay ourselves.
Here is a lifetime’s worth of reflection, of illumination, by one of North America’s finest contemporary writers of fiction, autobiography, and nonfiction, founder of the graduate program in Creative Writing at Concordia University in Montreal and for many years Director of the prestigious International Writing Program at the University of Iowa, teacher and mentor to many — Clark Blaise. Here is a lifetime’s worth of urgent and delighted conversation with fellow writers such as Brian Bartlett, Catherine Bush, Alexander MacLeod, and John Metcalf as well as enthusiastic readers such as Barry Cameron, Geoff Hancock, Catherine Sheldrick Ross, and J.R. (Tim) Struthers. This book of eighteen interviews is a gift for all who enjoy reading and writing.
More punk than prog, neither light nor overweight, the verse in Pino Coluccio’s second book hews to the classic themes of love, death and the passage of time, while presenting a cast of longers and losers whose admirable stubborn pluck is also at times tragic. A collection that above all champions that highest of human art forms: clowning around.
They say laughter is the best medicine, which explains why you need a prescription for nitrous oxide. This book, Classic Jokes, is the first volume in the Yuk Yuk’s Joke Book Series. One brief note on the overall content of these jokes. The prevailing and annoying politically correct movement is still wielding its oppressive might. Although the jokes are still here, you may need to substitute the less cruel term “moron” in place of whichever race, creed, sex, or religious group you’d like to insert in its place when no one is watching. The 500 jokes in this volume represent all the classic forms of comedy — one-liners, shaggy dog stories, riddles, light bulbs, and many more. And as always, they come with the Yuk Yuk’s iron-clad guarantee.
With over 40 unique reviews covering 60 landmark hip-hop albums, Classic Material proves that there is no lack of intelligent commentary and criticism on rap music. Written by an impressive team of North America’s most talented journalists, the book tackles over 20 years of hip-hop recordings.
Claws of the Panda tells the story of Canada’s failure to construct a workable policy towards the People’s Republic of China. In particular, the book tells of Ottawa’s failure to recognize and confront the efforts by the Chinese Communist Party to infiltrate and influence Canadian institutions and to exert control over Canadians of Chinese heritage. It shows how Canadian leaders have constantly misjudged the reality of the relationship while the CCP and its agents have benefited from Canadian naivete.
The Expanded and Updated edition of Claws of the Panda arrives at a crucial point as Canada’s delusions abouts its friendly relations with the CCP have fallen apart since the book’s initial publication. This edition sets out to uncover Ottawa’s relationship with Beijing in light of the CCP regime’s increasingly suspicious and belligerent relations with the US and Europe. The age of a distinctly Canadian bilateral relationship with Beijing is over.
A comprehensive account of Clayoquot Sound and the protest movement: rainforest ecosystems; the April 1993 land-use decision; co-opted forestry science; the Peace Camp and the Blockades; civil disobedience; the police, the courts and the corporations; environmental rights; ongoing logging violations in 1994 (with photos).
A reformed smuggler finds himself embroiled in a mind-bending criminal conspiracy in this page-turning debut
Pastor Tommy Bosco runs a Winnipeg skid row mission that caters to ex-criminals and ex-addicts trying to make a better life. Sometimes that better life means leaving the city — and the good and bad guys — completely behind. A former smuggler, Bosco can make anyone disappear, faking deaths and extracting people across the Canada-U.S. border. But then his ex shows up, fresh from the murder of a biker-gang boss. She’s got plenty of baggage, including the biker’s cryptic ledger that everyone in Winnipeg’s underworld wants to get their hands on. Bosco finds himself a fugitive at the center of a conspiracy that has him staying far away from the cops, the hired hitmen, and even his dear old dad. Navigating through a harsh Prairie winter, Bosco must help his ex escape without having to make an escape himself.
“A drug, romance, and adventure-filled exploration … a story that is both thoroughly of its time and timeless in theme.” — Seattle Times
From ill-advised quests for narcotics to dramatic summer road trips, this memoir of a relationship with a self-destructive woman is “as elemental, lyrical, and cringe-inducing a love story as they come.” — Kirkus Reviews
Suspenseful, darkly funny, and devastating, this is Eli Hastings’s true story of his troubled, decades-long relationship with his friend Serala. At family events, Serala wore demure saris and ate delicately from plates of curry. But elsewhere, she wore a lip ring, designer shades, and a cowboy hat. She regularly drank frat boys under the table, slept fewer than five hours a week, and placed herself in a series of dangerous situations for another bag of heroin.
Serala’s complex personality and seemingly haphazard choices are brought to vivid life, from the search for drugs in Mexican border towns to unplanned 50-hour road trips across the continent. Although she died tragically at age 27, Hastings writes the story of her dark journey with hope and tenderness in this unique memoir of friendship and loss.