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September 30 is Truth and Reconciliation Day in Canada: a day to mourn the Indigenous children lost to and abused in Canada’s residential school system, and a resounding call to know and action the 94 Calls to Action in the Truth and Reconciliation Commission of Canada’s report. These books, from personal memoirs to essays to novels to poetry collections, are a place to get started.
Showing 17–32 of 39 results
Originally from the community of Ekuanitshit (Mingan) in the Lower North Shore region of Quebec, Cousineau-Mollen was adopted at a very young age by an urban family as part of what is now known as the Sixties Scoop. Although Cousineau-Mollen did not grow up in an Indigenous community, her adoptive family maintained contact with her biological family, ensuring she remained connected to her culture and identity. Having faced adversity and rejection during her studies at Laval University due to her Indian Status, she has since worked to build and support community initiatives, through Aboriginal student associations and involvement in the Wolf Pack Street Patrol, for the Indigenous homeless people of Montreal. In The Liturgy of Savage No. 82, Cousineau-Mollen reclaims, honours, and makes space for herself and the rights of Indigenous women. A powerful and emotional poetry collection, The Liturgy of Savage No. 82 explores the realities facing Indigenous women in Canada and the emotional impact of homelessness, intergenerational trauma and systemic racism, all through a feminist lens as she considers the implications of femininity and identity in relation to the unceded land of her people.
Drawing on her Ojibwa roots and storytelling, Barnes shares stories that take the heart on the path to the past, nostalgic though it may be, wherein lies discovery, memories, and rhythms that ease the soul. Touching, tender but never overwrought, Barnes’ poetry brings wonder to the spirit of nature and provides a sense of connection to the things most often overlooked.
***2022 ATLANTIC BOOK AWARDS: APMA BEST ATLANTIC-PUBLISHED BOOK AWARD – SHORTLIST***
***2022 BMO WINTERSET AWARD – LONGLIST***
***2022-2023 HACKMATACK AWARD: ENGLISH FICTION – SHORTLIST***
***2022 IPPY AWARDS: MULTICULTURAL FICTION: JUV/YA – SILVER***
In 1822, William Epps Cormack sought the expertise of a guide who could lead him across Newfoundland in search of the last remaining Beothuk camps on the island. In his journals, Cormack refers to his guide only as “My Indian.”
Now, almost two hundred years later, Mi’sel Joe and Sheila O’Neill reclaim the story of Sylvester Joe, the Mi’kmaw guide engaged by Cormack. In a remarkable feat of historical fiction, My Indian follows Sylvester Joe from his birth (in what is now known as Miawpukek First Nation) and early life in his community to his journey across the island with Cormack. But will Sylvester Joe lead Cormack to the Beothuk, or will he protect the Beothuk and lead his colonial explorer away?
In rewriting the narrative of Cormack’s journey from the perspective of his Mi’kmaw guide, My Indian reclaims Sylvester Joe’s identity.
Finalist, Alexander Kennedy Isbister Award for Non-Fiction
Finalist, Eileen McTavish Sykes Award for Best First Book
In September 2015, Sheila North was declared the Grand Chief of Manitoba Keewatinowi Okimakanak (MKO), the first woman elected to the position. Known as a “bridge builder”, North is a member of Bunibonibee Cree Nation. North’s work in advocacy journalism, communications, and economic development harnessed her passion for drawing focus to systemic racism faced by Indigenous women and girls. She is the creator of the widely used hashtag #MMIW. In her memoir, Sheila North shares the stories of the events that shaped her, and the violence that nearly stood in the way of her achieving her dreams. Through perseverance and resilience, she not only survived, she flourished.
Set during the dramatic Red River Resistance of 1869-1870 and the birth of Manitoba. The novel is told through the perspective of a young Irish-Canadian journalist, Conor O?Dea. Under mysterious circumstances, after working for the assassinated politician D?Arcy McGee, O?Dea is sent West, and to Sir John A. Macdonald?s horror befriends Louis Riel. Macdonald never understood Louis Riel and never really tried to.
The story also includes the little known Fenian attack in Manitoba. If Louis Riel had supported his fellow Catholics, it could have been what the lieutenant governor called ?a rough time of it.? But he didn?t. He supported Canada.
Equal parts spy thriller and love triangle and, in a time of reconciliation, this poignant novel contributes to the complicated story of Canada.
Henderson and Bouchard have managed the magnificent feat of starting a very important conversation about this great land for all of those who call it home.
Dive into the powerful narrative of Poetry Marching for Sindy as Virginia Pésémapéo Bordeleau examines the haunting disappearance of Sindy Ruperhouse in 2014, a woman from the Abitibiwinni First Nation. In this poignant seventh literary work, Bordeleau navigates the raw emotions of anger, sadness, and compassion that echo across the continent due to the vanishing of too many Indigenous women.
Through this evocative longform poem, Bordeleau delves into the depths of societal contempt and hatred towards Indigenous women, igniting crucial reflections on the root causes of violence against them. With a blend of spirituality and profound sensitivity, she crafts a compelling narrative that urges readers to join in her quest for justice and understanding.
Poetry Marching for Sindy serves as both a lament for Sindy?s absence and a celebration of women?s voices and the resilience of communities in the face of tragedy. Join Bordeleau on a journey of grief, longing, and hope as she honors Sindy’s memory and amplifies the voices of those who demand justice and closure. Poetry Marching for Sindy is a testament to the enduring strength of the human spirit and the unwavering power of collective action.
Resisting Canada gathers together poets for a conversation bigger than poetic trends. The book’s organizing principle is Canada–the Canada that established residential schools; the Canada grappling with the Truth and Reconciliation Commission; the Canada that has been visible in its welcome of Syrian refugees, yet the not-always-tolerant place where the children of those refugees will grow up; the Canada eager to re-establish its global leadership on the environment while struggling to acknowledge Indigenous sovereignty on resource-rich land and enabling further colonization of that land. In the face of global conflicts due to climate change, scarcity, mass migrations, and the rise of xenophobic populisms, Canada still works with a surface understanding of its democratic values–both at their noblest and most deceptive.
The work included in Resisting Canada–by celebrated poets such as Lee Maracle, Jordan Abel, Billy-Ray Belcourt, Louise Bernice Halfe, Michael Prior, and Leanne Betasamosake Simpson–addresses, among other things, Indigenous agency, cultural belonging, environmental anxieties, and racial privilege. These poems ask us to judge and resist a statecraft that refuses to acknowledge past and present wrongs. Think of Resisting Canada as a poetic letter to Canada’s politicians and leaders.
CBC BOOKS ‘CANADIAN POETRY COLLECTIONS TO WATCH FOR IN 2024’
The Sky Woman has returned to bring down the patriarchy!
This book is about a poet who may or may not be going crazy, who is just trying to survive in Winnipeg, where Indigenous people, especially women, are being disappeared. She is talking to a crow who may or may not be a trickster, and who brings a very important message: Sky Woman has returned, and she is ready to take down the patriarchy.
This is poetry, prose and dialogue about the rise and return of the matriarch. It’s a call to resistance, a manifesto to the female self.
Cree poet and broadcaster Rosanna Deerchild is an important voice for our time. Her poems – angry, funny, sad – demand a new world for Indigenous women.
Featured on Quill & Quire’s Fall Preview
A nuanced, relational, and community-minded new book from one of Canada’s preeminent poets.
South Side of a Kinless River wrestles with concepts of Métis identity in a nation and territory that would rather erase it. Métis identity, land loss, sexual relationships between Indigenous women and European men, and midwifery by Indigenous women of the nascent settler communities figure into these poems. They add up to a Métis woman’s prairie history, one that helps us feel the violence in how those contributions and wisdoms have been suppressed and denied.
“Each poem is an anthem, every page showcasing the talent and necessity of this incredible poetic voice. Dumont brings the Métis tone, cadence and intricate stitch-work into all she creates.”
– Cherie Dimaline, author of The Marrow Thieves and Empire of the Wild
“The voice of this Métis woman is as loving, tender and humane, as it is powerful, satirical and political…”
– Rita Bouvier, author of a beautiful rebellion
Faced with a constant stream of news reports of standoffs and confrontations, Canada’s “reconciliation project” has obviously gone off the rails. In this series of concise and thoughtful essays, lawyer and historian Bruce McIvor explains why reconciliation with Indigenous peoples is failing and what needs to be done to fix it.Widely known as a passionate advocate for Indigenous rights, McIvor reports from the front lines of legal and political disputes that have gripped the nation. From Wet’suwet’en opposition to a pipeline in northern British Columbia, to Mi’kmaw exercising their fishing rights in Nova Scotia, McIvor has been actively involved in advising First Nation clients, fielding industry and non-Indigenous opposition to true reconciliation, and explaining to government officials why their policies are failing.McIvor’s essays are honest and heartfelt. In clear, plain language he explains the historical and social forces that underpin the development of Indigenous law, criticizes the current legal shortcomings and charts a practical, principled way forward.By weaving in personal stories of growing up Métis on the fringes of the Peguis First Nation in Manitoba and representing First Nations in court and negotiations, McIvor brings to life the human side of the law and politics surrounding Indigenous peoples’ ongoing struggle for fairness and justice. His writing covers many of the most important issues that have become part of a national dialogue, including systemic racism, treaty rights, violence against Indigenous people, Métis identity, the United Nations Declaration on the Rights of Indigenous People (UNDRIP) and the duty to consult.McIvor’s message is consistent and powerful: if Canadians are brave enough to confront the reality of the country’s colonialist past and present and insist that politicians replace empty promises with concrete, meaningful change, there is a realistic path forward based on respect, recognition and the implementation of Indigenous rights.
In The Dialogues: The Song of Francis Pegahmagabow, award-winning author Armand Garnet Ruffo brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories. From Manitoulin Island to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection. These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world.
John Brady McDonald, MBSFA, a Nêhiyawak-Métis multidisciplinary artist and writer from Treaty Six Territory in Saskatchewan, Canada, is an award-winning author of multiple books who has presented at literary festivals around the world. Before all this, however, he was a young, urban Indigenous youth, struggling with addictions, the streets, and the pain and turmoil of intergenerational trauma as a residential school survivor and the child of residential school survivors.
These raw, lyrical poems are a glimpse of the birth of a poet, recklessly using language and words with abandon and without restraint. It is the poetry of an individual experimenting with the language, mixing the influences of Shakespeare and Jim Morrison with the teenage-Goth writing style of youth-the base metals from which a lifetime of words was forged.
Originally published by Kegedonce Press in 2004, The Glass Lodge was presented across Canada and the United States at esteemed festivals. Chosen for the First Nations Communities Read program, it was also nominated for the Anskohk Aboriginal Book of the Year in 2005.
Now, here is that seminal work in a brand-new edition, re-edited and restored, illustrated with images of many of the original, handwritten poems, and with author’s notes providing frank, fascinating insight into what gave rise to each of these verses: the outpouring of language that marked the birth of a remarkable writer.
Winner of the 2017 Governor General’s Literary Award (Young People’s Literature – Text)
Winner of the 2017 Kirkus Prize
Winner of the 2018 Sunburst Award
Winner of the 2018 Amy Mathers Teen Book Award
Winner of the 2018 Burt Award for First Nations, Inuit and Métis Young Adult Literature
Just when you think you have nothing left to lose, they come for your dreams.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The Indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden – but what they don’t know is that one of them holds the secret to defeating the marrow thieves.
The elders in Those Who Know have devoted their lives to preserving the wisdom and spirituality of their ancestors. Despite insult and oppression, they have maintained sometimes forbidden practices for the betterment of not just their people, but all humankind.First published in 1991, Dianne Meili’s book remains an essential portrait of men and women who have lived on the trapline, in the army, in a camp on the move, in jail, in residential schools, and on the reserve, all the while counselling, praying, fasting, healing, and helping to birth further generations.In this 20th anniversary edition of Those Who Know, Meili supplements her original text with new profiles and interviews that further the collective story of these elders as they guide us to a necessary future, one that values Mother Earth and the importance of community above all else.