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In the words of Margaret Thatcher, “A man who, beyond the age of 26, finds himself on a bus can count himself as a failure.” Everyone Rides the Bus in a City of Losers is about wandering Montreal’s streets, with an eye on the storefronts and alley cats, and one foot already in the nearest dive bar. From a series of poems about every station on the Metro to music venues long shut down, it’s sometimes fantastical, nostalgic, funny, and even joyful — a sucker for landmarks, always looking out for glimpses of the Farine Five Roses sign, the Jacques Cartier Bridge, the cross on Mont-Royal, and anything still neon.
Montreal’s rich literary tradition is celebrated: A.M. Klein, Leonard Cohen, Heather O’Neill, Gail Scott, Richard Suicide, and Gaston Miron all make their way into the poems. The book also ventures from the hip hot spots of The Plateau and Mile End to Verdun, Côte-des-Neiges, NDG, St-Henri, Petite-Patrie, and Ahuntsic. A restless spirit propels the text further and further into new neighborhoods, but always returns downtown.
This is a book about those who’ve seen the city turn its back on them and leave them out in the cold. Who get lost in boroughs east and west. Who get lonely, garble their French, and never manage to find a seat at their favorite coffee shop. In Jason Freure’s psychogeography, everyone’s a flaneur. And everyone rides the bus.
“A nostalgic, irreverent debut collection arranged according to the city’s metro. Simultaneously flaneur and commuter (“a young man with a notebook”), Freure brings fragments of time and place together in a profound record of lived experience.” — Publishers Weekly
“A poetic tour of the underside of Montreal. There are no botanic gardens on this tour or Museums of Fine Arts or Parc Jean Drapeau. This is the real Montreal that most do not see but like any big city, it is always there but rarely talked about.” — Evil Cyclist blog
“Through his exploration into the diversity of his city, as rendered through descriptions of metro stations, neighborhoods, and local establishments, Freure’s speaker has created for readers an unrepeatable experience of Montréal, and has managed to render it both familiar and unfamiliar, even to those who have lived there their whole lives.” — Ploughshares blog
“Jason Freure’s work was new to me, and I would certainly look for more of it . . . Freure’s incantations are breathless, urban and gritty.” — Broken Pencil
“His debut collection movingly moves through the city’s streets and public transportation infrastructure, doubling back again and again to wryly catalogue the myriad losses of artists and service economy workers.” — Canadian Literature