Mike Payette is an award-winning director, educator, and actor who has appeared with some of Canada’s finest theatres, including the Citadel, Vertigo, Banff Centre, Segal Centre, Centaur, the Grand, Factory, Neptune, and the National Arts Centre. A frequent guest artist at the National Theatre School of Canada, some of his memorable works as a director include Harlem Duet (Black Theatre Workshop), Hosanna (Tableau D’Hôte Theatre / Centaur), Around the World in 80 Days and Reaching for Starlight (Geordie Theatre), the Canadian premiere of Tarell Alvin McCraney’s Choir Boy (Centaur, later with Canadian Stage / Arts Club), Cockroach (Tarragon), Sensitivity (Obsidian Theatre / CBC Gem, as part of 21 Black Futures), the Quebec premiere of Héritage (A Raisin in the Sun) (Théâtre Duceppe), along with national tours of The Tashme Project (Tashme Prod / Centaur / Factory / Firehall) and Lorena Gale’s Angélique (Black Theatre Workshop / Tableau D’Hôte / National Arts Centre / Factory / Obsidian). He was the co-founding artistic director of Tableau D’Hôte Theatre, past assistant artistic director for Black Theatre Workshop, and was the artistic and executive director of Geordie Theatre before becoming artistic director of Tarragon Theatre in Toronto, where he now resides.

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Daniel David Moses is “a coroner of the theatre who slices open the human heart to reveal the fear, hatred and love that have eaten away at it. His dark play… can leave its audience shaking with emotion.” (Kate Taylor, The Globe and Mail, about The Indian Medicine Shows). Moses, a Delaware from the Six Nations lands on the Grand River, lives in Toronto, where he writes, and in Kingston, where he teaches in the Department of Drama at Queen’s University.

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Falen Johnson is Mohawk and Tuscarora from Six Nations. She is an actor, playwright and emerging dramaturg. She is a graduate of George Brown Theatre School. Selected theatre credits include: The Only Good Indian with Turtle Gals Performance Ensemble, The Triple Truth, Savage, Strong Medicine, Death of a Chief, A Very Polite Genocide, and Tombs of the Vanishing Indian all with Native Earth Performing Arts. She has also been seen in The Ecstasy of Rita Joe, a co-production between Western Canada Theatre and the National Arts Centre. Recently Falen was seen in The River with Nakai Theatre as well as Tout Comme Elle, a co-production between Necessary Angel and Luminato, and in Where the Blood Mixes with Saskatchewan Native Theatre.

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