A Year at River Mountain
Part intellectual mystery and part spiritual adventure, A Year at River Mountain tells the story of an aging actor from Vancouver who has immersed himself in monastic life inChina and is now examining his past as an actor, husband,and father. As his Western consciousness grapples ... Read more
Part intellectual mystery and part spiritual adventure, A Year at River Mountain tells the story of an aging actor from Vancouver who has immersed himself in monastic life inChina and is now examining his past as an actor, husband,and father. As his Western consciousness grapples with Taoist philosophies and acupressure techniques, he assesses his life and records the struggles of transformation that accompanysuch thinking. The monastery’s Old Master has given the narrator permission to write the commentary he shares with us while raising the question of who reader and narrator really are. Kenyon balances the narrator’s interior life with hints of external disturbance and with purposeful missions outside the monastery where village unrest threatens the monks’ balance and harmony. Crises build as war threatens, floods occur, and a devastating event leads our narrator to a beautiful and surprising formulation of how things are.
Michael Kenyon was born in Sale, England, but has lived most of his life on the west coast of Canada. He works as a freelance editor, and has a therapy practice in process-oriented psychology and jin shin do bodymind acupressure. The author of seven books, he is primarily known as a fiction writer. In 1991 Brick Books published Rack of Lamb, a collection of prose poems. His work has appeared in a number of anthologies and magazines, and has aired on CBC. For many years, he served on the editorial board of The Malahat Review.
Across the lawn they come, the doctors, in a small group, laughing and talking together and, amazing thing, the central figure, a tall man in a white shirt with an open collar, stops, and a tear rolls down his left cheek, then a second. He holds up his hands to mask his face. There is a word to describe this kind of waiting, but I can’t remember it, only the shape, like the double curve a child draws to suggest a bird in flight. The other word, the writing-journey word, is more alive, closer but still elusive. The doctor’s hands meet in prayer, in front of his throat.