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Happy Pride, June and all year long! Discover these amazing titles by LGBTQ2SIA+ writers from across Canada.
Showing 145–160 of 164 results
When English Professor Marta Spëk is offered a film consultant’s contract, she’s fighting a bad case of year-end doldrums. She signs on, imagining that exotic hands-on work at the sandy location shoot for a made-in-Canada biopic will open doors of opportunity and spark her creativity – or at the very least supply interesting material for her family’s annual Labour Day gathering. Meanwhile, her soon-to-be boss, the handsome cynic Jake Nugent, who’s well experienced with shoot dynamics in remote sites, hopes only to stamp out inevitable problems before they swallow the budget and cost him a job. Script changes (massive), on-set mishaps (minor), and after-hours misadventures (many) guarantee that Marta and Jake won’t easily forget this week in the Okanagan Valley. A wry look at the shoestring end of a billion-dollar industry and the occasional but profound foolishness of the human heart, This Location of Unknown Possibilities makes a case for black comedy being the best lens for viewing contemporary life.
In Touch Anywhere To Begin, Jim Nason’s fifth collection of poetry, poems are set in a physical world where full-throttle desire commingles with love, loss and grief. Although death is ever present, death of a father, death of a friend, there is a life-affirming/mystical quality at the core of this book. Nason reminds us that the city is both real and surreal, a place of creatures and buildings, imagination and deep emotions. He celebrates demolition as enthusiastically as construction. The death of a child is no more or less significant than an elderly woman?s sickly body or a young man’s seductive powers. Finalist for the 2015 CBC poetry prize, the long poem, City With Animals, which celebrates one billion transformations in the body per second, is a tribute to Max Ernst.
Isabel Norris has never left the ice. Her father was a hockey legend who died before she was born, and her grandparents have raised her in his skates.
When Iz leaves her grandmother behind to play for the Winnipeg University Scarlets, she struggles to fit in on this team of hard-hitting, tough-talking women with a penchant for buffets, beer bongs and raunchy humour – and a fierce loyalty to one another and to their sport. But in their raucousmidst, Iz can’t quite find her own place in the game.
As she moves between the rowdy hilarity of the Scarlets’ dressing room and quiet, lyrical contemplations, Iz tries to navigate the ways loss plays out on the ice. Based largely on author Cara Hedley’s three seasons on the University of Manitoba Bison, Twenty Miles celebrates women’s hockey and offers an uncompromising look at the ways in which the sport both haunts and redeems the women who play it.
‘[A] work of literary fiction that is surprisingly touching, honest, engaging and unusual – both in terms of its subject matter and perspective … Hedley stickhandles her way around Iz’s conundrum with beautiful agility, using deftly lyrical prose and insight to describe the rough and tumble of a hard-hitting game and the harsh realities of life.’
– Winnipeg Free Press
An engrossing, timely, and contemporary novel about the bonds between twins, about sexuality and gender fluidity, and about the messy complexities of modern family life – the much-anticipated new novel in more than a decade by acclaimed writer Keith Maillard.
Dr. Erica Bauer – an identical twin – studies twins at the university in Vancouver. Through the course of her research, she meets a set of preteen twins who are evidently fraternal, but who insist emphatically that they are identical. Their mother, Karen Oxley, is a West Van single mum whose life is on the wrong road – and who discovers an urgent need to put it back on the right one. As Erica sets out to help the twins, their lives become increasingly intertwined in unexpected ways.
Twin Studies is a masterful novel that explores the complicated bonds between twins and siblings, friends and lovers; the role of class and money; and the nature of gender and sexuality. It’s a novel with characters who are real, their relationships a rich world that readers will thoroughly lose themselves in. No other contemporary novel so deftly explores the intersection between our inner lives and our public lives – that “we’re not what people see.”
Finalist for the 2020 Western Canada Jewish Book Awards, The Nancy Richler Memorial Prize for Fiction
Finalist for the 2020 Kobzar Book Award
Finalist for the 2019 Ethel Wilson Fiction Award
We All Need to Eat is a new collection of linked stories from award-winning author Alex Leslie that revolve around Soma, a young Queer woman in Vancouver, chronicling her attempts to come to grips with herself, her family and her sexuality.
Set in different moments falling between Soma’s childhood and her late thirties, each story–bold and varying in its approach to narrative–presents a sea change in Soma’s life, from Soma becoming addicted to weightlifting while going through a break-up in her thirties; to her complex relationship with her younger brother after she leaves home revealed over the course of a long family chicken dinner; to Soma’s struggles to cope with her mother’s increasing instability by becoming fixated on buying her a lamp for seasonal affective disorder; and the far-reaching impact and lasting reverberations of Soma’s family’s experience of the Holocaust as it scrapes up against the rise of Alt Right media. Lyrical, gritty and atmospheric, Soma’s stories refuse to shy away from the contradictions inherent to human experience, exploring one young person’s journey through mourning, escapism, and the search for nourishment.
In We Are Not the Avatars, renowned poet and editor John Barton collects his most provocative essays, public lectures, and reviews produced over the past twenty-five years. Though Canadians still have some way to go, Barton began publishing in an era much less attentive to queer voices. In this special book, Barton grafts his own memoir about finding his voice as a poet and feet as an editor to astute takes on Margaret Avison, Emily Carr, Pat Lowther, Maureen Hynes, Anne Szumigalski, and many others. Making this book even more essential reading is the larger cultural context Barton brings to bear by writing about the historical production evolution and reception of queer writing in the lengthening shadow of equity.
Set in Calgary in 1982, during the recession that arrived on the heels of Canada’s National Energy Program, The Western Alienation Merit Badge follows the Murray family as they struggle with grief and find themselves on the brink of financial ruin. After the death of her stepmother, Frances “Frankie” Murray returns to Calgary to help her father, Jimmy, and her sister, Bernadette, pay the mortgage on the family home. When Robyn, a long-lost friend, becomes their house guest old tensions are reignited and Jimmy, Bernadette and Frances find themselves increasingly alienated from one another.
Part family drama, part queer coming-of-age story, The Western Alienation Merit Badge explores the complex dynamics of a small family falling apart.
What You Can’t Have is a candid exploration of sex, sexuality, and sexualities.
Michael V. Smith explores desire, looking at the difference between wants and needs in this collection of poems about longing to belong and acceptance.
Some of the poems are concerned with adolescent awareness of sexuality and self while others are concerned with gender transgression. All examine the limits of our cultural norms in a collection that is carnal, corporeally driven, and relishes in the body. Smith uses language that is plain-spoken, artful and yet undecorated.
Finalist, ReLit Award
Finalist, McNally Robinson Book of the Year (Manitoba Book Awards)
Finalist, Bisexual Book Award (USA)
Whitetail Shooting Gallery, a new novel from award-winning author and Giller Prize nominee, Annette Lapointe, is set in the outer urban, often desolate, landscape of the Saskatchewan prairie.
Cousins Jennifer and Jason live close together as small kids, exploring their rural home. They live in adjacent, sometimes overlapping, households. But one act of family violence begets another, and the cousins drift apart. By adolescence, the two are estranged. Jennifer grows closer to her best friend, Donna, an evangelical minister’s daughter who rebels against her family by immersing herself in a world of vectors, fractals, perfect math, and porn.
Jason’s world is hockey. Donna likes his street-hockey bruises. Jason’s also interested in Gordon, a semi-recluse ex-teacher who lives on the periphery of town and constructs art installations from leather, tamarack, animal skulls, and other found items.
Horses, bears, kissing cousins, and other human animals conspire in a series of conflicts that result in accidental gunfire and scarring – both physical and emotional – that takes many years to heal.
Praise for Whitetail Shooting Gallery:
BC Books for BC Schools Pick
“Imagine Alissa York’s Fauna but in rural Saskatchewan and with all the sentimentality stripped away. Imagine lots of sex, kissing cousins, a gunshot to the face, and a set of teeth that get kicked in over and over again. Imagine a family farmhouse, country roads, the kind of place you might want to move to raise your kids if you don’t look too closely. The hockey player, the pastor’s daughter, how he’s giving blow jobs to his teammates, and she’s having sex with her best friend. … Whitetail Shooting Gallery baffled me thoughout, disturbed and troubled me, but it also intrigued me, continually surprised me, never stopped me wondering what would happen next. It’s an anti-pastoral, a complicated portrayal of rural life. … Annette Lapointe’s literary reputation was established with Stolen, which was nominated for the Scotiabank Giller Prize in 2006. And here in her second book, she’s turning Can-Lit on its head, challenging not only her readers’ sensibilities, but also ideas about what a novel should be. And the latter seems to be a requirement for the kind of book that I like best.” (Pickle Me This, blog)
“Wintry, notably offbeat, written with an elegant precision, and at times slyly funny … Lapointe’s beautiful treatment of poète maudit subject matter never fails to impress.” (The Vancouver Sun)
“In Whitetail Shooting Gallery, Lapointe gives us an animalistic view of the teen world. This is not small-town rural life as idyllic or pastoral. Lapointe’s world reflects the turmoil, raging emotions and hormones brewing inside adolescents. … the plot is almost secondary to Lapointe’s vivid, powerful voice and her beautifully savage view of rural prairie life.” (Winnipeg Free Press)
Most Anticipated Books of Fall 2012 pick, 49th Shelf